{
"work": "길 위의 번개",
"run": "scene-20260921",
"builtAt": "2026-09-23T15:04:37+00:00",
"imageModel": "gpt-image-2.5-sunburst",
"reviewer": {
"host": "claude-code",
"model": "claude-fable-5-1",
"note": "같은 오케스트레이터 호스트의 시각 검토. 독립 평가 아님."
},
"policy": "첫 결과물 보존, 자동 재생성 없음. 검토 결과(blocking/advisory) 그대로 공개.",
"directionChange": {
"at": "2026-09-21T14:21:31.773166+00:00",
"chapter": 3,
"scene": "s4",
"reason": "grok preflight blocked 3x: direction itinerary (night/dawn side path/outpost) conflicts with excerpt ch-3-p-22..27",
"blockedWorkflowId": "wt-0d0cc5c6-ca67-4274-84b0-51f343d40aef",
"archivedTo": "works/thundertrail/production-workspaces/scene-ep03/.vibelore/webtoon/workflows-blocked/",
"old": "Night rock passage blocked by chains, then dawn side path and a mountain outpost; keep light and terrain coherent within the scene.",
"new": "Locations follow only the selected source units: a rock passage blocked by rusted chains, and a side ledge or a mountain outpost only when the excerpt itself reaches them; never advance time of day or place beyond the excerpt; keep light and terrain coherent within the scene.",
"appliesFrom": "s4"
},
"costsNote": "각색 CLI(plan/preflight) 비용 + 이미지 API 비용(OpenAI usage API 조회, openai-usage-20260921.json). Codex 각색은 대시보드 확인 결과 청구 $0, 정가 환산 병기. 4화(scene-20260922) 각색은 Grok CLI 보고값, 이미지는 OpenAI usage API 집계(openai-usage-20260922.json). 5화(scene-20260923-opus) 소설·각색은 Claude Code CLI 보고값(total_cost_usd), 이미지는 OpenAI usage API 집계(openai-usage-20260923.json). 6·7화(scene-20260923-gpt6) 소설·아크·각색은 OpenAI Responses API 직접 호출, 비용은 OpenAI Costs API 일 단위 품목 집계, 이미지는 usage API 분 단위 대응(openai-usage-gpt6.json).",
"pricingSource": "https://developers.openai.com/api/docs/pricing (2026-09-22 열람) gpt-6-astra short context: input $10/M, cached $1/M, cache write $12.5/M, output $50/M; gpt-image-2.5-sunburst: image input $8/M, text input $5/M, image output $30/M",
"episodes": [
{
"chapter": 1,
"title": "마차에서 빵이 떨어졌다",
"host": "Codex",
"model": "gpt-6-astra",
"effort": "high",
"novelHost": "Codex",
"novelModel": "gpt-6-astra",
"sceneCount": 8,
"panelTotal": 57,
"passCount": 0,
"blockingTotal": 12,
"advisoryTotal": 20,
"blockingByLayer": {
"render": 12
},
"imageCalls": 8,
"imageOk": 8,
"cliCalls": 19,
"cost": {
"novelUsd": 4.09,
"webtoonUsd": 9.86,
"webtoonUsdLow": 8.76,
"estimated": true,
"imageUsd": 0.96,
"costsApiUsd": 0.0
},
"scenes": [
{
"id": "s1",
"n": 1,
"title": "무너지는 다리 위로",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-1-p-1",
"n": 1,
"text": "마차에서 빵이 떨어졌다."
},
{
"id": "ch-1-p-2",
"n": 2,
"text": "리아는 난간 밖으로 손을 뻗었다가 거두었다. 빵은 빗줄기 사이로 작아지더니 계곡 밑의 흰 물살에 삼켜졌다. 그 위에서 마차 바퀴가 한 번 더 기울었다."
},
{
"id": "ch-1-p-3",
"n": 3,
"text": "“사람 있어요?”"
},
{
"id": "ch-1-p-4",
"n": 4,
"text": "“둘! 안에 애 하나!”"
},
{
"id": "ch-1-p-5",
"n": 5,
"text": "마부석의 여자가 소리쳤다. 한 손으로 고삐를 잡고, 다른 손으로 짐 덮개를 들추려 했다. 덮개 아래에서 작은 주먹이 불룩 튀어나왔다."
},
{
"id": "ch-1-p-6",
"n": 6,
"text": "동쪽 끝까지는 마차 한 대가 겨우 들어갈 거리였다. 말의 앞발은 땅에 닿아 있었지만 뒤에 매인 수레가 말까지 끌어당겼다. 길목에는 말보다 큰 사슴이 서 있었다. 젖은 뿔이 바위처럼 검었다."
},
{
"id": "ch-1-p-7",
"n": 7,
"text": "리아는 서쪽 난간에 묶인 통행 금지 끈을 넘었다. 가방을 앞으로 돌리자 크림색 털뭉치가 덮개를 밀고 나왔다. 비를 맞은 둥근 귀가 순식간에 납작해졌다."
},
{
"id": "ch-1-p-8",
"n": 8,
"text": "“보리, 조금만 참아.”"
},
{
"id": "ch-1-p-9",
"n": 9,
"text": "보리는 리아의 손가락을 밀어내고 다시 숨었다. 다만 가방 밖에 남은 긴 꼬리는 끌어 넣지 못했다. 리아는 젖은 꼬리 끝을 안으로 넣어 준 뒤 마차를 향해 뛰었다."
},
{
"id": "ch-1-p-10",
"n": 10,
"text": "뒤에서 도윤이 따라왔다. 판자가 울릴 때마다 그의 시선은 발밑과 난간의 고정점을 오갔다."
},
{
"id": "ch-1-p-11",
"n": 11,
"text": "“리아. 받치고 나면?”"
},
{
"id": "ch-1-p-12",
"n": 12,
"text": "“사람 나오면 놓으면 돼.”"
},
{
"id": "ch-1-p-13",
"n": 13,
"text": "“너 나올 자리도 봐.”"
}
],
"pFrom": 1,
"pTo": 13,
"panelCount": 8,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep01-s1.webp",
"blocking": 2,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 리아의 대사(“사람 있어요?”)가 마렌 입에 붙음. 마렌의 답은 짐 덮개에 붙음. 화자 오귀속.",
"en": "Panel 3 attributes Lia's question (text-2) to Maren: the balloon is anchored at Maren's mouth and Lia is absent from the panel; Maren's answer (text-3) is anchored to the cargo cover instead of Maren. The exchange's speakers cannot be read correctly."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 말과 사슴이 모두 다리 판자 위에 서 있음. 원문 p6은 말 앞발만 땅, 사슴은 동쪽 끝 길목.",
"en": "Panel 2 shows the horse standing entirely on the bridge planks and the stag also standing on the bridge deck; p6 states the horse's front feet have reached the ground while the wagon drags it back, and the stag stands at the path beyond the eastern end. The load-and-footing relationship is not shown."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 가방 위 갈색 털 뭉치가 보리 꼬리로 읽히지 않음(p9).",
"en": "Panel 5 shows Lia's hands around a dark-brown furry mass on the bag; it does not read as the cream marten's long dark-tipped tail being tucked in (p9) and could be mistaken for a different animal."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 비에 눌린 보리 귀(p7)가 보이지 않음.",
"en": "Bori's round ears are not visibly flattened by the rain in panel 4 (p7)."
}
],
"textsTotal": 7,
"textsOk": 5,
"timings": {
"planS": [
93
],
"preflightS": [
154
],
"imageS": 46,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1061,
"plan": {
"intent": "Build one continuous rescue scene in which falling bread reveals the danger before the endangered people become visible. Lia commits to reaching them, briefly tending to Bori on the way. Doyun follows and identifies the omission in her plan: her own escape. Keep the rain, unstable carriage and blocked route present through the quieter character actions. End with his warning, before any rescue mechanism or outcome is shown.",
"staging": "Use a finished full-color fantasy comic with expressive ink lines and a natural vertical reading flow. Favor generous, legible panels; distribute the events across the chosen panel count without treating each beat as a panel. Keep one continuous rainy gorge crossing: white water below, planks and railings at the crossing, a closure cord tied to the western railing, and the eastern end relevant to the carriage's predicament. The horse is attached ahead of the carriage, its front hooves touching ground; the larger deer occupies the route. Make these hazards legible before Lia crosses the cord, without specifying an unsupported bridge failure. The driver remains at her seat with reins and cargo cover within reach; the child is represented by the fist beneath the cover. Lia advances with Bori in her bag, and Doyun follows. Preserve foundation appearances: c1 has dark chestnut hair, amber eyes and faint freckles across her nose; c2 has black hair, gray eyes and a small break in his left eyebrow; c3 is a small cream-colored quadrupedal marten with round ears, short forelegs and a long tail with a dark brown tip; c4 has dark auburn curls, brown eyes and a round face. Keep clothing and props consistent throughout. Render only the selected Korean text as lettering inside the image. The remaining narration becomes visual action. Leave composition and event grouping to the artist.",
"uncertainties": [
"The question in ch-1-p-3 has no explicit speaker tag. Its assignment to c1 is a contextual editorial inference from Lia's preceding action, not an expressly named attribution.",
"The driver is unnamed in the excerpt. The c4 assignment uses the supplied foundation identifying Maren as the carriage transporter stranded at the gorge bridge.",
"The precise reference point for the distance to the eastern end is unstated. Do not turn that distance into a confirmed gap width, bridge width or measured separation between specific objects.",
"The horse's rear-hoof positions, the carriage's exact support points, the direction of the wheel's tilt and the cause of the instability are unspecified. Do not invent a snapped axle, broken suspension or particular collapse mechanism.",
"The deer's motive and exact distance from the horse are unstated. Its obstruction does not establish aggression or responsibility for the carriage's predicament.",
"The object and method of Lia's proposed support are not specified here. No shield casting, structural repair, evacuation or completed escape occurs in this excerpt.",
"The child's identity, gender, exact age and relationship to the driver are unspecified. No additional occupant is established beyond the reported two.",
"No clothing references or previous finished scene are supplied. Costume choices must remain consistent without being presented as established source facts."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-1-p-1",
"kind": "caption",
"speaker": "narrator",
"text": "마차에서 빵이 떨어졌다."
},
{
"id": "text-2",
"sourceId": "ch-1-p-3",
"kind": "dialogue",
"speaker": "c1",
"text": "“사람 있어요?”"
},
{
"id": "text-3",
"sourceId": "ch-1-p-4",
"kind": "dialogue",
"speaker": "c4",
"text": "“둘! 안에 애 하나!”"
},
{
"id": "text-4",
"sourceId": "ch-1-p-8",
"kind": "dialogue",
"speaker": "c1",
"text": "“보리, 조금만 참아.”"
},
{
"id": "text-5",
"sourceId": "ch-1-p-11",
"kind": "dialogue",
"speaker": "c2",
"text": "“리아. 받치고 나면?”"
},
{
"id": "text-6",
"sourceId": "ch-1-p-12",
"kind": "dialogue",
"speaker": "c1",
"text": "“사람 나오면 놓으면 돼.”"
},
{
"id": "text-7",
"sourceId": "ch-1-p-13",
"kind": "dialogue",
"speaker": "c2",
"text": "“너 나올 자리도 봐.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-1-p-1",
"ch-1-p-2"
],
"action": "Bread drops from the carriage. Lia reaches after it but withdraws; it diminishes through the rain and vanishes into the gorge's white water, making the consequence of falling tangible.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-1-p-2"
],
"action": "The carriage wheel tilts once more, returning attention from the lost bread to the people still above the gorge.",
"textIds": []
},
{
"id": "beat-3",
"sourceIds": [
"ch-1-p-3",
"ch-1-p-4",
"ch-1-p-5"
],
"action": "The call about occupants receives the driver's urgent answer. Keeping one hand on the reins, she tries to lift the cover; a child's fist presses up beneath it. Establish the rescue targets before Lia advances.",
"textIds": [
"text-2",
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-1-p-7",
"ch-1-p-8"
],
"action": "Lia crosses the western closure cord and brings her bag around to the front. Bori pushes out through its flap, and the rain immediately flattens the small animal's round ears. Lia asks Bori to endure a little longer.",
"textIds": [
"text-4"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-1-p-9"
],
"action": "Bori pushes Lia's fingers away and hides again, leaving the long tail outside. Lia puts its wet tip into the bag, completing the brief act of care.",
"textIds": []
},
{
"id": "beat-6",
"sourceIds": [
"ch-1-p-9"
],
"action": "With Bori tucked inside, Lia runs toward the endangered carriage.",
"textIds": []
},
{
"id": "beat-7",
"sourceIds": [
"ch-1-p-10"
],
"action": "Doyun follows. The sounding planks prompt repeated checks of the surface beneath him and the railing's attachment points, showing his attention to their return route.",
"textIds": []
},
{
"id": "beat-8",
"sourceIds": [
"ch-1-p-11"
],
"action": "Doyun asks Lia to account for what follows the proposed support, bringing the unfinished rescue plan into their conversation.",
"textIds": [
"text-5"
]
},
{
"id": "beat-9",
"sourceIds": [
"ch-1-p-12"
],
"action": "Lia answers with the occupants' escape as her release condition, leaving her own escape unaddressed.",
"textIds": [
"text-6"
]
},
{
"id": "beat-10",
"sourceIds": [
"ch-1-p-13"
],
"action": "Doyun explicitly includes Lia in the people who must get out. Let this concern close the scene while the physical danger remains unresolved.",
"textIds": [
"text-7"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-1-p-1",
"ch-1-p-2"
],
"statement": "Bread falls from the carriage. Lia reaches beyond the railing and withdraws her hand. The bread disappears into white water below, and a carriage wheel tilts again."
},
{
"id": "fact-2",
"sourceIds": [
"ch-1-p-4",
"ch-1-p-5"
],
"statement": "The woman at the driver's seat reports two people, including a child inside. She holds the reins with one hand and tries to lift the cargo cover with the other. A small fist bulges beneath the cover."
},
{
"id": "fact-3",
"sourceIds": [
"ch-1-p-6"
],
"statement": "The remaining distance to the eastern end is described as barely sufficient for one carriage. The horse's front hooves touch ground, while the carriage attached behind pulls on the horse."
},
{
"id": "fact-4",
"sourceIds": [
"ch-1-p-6"
],
"statement": "A deer larger than the horse stands in the route. Its wet antlers are black like rock. No attack occurs in the excerpt."
},
{
"id": "fact-5",
"sourceIds": [
"ch-1-p-7",
"ch-1-p-9"
],
"statement": "Lia crosses a closure cord tied to the western railing. Bori emerges from her bag, reacts to the rain, pushes away her fingers and retreats. Lia tucks the exposed tail inside before running toward the carriage."
},
{
"id": "fact-6",
"sourceIds": [
"ch-1-p-10"
],
"statement": "Doyun follows Lia. Whenever the planks sound, his gaze moves between his footing and the railing's attachment points."
},
{
"id": "fact-7",
"sourceIds": [
"ch-1-p-11",
"ch-1-p-12",
"ch-1-p-13"
],
"statement": "Doyun asks what happens after Lia provides support. She says she can release it once the people get out. He tells her to consider her own way out."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink, generous legible panels, natural vertical flow, continuous rain; consistent adult leads, clothing and props, cute cream marten; selected Korean lettering verbatim.",
"moments": [
{
"sourceIds": [
"ch-1-p-1",
"ch-1-p-2"
],
"action": "The fallen bread is being swallowed by the gorge's white water under heavy rain.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-1-p-2",
"ch-1-p-6"
],
"action": "A carriage wheel tilts on the rainy crossing. The attached horse's front hooves touch ground; a deer larger than the horse, with wet black antlers, blocks the onward route.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-3",
"ch-1-p-4",
"ch-1-p-5"
],
"action": "The driver answers, reins in one hand, the other tugging the cargo cover above a bulging small fist. Dark auburn curls frame her round face and brown eyes.",
"textIds": [
"text-2",
"text-3"
]
},
{
"sourceIds": [
"ch-1-p-7",
"ch-1-p-8"
],
"action": "Beyond the western railing's closure cord, cream marten Bori's short forelegs rest on Lia's front-worn bag, round ears rain-flattened. Lia has dark chestnut hair, amber eyes, and faint nose freckles.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-1-p-2",
"ch-1-p-9"
],
"action": "Lia tucks the wet, dark-brown tip of Bori's long tail into her bag; Bori is otherwise hidden. The carriage remains tilted ahead in the rain.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-9",
"ch-1-p-10",
"ch-1-p-11"
],
"action": "Doyun follows Lia toward the carriage, looking at a railing attachment as she runs. He has black hair, gray eyes, and a small break in his left eyebrow.",
"textIds": [
"text-5"
]
},
{
"sourceIds": [
"ch-1-p-2",
"ch-1-p-9",
"ch-1-p-12"
],
"action": "Lia faces the endangered carriage as she answers Doyun; Bori stays hidden in her front-worn bag, rain streaming over the crossing.",
"textIds": [
"text-6"
]
},
{
"sourceIds": [
"ch-1-p-2",
"ch-1-p-6",
"ch-1-p-13"
],
"action": "Doyun's concerned gaze rests on Lia as he delivers his warning; the carriage remains tilted in the rain, with the larger deer still obstructing the route.",
"textIds": [
"text-7"
]
}
]
},
"review": {
"continuity": null,
"textObservations": [
{
"id": "text-1",
"observedText": "마차에서 빵이 떨어졌다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption over the bread falling into white water; exact text."
},
{
"id": "text-2",
"observedText": "“사람 있어요?”",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 3 upper-left balloon sits at Maren's open mouth with no tail leading out of frame to Lia, so the question reads as spoken by Maren; the source assigns it to Lia (c1), who is not in the panel."
},
{
"id": "text-3",
"observedText": "“둘! 안에 애 하나!”",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 3 lower balloon is placed beside the cargo cover and the child's fist with its tail toward the cover, so it reads as coming from under the cover rather than from Maren at the reins."
},
{
"id": "text-4",
"observedText": "“보리, 조금만 참아.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon tail to Lia (chestnut bob, amber eyes) holding Bori on the front-worn bag; exact text."
},
{
"id": "text-5",
"observedText": "“리아. 받치고 나면?”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon tail to Doyun (black hair, green coat) behind Lia at the railing; exact text."
},
{
"id": "text-6",
"observedText": "“사람 나오면 놓으면 돼.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 balloon tail to Lia looking back over her shoulder; exact text."
},
{
"id": "text-7",
"observedText": "“너 나올 자리도 봐.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 8 balloon tail to Doyun with the wagon and stag behind him; exact text."
}
],
"evidence": "Opened the actual r1 scene.png. Eight bordered panels: two full-width panels then three rows of two, read left to right, top to bottom. All seven Korean texts are rendered exactly once and verbatim; rain, rope-railed plank bridge, tilted covered wagon, harnessed horse and a stag larger than the horse with wet dark antlers match the source and the bridge reference. Identities match the reference sheets. Two speaker problems in panel 3 and one footing problem in panel 2 are recorded below. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 8
}
},
{
"id": "s2",
"n": 2,
"title": "버틸 수 없는 약속",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-1-p-14",
"n": 14,
"text": "리아는 대답 대신 무릎을 꿇었다. 손바닥 앞에 작은 청록빛 면이 펴졌다. 투명한 방패를 기운 차축 밑으로 밀어 넣고 팔을 세웠다."
},
{
"id": "ch-1-p-15",
"n": 15,
"text": "마차가 멎었다."
},
{
"id": "ch-1-p-16",
"n": 16,
"text": "그 한순간에, 할 수 있다고 생각했다."
},
{
"id": "ch-1-p-17",
"n": 17,
"text": "곧 팔꿈치가 꺾였다. 짐의 무게가 어깨까지 내려앉고 무릎 아래 판자가 푹 꺼졌다. 빛의 가장자리에 하얀 금이 갔다. 방패가 버티면 자신이 다리를 뚫고 떨어질 판이었다."
},
{
"id": "ch-1-p-18",
"n": 18,
"text": "“괜찮아요. 빨리 애부터…….”"
},
{
"id": "ch-1-p-19",
"n": 19,
"text": "목소리가 끝에서 새었다."
},
{
"id": "ch-1-p-20",
"n": 20,
"text": "여자가 리아의 팔을 보더니 고삐를 도윤에게 내밀었다."
},
{
"id": "ch-1-p-21",
"n": 21,
"text": "“말을 먼저 풀어 줘요. 버티는 동안.”"
},
{
"id": "ch-1-p-22",
"n": 22,
"text": "도윤은 마차 옆 난간을 붙잡고 동쪽으로 몸을 넘겼다. 땅에 발을 딛자 칼로 멍에의 가죽끈을 끊었다. 자유로워진 말이 튀어나가려 하자 고삐를 짧게 잡아 왼쪽 바위턱으로 이끌었다. 사슴은 오른쪽 길목에서 뿔을 들었지만 따라붙지는 않았다."
},
{
"id": "ch-1-p-23",
"n": 23,
"text": "마차를 앞으로 당기던 힘이 사라졌다. 리아의 손목이 더 깊이 젖혀졌다."
},
{
"id": "ch-1-p-24",
"n": 24,
"text": "“얼마나 버텨?”"
},
{
"id": "ch-1-p-25",
"n": 25,
"text": "도윤이 동쪽 바위에 줄을 두르며 물었다."
},
{
"id": "ch-1-p-26",
"n": 26,
"text": "“사람 나올 때까지.”"
},
{
"id": "ch-1-p-27",
"n": 27,
"text": "그는 고개를 들었다. 리아는 눈을 피했다. 자기도 모르는 시간을 말해 버렸다."
}
],
"pFrom": 14,
"pTo": 27,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep01-s2.webp",
"blocking": 1,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·2·6칸: 방패가 바퀴 옆 세로 벽으로 그려짐. 차축을 받치는 작은 면과 팔·무릎·판자로 이어지는 하중이 안 읽힘(p14, p17).",
"en": "Panels 1, 2 and 6 show the shield as a tall vertical translucent wall next to the wheel; the tilted axle resting on a small load-bearing plane above Lia's braced palm (p14, p17) is not visible, so the support chain axle-shield-arm-knee-plank cannot be read."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 풀린 말이 긴 고삐로 질주. 원문은 짧게 잡아 왼쪽 바위턱으로 끌고 감(p22).",
"en": "Panel 5 shows the freed horse galloping several body lengths ahead on a long rein rather than held on a shortened rein and led to the left rock ledge (p22)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "무릎 밑 판자 꺼짐과 팔꿈치 꺾임(p17)이 자세로만 암시됨.",
"en": "The sunken plank under Lia's knee and the shoulder-deep buckling of her elbow (p17) are only suggested by her posture; no visible plank deformation."
}
],
"textsTotal": 7,
"textsOk": 7,
"timings": {
"planS": [
86
],
"preflightS": [
141
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1312,
"plan": {
"intent": "Turn a moment of apparent rescue success into an increasingly costly promise. Lia stops the carriage, briefly believes she can manage, then conceals how quickly her support is failing. The woman's practical instruction sends Doyun into action; freeing the horse removes the carriage's forward pull, and Lia's wrist bends farther. End on the difference between her confident release condition and her inability to know how long she can last. Keep one continuous rescue scene, with access to Lia's private uncertainty and no completed evacuation.",
"staging": "Create one finished full-color fantasy comic scene with expressive ink lines and a natural vertical reading flow across seven generous, legible panels. Group the events freely; beats are not panel assignments. Let the artist choose composition, panel sizes, and viewpoints. Continue the rainy gorge crossing, with Lia kneeling on bridge planks beside the carriage and her small shield directly beneath its tilted axle, within arm's reach. Keep her arm, the shield, and the sinking footing spatially understandable. Carry forward the supplied textual continuity that the horse's front hooves have reached ground beyond the eastern end before it is freed. Doyun crosses the railing beside the carriage toward eastern ground, cuts the leather strap, and guides the horse toward the left rock ledge; the deer remains at the right-hand approach. Later show him wrapping a rope around an eastern rock without specifying its unseen attachment. Keep the carriage's occupants endangered throughout. Preserve adult identities: Lia has dark chestnut hair, amber eyes, and faint freckles across her nose; Doyun has black hair, gray eyes, and a small break in his left eyebrow; Maren has dark auburn curls, brown eyes, and a round face. Maintain clothing, bag, sword, reins, and carriage continuity with the previous finished image when available to the artist. Bori remains concealed in Lia's bag as established by the supplied previous-scene account; no new animal action is needed. Anchor every dialogue balloon unmistakably to its assigned speaker, especially Maren's instruction and Lia's strained reassurance. Render only the selected verbatim Korean texts inside the image, preserving their punctuation. Convey the remaining prose through action and expression. Hold the ending in unresolved strain rather than showing a fall, a shattered shield, or a successful evacuation.",
"uncertainties": [
"The woman is unnamed in this excerpt. Assigning her to c4 follows the supplied foundation identifying Maren as the transporter stranded at this gorge bridge and the supplied previous-scene continuity.",
"The child has no supplied character ID. Identity, gender, exact age, and relationship to the woman remain unspecified; this excerpt does not depict the child's evacuation.",
"The source does not identify which of Lia's arms is supporting the shield, the axle's exact tilt direction, or all carriage support points. Maintain visual consistency without inventing a broken axle or a specific structural failure.",
"The plank sinks and the shield develops white cracks, but neither a completed fall nor a shattered shield is stated. Lia's buckling elbow does not establish a fracture.",
"The viewpoint defining left and right is unspecified. Their relationship to compass directions, and whether the left rock ledge and eastern rope rock are the same formation, cannot be established from the excerpt.",
"The rope's origin, other endpoint, purpose, and relationship to the reins are unspecified. Wrapping it around the rock does not establish a completed knot or a new support for the carriage.",
"The source states that forward pull disappears and Lia's wrist bends farther, but does not explain the exact load path. Preserve that sequence without adding rolling wheels, a sliding carriage, or an invented counterweight mechanism.",
"The deer's raised antlers and refusal to follow do not establish its motive or an attack.",
"The previous finished image is supplied as a file reference rather than visible pixels in this request. Its costume details cannot be verified here; the supplied review also identifies geography and speaker-attribution errors that should not become continuity facts."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-1-p-16",
"kind": "caption",
"speaker": "narrator",
"text": "그 한순간에, 할 수 있다고 생각했다."
},
{
"id": "text-2",
"sourceId": "ch-1-p-18",
"kind": "dialogue",
"speaker": "c1",
"text": "“괜찮아요. 빨리 애부터…….”"
},
{
"id": "text-3",
"sourceId": "ch-1-p-21",
"kind": "dialogue",
"speaker": "c4",
"text": "“말을 먼저 풀어 줘요. 버티는 동안.”"
},
{
"id": "text-4",
"sourceId": "ch-1-p-23",
"kind": "caption",
"speaker": "narrator",
"text": "마차를 앞으로 당기던 힘이 사라졌다."
},
{
"id": "text-5",
"sourceId": "ch-1-p-24",
"kind": "dialogue",
"speaker": "c2",
"text": "“얼마나 버텨?”"
},
{
"id": "text-6",
"sourceId": "ch-1-p-26",
"kind": "dialogue",
"speaker": "c1",
"text": "“사람 나올 때까지.”"
},
{
"id": "text-7",
"sourceId": "ch-1-p-27",
"kind": "caption",
"speaker": "narrator",
"text": "자기도 모르는 시간을 말해 버렸다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-1-p-14"
],
"action": "Lia answers the preceding concern with action: she kneels and sets her small transparent turquoise shield beneath the tilted axle, bracing her arm to support it.",
"textIds": []
},
{
"id": "beat-2",
"sourceIds": [
"ch-1-p-15",
"ch-1-p-16"
],
"action": "The carriage stops. Allow this brief success to register before the strain escalates; Lia believes she can manage.",
"textIds": [
"text-1"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-1-p-17"
],
"action": "Her elbow buckles and the weight settles onto her shoulder. The plank beneath her knees sinks and white cracks appear at the shield's edge, exposing the danger to both her support and her footing.",
"textIds": []
},
{
"id": "beat-4",
"sourceIds": [
"ch-1-p-18",
"ch-1-p-19"
],
"action": "Still holding, Lia minimizes her distress and urges immediate help for the child. Her reassurance loses breath at its unfinished ending.",
"textIds": [
"text-2"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-1-p-20",
"ch-1-p-21"
],
"action": "The woman notices Lia's strained arm, offers Doyun the reins, and gives the next practical instruction: free the horse while Lia is holding.",
"textIds": [
"text-3"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-1-p-22"
],
"action": "Doyun uses the railing beside the carriage to climb over toward the east. After reaching the ground, he cuts the leather yoke strap with his sword, freeing the horse.",
"textIds": []
},
{
"id": "beat-7",
"sourceIds": [
"ch-1-p-22"
],
"action": "The horse starts to bolt. Doyun controls it with shortened reins and guides it toward the left rock ledge. At the right-hand approach, the deer lifts its antlers but stays behind.",
"textIds": []
},
{
"id": "beat-8",
"sourceIds": [
"ch-1-p-23"
],
"action": "The carriage loses its forward pull, followed by a deeper backward bend in Lia's wrist. Make this worsening visible without inventing an intervening carriage movement.",
"textIds": [
"text-4"
]
},
{
"id": "beat-9",
"sourceIds": [
"ch-1-p-24",
"ch-1-p-25"
],
"action": "While wrapping a rope around the eastern rock, Doyun asks Lia for the remaining time she can hold.",
"textIds": [
"text-5"
]
},
{
"id": "beat-10",
"sourceIds": [
"ch-1-p-26",
"ch-1-p-27"
],
"action": "Lia gives the occupants' escape as her answer. Doyun raises his head; she avoids his eyes. Close on her awareness that this promise supplies no duration she actually knows, while her physical struggle continues.",
"textIds": [
"text-6",
"text-7"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-1-p-14",
"ch-1-p-15"
],
"statement": "Instead of answering, Lia kneels, forms a small turquoise plane before her palm, slides the transparent shield beneath the tilted axle, and braces her arm. The carriage stops."
},
{
"id": "fact-2",
"sourceIds": [
"ch-1-p-16",
"ch-1-p-17"
],
"statement": "Lia briefly believes she can do it. Her elbow then buckles, the cargo's weight bears down through her shoulder, the plank beneath her knees sinks, and white cracks appear along the light's edge. Even if the shield holds, she risks falling through the bridge."
},
{
"id": "fact-3",
"sourceIds": [
"ch-1-p-18",
"ch-1-p-19"
],
"statement": "Lia says she is all right and urges that the child be helped first. Her voice trails away at the end."
},
{
"id": "fact-4",
"sourceIds": [
"ch-1-p-20",
"ch-1-p-21"
],
"statement": "The woman looks at Lia's arm, extends the reins to Doyun, and asks him to free the horse first while Lia holds."
},
{
"id": "fact-5",
"sourceIds": [
"ch-1-p-22"
],
"statement": "Doyun grips the railing beside the carriage, climbs over toward the east, reaches the ground, and cuts the yoke's leather strap with his sword."
},
{
"id": "fact-6",
"sourceIds": [
"ch-1-p-22"
],
"statement": "The freed horse tries to bolt. Doyun shortens his hold on the reins and guides it toward the left rock ledge. The deer raises its antlers at the right-hand approach but does not follow."
},
{
"id": "fact-7",
"sourceIds": [
"ch-1-p-23"
],
"statement": "The force pulling the carriage forward disappears. Lia's wrist bends farther backward."
},
{
"id": "fact-8",
"sourceIds": [
"ch-1-p-24",
"ch-1-p-25",
"ch-1-p-26",
"ch-1-p-27"
],
"statement": "While wrapping a rope around an eastern rock, Doyun asks how long Lia can hold. She answers that she will hold until the people get out. He raises his head; she avoids his eyes, knowing she has promised a duration she cannot determine."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic; expressive ink, rainy gorge, adult cast, supplied character appearances, consistent clothing and props, verbatim textIds lettering, and natural vertical flow.",
"moments": [
{
"sourceIds": [
"ch-1-p-14",
"ch-1-p-15",
"ch-1-p-16"
],
"action": "Lia kneels on bridge planks, bag beside her, braced arm holding a small transparent turquoise shield beneath the tilted axle; the carriage is still, the horse's forehooves on eastern ground.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-1-p-17",
"ch-1-p-18",
"ch-1-p-19"
],
"action": "Lia's elbow is buckled under the load; the plank beneath her knees is sunken and white cracks edge her shield. Her tense, open mouth carries the fading reassurance.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-1-p-20",
"ch-1-p-21"
],
"action": "Maren extends the reins toward Doyun, speaking the instruction with her attention on Lia's strained arm.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-1-p-22"
],
"action": "Doyun stands on eastern ground beside the horse, sword at the freshly severed leather yoke strap, reins in his other hand.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-22"
],
"action": "The freed horse strains against Doyun's shortened reins, its body angled toward the left rock ledge; the deer stands at the right-hand approach with antlers raised.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-23",
"ch-1-p-24",
"ch-1-p-25"
],
"action": "Doyun grips a rope loop partly around an eastern rock while Lia's wrist is bent farther backward beneath the axle on the bridge; he addresses her.",
"textIds": [
"text-4",
"text-5"
]
},
{
"sourceIds": [
"ch-1-p-26",
"ch-1-p-27"
],
"action": "Lia averts her eyes, her strained arm still bracing the cracked shield beneath the axle. Doyun's head is raised toward her; the occupied carriage remains precarious.",
"textIds": [
"text-6",
"text-7"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s1 r1): Lia keeps chestnut bob, amber eyes, sand jacket, fingerless gloves and brown satchel with Bori; Doyun keeps black hair, grey eyes, green hooded coat and sword; Maren keeps red curls, white shirt and brick vest; the brown horse and the large dark-antlered stag are the same animals."
},
"setting": {
"passed": true,
"evidence": "Same rainy plank bridge with rope railings, tilted covered wagon and gorge; the eastern rocky ground and the stag at the right-hand approach continue from the previous scene."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Lia running toward the wagon and Doyun's warning; this scene opens with her kneeling under the axle with the shield raised, then the reins handoff and the horse release, matching p14-p22."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "그 한순간에, 할 수 있다고 생각했다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption over Lia kneeling under the wagon; exact text."
},
{
"id": "text-2",
"observedText": "“괜찮아요. 빨리 애부터…….”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon tail to Lia straining with the cracked shield; exact text."
},
{
"id": "text-3",
"observedText": "“말을 먼저 풀어 줘요. 버티는 동안.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon tail to Maren holding out the reins; exact text."
},
{
"id": "text-4",
"observedText": "마차를 앞으로 당기던 힘이 사라졌다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 top-left caption; exact text."
},
{
"id": "text-5",
"observedText": "“얼마나 버텨?”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon tail to Doyun with the rope looped on the rock; exact text."
},
{
"id": "text-6",
"observedText": "“사람 나올 때까지.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 balloon tail to Lia with eyes averted; exact text."
},
{
"id": "text-7",
"observedText": "자기도 모르는 시간을 말해 버렸다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 bottom-right caption; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s1 image. Seven bordered panels: full-width, full-width, two, full-width, two; read left to right, top to bottom. All seven Korean texts are rendered exactly once and verbatim with correct speakers. Panel 4 shows Doyun on eastern ground cutting the harness strap with his sword beside the horse; panel 5 the freed horse bolting left with the stag standing at the right approach; panel 6 the rope around the eastern rock and Lia's wrist bent farther under the load with Bori peeking from the satchel; panel 7 Lia avoiding Doyun's gaze. The turquoise shield is drawn as a large upright cracked plane standing beside the wheel rather than a small plane under the axle. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 7
}
},
{
"id": "s3",
"n": 3,
"title": "밀가루를 놓아버린 손",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-1-p-28",
"n": 28,
"text": "여자가 덮개를 젖혔다. 소년 하나가 밀가루 자루 사이에 끼어 있었다. 리아의 길드 표찰을 보자 아이의 입술이 떨렸다."
},
{
"id": "ch-1-p-29",
"n": 29,
"text": "“저, 내려도 돼요?”"
},
{
"id": "ch-1-p-30",
"n": 30,
"text": "“발만 빼면 돼. 이름은 나중에 말해.”"
},
{
"id": "ch-1-p-31",
"n": 31,
"text": "리아는 왼손으로 아이 가까이에 두 번째 방패를 폈다. 작게 기운 빛의 면이 아이와 마차 가장자리 사이를 메웠다. 멀리 놓을 수는 없었다. 손을 뻗은 만큼만, 한 발을 옮길 자리만 만들 수 있었다."
},
{
"id": "ch-1-p-32",
"n": 32,
"text": "아이가 짐을 밀자 밀가루 자루들이 한꺼번에 오른쪽으로 쏠렸다."
},
{
"id": "ch-1-p-33",
"n": 33,
"text": "첫 방패가 갈라졌다."
},
{
"id": "ch-1-p-34",
"n": 34,
"text": "리아는 이를 악물었다. 조금만 더 버티면 짐도 살릴 수 있었다. 저 자루들이 동쪽에서 며칠 치 식사가 되는지, 아까 길목에서 의뢰를 받을 때 들었다."
},
{
"id": "ch-1-p-35",
"n": 35,
"text": "“마렌 씨. 위의 상자만 뒤로 밀면…….”"
},
{
"id": "ch-1-p-36",
"n": 36,
"text": "“뒤도 바닥이 없어요.”"
},
{
"id": "ch-1-p-37",
"n": 37,
"text": "마렌이 자기 허리에서 칼을 뽑았다."
},
{
"id": "ch-1-p-38",
"n": 38,
"text": "“애야. 내 옷 잡아.”"
},
{
"id": "ch-1-p-39",
"n": 39,
"text": "그녀는 기다리지 않고 자루를 묶은 끈을 잘랐다. 밀가루가 덮개를 밀고 계곡으로 쏟아졌다. 흰 가루가 비에 퍼졌다가 사라졌다. 마렌은 떨어지는 짐을 끝까지 보지 않고 소년의 발목을 빼냈다."
},
{
"id": "ch-1-p-40",
"n": 40,
"text": "갑자기 가벼워진 차축이 방패 위에서 들썩였다. 리아는 그 틈에 오른팔을 빼고 무릎을 폈다. 손끝이 저렸다."
}
],
"pFrom": 28,
"pTo": 40,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep01-s3.webp",
"blocking": 2,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 리아의 대사 “발만 빼면 돼. 이름은 나중에 말해.”(p30)가 입 벌린 마렌에게 붙음.",
"en": "Panel 1 attaches Lia's line '발만 빼면 돼. 이름은 나중에 말해.' (p30) to Maren, who is drawn speaking with an open mouth, so the reader hears the guild-badge reassurance from the wrong character."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 마렌의 대사 “애야. 내 옷 잡아.”(p38) 꼬리가 소년을 가리킴.",
"en": "Panel 4 attaches Maren's line '애야. 내 옷 잡아.' (p38) to the boy by its tail; the boy has no registered speaker and the line is Maren's instruction to him."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 소년이 안 보임. 마렌이 쥔 것이 발목인지 추정만 가능(p39).",
"en": "Panel 6 does not show the boy: Maren grips a dark boot-shaped object at the sack edge, so 'Maren freed the boy's ankle' (p39) is only inferable rather than readable."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 차축 받치는 방패와 리아의 오른팔이 2칸에서야 등장. 두 방패 상황이 한 칸 늦게 성립.",
"en": "Panel 1 shows only the shield beside the boy; the axle-support shield and Lia's braced right arm from the previous scene are not visible until panel 2, so the double-shield situation is established one panel late."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸: 차축이 방패 위에서 들썩이는(p40) 움직임 단서 없음.",
"en": "Panel 7 shows the cracked shield still under the wheel with Lia's arm withdrawn, but the axle 'jolting' on it (p40) is not conveyed by any motion cue."
}
],
"textsTotal": 7,
"textsOk": 5,
"timings": {
"planS": [
96
],
"preflightS": [
206
],
"imageS": 48,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1188,
"plan": {
"intent": "Keep one continuous rescue under mounting strain. Lia makes room for the trapped boy while trying to preserve food that people in the east need. His attempt to move shifts the cargo and cracks her first shield. Maren recognizes that moving the cargo backward is impossible and sacrifices it to free him. Make her practical decision the turning point: the lost flour releases the boy's ankle and gives Lia an opportunity to withdraw her arm. End with that immediate relief and its physical cost, without extending the scene into a completed evacuation.",
"staging": "Create one finished full-color fantasy comic scene with expressive ink lines and seven generous, legible panels in a natural vertical reading flow. The nine beats are events, not panel assignments; let the artist group them and choose compositions. Maintain the rainy gorge bridge and endangered carriage. Establish the boy among the flour sacks, Maren close enough to reach the binding cord and his ankle, and Lia close enough to place the second shield between him and the carriage edge with her left hand. Keep the two small turquoise shields distinct: the existing shield supports the axle, while the second makes limited room beside the boy. Make the axle's contact with the first shield and Lia's bodily strain readable; the previous review identifies a vertical wall depiction that obscured this support. Preserve the visible cracking without depicting the supporting shield as completely gone before the axle jolts on it. Keep the sacks' rightward shift consistent without assigning it an unsupported compass direction. Show the knife cutting the binding cord, followed by the flour falling into the gorge and Maren freeing the ankle. Maintain Lia as an adult woman with dark chestnut hair, amber eyes, and faint nose freckles; Maren as an adult woman with dark auburn curls, brown eyes, and a round face; and the boy as a child. Follow accessible finished references for clothing and props. Bori needs no new action or reveal, and Doyun needs no new intervention. Render only the selected verbatim Korean text inside the image, with every dialogue balloon clearly attached to its assigned speaker. Preserve third-person limited access through Lia's captions and portray Maren's choice through observable actions. Stop after Lia withdraws her arm and straightens her knees.",
"uncertainties": [
"The boy has no supplied character ID. The schema permits dialogue speakers only from the registered character roster, so his question in ch-1-p-29 is omitted from visible text while retained in the event sequence. It must not be assigned to Lia, Maren, another registered character, or the narrator. His exact age, appearance, and relationship to Maren are unspecified.",
"The opening woman is treated as Maren from the continuous action, the later naming in this excerpt, and the supplied transporter identity.",
"The reference frame for the sacks moving right is unspecified. It does not establish a compass direction or a complete map of the bridge and carriage.",
"Maren's statement about the missing floor behind does not identify the exact boundary between missing bridge decking and carriage flooring. Preserve the unavailable backward destination without inventing detailed structural damage.",
"The first shield cracks, but the excerpt does not describe its complete disappearance. The axle subsequently moves on a shield; do not invent a replacement shield, a third shield, or a transfer of the axle onto the boy's nearby shield.",
"The source specifies cutting the cord that binds the sacks and then flour spilling. It does not explain sack openings, tears, fastening geometry, or the exact load path. Do not substitute cutting the sacks or add a magical discharge to explain the release.",
"Maren tells the boy to hold her clothes, but the source does not explicitly confirm his grip, a step onto the second shield, or his arrival on safe ground. Freeing his ankle is the demonstrated rescue progress.",
"The quantity of lost flour and the number of meals it represents are not provided. Lia's tingling fingertips do not establish a fracture or lasting injury.",
"The previous finished image is supplied only as a file reference, with no visible pixels in this request. Its costumes and compositions cannot be verified here. The supplied review findings are continuity cautions, not an independent review performed for this adaptation."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-1-p-30",
"kind": "dialogue",
"speaker": "c1",
"text": "“발만 빼면 돼. 이름은 나중에 말해.”"
},
{
"id": "text-2",
"sourceId": "ch-1-p-31",
"kind": "caption",
"speaker": "narrator",
"text": "멀리 놓을 수는 없었다. 손을 뻗은 만큼만, 한 발을 옮길 자리만 만들 수 있었다."
},
{
"id": "text-3",
"sourceId": "ch-1-p-34",
"kind": "caption",
"speaker": "narrator",
"text": "조금만 더 버티면 짐도 살릴 수 있었다. 저 자루들이 동쪽에서 며칠 치 식사가 되는지, 아까 길목에서 의뢰를 받을 때 들었다."
},
{
"id": "text-4",
"sourceId": "ch-1-p-35",
"kind": "dialogue",
"speaker": "c1",
"text": "“마렌 씨. 위의 상자만 뒤로 밀면…….”"
},
{
"id": "text-5",
"sourceId": "ch-1-p-36",
"kind": "dialogue",
"speaker": "c4",
"text": "“뒤도 바닥이 없어요.”"
},
{
"id": "text-6",
"sourceId": "ch-1-p-38",
"kind": "dialogue",
"speaker": "c4",
"text": "“애야. 내 옷 잡아.”"
},
{
"id": "text-7",
"sourceId": "ch-1-p-40",
"kind": "caption",
"speaker": "narrator",
"text": "손끝이 저렸다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-1-p-28",
"ch-1-p-29",
"ch-1-p-30"
],
"action": "Maren lifts the cover and exposes the boy trapped among the sacks. His attention catches on Lia's guild badge and his lips tremble. He asks permission to get down; Lia immediately directs him to free his foot, postponing his name. Retain the question as an event, with its lettering omission explained under uncertainties.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-1-p-31"
],
"action": "While maintaining the existing support, Lia extends her left hand and forms the second small shield beside the boy. Establish the limited space it makes for a single foot movement and the short reach that prevents her from placing it farther away.",
"textIds": [
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-1-p-32",
"ch-1-p-33"
],
"action": "The boy pushes the cargo to move. The sacks shift together to the right, followed by the first shield cracking. Keep the shifting load and the worsening shield legible as successive events.",
"textIds": []
},
{
"id": "beat-4",
"sourceIds": [
"ch-1-p-34"
],
"action": "Lia grits her teeth and continues holding. Her knowledge of the meals represented by the flour explains why she still wants to save the cargo along with the boy. Keep this recollection within the ongoing rescue rather than cutting to a flashback.",
"textIds": [
"text-3"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-1-p-35",
"ch-1-p-36"
],
"action": "Lia begins a proposal to move the upper box backward. Maren answers that there is no floor behind either, closing off the proposed maneuver before anyone attempts it.",
"textIds": [
"text-4",
"text-5"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-1-p-37",
"ch-1-p-38"
],
"action": "Maren draws the knife from her waist and tells the boy to hold her clothes. Let the ordinary tool and immediate instruction make her decision understandable through action.",
"textIds": [
"text-6"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-1-p-39"
],
"action": "Maren acts without waiting and cuts the cord binding the sacks. The released flour pushes the cover and pours into the gorge. Establish the cut before the spill without adding an unstated mechanism for how the sacks open.",
"textIds": []
},
{
"id": "beat-8",
"sourceIds": [
"ch-1-p-39"
],
"action": "White flour disperses in the rain. Maren turns her attention away before the cargo finishes falling and frees the boy's ankle. Keep the material loss and her choice of the child connected in the same continuous action.",
"textIds": []
},
{
"id": "beat-9",
"sourceIds": [
"ch-1-p-40"
],
"action": "With the load suddenly reduced, the axle jolts on the shield. Lia seizes the opening to pull out her right arm and straighten her knees. End on her tingling fingertips and the immediate release of strain.",
"textIds": [
"text-7"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-1-p-28",
"ch-1-p-29",
"ch-1-p-30"
],
"statement": "The woman lifts the cover, revealing a boy wedged among flour sacks. His lips tremble when he sees Lia's guild badge. He asks whether he may get down; Lia tells him to free his foot and leave introductions until later."
},
{
"id": "fact-2",
"sourceIds": [
"ch-1-p-31"
],
"statement": "Lia creates a second shield with her left hand near the boy. The small, tilted plane of light fills the space between him and the carriage edge. Its reach is limited to her outstretched hand and enough room to move one foot."
},
{
"id": "fact-3",
"sourceIds": [
"ch-1-p-32",
"ch-1-p-33"
],
"statement": "When the boy pushes the cargo, the flour sacks shift together to the right. The first shield cracks."
},
{
"id": "fact-4",
"sourceIds": [
"ch-1-p-34",
"ch-1-p-35"
],
"statement": "Lia grits her teeth and believes that holding a little longer could save the cargo too. When accepting the job, she learned how many days of meals the sacks represent in the east. She begins proposing that Maren push only the upper box backward."
},
{
"id": "fact-5",
"sourceIds": [
"ch-1-p-36",
"ch-1-p-37",
"ch-1-p-38"
],
"statement": "Maren says there is no floor behind either, draws a knife from her waist, and tells the boy to hold her clothes."
},
{
"id": "fact-6",
"sourceIds": [
"ch-1-p-39"
],
"statement": "Without waiting, Maren cuts the cord binding the sacks. Flour pushes against the cover and pours into the gorge. White powder spreads through the rain and disappears. Maren does not watch the falling cargo to the end; she frees the boy's ankle."
},
{
"id": "fact-7",
"sourceIds": [
"ch-1-p-40"
],
"statement": "The suddenly lightened axle jolts on the shield. Lia uses that opening to withdraw her right arm and straighten her knees. Her fingertips tingle."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic; expressive ink, seven generous panels, natural vertical reading, rainy gorge bridge, established clothing and props, verbatim Korean lettering.",
"moments": [
{
"sourceIds": [
"ch-1-p-28",
"ch-1-p-29",
"ch-1-p-30"
],
"action": "Maren holds the cover above the boy wedged among flour sacks. His parted, trembling lips face Lia's guild badge. Maren has dark auburn curls, brown eyes, and a round adult face.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-1-p-31"
],
"action": "Adult Lia, with dark chestnut hair, holds her left hand beside a small tilted turquoise shield between boy and carriage edge; her braced right arm holds the separate turquoise shield against the axle's underside.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-1-p-32",
"ch-1-p-33",
"ch-1-p-34"
],
"action": "The boy's hands remain pressed against sacks displaced rightward. The axle's support shield has a fresh crack; Lia grits her teeth, amber eyes strained above faint nose freckles.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-1-p-35",
"ch-1-p-36",
"ch-1-p-37",
"ch-1-p-38"
],
"action": "Maren holds her drawn knife near the binding cord, facing the trapped boy; Lia remains braced beneath the axle.",
"textIds": [
"text-4",
"text-5",
"text-6"
]
},
{
"sourceIds": [
"ch-1-p-39"
],
"action": "Maren's knife severs the cord binding the flour sacks.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-39"
],
"action": "Maren holds the boy's freed ankle; flour spills past the displaced cover into the gorge, dispersing through rain, while she looks at the child.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-40"
],
"action": "Lia stands with knees straight, right arm withdrawn, and fingertips visible beside the lightened axle quivering on its cracked support shield.",
"textIds": [
"text-7"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s2 r1): Lia keeps chestnut hair, amber eyes, faint freckles, sand shirt and fingerless gloves; Maren keeps red-auburn curls, round face, white shirt, brick vest and dark gloves; the boy is a new black-haired child among the sacks."
},
"setting": {
"passed": true,
"evidence": "Same rainy plank bridge and tilted wagon over the gorge; the wagon underside, sacks and turquoise shield continue, and panels 6 and 7 show the same misted cliffs and waterfall gorge as the previous scene's wide panel."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Lia braced under the axle saying she would hold until the person was out; this scene opens with the cover pulled back and the boy revealed among the sacks, then the second shield, the cord cut and the flour spill, matching p28-p40 in order."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "“발만 빼면 돼. 이름은 나중에 말해.”",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 1 balloon; text exact, but the tail points to Maren, whose mouth is open, while Lia on the right has her teeth clenched (verified on an enlarged crop). The line belongs to Lia (p30)."
},
{
"id": "text-2",
"observedText": "멀리 놓을 수는 없었다. 손을 뻗은 만큼만, 한 발을 옮길 자리만 만들 수 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 top-left caption over Lia's left hand beside the small shield; exact text."
},
{
"id": "text-3",
"observedText": "조금만 더 버티면 짐도 살릴 수 있었다. 저 자루들이 동쪽에서 며칠 치 식사가 되는지, 아까 길목에서 의뢰를 받을 때 들었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-left caption over Lia gritting her teeth; exact text."
},
{
"id": "text-4",
"observedText": "“마렌 씨. 위의 상자만 뒤로 밀면…….”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 left balloon with tail to Lia seen from behind; exact text."
},
{
"id": "text-5",
"observedText": "“뒤도 바닥이 없어요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 centre balloon with tail to Maren; exact text."
},
{
"id": "text-6",
"observedText": "“애야. 내 옷 잡아.”",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 4 right balloon; text exact, but its tail points down to the boy's face rather than to Maren (verified on an enlarged crop). The line is Maren's (p38)."
},
{
"id": "text-7",
"observedText": "손끝이 저렸다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 right caption beside Lia standing with her hands at her sides; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s2 image. Seven full-width bordered rows read top to bottom, matching the resolved count. All seven Korean texts are rendered exactly once and verbatim; two balloon tails are attached to the wrong figure. Panel 2 shows the two shields distinct: a small tilted plane at Lia's left hand beside the boy and a larger cracked plane at the right under the wagon timbers. Panel 3 adds fresh cracks and Lia's strain. Panel 5 is the knife blade at the rope binding. Panel 6 shows flour bursting past the cover into the rainy gorge while Maren grips a dark boot-like shape at the sack edge. Panel 7 shows Lia upright with knees straight and the cracked shield still under the wheel. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 7
}
},
{
"id": "s4",
"n": 4,
"title": "막혀버린 출구",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-1-p-41",
"n": 41,
"text": "“나가요. 왼쪽 빛 밟고.”"
},
{
"id": "ch-1-p-42",
"n": 42,
"text": "소년이 방패 위로 한 발을 내디뎠다. 빛이 신발 밑에서 떨렸다. 리아는 팔을 내리지 않은 채 아이와 함께 옆으로 걸었다. 동쪽 땅에 선 도윤이 손을 뻗어 아이를 끌어 올렸다."
},
{
"id": "ch-1-p-43",
"n": 43,
"text": "아이가 바위에 주저앉았다. 두 발이 모두 땅에 있었다."
},
{
"id": "ch-1-p-44",
"n": 44,
"text": "그걸 보자 리아도 숨을 한 번 쉴 수 있었다."
},
{
"id": "ch-1-p-45",
"n": 45,
"text": "하지만 마렌이 일어서는 순간, 빈 짐칸 아래에서 굵은 철물 묶음이 굴렀다. 마차가 옆으로 돌아가며 오른쪽 난간을 잡아당겼다. 끊어진 난간 줄이 사슴 발치에 떨어졌다."
},
{
"id": "ch-1-p-46",
"n": 46,
"text": "사슴이 뒷걸음질쳤다. 바위벽 때문에 더 물러나지 못한 몸이 돌았고, 넓은 뿔이 다리 입구를 향했다."
},
{
"id": "ch-1-p-47",
"n": 47,
"text": "도윤이 소년을 자기 뒤로 밀었다. 칼끝이 낮아졌다."
},
{
"id": "ch-1-p-48",
"n": 48,
"text": "리아는 마렌의 팔을 붙잡았다. 아직 두 걸음이 남았다. 그 사이 판자 하나가 물로 떨어졌다."
},
{
"id": "ch-1-p-49",
"n": 49,
"text": "가방 안에서 보리가 날카롭게 울었다."
},
{
"id": "ch-1-p-50",
"n": 50,
"text": "리아가 덮개를 올리자 작은 앞발이 손등을 짚었다. 부푼 털 사이에서 금빛 불꽃이 튀었다. 보리의 시선은 사슴이 아니라, 그 옆에 늘어진 쇠사슬을 향해 있었다. 쇠사슬 끝은 물웅덩이에 잠겼다가 사슴이 발을 옮길 때마다 드러났다."
},
{
"id": "ch-1-p-51",
"n": 51,
"text": "번개담비는 전기가 흐를 자리를 사람보다 먼저 알아챘다. 그러나 보리가 낼 수 있는 것은 가까운 곳을 따끔하게 때릴 짧은 번개뿐이었다. 사슴을 쓰러뜨릴 힘은 없었다."
}
],
"pFrom": 41,
"pTo": 51,
"panelCount": 8,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep01-s4.webp",
"blocking": 2,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 마차가 다리 아닌 바위 땅 위에 온전히 서 있음. 원문 p45는 다리 위에서 옆으로 돌며 난간을 당김.",
"en": "Panel 4 draws the wagon upright on rocky ground beside a coiled rope, with no bridge, no sideways turn and no displaced right railing; p45 has the wagon still on the bridge turning sideways and dragging the railing, and the earlier scenes fixed it tilted over the gorge."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 계획에 없는 효과음 ‘끼잉!’ 삽입. 계획은 보리 울음의 표기 창작을 명시적으로 금지(p49).",
"en": "Panel 6 letters an invented sound effect '끼잉!' at the satchel; the plan lists only the five captions and explicitly forbids inventing a sound spelling for Bori's cry (p49)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 마렌이 철물 묶음을 두 손으로 끌어당김. 원문은 그녀가 일어서는 순간 저절로 구름(p45).",
"en": "Panel 3 shows Maren crouched and hauling the ironwork bundle with both hands instead of standing up as the bundle rolls on its own (p45), which implies she causes the movement."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 소년이 도윤 뒤가 아니라 옆에 섬(p47).",
"en": "Panel 5 places the boy beside Doyun's hip rather than pushed behind him (p47), so the protective position reads as side by side."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸: 보리 시선이 사슬 아닌 정면. 6칸에서 덮개 열기 전에 이미 금빛 불꽃.",
"en": "Panel 7 shows Bori's gaze toward the viewer rather than directed at the chain (p50), and panel 6 already shows golden sparks around the closed bag before the flap is raised."
}
],
"textsTotal": 5,
"textsOk": 5,
"timings": {
"planS": [
99,
103
],
"preflightS": [
171,
187
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 1
},
"imageUsd": 0.1128,
"plan": {
"intent": "Give the boy's completed rescue a brief, concrete payoff before the shifting wagon threatens the remaining escape. Keep each person's protective action legible as the danger changes. End with Bori noticing the chain and a possible path for electricity, while making clear that Bori's limited power cannot bring down the deer. The discovery creates an unresolved possibility, not a completed solution.",
"staging": "Create eight generous panels in one continuous, finished full-color fantasy comic with expressive ink lines and a natural vertical reading flow. The artist chooses compositions, panel proportions, and viewpoints. The ten beats are events rather than panel assignments. Use the selected instants to keep one temporal state per panel: the handover culminates the crossing; grounded relief follows separately; the rolling ironwork precedes the wagon-and-rope consequence. Combine the deer's completed turn with Doyun's protective position, and combine Lia's continuing grip with the aftermath of the plank fall and Bori's closed-bag cry. The opened-bag contact and the chain discovery provide the final two moments. Place text-4 with Bori's contact and directed attention, and reserve text-5 for the chain discovery, spreading the explanatory lettering across the ending. Keep Doyun on eastern ground and the rescued boy behind him after his protective response. Lia remains close enough to assist Maren and reach the bag. The rock wall limits the deer's retreat; its antlers face the bridge entrance. Keep the right railing's displacement and the fallen rope readable without detailing an attachment mechanism. Distinguish the water below the bridge from the puddle beside the deer. Show the chain end submerged in that puddle once. Maintain the rainy gorge setting, small turquoise shield magic within Lia's reach, and consistent clothing and props wherever finished references are available to the artist. Lia is an adult woman with dark chestnut hair, amber eyes, and faint nose freckles. Doyun is an adult man with black hair, gray eyes, and a small break in his left eyebrow. Maren is an adult woman with dark auburn curls, brown eyes, and a round face. The boy remains a child. Bori is a cute, small quadrupedal marten with round ears, short forepaws, cream fur, and a long tail tipped dark brown. Letter only the five selected verbatim Korean captions inside the image. Preserve third-person limited narration without adding private thoughts or future knowledge. End with Maren's escape unfinished and Bori's ability still only a disclosed possibility.",
"uncertainties": [
"The speaker of ch-1-p-41 is not identified in the supplied excerpt. Its dialogue is omitted from lettering rather than assigned to a registered character.",
"The boy has no supplied character ID, exact age, appearance description, or established relationship to Maren. Preserve his child status without inventing identity or kinship.",
"The opening step and Lia's sideways accompaniment lead into the selected handover instant. They remain part of the event sequence without requiring repeated figures or several successive poses within one panel.",
"Maren standing and the ironwork rolling coincide. The source does not establish that her weight or action causes the bundle to move.",
"The wagon pulls the right railing, but the fastening, contact point, and detailed load path are unspecified. The railing's right side is not assigned a compass direction.",
"Doyun's eastern landing is explicit. The deer's bank, the bridge entrance's compass orientation, and a complete map relating the wagon, wall, and landing are not supplied.",
"The two remaining steps imply an unfinished escape but do not specify exact distances, footing, or the geometry of the destination.",
"The excerpt does not identify which hand Lia uses for Maren's arm or the bag flap. It also does not settle the later condition of the earlier axle-support shield.",
"The chain's attachment and the mechanism relating the deer's foot movement to its exposure are unspecified. A submerged end does not establish an energized circuit, a connection to the river, or a successful electrical tactic.",
"Bori's cry has no verbatim sound spelling in the excerpt. Use the supplied narration caption without inventing a sound effect or borrowing dialogue from character-profile examples.",
"The previous finished image is available here only as a file reference, so its actual costumes and rendered continuity cannot be verified. The supplied findings are prior textual review material, not an independent review performed for this adaptation."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-1-p-43",
"kind": "caption",
"speaker": "narrator",
"text": "두 발이 모두 땅에 있었다."
},
{
"id": "text-2",
"sourceId": "ch-1-p-48",
"kind": "caption",
"speaker": "narrator",
"text": "아직 두 걸음이 남았다."
},
{
"id": "text-3",
"sourceId": "ch-1-p-49",
"kind": "caption",
"speaker": "narrator",
"text": "가방 안에서 보리가 날카롭게 울었다."
},
{
"id": "text-4",
"sourceId": "ch-1-p-51",
"kind": "caption",
"speaker": "narrator",
"text": "번개담비는 전기가 흐를 자리를 사람보다 먼저 알아챘다."
},
{
"id": "text-5",
"sourceId": "ch-1-p-51",
"kind": "caption",
"speaker": "narrator",
"text": "그러나 보리가 낼 수 있는 것은 가까운 곳을 따끔하게 때릴 짧은 번개뿐이었다. 사슴을 쓰러뜨릴 힘은 없었다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-1-p-41",
"ch-1-p-42"
],
"action": "Following the opening direction, the boy steps onto the trembling light. Lia accompanies him sideways with her arm raised, and Doyun pulls him up from eastern ground. Select the upward handover as the visible culmination of this continuous crossing.",
"textIds": []
},
{
"id": "beat-2",
"sourceIds": [
"ch-1-p-43",
"ch-1-p-44"
],
"action": "The boy settles onto a rock with both feet grounded. Lia sees that he has reached safety and takes a breath. Let his settled position and her release of tension share one quiet instant.",
"textIds": [
"text-1"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-1-p-45"
],
"action": "Maren stands as the ironwork bundle rolls beneath the empty cargo compartment. Show the rolling bundle while she is upright; her movement coincides with the disturbance without establishing how it began.",
"textIds": []
},
{
"id": "beat-4",
"sourceIds": [
"ch-1-p-45"
],
"action": "The wagon turns sideways, pulls the right railing, and leaves a broken railing rope at the deer's feet. Select the turned wagon, displaced railing, and newly fallen rope as the visible consequence of the preceding disturbance.",
"textIds": []
},
{
"id": "beat-5",
"sourceIds": [
"ch-1-p-46"
],
"action": "The deer retreats until the rock wall prevents further backward movement, then turns its broad antlers toward the bridge entrance. Show the resulting orientation, with the wall making the restricted retreat understandable.",
"textIds": []
},
{
"id": "beat-6",
"sourceIds": [
"ch-1-p-47"
],
"action": "Doyun moves the boy behind himself and lowers his sword tip. His completed protective position can coexist with the deer's completed turn, allowing the danger and his response to remain readable in one stable moment.",
"textIds": []
},
{
"id": "beat-7",
"sourceIds": [
"ch-1-p-48"
],
"action": "Lia grips Maren's arm while two steps remain. A plank drops into the water during the unfinished escape. Retain Lia's grip and the newly lost plank as the continuing conditions for Bori's interruption.",
"textIds": [
"text-2"
]
},
{
"id": "beat-8",
"sourceIds": [
"ch-1-p-49"
],
"action": "Bori cries sharply from inside the still-closed bag. Show this interruption while Lia holds Maren and the fallen plank is already in the water below.",
"textIds": [
"text-3"
]
},
{
"id": "beat-9",
"sourceIds": [
"ch-1-p-50"
],
"action": "Lia opens the bag. Bori's forepaw meets the back of her hand, with small golden sparks among puffed fur. Select the contact after the flap has been raised, keeping Bori's attention directed toward the chain.",
"textIds": []
},
{
"id": "beat-10",
"sourceIds": [
"ch-1-p-50",
"ch-1-p-51"
],
"action": "Bori's attention reveals the slack chain beside the deer as the relevant detail. Its end becomes exposed as the deer shifts its feet, but depict only the submerged phase. Disclose Bori's electrical sensitivity and then the strict limit of the available lightning, ending before any attempt to use it.",
"textIds": [
"text-4",
"text-5"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-1-p-41",
"ch-1-p-42"
],
"statement": "An unidentified speaker directs movement onto the left light. The boy steps onto the shield, which trembles beneath his shoe. Lia moves sideways with him without lowering her arm. Doyun reaches from eastern ground and pulls him up."
},
{
"id": "fact-2",
"sourceIds": [
"ch-1-p-43",
"ch-1-p-44"
],
"statement": "The boy sits down on a rock with both feet on the ground. Seeing this lets Lia take a breath."
},
{
"id": "fact-3",
"sourceIds": [
"ch-1-p-45"
],
"statement": "As Maren stands, a bundle of heavy ironwork rolls beneath the empty cargo compartment. The wagon turns sideways and pulls the right railing. A broken railing rope falls at the deer's feet."
},
{
"id": "fact-4",
"sourceIds": [
"ch-1-p-46",
"ch-1-p-47"
],
"statement": "The deer backs away, cannot retreat farther because of a rock wall, and turns until its broad antlers face the bridge entrance. Doyun pushes the boy behind himself and lowers his sword tip."
},
{
"id": "fact-5",
"sourceIds": [
"ch-1-p-48"
],
"statement": "Lia grips Maren's arm with two steps still remaining. During this interval, a plank falls into the water."
},
{
"id": "fact-6",
"sourceIds": [
"ch-1-p-49",
"ch-1-p-50"
],
"statement": "Bori cries sharply inside the bag. Lia raises its flap; a small forepaw touches the back of her hand, and golden sparks jump among Bori's puffed fur."
},
{
"id": "fact-7",
"sourceIds": [
"ch-1-p-50"
],
"statement": "Bori watches the slack chain beside the deer. Its end alternates between being submerged in a puddle and becoming exposed as the deer moves its feet."
},
{
"id": "fact-8",
"sourceIds": [
"ch-1-p-51"
],
"statement": "Bori recognizes places electricity can flow before humans do. Bori can produce only a short, nearby sting of lightning and lacks the power to bring down the deer."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic; expressive ink, rainy gorge, eight generous panels, natural vertical flow, consistent clothing and adult identities, one child, cute cream marten, verbatim in-image Korean captions.",
"moments": [
{
"sourceIds": [
"ch-1-p-42"
],
"action": "Doyun, with black hair, stands on eastern ground, pulling the boy upward; one shoe touches the small turquoise shield within Lia's reach, her arm raised.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-43",
"ch-1-p-44"
],
"action": "The boy sits on a rock with both feet on eastern ground; Lia, with dark chestnut hair and amber eyes, watches with eased shoulders.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-1-p-45"
],
"action": "Maren, with dark auburn curls, stands upright; a heavy ironwork bundle is rolling beneath the wagon's empty cargo compartment.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-45"
],
"action": "The wagon is turned sideways, the right railing pulled askew; a broken railing rope lies at the deer's feet.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-46",
"ch-1-p-47"
],
"action": "The rock wall is behind the deer, whose broad antlers face the bridge entrance; on eastern ground, Doyun stands protectively before the boy, sword tip lowered.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-48",
"ch-1-p-49"
],
"action": "Lia grips Maren's arm, their escape unfinished; the fallen plank is in the water below the bridge. Bori cries inside the closed bag.",
"textIds": [
"text-2",
"text-3"
]
},
{
"sourceIds": [
"ch-1-p-50",
"ch-1-p-51"
],
"action": "Bori's forepaw rests on the back of Lia's free hand beside the raised bag flap; golden sparks fleck its puffed cream fur, its gaze directed toward the chain.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-1-p-50",
"ch-1-p-51"
],
"action": "Beside the deer's feet, the slack chain's end is submerged in a puddle.",
"textIds": [
"text-5"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s3 r1): Lia keeps chestnut hair, amber eyes, freckles, sand shirt, fingerless gloves and satchel; Doyun keeps black hair, grey eyes, green hooded coat and sword; Maren keeps red-auburn curls, white shirt and brick vest; the boy is the same black-haired child; Bori is the cream marten with dark-tipped tail."
},
"setting": {
"passed": false,
"evidence": "Rain, gorge and river continue, but panel 4 shows the wagon standing intact on rocky ground with both wheels down and no bridge under it, while the previous scenes fixed it tilted on the plank bridge with its axle on Lia's shield."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Lia straightening her knees beside the lightened axle; this scene opens with the boy handed up to Doyun over the small shield, then his grounded rest, matching p42-p43."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "두 발이 모두 땅에 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 top-left caption over the boy seated on rock with Lia beside him; exact text."
},
{
"id": "text-2",
"observedText": "아직 두 걸음이 남았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 top-right caption over Lia gripping Maren's arm; exact text."
},
{
"id": "text-3",
"observedText": "가방 안에서 보리가 날카롭게 울었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 second right caption beside the closed satchel; exact text."
},
{
"id": "text-4",
"observedText": "번개담비는 전기가 흐를 자리를 사람보다 먼저 알아챘다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 top-right caption over Bori's paw on Lia's hand with golden sparks; exact text."
},
{
"id": "text-5",
"observedText": "그러나 보리가 낼 수 있는 것은 가까운 곳을 따끔하게 때릴 짧은 번개뿐이었다. 사슴을 쓰러뜨릴 힘은 없었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 8 top-right caption over the chain end in the puddle by the deer's hooves; exact text."
}
],
"evidence": "Opened the actual r2 scene.png and the previous s3 image. Eight bordered panels: full-width, two, two, full-width, two; read left to right, top to bottom, matching the resolved count. All five captions are verbatim and placed on the staged moments. Panel 6 adds an extra sound-effect lettering '끼잉!' beside the satchel that is not in the text list. Panel 1 shows the boy lifted by Doyun over Lia's small turquoise shield; panel 3 Maren crouched hauling a strapped bundle beside the wagon bed; panel 5 the stag before a rock wall with Doyun's sword lowered and the boy at his side; panel 6 a plank in the river; panel 7 Bori's forepaw on Lia's hand; panel 8 the slack chain end submerged in a puddle beside the hooves. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 8
}
},
{
"id": "s5",
"n": 5,
"title": "돌아갈 자리는 없었다",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-1-p-52",
"n": 52,
"text": "리아는 왼손을 마렌의 발 앞에 내리고 오른손을 보리 곁으로 들었다."
},
{
"id": "ch-1-p-53",
"n": 53,
"text": "“도윤, 왼쪽으로 비켜.”"
},
{
"id": "ch-1-p-54",
"n": 54,
"text": "그가 소년과 함께 바위 쪽으로 물러났다."
},
{
"id": "ch-1-p-55",
"n": 55,
"text": "보리가 리아의 팔을 타고 한 뼘 올라왔다. 가방을 떠난 뒷발이 팔꿈치를 꽉 움켜쥐었다. 리아는 손바닥의 방패를 사슴 옆 쇠사슬 쪽으로 비스듬히 틀었다."
},
{
"id": "ch-1-p-56",
"n": 56,
"text": "금빛이 터졌다."
},
{
"id": "ch-1-p-57",
"n": 57,
"text": "짧은 번개가 청록색 면을 긁으며 꺾였다. 방패 가장자리가 밝게 번지고, 그 뒤를 따라간 빛이 쇠사슬 고리 사이에서 꽃처럼 갈라졌다. 탁, 하는 소리가 바위벽에 부딪혀 돌아왔다."
},
{
"id": "ch-1-p-58",
"n": 58,
"text": "사슴의 뿔이 옆으로 돌아갔다."
},
{
"id": "ch-1-p-59",
"n": 59,
"text": "그것으로 충분했다."
},
{
"id": "ch-1-p-60",
"n": 60,
"text": "“지금!”"
},
{
"id": "ch-1-p-61",
"n": 61,
"text": "마렌이 왼손 방패를 밟았다. 리아는 무게를 정면으로 떠받치는 대신 발끝이 땅 쪽으로 미끄러지도록 빛의 면을 낮췄다. 마렌의 몸이 앞으로 기울었다. 도윤이 팔을 잡아당겼다."
},
{
"id": "ch-1-p-62",
"n": 62,
"text": "방패가 부서졌다."
},
{
"id": "ch-1-p-63",
"n": 63,
"text": "청록빛 조각이 리아의 무릎 주위로 흩어졌다. 마렌은 바위턱에 엎어졌고 리아는 한쪽 발이 빠졌다. 마차를 묶었던 마지막 줄이 발목을 감아 왼쪽으로 끌고 갔다."
},
{
"id": "ch-1-p-64",
"n": 64,
"text": "그제야 자신이 돌아갈 자리를 보았다."
},
{
"id": "ch-1-p-65",
"n": 65,
"text": "없었다."
}
],
"pFrom": 52,
"pTo": 65,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep01-s5.webp",
"blocking": 1,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 줄이 이어진 곳에 마차 몸체가 바위턱 위에 놓임. 지시는 마차가 나오면 다리 위 위태로운 위치 유지(p45, p63).",
"en": "Panel 6 draws the wagon body resting on the rock ledge where the rope leads; the brief requires any wagon shown to keep its perilous bridge position (p45, p63), and the previous scene review already flagged the wagon being moved onto ground."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: “방패가 부서졌다” 캡션(5칸) 전에 이미 파편이 흩어짐. 한 칸 빠름.",
"en": "Panel 4 already scatters turquoise fragments around Lia while Doyun pulls Maren, before the caption '방패가 부서졌다' in panel 5, so the break is shown one panel early."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "마렌이 밟는 왼손 발판 방패(p52, p61)가 별개 면으로 안 보임. 오른손 방패만 등장.",
"en": "The left-hand foothold shield that Maren steps on and Lia lowers (p52, p61) is never visible as a distinct plane; only the right-hand deflecting shield appears in panels 1 and 2."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸 배경: 난간이 양쪽 다 멀쩡. 오른쪽 난간은 이미 끊기고 판자는 떨어짐(p45, p48).",
"en": "Panel 4 background shows the bridge with intact railings on both sides although the right railing was pulled away and planks have fallen (p45, p48)."
}
],
"textsTotal": 5,
"textsOk": 5,
"timings": {
"planS": [
96
],
"preflightS": [
150
],
"imageS": 48,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1182,
"plan": {
"intent": "Make Maren's rescue feel earned through coordinated, limited actions, then turn that success into immediate danger for Lia. The lightning creates a brief opportunity; Lia's controlled lowering and Doyun's pull complete the transfer. End with Lia realizing too late that she has left herself no place to return.",
"staging": "Use seven generous panels for one continuous, finished full-color fantasy comic with expressive ink lines and a natural vertical reading flow. The artist chooses compositions, proportions, and viewpoints; the nine beats are events, not panel assignments. Combine compatible preparation and consequences where their order stays clear, while allowing the final recognition a distinct pause. Maintain the rainy gorge and damaged bridge context. Lia must remain within reach of Maren's feet, Bori, and her small shields; Doyun must be positioned to pull Maren onto the rock ledge after moving with the boy toward the rocks. Keep the boy out of the transfer path. Distinguish the left-hand foothold from the surface angled toward the chain beside the deer. Preserve the short bolt's visible redirection, the branching light between links, and the subsequent antler turn without adding electrical mechanisms. The lowered foothold guides Maren downward and forward; it does not launch her. Keep turquoise fragments near Lia's knees, Maren prone on the ledge, and the rope around Lia's ankle pulling left. Maintain that relative direction without assigning it a compass bearing. If the wagon appears, preserve the supplied textual continuity of its perilous bridge position. Lia is an adult woman with dark chestnut hair, amber eyes, and faint nose freckles; Doyun is an adult man with black hair, gray eyes, and a small break in his left eyebrow; Maren is an adult woman with dark auburn curls, brown eyes, and a round face. The boy remains a child. Bori is a small quadrupedal marten with round ears, short forepaws, cream fur, and a long dark-tipped tail. Follow available finished references for clothing and props. Keep at most two small light shields within Lia's reach, with no amplification or stored-power effect. Letter only the five selected Korean captions inside the image, exactly as supplied, with text-4 before text-5. Preserve Lia's limited perspective and stop before any subsequent rescue or fall.",
"uncertainties": [
"The commands in ch-1-p-53 and ch-1-p-60 have no explicit speaker attribution in the supplied excerpt. Their timing and consequences are retained, but their dialogue is omitted rather than assigned a guessed character ID.",
"Bori's climb and the palm-held deflecting shield are not explicitly assigned an arm or hand in ch-1-p-55. The preceding right-hand placement suggests their arrangement; the left-hand foothold is explicitly identified in ch-1-p-61.",
"The golden flash is not explicitly attributed to an emitter in these source units. Bori's preparation and supplied ability support the association, but do not invent a specific discharge organ or an additional power source.",
"The chain's attachment, any complete electrical circuit, and the mechanism causing the deer to turn are unspecified. Show the light between links and the antler response without depicting electrocution, broken chain links, or a defeated deer.",
"Ch-1-p-62 does not explicitly name which shield breaks. Its placement during the transfer supports the foothold reading, but does not establish that both shields shatter or explain the precise failure mechanism.",
"The source does not specify which of Lia's feet loses purchase, which ankle the rope catches, or what supplies the rope's pulling force. Do not add a collapsing plank, a falling wagon, or another mechanism to explain these events.",
"The complete geography and the exact reason no return foothold remains are unspecified. Preserve the absence Lia discovers without inventing an additional collapse or assigning local left to a compass direction.",
"The boy has no supplied character ID or established kinship. The previous finished image is supplied only as a file reference, so its rendered costumes and geography cannot be verified here; supplied review findings are contextual notes, not an independent review."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-1-p-57",
"kind": "caption",
"speaker": "narrator",
"text": "탁, 하는 소리가 바위벽에 부딪혀 돌아왔다."
},
{
"id": "text-2",
"sourceId": "ch-1-p-59",
"kind": "caption",
"speaker": "narrator",
"text": "그것으로 충분했다."
},
{
"id": "text-3",
"sourceId": "ch-1-p-62",
"kind": "caption",
"speaker": "narrator",
"text": "방패가 부서졌다."
},
{
"id": "text-4",
"sourceId": "ch-1-p-64",
"kind": "caption",
"speaker": "narrator",
"text": "그제야 자신이 돌아갈 자리를 보았다."
},
{
"id": "text-5",
"sourceId": "ch-1-p-65",
"kind": "caption",
"speaker": "narrator",
"text": "없었다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-1-p-52",
"ch-1-p-53",
"ch-1-p-54"
],
"action": "Lia positions her hands for the rescue: left low before Maren's feet, right beside Bori. Following the instruction to move left, Doyun retreats toward the rocks with the boy, making the changed positions readable before the magic is used.",
"textIds": []
},
{
"id": "beat-2",
"sourceIds": [
"ch-1-p-55"
],
"action": "Bori leaves the bag and climbs a handspan along Lia's arm, anchoring its hind feet at her elbow. Lia angles the palm-held shield toward the chain beside the deer. Their small, deliberate movements establish the preparation for the flash.",
"textIds": []
},
{
"id": "beat-3",
"sourceIds": [
"ch-1-p-56",
"ch-1-p-57"
],
"action": "Golden light bursts into a short bolt that scrapes and bends along the turquoise shield. Its edge brightens before the redirected light branches between the chain links. The sharp report echoes against the rock wall.",
"textIds": [
"text-1"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-1-p-58",
"ch-1-p-59",
"ch-1-p-60"
],
"action": "The antlers turn sideways, giving the rescuers the opportunity they need. Preserve the urgency of the unattributed action cue through the immediate transition into Maren's movement.",
"textIds": [
"text-2"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-1-p-61"
],
"action": "Maren steps onto the left-hand shield. Lia lowers the surface so Maren's toes slide toward the ground; Maren tips forward, and Doyun pulls her arm. Make the lowering and the human pull legible as the actions that carry her toward the ledge.",
"textIds": []
},
{
"id": "beat-6",
"sourceIds": [
"ch-1-p-62",
"ch-1-p-63"
],
"action": "The shield breaks after Doyun's pull has begun. Turquoise fragments scatter around Lia's knees, abruptly ending the support during the transfer.",
"textIds": [
"text-3"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-1-p-63"
],
"action": "Maren lands prone on the rock ledge as Lia loses her footing on one side. Let Maren's concrete arrival register alongside Lia's sudden instability.",
"textIds": []
},
{
"id": "beat-8",
"sourceIds": [
"ch-1-p-63"
],
"action": "The last wagon-securing rope catches around Lia's ankle and draws her left. Her danger continues after Maren has reached the ledge.",
"textIds": []
},
{
"id": "beat-9",
"sourceIds": [
"ch-1-p-64",
"ch-1-p-65"
],
"action": "Lia finally looks for her own return foothold and discovers there is none. End at this recognition, with the rope's pull unresolved.",
"textIds": [
"text-4",
"text-5"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-1-p-52",
"ch-1-p-53",
"ch-1-p-54"
],
"statement": "Lia lowers her left hand in front of Maren's feet and raises her right hand beside Bori. A command directs Doyun to move left. He retreats toward the rocks with the boy."
},
{
"id": "fact-2",
"sourceIds": [
"ch-1-p-55"
],
"statement": "Bori climbs a handspan along Lia's arm, leaving the bag and gripping her elbow tightly with its hind feet. Lia angles a palm-held shield toward the chain beside the deer."
},
{
"id": "fact-3",
"sourceIds": [
"ch-1-p-56",
"ch-1-p-57"
],
"statement": "Golden light bursts. A short lightning bolt scrapes the turquoise surface and changes direction. The shield's edge brightens, and the following light branches like a flower between the chain links. A sharp sound echoes from the rock wall."
},
{
"id": "fact-4",
"sourceIds": [
"ch-1-p-58",
"ch-1-p-59",
"ch-1-p-60"
],
"statement": "The deer's antlers turn sideways. This is sufficient for the rescue attempt to proceed, and an immediate action cue follows."
},
{
"id": "fact-5",
"sourceIds": [
"ch-1-p-61"
],
"statement": "Maren steps on the left-hand shield. Lia lowers its light surface so Maren's toes slide toward the ground instead of taking the weight directly. Maren tilts forward, and Doyun pulls her arm."
},
{
"id": "fact-6",
"sourceIds": [
"ch-1-p-62",
"ch-1-p-63"
],
"statement": "A shield breaks, scattering turquoise fragments around Lia's knees. Maren falls prone onto a rock ledge, while Lia loses her footing on one side."
},
{
"id": "fact-7",
"sourceIds": [
"ch-1-p-63"
],
"statement": "The last rope that had secured the wagon wraps around Lia's ankle and drags her left."
},
{
"id": "fact-8",
"sourceIds": [
"ch-1-p-64",
"ch-1-p-65"
],
"statement": "Only then does Lia look for a place to return to. There is none."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic; expressive ink, rainy gorge, damaged bridge, consistent supplied character designs, adult rescuers, child boy, small cream marten with dark-tipped tail; clear Korean lettering.",
"moments": [
{
"sourceIds": [
"ch-1-p-52",
"ch-1-p-53",
"ch-1-p-54",
"ch-1-p-55"
],
"action": "Lia holds her left hand low before Maren's feet; Bori grips her elbow with its hind feet. Doyun waits by the rocks, the boy behind him.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-55",
"ch-1-p-56",
"ch-1-p-57"
],
"action": "A short golden bolt bends across Lia's raised turquoise palm shield and branches between chain links beside the deer; the shield's edge glows.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-1-p-58",
"ch-1-p-59",
"ch-1-p-60"
],
"action": "The deer's antlers point sideways; the rescuers remain poised.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-1-p-61"
],
"action": "Lia lowers her left-hand shield as Maren's toes slide toward the ground; Maren leans forward while Doyun pulls her arm toward the rock ledge.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-62",
"ch-1-p-63"
],
"action": "Maren lies prone on the rock ledge. Turquoise shield fragments hang around Lia's knees; one of Lia's feet has lost purchase.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-1-p-63"
],
"action": "The last wagon-securing rope is taut around Lia's ankle, pulling her left.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-63",
"ch-1-p-64",
"ch-1-p-65"
],
"action": "Lia's startled gaze meets empty space where she needs a return foothold; the rope remains taut around her ankle.",
"textIds": [
"text-4",
"text-5"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s4 r2): Lia keeps chestnut hair, amber eyes, freckles, sand shirt, fingerless gloves and satchel; Doyun keeps black hair, green hooded coat and sword; Maren keeps red-auburn curls, white shirt, brick vest and gloves; the boy is the same child; Bori is the cream marten with dark-tipped tail; the stag has the same broad dark antlers."
},
"setting": {
"passed": false,
"evidence": "Rain, gorge, chain and rock landing continue, but panel 6 shows the wagon body standing on the rock ledge beside Lia's roped boot rather than in its perilous position on the bridge, and panel 4 shows the bridge intact with full railings behind the rescue."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with the chain end in the puddle and Bori's ability disclosed; this scene opens with Lia's shield readied beside Maren and Bori on her arm, then the golden bolt into the chain, matching p52-p57."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "탁, 하는 소리가 바위벽에 부딪혀 돌아왔다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 top-left caption over the golden bolt between chain and palm shield; exact text."
},
{
"id": "text-2",
"observedText": "그것으로 충분했다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-right caption over the stag's turned antlers; exact text."
},
{
"id": "text-3",
"observedText": "방패가 부서졌다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 top-right caption over turquoise fragments around Lia's knees and Maren prone; exact text."
},
{
"id": "text-4",
"observedText": "그제야 자신이 돌아갈 자리를 보았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 upper caption beside Lia's startled face; exact text."
},
{
"id": "text-5",
"observedText": "없었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 lower caption below text-4; exact text and order."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s4 image. Seven bordered panels: full-width, two, full-width, full-width, two; read left to right, top to bottom, matching the resolved count. All five captions are verbatim, once each, in the required order; no dialogue lettered. Panel 2 shows the bolt bending across the turquoise palm shield and branching between chain links beside the stag's eye; panel 3 the antlers turned aside; panel 4 Doyun hauling Maren's arm onto the ledge; panel 5 Maren prone with fragments and Lia's boot slipping off the edge into water; panel 6 the rope taut around her ankle pulling left toward a wagon body on the rock; panel 7 her face. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 7
}
},
{
"id": "s6",
"n": 6,
"title": "다 있어요",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-1-p-66",
"n": 66,
"text": "“줄 잡아!”"
},
{
"id": "ch-1-p-67",
"n": 67,
"text": "도윤이 던진 매듭이 어깨를 때렸다. 리아는 오른손을 뻗었다. 저린 손가락이 한 번 미끄러졌다. 가방으로 돌아가려던 보리가 팔에서 미끄러지자 왼팔로 끌어안았다."
},
{
"id": "ch-1-p-68",
"n": 68,
"text": "마차가 내려앉았다."
},
{
"id": "ch-1-p-69",
"n": 69,
"text": "리아는 매듭을 팔꿈치까지 감고 눈을 감지 않았다. 도윤의 칼이 발목 가까이 번쩍였다. 팽팽하던 결박이 끊어지는 순간 몸이 위로 당겨졌다."
},
{
"id": "ch-1-p-70",
"n": 70,
"text": "배가 바위 모서리에 부딪혔다. 아팠다. 그 아픔이 반가웠다."
},
{
"id": "ch-1-p-71",
"n": 71,
"text": "도윤이 줄을 잡아끌었고, 마렌도 엎드린 채 리아의 재킷을 붙잡았다. 발끝이 허공을 빠져나왔다. 뒤에서 다리 한쪽이 길게 찢어졌다. 남은 마차가 비스듬한 들보에 걸리며 멎었다. 굵은 쇳소리가 계곡 아래로 울렸다."
},
{
"id": "ch-1-p-72",
"n": 72,
"text": "리아는 젖은 땅에 뺨을 대고 숨을 몰아쉬었다."
},
{
"id": "ch-1-p-73",
"n": 73,
"text": "가슴 아래에서 보리가 발버둥쳤다. 팔을 풀자 보리는 곧장 가방에 들어갔다. 덮개 밖으로 코만 내밀더니 리아를 보며 재채기했다."
},
{
"id": "ch-1-p-74",
"n": 74,
"text": "“알았어. 다음엔 마른 데.”"
},
{
"id": "ch-1-p-75",
"n": 75,
"text": "목소리가 떨려 끝까지 웃지는 못했다."
},
{
"id": "ch-1-p-76",
"n": 76,
"text": "도윤이 소년, 마렌, 리아를 차례로 보았다. 마지막에는 바위 뒤에 묶인 말까지 확인했다."
},
{
"id": "ch-1-p-77",
"n": 77,
"text": "“다 있어요.”"
}
],
"pFrom": 66,
"pTo": 77,
"panelCount": 8,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep01-s6.webp",
"blocking": 2,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 도윤의 외침 “줄 잡아!”(p66)가 리아 입에 붙음. 리아가 직접 외치는 그림.",
"en": "Panel 1 attaches Doyun's shout '줄 잡아!' (p66) to Lia, who is drawn shouting it herself while reaching for the knot."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸: 계획에 없는 재채기 효과음 ‘흘쩍’ 삽입. 효과음 창작 금지(p73).",
"en": "Panel 7 letters an invented sneeze sound effect '흘쩍' beside Bori; the plan restricts lettering to the five selected texts and explicitly forbids invented sound-effect lettering (p73)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸: 보리가 코만 내미는 게 아니라 머리·앞발 전부 나옴(p73).",
"en": "Panel 7 shows Bori's whole head and forepaws out of the bag while sneezing rather than only its nose past the flap (p73)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "8칸: 마렌·소년이 환하게 웃음. 원문은 탈진, 리아만 짧게 웃다 맒(p75).",
"en": "Panel 8 gives Maren a broad grin and the boy a bright smile during Doyun's check; the recovery is staged as exhausted with only Lia's brief incomplete smile (p75)."
}
],
"textsTotal": 5,
"textsOk": 4,
"timings": {
"planS": [
84
],
"preflightS": [
174
],
"imageS": 48,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1314,
"plan": {
"intent": "Turn Lia's failed grip into a rescue sustained by deliberate human actions: she protects Bori, Doyun frees and pulls her, and Maren helps bring her onto ground. Let the bridge's continuing failure establish how narrowly they escape. Release the tension through Bori's retreat into the bag and Lia's shaky humor, then close on Doyun checking that everyone is present.",
"staging": "Use eight clearly legible panels for one continuous, finished full-color fantasy scene with expressive ink lines and a natural vertical reading flow. The eleven beats describe events, not panel assignments; combine compatible events while preserving their internal order. Leave panel proportions and viewpoints to the artist. Maintain the rainy gorge, damaged bridge, and nearby rock landing. Distinguish Doyun's rescue rope from the binding near Lia's ankle: the binding is cut while the rescue rope remains available for hauling. Doyun's blade must be within physical reach of the binding; Maren remains prone while reaching Lia's jacket. Lia's abdomen contacts the rock before her feet clear the drop. Keep the endangered wagon in the bridge structure, then caught on the inclined beam, separate from the ground where the people recover. The bridge tears after Lia's extraction; the wagon stops on the beam rather than falling to the gorge floor. Maintain Bori's continuity from Lia's protective left arm to beneath her chest, then into the accessible bag after she releases it. Preserve the horse tied behind a rock for Doyun's final check. Lia is an adult woman with dark chestnut hair, amber eyes, and faint nose freckles; Doyun is an adult man with black hair, gray eyes, and a small break in his left eyebrow; Maren is an adult woman in her forties with dark auburn curls, brown eyes, and a round face. The boy remains a child. Bori is a small cream-furred quadrupedal marten with round ears, short forepaws, and a long tail with a dark brown tip. Follow accessible finished references for clothing and props. Keep the recovery physically exhausted, with only a brief, incomplete smile from Lia. Letter only the five selected text entries, verbatim, inside the image. Convey the remaining narration through action, including the sneeze, without invented sound-effect lettering. Retain Lia's limited perspective and introduce no new magic.",
"uncertainties": [
"Ch-1-p-66 has no explicit speaker tag. Assigning text-1 to c2 is a contextual attribution supported by Doyun's immediately identified rope throw in ch-1-p-67.",
"Ch-1-p-77 has no explicit speaker tag. Assigning text-5 to c2 follows Doyun's uninterrupted check in ch-1-p-76; the attribution is contextual.",
"The exact rope wrapping, knot construction, rescue-rope anchorage, and Doyun's stance while cutting are unspecified. Preserve the stated contacts and sequence without adding a pulley, counterweight, spring action, or remote sword strike.",
"The excerpt does not identify which ankle is bound or explain the cause of Lia's numb fingers. Preserve the prior ankle entanglement without assigning an unsupported side or injury mechanism.",
"The precise shape of the bridge failure and the inclined beam's attachment are unspecified. The bridge reading of ch-1-p-71 is supported by the gorge and wagon context; do not depict an injured human leg or invent a detailed structural failure mechanism.",
"The bag's exact attachment and the route by which Bori comes beneath Lia's chest are not described. Maintain the animal's protection through the extraction without inventing an extra fall or transfer.",
"The boy has no supplied character ID, appearance description, or established family relationship. Do not assign one.",
"The previous finished image is supplied as a file reference and cannot be visually inspected in this response. Its review findings are supplied context, not an independent review. Preserve source-supported continuity without reproducing the reported wagon placement on the rock landing or restored bridge railings.",
"The accompanying world and character documents describe current project context rather than a guaranteed scene-time state. Do not import later plot developments or additional abilities into this rescue."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-1-p-66",
"kind": "dialogue",
"speaker": "c2",
"text": "“줄 잡아!”"
},
{
"id": "text-2",
"sourceId": "ch-1-p-70",
"kind": "caption",
"speaker": "narrator",
"text": "아팠다. 그 아픔이 반가웠다."
},
{
"id": "text-3",
"sourceId": "ch-1-p-71",
"kind": "caption",
"speaker": "narrator",
"text": "굵은 쇳소리가 계곡 아래로 울렸다."
},
{
"id": "text-4",
"sourceId": "ch-1-p-74",
"kind": "dialogue",
"speaker": "c1",
"text": "“알았어. 다음엔 마른 데.”"
},
{
"id": "text-5",
"sourceId": "ch-1-p-77",
"kind": "dialogue",
"speaker": "c2",
"text": "“다 있어요.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-1-p-66",
"ch-1-p-67"
],
"action": "The urgent command accompanies the thrown knot striking Lia's shoulder. Her right hand reaches and slips once; when Bori also slips while seeking the bag, she gathers the animal into her left arm. Make both threatened losses readable without adding another failed attempt.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-1-p-68",
"ch-1-p-69"
],
"action": "The wagon drops lower. Lia secures the knotted rope up to her elbow while keeping her eyes open, turning the failed finger grip into a hold she can maintain.",
"textIds": []
},
{
"id": "beat-3",
"sourceIds": [
"ch-1-p-69"
],
"action": "Doyun's blade flashes close to Lia's ankle. The taut binding parts and she is pulled upward. Preserve the order of securing the rescue rope, cutting the binding, and upward movement.",
"textIds": []
},
{
"id": "beat-4",
"sourceIds": [
"ch-1-p-70"
],
"action": "Lia's abdomen hits the rock edge. Let the painful contact interrupt the upward movement, with the caption retaining her otherwise invisible welcome of that pain.",
"textIds": [
"text-2"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-1-p-71"
],
"action": "Doyun hauls on the rope and the prone Maren catches Lia's jacket. Their continued effort brings Lia's toes out of open air, making the completion of her extraction unmistakable.",
"textIds": []
},
{
"id": "beat-6",
"sourceIds": [
"ch-1-p-71"
],
"action": "After Lia's feet clear, one side of the bridge tears lengthwise behind her. The remaining wagon catches on an inclined beam and stops; the metallic report carries down the gorge.",
"textIds": [
"text-3"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-1-p-72"
],
"action": "Lia rests her cheek on the wet ground and gasps for breath. Allow the physical fact of reaching ground to register before the smaller movements of the aftermath.",
"textIds": []
},
{
"id": "beat-8",
"sourceIds": [
"ch-1-p-73"
],
"action": "Bori struggles beneath Lia's chest. She releases her arms, allowing the animal to go straight into the bag.",
"textIds": []
},
{
"id": "beat-9",
"sourceIds": [
"ch-1-p-73"
],
"action": "Only Bori's nose protrudes past the bag flap as the animal turns toward Lia and sneezes. Keep the gesture small and self-directed.",
"textIds": []
},
{
"id": "beat-10",
"sourceIds": [
"ch-1-p-74",
"ch-1-p-75"
],
"action": "Lia answers Bori with gentle humor, but her trembling voice and unfinished laugh reveal that the fright has not passed.",
"textIds": [
"text-4"
]
},
{
"id": "beat-11",
"sourceIds": [
"ch-1-p-76",
"ch-1-p-77"
],
"action": "Doyun checks the boy, then Maren, then Lia, and finally the horse tied behind a rock. Place his confirmation after this completed check, ending the scene on accounted-for lives.",
"textIds": [
"text-5"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-1-p-66",
"ch-1-p-67"
],
"statement": "A command to grab the rope accompanies Doyun's thrown knot striking Lia's shoulder. She reaches with her right hand, but her numb fingers slip once. Bori slips from her arm while trying to return to the bag, and she catches Bori against herself with her left arm."
},
{
"id": "fact-2",
"sourceIds": [
"ch-1-p-68",
"ch-1-p-69"
],
"statement": "The wagon drops lower. Lia winds the knotted rope up to her elbow and keeps her eyes open."
},
{
"id": "fact-3",
"sourceIds": [
"ch-1-p-69"
],
"statement": "Doyun's blade flashes near Lia's ankle. The taut binding parts, and her body is pulled upward at that moment."
},
{
"id": "fact-4",
"sourceIds": [
"ch-1-p-70"
],
"statement": "Lia's abdomen strikes a rock edge. The impact hurts, and she welcomes the pain."
},
{
"id": "fact-5",
"sourceIds": [
"ch-1-p-71"
],
"statement": "Doyun pulls the rope while Maren, lying prone, grips Lia's jacket. Lia's toes clear the open air."
},
{
"id": "fact-6",
"sourceIds": [
"ch-1-p-71"
],
"statement": "Behind Lia, one side of the bridge tears lengthwise. The remaining wagon catches on an inclined beam and stops. A deep metallic sound echoes down the gorge."
},
{
"id": "fact-7",
"sourceIds": [
"ch-1-p-72",
"ch-1-p-73"
],
"statement": "Lia lies with her cheek against wet ground, breathing hard. Bori struggles beneath her chest, enters the bag as soon as she releases her arms, and sneezes toward her with only its nose protruding beyond the flap."
},
{
"id": "fact-8",
"sourceIds": [
"ch-1-p-74",
"ch-1-p-75"
],
"statement": "Lia responds to Bori with a promise of somewhere dry next time. Her voice trembles, and she cannot complete her laugh."
},
{
"id": "fact-9",
"sourceIds": [
"ch-1-p-76",
"ch-1-p-77"
],
"statement": "Doyun checks the boy, Maren, and Lia in that order, then checks the horse tied behind a rock. A spoken confirmation that everyone is present follows."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic with expressive ink, rainy gorge, adult rescuers, child boy, cream marten, consistent supplied character designs, verbatim in-image Korean lettering, and natural vertical flow.",
"moments": [
{
"sourceIds": [
"ch-1-p-66",
"ch-1-p-67"
],
"action": "Lia's right fingers are open beside the missed rope knot; her left arm clasps Bori, the small cream marten, against her chest.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-1-p-68",
"ch-1-p-69"
],
"action": "Doyun's blade severs Lia's ankle binding within his reach; her body rises, eyes open, with a separate taut rescue rope wrapped to her right elbow and Bori cradled left.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-70"
],
"action": "Lia's abdomen presses into the rock edge at impact; her face tightens, the rescue rope stays taut, and Bori remains protected in her left arm.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-1-p-71"
],
"action": "Doyun pulls the rescue rope while prone, auburn-curled Maren grips Lia's jacket; Lia's feet have cleared the drop, Bori still held against her left side.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-71"
],
"action": "The remaining wagon rests caught on an inclined bridge beam above the gorge; one bridge side is torn lengthwise, with Lia and her rescuers on the separate rock landing.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-1-p-72",
"ch-1-p-73"
],
"action": "Lia lies gasping, cheek against wet ground and arms loose; Bori's forequarters are inside the open bag.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-73",
"ch-1-p-74",
"ch-1-p-75"
],
"action": "Bori finishes a sneeze toward Lia, only its nose beyond the bag flap; Lia's exhausted half-smile trembles as she begins her reply.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-1-p-76",
"ch-1-p-77"
],
"action": "Doyun's gaze rests on the horse tied behind a rock as he gives the confirmation; the boy, Maren, and exhausted Lia remain together on wet ground nearby.",
"textIds": [
"text-5"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s5 r1): Lia keeps chestnut hair, amber eyes, freckles, sand shirt, fingerless gloves and satchel; Doyun keeps black hair, grey eyes, green hooded coat; Maren keeps red-auburn curls, white shirt and brick vest; the boy is the same child; Bori is the cream marten with dark-tipped tail; the brown horse matches s2."
},
"setting": {
"passed": true,
"evidence": "Same rainy gorge and rock landing; panel 5 shows the bridge torn lengthwise on one side with the wagon caught on an inclined beam above the water, which corrects the earlier off-bridge placement and matches p71."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Lia's foot off the edge and the rope on her ankle; this scene opens with the thrown knot beside her open hand and Bori clasped in her left arm, then the cut and the haul, matching p66-p71."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "“줄 잡아!”",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 1 jagged balloon sits against Lia's head while she is drawn shouting with her mouth open and no Doyun in the panel; the line is Doyun's rope call (p66-p67)."
},
{
"id": "text-2",
"observedText": "아팠다. 그 아픔이 반가웠다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-right caption over Lia pressed to the rock edge with Bori under her arm; exact text."
},
{
"id": "text-3",
"observedText": "굵은 쇳소리가 계곡 아래로 울렸다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 top-left caption over the torn bridge and the wagon caught on the beam; exact text."
},
{
"id": "text-4",
"observedText": "“알았어. 다음엔 마른 데.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 balloon with tail to Lia's trembling half-smile; exact text."
},
{
"id": "text-5",
"observedText": "“다 있어요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 8 balloon with tail to Doyun looking toward the tied horse; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s5 image. Eight bordered panels: full-width, two, full-width, full-width, three; read left to right, top to bottom, matching the resolved count. All five texts are verbatim; one balloon is attached to the wrong figure and one extra sound-effect lettering '흘쩍' appears in panel 7. Panel 2 shows Doyun's blade at the ankle binding with the rescue rope separate; panel 4 Doyun prone hauling the rope while Maren grips Lia's jacket and the boy watches; panel 5 the bridge torn on one side with the wagon halted on an inclined beam and the group on the landing; panel 6 Lia's cheek on wet ground with Bori's forequarters in the open bag; panel 8 the horse tied behind a rock. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 8
}
},
{
"id": "s7",
"n": 7,
"title": "살았으니 셈은 나중에",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-1-p-78",
"n": 78,
"text": "마렌이 두 손으로 얼굴을 문질렀다. 손을 내리자 턱이 흔들리고 있었다."
},
{
"id": "ch-1-p-79",
"n": 79,
"text": "“밀가루 여섯…….”"
},
{
"id": "ch-1-p-80",
"n": 80,
"text": "그녀는 말을 멈췄다. 소년의 신발이 한 짝 벗겨져 있었다. 마렌은 자기 장갑을 벗어 아이의 맨발 밑에 깔았다."
},
{
"id": "ch-1-p-81",
"n": 81,
"text": "“살았으니 셈은 조금 있다 하죠.”"
},
{
"id": "ch-1-p-82",
"n": 82,
"text": "리아가 몸을 일으키려 하자 오른손목에 통증이 몰렸다. 도윤이 팔을 내밀었다."
},
{
"id": "ch-1-p-83",
"n": 83,
"text": "“괜찮아.”"
},
{
"id": "ch-1-p-84",
"n": 84,
"text": "“그러면 왼손 줘.”"
},
{
"id": "ch-1-p-85",
"n": 85,
"text": "그는 기다렸다. 리아는 왼손을 내밀었다."
},
{
"id": "ch-1-p-86",
"n": 86,
"text": "바위뿔사슴은 조금 떨어진 길목에서 계곡 아래를 보고 있었다. 사람을 향해 뿔을 들었던 몸이 이제는 아래쪽 비탈을 향해 기울었다. 한 발 내려가던 사슴이 멈췄다가 다시 올라왔다. 리아가 고개를 갸웃하는 사이, 그것은 굽을 구르며 바위 뒤로 물러났다."
},
{
"id": "ch-1-p-87",
"n": 87,
"text": "“쫓아간 건 아닌데 물러났네.”"
},
{
"id": "ch-1-p-88",
"n": 88,
"text": "도윤이 칼을 닦으며 말했다."
}
],
"pFrom": 78,
"pTo": 88,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep01-s7.webp",
"blocking": 1,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4~6칸: 바위뿔사슴이 흰 염소형 동물로 바뀜. s2·s4·s5의 검고 큰 수사슴과 다른 동물로 보임(p86).",
"en": "Panels 4-6 draw the rock-horned deer as a pale cream, goat-like animal with short antlers; the same animal in s2, s4 and s5 is a large dark-brown stag with broad antlers, so the reader cannot recognise it as the deer that threatened the bridge (p86)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 마렌이 장갑을 벗기 전(p80)인데 이미 장갑이 바닥에 있고 손이 맨손.",
"en": "Panel 1 already shows a glove lying on the ground beside the boy's bare foot and Maren's hands bare, before p80 has her take the glove off and lay it down."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 리아가 왼손을 내미는 동작(p85) 없음. 도윤 손만 기다림.",
"en": "Panel 3 shows both of Lia's hands drawn to her chest around the right wrist; the left hand extended toward Doyun (p85) is not shown, only his waiting hand."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 보리가 코만 아니라 머리 전부 나옴.",
"en": "Panel 3 shows Bori's whole head out of the bag rather than only the nose (staged as nose protruding)."
}
],
"textsTotal": 5,
"textsOk": 5,
"timings": {
"planS": [
74
],
"preflightS": [
120
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1184,
"plan": {
"intent": "Let practical care emerge through the exhaustion after survival: Maren interrupts her accounting to protect the boy's bare foot, and Doyun answers Lia's denial of pain with an offer she can accept. Carry that quiet recovery into uncertainty as the deer withdraws after looking downhill. End on an observation that leaves its motive unresolved.",
"staging": "Create one continuous finished full-color fantasy scene in seven legible panels, with expressive ink lines and a natural vertical reading flow. The ten beats are events, not panel assignments; combine compatible actions while preserving their order and the pauses around Maren's interruption, Doyun's waiting, and the deer's reversal. Leave panel proportions and viewpoints to the artist. Continue the rainy gorge recovery on the ground reached in the preceding scene. Maren must be within reach of the boy's bare foot, and Doyun within offering distance of Lia. The glove lies beneath the foot. Keep Lia's painful right wrist distinct from the left hand she extends. The deer is a short distance from the people, with access to the descending slope and a rock behind which it withdraws. Make its downward attempt and return readable before its retreat. Preserve Lia's dark chestnut hair, amber eyes, and faint nose freckles; Doyun's black hair, gray eyes, and small break in his left eyebrow; and Maren's dark auburn curls, brown eyes, and round face. These three are adults; the boy remains a child. If Bori is visible for continuity, retain the prior bag placement and its small cream-furred marten appearance with a dark brown tail tip, without adding an action. Follow the finished reference for clothing and props wherever source-consistent. Keep expressions exhausted and attentive. Letter only the five selected text entries verbatim inside the image, with unmistakable speaker attachment. Convey the remaining prose through action, without added captions or sound-effect lettering.",
"uncertainties": [
"The dialogue in ch-1-p-79 and ch-1-p-81 is attributed to Maren through her surrounding actions. The speaker assignments in ch-1-p-83 and ch-1-p-84 follow the exchange between Lia and Doyun and his waiting in ch-1-p-85. Doyun's final line is explicitly attributed by ch-1-p-88.",
"The boy has no supplied character ID, detailed appearance, or stated family relationship to Maren. The side of his bare foot is unspecified.",
"Lia's exact starting posture and the mechanism of her wrist pain are not established here. Her left-hand extension is explicit; a completed grasp or assisted rise is not.",
"The exact path geometry, slope gradient, and relationship between the deer's hiding rock and rocks in the preceding scene are unspecified. Preserve only the stated distances, directions, and sequence.",
"The deer's reason for stopping and retreating is unknown. Do not reveal an unseen threat, electrical effect, territorial motive, or later migration explanation as a fact of this scene.",
"The material being wiped from Doyun's sword is unspecified. The excerpt does not establish blood or a new injury to the deer.",
"The previous finished image is supplied as a file reference and has not been visually inspected here. Its supplied review findings are same-host context, not an independent review. Current project documents must not introduce later revelations into this excerpt."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-1-p-79",
"kind": "dialogue",
"speaker": "c4",
"text": "“밀가루 여섯…….”"
},
{
"id": "text-2",
"sourceId": "ch-1-p-81",
"kind": "dialogue",
"speaker": "c4",
"text": "“살았으니 셈은 조금 있다 하죠.”"
},
{
"id": "text-3",
"sourceId": "ch-1-p-83",
"kind": "dialogue",
"speaker": "c1",
"text": "“괜찮아.”"
},
{
"id": "text-4",
"sourceId": "ch-1-p-84",
"kind": "dialogue",
"speaker": "c2",
"text": "“그러면 왼손 줘.”"
},
{
"id": "text-5",
"sourceId": "ch-1-p-87",
"kind": "dialogue",
"speaker": "c2",
"text": "“쫓아간 건 아닌데 물러났네.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-1-p-78"
],
"action": "Maren rubs her face with both hands and lowers them, revealing her trembling chin. Let the physical strain register before she tries to count.",
"textIds": []
},
{
"id": "beat-2",
"sourceIds": [
"ch-1-p-79",
"ch-1-p-80"
],
"action": "Maren begins counting flour, then breaks off as her attention shifts to the boy's missing shoe and exposed foot.",
"textIds": [
"text-1"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-1-p-80",
"ch-1-p-81"
],
"action": "Maren removes her glove and lays it beneath the boy's bare foot. Her decision to postpone the accounting accompanies this concrete act of care; the loss still matters to her.",
"textIds": [
"text-2"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-1-p-82"
],
"action": "Lia tries to raise herself and reacts to pain in her right wrist. Doyun extends an arm to offer support.",
"textIds": []
},
{
"id": "beat-5",
"sourceIds": [
"ch-1-p-83",
"ch-1-p-84"
],
"action": "Lia minimizes her condition. Doyun responds by asking for her left hand, making the offer specific to the burden she is trying to dismiss.",
"textIds": [
"text-3",
"text-4"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-1-p-85"
],
"action": "Doyun waits without forcing the contact. Lia then extends her left hand. Give this small acceptance a readable pause.",
"textIds": []
},
{
"id": "beat-7",
"sourceIds": [
"ch-1-p-86"
],
"action": "Attention moves to the deer a little way along the path. It looks into the gorge and inclines toward the lower slope, making its changed orientation apparent.",
"textIds": []
},
{
"id": "beat-8",
"sourceIds": [
"ch-1-p-86"
],
"action": "The deer begins a downward step, halts, and comes back up. Preserve the reversal so its withdrawal does not read as an uninterrupted departure.",
"textIds": []
},
{
"id": "beat-9",
"sourceIds": [
"ch-1-p-86"
],
"action": "Lia tilts her head at the behavior. The deer stamps its hoof and backs behind a rock, leaving the reason for its hesitation unseen.",
"textIds": []
},
{
"id": "beat-10",
"sourceIds": [
"ch-1-p-87",
"ch-1-p-88"
],
"action": "Doyun wipes his sword and comments on the unpursued retreat. Close on his puzzled observation without resolving the animal's motive.",
"textIds": [
"text-5"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-1-p-78",
"ch-1-p-79"
],
"statement": "Maren rubs her face with both hands. Her chin trembles when she lowers them, and she begins counting flour."
},
{
"id": "fact-2",
"sourceIds": [
"ch-1-p-80",
"ch-1-p-81"
],
"statement": "Maren stops speaking. One of the boy's shoes has come off. She removes her glove, places it beneath his bare foot, and postpones the accounting because they survived."
},
{
"id": "fact-3",
"sourceIds": [
"ch-1-p-82"
],
"statement": "Lia tries to raise herself, bringing pain into her right wrist. Doyun extends an arm."
},
{
"id": "fact-4",
"sourceIds": [
"ch-1-p-83",
"ch-1-p-84",
"ch-1-p-85"
],
"statement": "Lia says she is all right. Doyun asks for her left hand and waits. Lia extends that hand."
},
{
"id": "fact-5",
"sourceIds": [
"ch-1-p-86"
],
"statement": "The rock-horned deer stands a short distance away at the approach to the path, looking down into the gorge. Its body, which previously presented its antlers toward people, now inclines toward the lower slope."
},
{
"id": "fact-6",
"sourceIds": [
"ch-1-p-86"
],
"statement": "The deer starts down a step, stops, and comes back up."
},
{
"id": "fact-7",
"sourceIds": [
"ch-1-p-86"
],
"statement": "As Lia tilts her head, the deer stamps its hoof and retreats behind a rock."
},
{
"id": "fact-8",
"sourceIds": [
"ch-1-p-87",
"ch-1-p-88"
],
"statement": "Doyun wipes his sword while remarking that the deer withdrew even though they had not chased it."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic; expressive ink, rainy gorge, exhausted adult leads. Preserve supplied character designs, clothing, and props. Letter selected texts verbatim with clear speaker attachment; natural vertical flow.",
"moments": [
{
"sourceIds": [
"ch-1-p-78",
"ch-1-p-79",
"ch-1-p-80"
],
"action": "Maren's hands are lowered beneath her trembling chin as she says text-1. Beside her, the boy has one shoe on and one bare foot.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-1-p-80",
"ch-1-p-81"
],
"action": "The boy's bare foot rests on Maren's removed glove. Maren is beside him, one hand ungloved, speaking text-2 with an exhausted, attentive expression.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-1-p-82",
"ch-1-p-83",
"ch-1-p-84",
"ch-1-p-85"
],
"action": "Still low and wincing, Lia holds her right wrist close, her left hand extended toward Doyun's waiting arm. Attach text-3 to Lia, then text-4 to Doyun. Bori's nose protrudes from the bag.",
"textIds": [
"text-3",
"text-4"
]
},
{
"sourceIds": [
"ch-1-p-86"
],
"action": "A little way along the path, the rock-horned deer pauses with one hoof on the descending slope, its body inclined downhill and gaze into the gorge.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-86"
],
"action": "The deer is stepping back uphill, one forehoof planted on the upper path beside the same descending slope.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-86"
],
"action": "The deer is halfway behind a nearby rock, one hoof striking the path; Lia watches with her head tilted.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-87",
"ch-1-p-88"
],
"action": "Doyun wipes his sword, looking toward the deer's hiding rock with a puzzled, exhausted expression; text-5 belongs to him.",
"textIds": [
"text-5"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": false,
"evidence": "The humans match the previous scene image (s6 r1): Lia with chestnut hair, freckles, sand shirt and gloves; Doyun with black hair, grey eyes, green coat and sword; Maren with red-auburn curls, white shirt and brick vest; the same boy; Bori the cream marten. The deer does not match: s2, s4 and s5 drew a large dark-brown stag with broad antlers, while panels 4-6 here show a pale cream, goat-like animal with short antlers."
},
"setting": {
"passed": true,
"evidence": "Same rainy gorge and mossy rock landing with conifers and mist; the descending slope and a hiding rock a short way along the path are present."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Doyun's '다 있어요' check of everyone; this scene opens with Maren's face-rubbing count and the boy's bare foot, then the wrist exchange and the deer's retreat, matching p78-p88."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "“밀가루 여섯…….”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with tail to Maren, hands clasped under her trembling chin; exact text."
},
{
"id": "text-2",
"observedText": "“살았으니 셈은 조금 있다 하죠.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with tail to Maren beside the boy's bare foot on her glove; exact text."
},
{
"id": "text-3",
"observedText": "“괜찮아.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 left balloon with tail to Lia clutching her right wrist; exact text."
},
{
"id": "text-4",
"observedText": "“그러면 왼손 줘.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 right balloon with tail to Doyun holding out his hand; exact text."
},
{
"id": "text-5",
"observedText": "“쫓아간 건 아닌데 물러났네.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 balloon with tail to Doyun wiping his blade; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s6 image. Seven bordered panels: three full-width rows, then two rows of two; read left to right, top to bottom, matching the resolved count. All five dialogue texts are verbatim with tails to the correct speakers; no captions or sound effects added. Panel 2 shows the bare foot resting on the removed glove; panel 3 Lia hunched holding her right wrist with Bori's head at the bag flap and Doyun's hand offered; panels 4-6 the animal inclined downhill, then stepping back up, then half behind a rock with a hoof splash while Lia watches; panel 7 Doyun wiping the sword with a cloth. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 7
}
},
{
"id": "s8",
"n": 8,
"title": "아직 못 간 길",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-1-p-89",
"n": 89,
"text": "리아는 대답하려다 시선을 멈췄다."
},
{
"id": "ch-1-p-90",
"n": 90,
"text": "그가 줄을 감았던 바위 안쪽에 작은 화살표가 새겨져 있었다. 끝이 두 갈래로 갈라지고, 아래에는 손톱만 한 짧은 선이 하나 더 있었다."
},
{
"id": "ch-1-p-91",
"n": 91,
"text": "리아는 가방의 안주머니를 열었다. 접힌 지도를 꺼내려다 젖은 손을 옷에 문질렀다. 어머니가 그려 준 마지막 지도. 계곡 다리 동쪽은 빈 종이였고, 여백에는 익숙한 글씨로 한 줄만 남아 있었다."
},
{
"id": "ch-1-p-92",
"n": 92,
"text": "아직 못 간 길."
},
{
"id": "ch-1-p-93",
"n": 93,
"text": "리아는 종이의 화살표와 바위의 것을 번갈아 보았다. 어머니는 표시를 새기고 나면 늘 밑에 작은 선을 더했다. 비에 윗부분이 닳아도 어느 쪽이 위인지 알아보라고."
},
{
"id": "ch-1-p-94",
"n": 94,
"text": "바위의 선은 빗물에 검게 젖어 있었다."
},
{
"id": "ch-1-p-95",
"n": 95,
"text": "“뭐 있어?”"
},
{
"id": "ch-1-p-96",
"n": 96,
"text": "도윤이 물었다."
},
{
"id": "ch-1-p-97",
"n": 97,
"text": "리아는 지도를 접었다. 오른손이 아파 가장자리가 삐뚤어졌다."
},
{
"id": "ch-1-p-98",
"n": 98,
"text": "“길 표식.”"
},
{
"id": "ch-1-p-99",
"n": 99,
"text": "누구의 것인지는 말하지 않았다."
},
{
"id": "ch-1-p-100",
"n": 100,
"text": "화살표는 사슴이 내려가려다 돌아온 비탈을 가리키고 있었다."
}
],
"pFrom": 89,
"pTo": 100,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep01-s8.webp",
"blocking": 1,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸 캡션: “어머니는 표시를” → “어머니끈 표저를”. 두 글자 깨짐.",
"en": "Panel 3 caption renders '어머니는 표시를 새기고 나면' (p93) as '어머니끈 표저를 새기고 나면'; two syllables are garbled into non-words, so the verbatim requirement is not met."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 지도가 완전히 펼쳐짐. 원문은 손을 닦고 접힌 지도를 꺼내려는 참(p91).",
"en": "Panel 2 shows the map held fully open with drawn terrain west of the bridge; the source has Lia only starting to take out the folded map after drying her hands (p91), so the unfolding is compressed."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 지도가 접힌 게 아니라 반쯤 펼쳐진 채 쥐어짐(p97). 통증은 읽힘.",
"en": "Panel 4 shows the map still partly open in Lia's fist rather than folded with a skewed edge (p97); the pain is readable, the uneven fold less so."
}
],
"textsTotal": 6,
"textsOk": 6,
"timings": {
"planS": [
86
],
"preflightS": [
135
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1183,
"plan": {
"intent": "Turn a small discovery into private hope and a consequential omission. Lia recognizes her mother's marking habit, handles the last map with care despite her painful hand, and gives Doyun only the practical description. End by connecting the marker to the slope the deer refused to descend, leaving its significance unresolved.",
"staging": "Create one continuous finished full-color fantasy comic scene in five legible panels, with expressive ink lines and a natural vertical reading flow. The eight beats are ordered events, not panel assignments; the artist chooses their grouping, composition, panel sizes and viewpoints. Continue the rainy gorge setting. Lia can examine the inner side of the rock previously used for the rope wrap, and Doyun is close enough to speak with her. Establish only the carved arrow's relation to the indicated slope. Keep the forked tip and separate lower line distinguishable, and the map arrow readable for comparison. Preserve the blank area east of the bridge on the map without adding geographic labels. Present text-2 as a narrator caption quoting the mother's marginal note, rather than inventing a speaking role for her. Keep the careful drying of Lia's hands before retrieval and the painful, uneven fold before her answer readable. Preserve Lia's dark chestnut hair, amber eyes and faint nose freckles, and Doyun's black hair, gray eyes and small break in his left eyebrow. Both are adults. Match clothing and props to the finished reference wherever source-consistent. If Bori is visible for continuity, retain the small cream-furred marten identity and restrained bag presence without adding an event. Letter only the selected texts, verbatim, inside the image. Keep the scene within Lia's limited perspective.",
"uncertainties": [
"The pronoun identifying who previously wound the rope is not explicitly resolved within this excerpt. Do not add a new rope-handling action, knot design, load or tension mechanism.",
"The exact layout of the rock, bridge and slope is unspecified. The blank eastern portion of the map does not establish that the indicated slope lies east or that the slope is safely passable.",
"The paper arrow's complete design is not described. Preserve a readable comparison without inventing additional symbols or mapped routes.",
"Lia recognizes her mother's marking habit, but the excerpt does not establish when the carving was made or prove her mother's present whereabouts or survival. Rainwater darkening the groove does not date it.",
"The excerpt does not explain the cause or severity of Lia's right-hand pain. Keep the established discomfort without adding a wound or a new magical effect.",
"The mother's marginal note is reproduced as a narrator caption because she has no supplied character ID. Its authorship remains hers, and it is not Lia's spoken dialogue.",
"The reason the deer turned back and the marker's fuller meaning remain unresolved here. Later revelations in the project documents must not become visible facts in this scene.",
"The previous finished image is supplied as a file reference and has not been visually inspected in this response. Its supplied findings are same-host review context, not independent verification."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-1-p-91",
"kind": "caption",
"speaker": "narrator",
"text": "어머니가 그려 준 마지막 지도."
},
{
"id": "text-2",
"sourceId": "ch-1-p-92",
"kind": "caption",
"speaker": "narrator",
"text": "아직 못 간 길."
},
{
"id": "text-3",
"sourceId": "ch-1-p-93",
"kind": "caption",
"speaker": "narrator",
"text": "어머니는 표시를 새기고 나면 늘 밑에 작은 선을 더했다. 비에 윗부분이 닳아도 어느 쪽이 위인지 알아보라고."
},
{
"id": "text-4",
"sourceId": "ch-1-p-95",
"kind": "dialogue",
"speaker": "c2",
"text": "“뭐 있어?”"
},
{
"id": "text-5",
"sourceId": "ch-1-p-98",
"kind": "dialogue",
"speaker": "c1",
"text": "“길 표식.”"
},
{
"id": "text-6",
"sourceId": "ch-1-p-100",
"kind": "caption",
"speaker": "narrator",
"text": "화살표는 사슴이 내려가려다 돌아온 비탈을 가리키고 있었다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-1-p-89",
"ch-1-p-90"
],
"action": "Lia's impending answer falls away as she notices the carved arrow. Make the forked tip and separate lower line readable as the details that arrest her attention.",
"textIds": []
},
{
"id": "beat-2",
"sourceIds": [
"ch-1-p-91"
],
"action": "She opens the inner pocket, interrupts her retrieval to wipe her wet hands on her clothes, then takes out the folded map. Her care with the paper introduces its personal importance.",
"textIds": [
"text-1"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-1-p-91",
"ch-1-p-92"
],
"action": "The opened map reveals blank paper east of the gorge bridge. Present its marginal note as part of Lia's encounter with her mother's unfinished knowledge.",
"textIds": [
"text-2"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-1-p-93",
"ch-1-p-94"
],
"action": "Lia alternates her attention between the paper arrow and the carving. Her mother's habit explains why the small lower line matters; the rain-darkened groove remains an ordinary physical detail carrying private significance.",
"textIds": [
"text-3"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-1-p-95",
"ch-1-p-96"
],
"action": "Doyun's question interrupts Lia's private comparison and gives her an opportunity to share what she recognizes.",
"textIds": [
"text-4"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-1-p-97"
],
"action": "Before replying, Lia folds the map. Pain in her right hand makes the edges meet unevenly; preserve this physical cause rather than treating the crooked fold as haste alone.",
"textIds": []
},
{
"id": "beat-7",
"sourceIds": [
"ch-1-p-98",
"ch-1-p-99"
],
"action": "Lia supplies the marker's practical category and withholds its personal connection. Let the reader understand the omission through the contrast between her recognition and her short spoken answer.",
"textIds": [
"text-5"
]
},
{
"id": "beat-8",
"sourceIds": [
"ch-1-p-100"
],
"action": "Finish by establishing that the carved arrow indicates the slope the deer attempted and abandoned. The connection opens a question about the route without showing anyone choose or enter it.",
"textIds": [
"text-6"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-1-p-89",
"ch-1-p-90"
],
"statement": "Lia is about to answer when her gaze stops on a small arrow carved into the inner side of the rock around which a rope had been wound. Its tip divides into two branches, with a separate, fingernail-sized short line beneath it."
},
{
"id": "fact-2",
"sourceIds": [
"ch-1-p-91"
],
"statement": "Lia opens her bag's inner pocket. Before taking out the folded map, she wipes her wet hands on her clothes."
},
{
"id": "fact-3",
"sourceIds": [
"ch-1-p-91",
"ch-1-p-92"
],
"statement": "This is the last map Lia's mother drew for her. The area east of the gorge bridge is blank, and the margin contains a single line in familiar handwriting about a path not yet traveled."
},
{
"id": "fact-4",
"sourceIds": [
"ch-1-p-93"
],
"statement": "Lia looks back and forth between the arrow on the paper and the carved arrow. Her mother habitually added a small line beneath a carved mark so its upright orientation would remain identifiable if rain wore away its upper portion."
},
{
"id": "fact-5",
"sourceIds": [
"ch-1-p-94"
],
"statement": "The short line on the rock is dark with rainwater."
},
{
"id": "fact-6",
"sourceIds": [
"ch-1-p-95",
"ch-1-p-96"
],
"statement": "Doyun asks whether Lia has found something."
},
{
"id": "fact-7",
"sourceIds": [
"ch-1-p-97",
"ch-1-p-98",
"ch-1-p-99"
],
"statement": "Lia folds the map, leaving its edges crooked because her right hand hurts. She identifies the discovery as a trail marker but does not say whose it is."
},
{
"id": "fact-8",
"sourceIds": [
"ch-1-p-100"
],
"statement": "The arrow points toward the slope where the deer had attempted to descend before returning."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink, rainy gorge, vertical reading flow; adult cast, supplied identities and reference clothing/props; cute cream marten nestled in Lia's bag; verbatim lettering.",
"moments": [
{
"sourceIds": [
"ch-1-p-89",
"ch-1-p-90",
"ch-1-p-91"
],
"action": "Lia wipes her wet hands on her clothes, watching the rock's inner face: a small arrow with a forked tip and separate fingernail-sized line beneath. Her bag's inner pocket is open.",
"textIds": []
},
{
"sourceIds": [
"ch-1-p-91",
"ch-1-p-92",
"ch-1-p-93"
],
"action": "Lia studies the open map, with its arrow visible and paper east of the gorge bridge blank; the narrator identifies her mother's last map and quotes its marginal note.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-1-p-93",
"ch-1-p-94",
"ch-1-p-95",
"ch-1-p-96"
],
"action": "Lia's gaze rests on the carving's rain-darkened lower line, her open map's arrow visible beside it. Nearby Doyun asks his question; the mother's marking habit appears in narration.",
"textIds": [
"text-3",
"text-4"
]
},
{
"sourceIds": [
"ch-1-p-97",
"ch-1-p-98",
"ch-1-p-99"
],
"action": "Lia answers Doyun with the map already folded unevenly in her tense right hand, her expression registering pain.",
"textIds": [
"text-5"
]
},
{
"sourceIds": [
"ch-1-p-90",
"ch-1-p-100"
],
"action": "The carved arrow points toward the wet descending slope; the narrator identifies it as the slope the deer attempted and abandoned.",
"textIds": [
"text-6"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s7 r1): Lia keeps chestnut hair, amber eyes, freckles, sand shirt, fingerless gloves and satchel with Bori's head at the flap; Doyun keeps black hair, grey eyes, green hooded coat and sword hilt."
},
"setting": {
"passed": true,
"evidence": "Same rainy gorge with wet mossy rock; panel 5 shows the descending slope above the misted river, consistent with the slope the deer used in the previous scene."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Doyun wiping his sword and remarking on the deer's retreat; this scene opens with Lia's gaze stopped on the carved arrow in the rock face as she dries her hands, matching p89-p91."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "어머니가 그려 준 마지막 지도.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 top-left caption over the open map; exact text."
},
{
"id": "text-2",
"observedText": "아직 못 간 길.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 right caption beside the blank eastern half of the map; exact text, as narrator caption."
},
{
"id": "text-3",
"observedText": "어머니끈 표저를 새기고 나면 늘 밑에 작은 선을 더했다. 비에 윗부분이 닳아도 어느 쪽이 위인지 알아보라고.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-left caption; the first line renders '어머니는 표시를' as '어머니끈 표저를' (two garbled syllables, verified on an enlarged crop); the rest is exact."
},
{
"id": "text-4",
"observedText": "“뭐 있어?”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with tail to Doyun behind Lia; exact text."
},
{
"id": "text-5",
"observedText": "“길 표식.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with tail to Lia holding the folded map; exact text."
},
{
"id": "text-6",
"observedText": "화살표는 사슴이 내려가려다 돌아온 비탈을 가리키고 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 top-right caption over the carved arrow and the wet slope; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s7 image. Five full-width bordered rows read top to bottom, matching the resolved count. Five of six texts are verbatim; text-3 has two garbled syllables. Panel 1 shows Lia wiping her hands on her sleeve beside the rock face with a forked-tip arrow and a short line beneath, her bag open with Bori; panel 2 the map with a forked arrow over the drawn gorge bridge and blank paper to the right; panel 3 the rain-darkened carving close beside Lia's face with Doyun asking; panel 4 the map creased unevenly in her right fist as she answers; panel 5 the arrow on the rock pointing down the slope. No extra lettering. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 5
}
}
]
},
{
"chapter": 2,
"title": "비는 새벽에 그쳤고",
"host": "Claude",
"model": "claude-opus-5",
"effort": "high",
"novelHost": "Claude",
"novelModel": "claude-opus-5",
"sceneCount": 9,
"panelTotal": 59,
"passCount": 6,
"blockingTotal": 3,
"advisoryTotal": 26,
"blockingByLayer": {
"render": 2,
"adapt": 1
},
"imageCalls": 12,
"imageOk": 9,
"cliCalls": 22,
"cost": {
"novelUsd": 4.44,
"webtoonUsd": 6.31,
"webtoonUsdLow": 6.31,
"estimated": false,
"imageUsd": 0.95,
"costsApiUsd": null
},
"scenes": [
{
"id": "s1",
"n": 1,
"title": "비 그친 야영지, 남은 것을 세다",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-2-p-1",
"n": 1,
"text": "비는 새벽에 그쳤고, 야영지 바닥은 아직 발을 디딜 때마다 물이 배어 나왔다."
},
{
"id": "ch-2-p-2",
"n": 2,
"text": "마렌이 천막 대신 쓴 기름 먹인 천을 걷었다. 그 아래 남은 것들을 하나씩 밖으로 옮기며 소리 내어 세었다."
},
{
"id": "ch-2-p-3",
"n": 3,
"text": "“밀가루 세 자루. 약 상자 하나. 기름 두 통. 마른 식량은…….”"
},
{
"id": "ch-2-p-4",
"n": 4,
"text": "세다 말고 입을 다물었다. 그녀는 장갑 한 짝만 낀 손으로 자루 주둥이를 다시 묶었다. 다른 한 짝은 어제 소년의 맨발 밑에 깔아 준 뒤로 젖어 있었다."
},
{
"id": "ch-2-p-5",
"n": 5,
"text": "“해 지기 전에는 출발해야 합니다. 동쪽 마을은 이번 달 약이 아직 안 들어갔어요.”"
},
{
"id": "ch-2-p-6",
"n": 6,
"text": "도윤은 어제 쓴 줄을 무릎에 펴 놓고 손가락으로 훑는 중이었다. 젖은 섬유가 손끝에 걸렸다. 그는 줄을 접어 놓고 고개를 들었다."
},
{
"id": "ch-2-p-7",
"n": 7,
"text": "“리아. 오른손.”"
},
{
"id": "ch-2-p-8",
"n": 8,
"text": "리아는 소매를 손등까지 끌어내렸다."
},
{
"id": "ch-2-p-9",
"n": 9,
"text": "“말은 살았고, 짐은 나눠서 지면 돼. 북쪽 비탈에 짐승길이 있어. 예전에 들은 길인데, 다리 없이도 건너편 능선으로 붙어.”"
},
{
"id": "ch-2-p-10",
"n": 10,
"text": "“누구한테 들었는데.”"
},
{
"id": "ch-2-p-11",
"n": 11,
"text": "“……옛날에.”"
},
{
"id": "ch-2-p-12",
"n": 12,
"text": "도윤이 줄을 한 번 더 감았다. 감을 필요가 없는 줄이었다."
},
{
"id": "ch-2-p-13",
"n": 13,
"text": "“퇴로부터 재고 올라가자. 못 돌아 나오는 길이면 짐이고 뭐고 없어.”"
}
],
"pFrom": 1,
"pTo": 13,
"panelCount": 8,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep02-s1.webp",
"blocking": 0,
"advisory": 4,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 마렌이 양손 장갑. 원문은 한쪽만(p4). 3칸은 정확.",
"en": "Panel 2 draws Maren with gloves on both hands while p4 states she wears only one glove; panel 3 then correctly shows one gloved and one bare hand, so the glove state is inconsistent between panels 2 and 3."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 도윤이 이미 감긴 줄을 듦. 원문은 무릎 위에 펼쳐 손끝으로 점검(p6).",
"en": "Panel 5 shows Doyun holding an already coiled rope in one hand rather than a rope spread across his knee being checked by fingertips (p6); the folded-away moment is implied, not shown."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 리아가 오른손을 소매 안으로 숨기는 동작(p8)이 불분명.",
"en": "Panel 6 does not clearly show Lia's right hand pulled inside a dragged-down sleeve (p8); her non-pointing hand rests at her hip in a dark glove, so the hiding gesture is only weakly conveyed."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·5칸: 비 그친 뒤(p1)인데 가는 빗줄기 흔적 남음.",
"en": "Fine diagonal rain-like streaks remain visible in panels 1 and 5 although p1 states the rain stopped at dawn; the soaked ground itself is correct."
}
],
"textsTotal": 8,
"textsOk": 8,
"timings": {
"planS": [
65,
53
],
"preflightS": [
55,
39,
39
],
"imageS": 43,
"imageCalls": 4,
"preflightRevisions": 0
},
"imageUsd": 0.0941,
"plan": {
"intent": "A quiet, tense morning-after inventory that turns into a route argument. The reader should feel the cost already paid (wet ground, ruined supplies, a glove given away) before anyone argues about the next road, then watch two kinds of care collide: Maren's deadline for medicine, Ria's confident shortcut she will not source, and Doyun's refusal to move until the way back is measured. Nothing is resolved by warmth or a joke; the scene ends on a condition, not a reassurance.",
"staging": "One continuous location: an open camp on soaked ground the morning after rain. Confirmed spatial facts only: the oiled cloth served as the shelter and is pulled back by Maren, with the surviving goods underneath it being moved out into the open near her; Maren handles a sack mouth and wears a glove on one hand only, the other bare; Doyun is seated with the rope laid across his knee, low enough that he must raise his head to address Ria; Ria is within easy speaking distance of Doyun and has a right hand she keeps covered by her sleeve. The north slope and its beast trail are spoken about, not entered — any view of terrain is background from the camp. Bori is present as the party's small marten companion; wet cold and loud weather are the conditions it avoids, so its placement is the artist's choice. Camera, panel shapes, distances and blocking are entirely the artist's call; the only requirement is that the reader can register the single glove, the snagging rope and the hidden right hand.",
"uncertainties": [
"The source never names the speaker of the route proposal in ch-2-p-9; it is attributed here to Ria because Doyun's reply in ch-2-p-10 uses the familiar register he uses with her and she is the one evading his question. Treat the attribution as an inference, not a stated fact.",
"The source never says what is wrong with Ria's right hand, or whether anything is wrong at all. Do not draw a visible wound, bandage or magic burn; only the sleeve being pulled down is confirmed.",
"The identity of the barefoot boy from yesterday and his fate are unstated. Do not depict or imply him beyond the wet glove.",
"Why Maren's count stops at the dry food is unstated — whether the dry food is spoiled, gone, or merely uncounted. Do not resolve it visually.",
"The exact remaining quantity and condition of goods beyond the counted items is unstated.",
"The location, distance, visibility and current safety of the north-slope beast trail are unconfirmed; only that someone once heard it links to the opposite ridge without a bridge.",
"Whether the horse is in view, and its condition beyond being alive, is unstated.",
"Bori is not mentioned in this source excerpt at all; any presence is optional staging and must not alter events."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-2-p-1",
"kind": "caption",
"speaker": "narrator",
"text": "비는 새벽에 그쳤고, 야영지 바닥은 아직 발을 디딜 때마다 물이 배어 나왔다."
},
{
"id": "text-2",
"sourceId": "ch-2-p-3",
"kind": "dialogue",
"speaker": "c4",
"text": "“밀가루 세 자루. 약 상자 하나. 기름 두 통. 마른 식량은…….”"
},
{
"id": "text-3",
"sourceId": "ch-2-p-5",
"kind": "dialogue",
"speaker": "c4",
"text": "“해 지기 전에는 출발해야 합니다. 동쪽 마을은 이번 달 약이 아직 안 들어갔어요.”"
},
{
"id": "text-4",
"sourceId": "ch-2-p-7",
"kind": "dialogue",
"speaker": "c2",
"text": "“리아. 오른손.”"
},
{
"id": "text-5",
"sourceId": "ch-2-p-9",
"kind": "dialogue",
"speaker": "c1",
"text": "“말은 살았고, 짐은 나눠서 지면 돼. 북쪽 비탈에 짐승길이 있어. 예전에 들은 길인데, 다리 없이도 건너편 능선으로 붙어.”"
},
{
"id": "text-6",
"sourceId": "ch-2-p-10",
"kind": "dialogue",
"speaker": "c2",
"text": "“누구한테 들었는데.”"
},
{
"id": "text-7",
"sourceId": "ch-2-p-11",
"kind": "dialogue",
"speaker": "c1",
"text": "“……옛날에.”"
},
{
"id": "text-8",
"sourceId": "ch-2-p-13",
"kind": "dialogue",
"speaker": "c2",
"text": "“퇴로부터 재고 올라가자. 못 돌아 나오는 길이면 짐이고 뭐고 없어.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-2-p-1"
],
"action": "Morning after the storm settles over the camp: rain ended, light is thin, the ground releases water wherever weight lands.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-2-p-2",
"ch-2-p-3"
],
"action": "Maren strips back the oiled cloth shelter and starts hauling the surviving goods into the open, counting each item out loud for the others to hear.",
"textIds": [
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-2-p-4"
],
"action": "The count dies at the dry food. She shuts her mouth and re-ties the sack mouth with her single gloved hand; the bare hand is the one whose glove went under a boy's feet yesterday and is still soaked.",
"textIds": []
},
{
"id": "beat-4",
"sourceIds": [
"ch-2-p-5"
],
"action": "Rather than name what is missing, Maren converts the loss into a deadline and presses for departure before sunset, citing the eastern village's undelivered medicine.",
"textIds": [
"text-3"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-2-p-6",
"ch-2-p-7",
"ch-2-p-8"
],
"action": "Doyun, checking the rain-soaked rope over his knee, feels the fibers snag, folds it away and asks Ria for her right hand. She answers by pulling her sleeve down over it, hiding rather than refusing out loud.",
"textIds": [
"text-4"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-2-p-9"
],
"action": "Ria overrides the question about her hand with a plan: horse alive, loads divided among them, a beast trail on the north slope that reaches the far ridge without any bridge.",
"textIds": [
"text-5"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-2-p-10",
"ch-2-p-11"
],
"action": "Doyun does not challenge the route itself; he asks for its source. Ria gives a time instead of a name, and the gap in her answer is left standing.",
"textIds": [
"text-6",
"text-7"
]
},
{
"id": "beat-8",
"sourceIds": [
"ch-2-p-12",
"ch-2-p-13"
],
"action": "His hands coil the rope again with no need for it, then he accepts the climb only on a condition: measure the exit first, because a road with no way back makes the cargo meaningless. The scene ends on that condition, unanswered.",
"textIds": [
"text-8"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-2-p-1"
],
"statement": "The rain stopped at dawn; the camp ground is still waterlogged and seeps water under each footstep."
},
{
"id": "fact-2",
"sourceIds": [
"ch-2-p-2"
],
"statement": "Maren used an oiled cloth instead of a tent; she pulls it back and carries the remaining goods out one by one, counting aloud."
},
{
"id": "fact-3",
"sourceIds": [
"ch-2-p-3",
"ch-2-p-4"
],
"statement": "Her count reaches three sacks of flour, one medicine box, two cans of oil, then the dry food, where she stops speaking."
},
{
"id": "fact-4",
"sourceIds": [
"ch-2-p-4"
],
"statement": "Maren wears only one glove and re-ties a sack mouth with that hand; the other glove has been wet since she laid it under a boy's bare feet the day before."
},
{
"id": "fact-5",
"sourceIds": [
"ch-2-p-5"
],
"statement": "Maren states they must depart before sunset because this month's medicine has not yet reached the eastern village."
},
{
"id": "fact-6",
"sourceIds": [
"ch-2-p-6"
],
"statement": "Doyun has yesterday's rope spread across his knee and runs his fingers along it; the soaked fibers snag on his fingertips. He folds the rope and raises his head."
},
{
"id": "fact-7",
"sourceIds": [
"ch-2-p-7",
"ch-2-p-8"
],
"statement": "Doyun asks for Ria's right hand; instead of showing it she drags her sleeve down over the back of that hand."
},
{
"id": "fact-8",
"sourceIds": [
"ch-2-p-9"
],
"statement": "The proposed route: the horse survived, the loads can be split and carried, and a beast trail on the north slope reaches the opposite ridge without needing a bridge. The speaker says it is a path heard about before."
},
{
"id": "fact-9",
"sourceIds": [
"ch-2-p-10",
"ch-2-p-11"
],
"statement": "Doyun asks who told her about it; the answer names no person, only a time long ago."
},
{
"id": "fact-10",
"sourceIds": [
"ch-2-p-12"
],
"statement": "Doyun coils the rope one more time although the rope did not need coiling."
},
{
"id": "fact-11",
"sourceIds": [
"ch-2-p-13"
],
"statement": "Doyun's condition: measure the way back out first before climbing; if it is a road they cannot come back out of, the cargo does not matter."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink linework, muted rain-washed morning palette, adult cast, small marten optional in background, vertical reading order, Korean lettering drawn in-panel.",
"moments": [
{
"sourceIds": [
"ch-2-p-1"
],
"action": "Wet mountain camp under thin post-rain dawn light; a boot presses the soaked ground and water seeps up around the sole.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-2-p-2",
"ch-2-p-3"
],
"action": "The oiled cloth shelter peeled back behind her, Maren sets a flour sack onto open ground beside other goods, mouth open mid-count.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-2-p-4"
],
"action": "Close on Maren's hands, one gloved and one bare, pulling a sack mouth knot tight; her lips are pressed shut, counting stopped.",
"textIds": []
},
{
"sourceIds": [
"ch-2-p-5"
],
"action": "Maren straightens from the tied sack and looks toward her companions, speaking.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-2-p-6",
"ch-2-p-7"
],
"action": "Doyun seated low, damp rope folded across his knee under one hand, head lifted toward Ria as he speaks.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-2-p-8",
"ch-2-p-9"
],
"action": "Ria stands talking, her right hand swallowed inside a dragged-down sleeve, her other hand tipped toward the wooded slope behind camp.",
"textIds": [
"text-5"
]
},
{
"sourceIds": [
"ch-2-p-10",
"ch-2-p-11"
],
"action": "Two faces close together: Doyun holding a level look at Ria, Ria's eyes angled away, her covered hand still at her side.",
"textIds": [
"text-6",
"text-7"
]
},
{
"sourceIds": [
"ch-2-p-12",
"ch-2-p-13"
],
"action": "Doyun's hands wind one more loop onto the already-neat coil while he speaks; Ria unanswered at the frame edge.",
"textIds": [
"text-8"
]
}
]
},
"review": {
"continuity": null,
"textObservations": [
{
"id": "text-1",
"observedText": "비는 새벽에 그쳤고, 야영지 바닥은 아직 발을 디딜 때마다 물이 배어 나왔다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption box over a boot pressing wet ground; exact text, three lines."
},
{
"id": "text-2",
"observedText": "“밀가루 세 자루. 약 상자 하나. 기름 두 통. 마른 식량은…….”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with tail to Maren (red curly hair, brick vest) hauling a sack; exact text including the trailing ellipsis."
},
{
"id": "text-3",
"observedText": "“해 지기 전에는 출발해야 합니다. 동쪽 마을은 이번 달 약이 아직 안 들어갔어요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon tail to Maren looking toward her companions; exact text."
},
{
"id": "text-4",
"observedText": "“리아. 오른손.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon tail to Doyun (black hair, green coat) seated with rope; exact text."
},
{
"id": "text-5",
"observedText": "“말은 살았고, 짐은 나눠서 지면 돼. 북쪽 비탈에 짐승길이 있어. 예전에 들은 길인데, 다리 없이도 건너편 능선으로 붙어.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon tail to Lia pointing at the slope; exact text over four lines."
},
{
"id": "text-6",
"observedText": "“누구한테 들었는데.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 upper balloon tail to Doyun, read before the lower balloon."
},
{
"id": "text-7",
"observedText": "“……옛날에.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 lower balloon tail to Lia whose eyes are angled away; exact text with leading ellipsis."
},
{
"id": "text-8",
"observedText": "“퇴로부터 재고 올라가자. 못 돌아 나오는 길이면 짐이고 뭐고 없어.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 8 balloon tail to Doyun winding the rope coil; Lia's back/hair at the right frame edge; exact text."
}
],
"evidence": "Opened the actual r4 scene.png. Eight bordered panels in four rows of two, read left to right, top to bottom. Wet camp with oiled-cloth shelter, crates, tent poles and conifer slope stay consistent across panels. All eight Korean texts are present exactly once, verbatim, with tails identifying the correct speakers; balloon order in panel 7 matches the source. Panel 3 shows Maren's hands one gloved and one bare tying the sack, matching p4. Bori appears once on a crate in panel 6 without carrying information. Character identities match the reference sheets: Lia chestnut bob, amber eyes, sand jacket, brown satchel; Doyun black hair, grey eyes, green coat, rope; Maren red-brown curls, brick vest. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 8
}
},
{
"id": "s2",
"n": 2,
"title": "짐승길 오르막, 굴러떨어진 기름통",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-2-p-14",
"n": 14,
"text": "말은 오래된 짐승길이 싫은 모양이었다. 비탈 아래쪽 자갈이 무너지는 소리에 귀를 눕히고 버텼다. 셋은 결국 짐을 나눠 졌다. 리아는 약 상자를 가슴에 안았고, 도윤은 밀가루 두 자루, 마렌은 나머지와 기름통을 등짐 끈에 묶었다."
},
{
"id": "ch-2-p-15",
"n": 15,
"text": "말고삐는 도윤이 잡고 앞장섰다. 리아는 약 상자를 안은 팔에 힘을 주다가 오른손목이 저려 상자를 왼팔로 옮겼다. 두 걸음마다 상자 모서리가 갈비뼈를 눌렀다."
},
{
"id": "ch-2-p-16",
"n": 16,
"text": "마렌은 맨 뒤에서 걸었다. 숨소리가 굽이마다 짧아졌지만 걸음은 줄지 않았다. 리아가 돌아볼 때마다 마렌은 턱을 들어 먼저 가라는 시늉을 했다."
},
{
"id": "ch-2-p-17",
"n": 17,
"text": "기름통은 세 번째 굽이에서 갔다."
},
{
"id": "ch-2-p-18",
"n": 18,
"text": "젖은 바위 위로 마렌의 발이 미끄러지자 등에서 끈이 돌았고, 둥근 통이 어깨를 넘어 비탈로 떨어졌다. 두 번 튀고, 세 번째에 바위 모서리에 부딪혀 터졌다. 기름 냄새가 아래에서 올라왔다."
},
{
"id": "ch-2-p-19",
"n": 19,
"text": "마렌은 한참 그 자리를 보았다."
},
{
"id": "ch-2-p-20",
"n": 20,
"text": "“한 통…….”"
},
{
"id": "ch-2-p-21",
"n": 21,
"text": "턱이 흔들렸다. 마렌은 말을 끝내지 않고 남은 자루를 고쳐 멨다."
}
],
"pFrom": 14,
"pTo": 21,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep02-s2.webp",
"blocking": 0,
"advisory": 4,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 도윤 어깨에 밀가루 자루 하나만 보임. 원문은 두 개(p14).",
"en": "Panel 2 shows one large flour sack across Doyun's shoulders rather than clearly two sacks (p14 'two flour sacks'); a second sack may be hidden behind his head but is not distinguishable."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 공중에서 이미 기름이 쏟아짐. 원문은 세 번째 부딪힘에 터짐(p18).",
"en": "Panel 5 shows oil already pouring from the can while it is still airborne next to Maren; p18 has the can burst only on the third impact at the rock edge, so the leak starts early."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "리아의 오른손목이 풀려 상자를 왼팔로 옮기는 순간(p15)이 별도 칸 없이 암시만.",
"en": "Ria's right-wrist failure and moving the box to her left arm (p15) is not visible as a distinct moment; in panels 2-4 the box is simply held, so beat-4 is only implied."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "마렌이 2·5·7칸에서 양손 장갑. 전 장면은 한 손 맨손.",
"en": "Maren wears gloves on both hands in panels 2, 5 and 7 while the previous scene established one bare hand (p4 of the prior excerpt); the current excerpt does not mention gloves, so this is a continuity drift rather than a contradiction."
}
],
"textsTotal": 4,
"textsOk": 4,
"timings": {
"planS": [
51
],
"preflightS": [
91
],
"imageS": 50,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1061,
"plan": {
"intent": "A load-sharing march that quietly shows what each person chooses to carry, then takes one thing away. The reader should first feel weight distributed by character — the medicine pressed to a chest, flour on a swordsman's back, everything left over roped onto the oldest person — then feel the slow grind of it: a numb wrist, a box corner against ribs, breath shortening at every bend while the pace refuses to drop. The loss, when it comes, is not an attack or a monster; it is wet rock and a turned strap. End on Maren counting out loud and failing to finish the count, then re-shouldering what is left. No comfort, no joke, no one says it is fine.",
"staging": "One continuous location: an old, narrow beast trail climbing a mountain slope on the morning after rain — same weather and light continuity as the previous finished scene, wet rock and soaked ground, no active rainfall. Confirmed spatial relations only: the trail runs along a slope with a drop on one side, and loose gravel below that drop makes noise; marching order is Doyun at the front with the reins, Ria in the middle, Maren last; the trail has bends, and the loss happens at the third one. Load placement is fixed: medicine box held against Ria's chest, later shifted to her left arm; two flour sacks on Doyun; the remaining goods and the oil can tied to Maren's back-carry straps, high enough that a twisted strap sends the can over her shoulder. The can's fall path is down the slope away from the walkers: two bounces, then it bursts on a rock edge below, and the smell comes upward. Ria can turn her head and see Maren behind her. Bori travels with Ria and the pack as usual; wet cold is what it avoids, so its exact position is the artist's choice and must not change any event. Camera, panel shapes, distances and cutting are entirely the artist's call; the only requirements are that the reader can register who carries what, the arm-change with the box, Maren's rearmost position, and the can leaving her shoulder.",
"uncertainties": [
"The previous scene counted two cans of oil, while this excerpt speaks of a single can going over the slope and Maren then saying a one-can count. Whether a second can survives on her back is not stated. Do not visually confirm or deny a second can.",
"Why Ria's right wrist goes numb is not stated in the source — no wound, bandage, or magic effect is described. Do not draw any injury; only the grip failing and the box changing arms is confirmed.",
"Whether Doyun or Ria reacts to the fall, looks back, or speaks is not stated. The source gives no line from them here. Do not invent dialogue or a rescue attempt.",
"What Maren was going to say after the unfinished count is unstated. Leave it unresolved.",
"The precise cause of Maren's shortening breath (age, load weight, altitude, injury) is unstated.",
"The horse's position after the loads are split — whether it is led up the same trail, how close it is at the third bend — is not stated beyond Doyun holding the reins at the front.",
"The exact height of the drop, the depth the can falls, and whether the burst point is visible from the trail are unstated.",
"Bori is not mentioned in this excerpt; any appearance is optional staging only."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-2-p-14",
"kind": "caption",
"speaker": "narrator",
"text": "말은 오래된 짐승길이 싫은 모양이었다."
},
{
"id": "text-2",
"sourceId": "ch-2-p-16",
"kind": "caption",
"speaker": "narrator",
"text": "리아가 돌아볼 때마다 마렌은 턱을 들어 먼저 가라는 시늉을 했다."
},
{
"id": "text-3",
"sourceId": "ch-2-p-17",
"kind": "caption",
"speaker": "narrator",
"text": "기름통은 세 번째 굽이에서 갔다."
},
{
"id": "text-4",
"sourceId": "ch-2-p-20",
"kind": "dialogue",
"speaker": "c4",
"text": "“한 통…….”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-2-p-14"
],
"action": "On the old beast trail the horse balks: gravel slides loose below the slope, its ears go flat, and it braces against the pull instead of walking.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-2-p-14"
],
"action": "The party gives up on the horse carrying it and splits the cargo across three bodies — medicine box into Ria's arms against her chest, two flour sacks onto Doyun, and all the leftovers with the oil can roped to Maren's carrying straps. The oldest person ends up with the remainder.",
"textIds": []
},
{
"id": "beat-3",
"sourceIds": [
"ch-2-p-15"
],
"action": "The line forms: Doyun takes the reins at the front, Ria behind him, Maren at the tail.",
"textIds": []
},
{
"id": "beat-4",
"sourceIds": [
"ch-2-p-15"
],
"action": "Ria's right wrist gives out under the squeeze and she moves the box to her left arm — hiding the failure by changing arms instead of naming it. The box corner keeps knocking her ribs as she walks.",
"textIds": []
},
{
"id": "beat-5",
"sourceIds": [
"ch-2-p-16"
],
"action": "At the rear Maren's breath keeps shortening bend by bend while her stride stays the same, and every time Ria turns to check, Maren lifts her chin to send her forward — refusing to be the reason anyone slows.",
"textIds": [
"text-2"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-2-p-17",
"ch-2-p-18"
],
"action": "At the third bend the wet rock takes Maren's foot, the strap twists on her back, and the round can rides over her shoulder onto the slope: two bounces, then the rock edge, then it splits open. Oil smell comes back up at them.",
"textIds": [
"text-3"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-2-p-19",
"ch-2-p-20"
],
"action": "Maren does not move for a long moment, looking down at the burst point, and starts counting the loss out loud.",
"textIds": [
"text-4"
]
},
{
"id": "beat-8",
"sourceIds": [
"ch-2-p-21"
],
"action": "Her jaw shakes and the count stops unfinished; she cuts herself off and re-shoulders the sack still on her back, turning the loss into work instead of words. The others are left holding what they carry.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-2-p-14"
],
"statement": "The horse dislikes the old beast trail: at the sound of gravel collapsing below the slope it flattens its ears and plants itself, refusing to move."
},
{
"id": "fact-2",
"sourceIds": [
"ch-2-p-14"
],
"statement": "Because of the horse, the three of them split the cargo onto their own bodies."
},
{
"id": "fact-3",
"sourceIds": [
"ch-2-p-14"
],
"statement": "Division of load: Ria holds the medicine box against her chest; Doyun takes two sacks of flour; Maren ties everything remaining plus the oil can onto her back-carry straps."
},
{
"id": "fact-4",
"sourceIds": [
"ch-2-p-15"
],
"statement": "Doyun holds the horse's reins and walks at the front of the line."
},
{
"id": "fact-5",
"sourceIds": [
"ch-2-p-15"
],
"statement": "Ria tightens her grip on the box, her right wrist goes numb, and she shifts the box over to her left arm. Every two steps the corner of the box presses into her ribs."
},
{
"id": "fact-6",
"sourceIds": [
"ch-2-p-16"
],
"statement": "Maren walks last. Her breathing grows shorter at each bend of the trail, but her stride does not shorten."
},
{
"id": "fact-7",
"sourceIds": [
"ch-2-p-16"
],
"statement": "Each time Ria looks back, Maren lifts her chin in a gesture telling her to go on ahead."
},
{
"id": "fact-8",
"sourceIds": [
"ch-2-p-17",
"ch-2-p-18"
],
"statement": "At the third bend Maren's foot slips on wet rock, the strap turns on her back, and the round can goes over her shoulder and down the slope."
},
{
"id": "fact-9",
"sourceIds": [
"ch-2-p-18"
],
"statement": "The can bounces twice; on the third impact it strikes the edge of a rock and bursts open. The smell of oil rises from below."
},
{
"id": "fact-10",
"sourceIds": [
"ch-2-p-19",
"ch-2-p-20"
],
"statement": "Maren stares at that spot for a long while and speaks only the beginning of a count of what is lost."
},
{
"id": "fact-11",
"sourceIds": [
"ch-2-p-21"
],
"statement": "Her jaw shakes. She does not finish the sentence, and instead re-settles the remaining sack on her back."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines, adult cast plus small marten; morning after rain, wet mountain beast trail, soaked rock, no rainfall; Korean lettering drawn in-image.",
"moments": [
{
"sourceIds": [
"ch-2-p-14"
],
"action": "Narrow old beast trail: the laden horse plants its hooves and lays its ears flat, bracing against the pull, while loose gravel slides down the slope beside it.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-2-p-14"
],
"action": "The three stand on the trail with the split load settled: Ria hugs the medicine box against her chest, Doyun shoulders two flour sacks, Maren's back straps hold the round oil can.",
"textIds": []
},
{
"sourceIds": [
"ch-2-p-15",
"ch-2-p-16"
],
"action": "Mid-climb Ria moves the medicine box across to her left arm, her right hand hanging open; ahead Doyun leads with the reins, Maren walks last.",
"textIds": []
},
{
"sourceIds": [
"ch-2-p-16"
],
"action": "Ria glances back over her shoulder; at the rear of the line Maren lifts her chin to send her onward, mouth tight, breath short.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-2-p-17",
"ch-2-p-18"
],
"action": "At the third bend Maren's boot skids on wet rock, the back strap twisted loose, the round oil can tumbling just past her shoulder out over the slope.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-2-p-18",
"ch-2-p-19",
"ch-2-p-20"
],
"action": "Maren stands motionless at the bend, staring down at the split can on the rocks below and the dark oil spread across stone, lips parted.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-2-p-21"
],
"action": "Jaw clenched tight, Maren hauls the remaining sack back up onto her shoulder, eyes already off the slope and back toward the trail ahead.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (r4 of s1): Lia keeps chestnut bob, amber eyes, sand jacket, fingerless gloves and brown satchel; Doyun keeps black hair, grey eyes, black shirt under green coat, sword and rope; Maren keeps red-brown tied curls, white shirt and brick vest; Bori is the same cream marten with dark tail tip."
},
"setting": {
"passed": true,
"evidence": "Overcast wet mountain weather and conifer slopes continue from the camp; the action has moved from the camp clearing onto a narrow rocky beast trail, which the source requires between p13 and p14."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Doyun's condition to measure the exit before climbing; this scene opens on the climb with the horse balking, the load split across three bodies and Doyun leading with the reins, consistent with p14-p15."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "말은 오래된 짐승길이 싫은 모양이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption over the balking laden horse with gravel sliding; exact text."
},
{
"id": "text-2",
"observedText": "리아가 돌아볼 때마다 마렌은 턱을 들어 먼저 가라는 시늉을 했다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption over Lia glancing back and Maren lifting her chin at the rear; exact text."
},
{
"id": "text-3",
"observedText": "기름통은 세 번째 굽이에서 갔다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption over Maren slipping and the oil can tumbling over the slope; exact text."
},
{
"id": "text-4",
"observedText": "“한 통…….”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with tail to Maren seen from behind looking down at the burst can; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s1 image. Seven bordered panels: one full-width top panel then three rows of two, read left to right, top to bottom. All four Korean texts are rendered exactly once and verbatim with the only balloon pointing to Maren. Panel 2 shows the split load: Lia hugging the strapped medicine box against her chest with Bori peeking beside it, Doyun with a flour sack over his shoulders, Maren with a round oil can and a sack strapped to her back. Panel 3 shows the line order Doyun (reins) - Lia - Maren from behind. Panel 5 shows the boot skid, the twisted strap and the airborne can; panel 6 the split can with dark oil on the rocks below; panel 7 Maren re-shouldering the sack with jaw set. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 7
}
},
{
"id": "s3",
"n": 3,
"title": "제 값이라 말한 매듭",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-2-p-22",
"n": 22,
"text": "“괜찮습니다. 저건 제 값이니까.”"
},
{
"id": "ch-2-p-23",
"n": 23,
"text": "도윤이 비탈 아래로 몇 걸음 내려갔다가 올라왔다. 손에는 터진 통의 쇠테 하나만 들려 있었다."
},
{
"id": "ch-2-p-24",
"n": 24,
"text": "“나머지는 못 건져.”"
},
{
"id": "ch-2-p-25",
"n": 25,
"text": "“건지려고 보낸 게 아닙니다. 어디까지 굴렀는지만 알면 돼요. 저 아래에서 불 피우는 사람이 있으면 말해 줘야 하니까.”"
},
{
"id": "ch-2-p-26",
"n": 26,
"text": "마렌은 그렇게 말하고 등짐 끈을 다시 조였다. 리아는 그 매듭이 아까보다 두 번 더 감겨 있는 것을 보았다."
},
{
"id": "ch-2-p-27",
"n": 27,
"text": "리아의 가방 안에서 보리가 몸을 옮기는 소리가 났다. 덮개 밖으로 코가 나왔다가, 기름 냄새에 재채기하고 다시 들어갔다. 마른 자리를 포기할 생각은 없어 보였다."
}
],
"pFrom": 22,
"pTo": 27,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep02-s3.webp",
"blocking": 0,
"advisory": 3,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 계획에 없는 효과음 ‘훗!’ 추가. 재채기 의성어라 내용 충돌은 없음.",
"en": "Panel 6 adds a sound-effect text '훗!' beside the sneezing marten that is not in the planned text list; it is a sneeze onomatopoeia consistent with p27 but is additional lettering."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 보리가 코만 아니라 머리·앞발 전부 나옴(p27).",
"en": "Panel 6 shows Bori's whole head and forepaws out of the bag rather than only the nose past the flap (p27), so 'body still tucked in' is only partly conveyed."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 매듭이 “아까보다 두 번 더” 감겼는지 전 장면과 대조 불가.",
"en": "Panel 5 shows a rope knot wound on the strap but the count of extra turns ('two more than before') cannot be verified against the previous scene, where the knot was not shown in close-up."
}
],
"textsTotal": 5,
"textsOk": 5,
"timings": {
"planS": [
60
],
"preflightS": [
49
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1059,
"plan": {
"intent": "A quiet aftermath scene about how three people convert a loss into information. The reader should feel Maren refusing consolation by pricing the loss as her own, then watch Doyun go down and come back holding almost nothing — one iron hoop, the only thing worth carrying up. The turn lands when Maren explains she never wanted the oil back: she wanted to know how far it rolled, because someone lighting a fire below needs warning. That reframes the whole loss from private ruin into a hazard report, and it is Maren, the hired carter, not the guides, who thinks of it. Close small and physical: her hands pulling the pack straps tighter than before, Ria silently registering two extra turns in the knot, and Bori refusing to give up the dry pocket of the bag even after the oil smell makes it sneeze. No reassurance, no thanks, no joke.",
"staging": "Continuous with the previous finished scene and immediately after it: the same narrow old beast trail on a rain-soaked mountain slope, morning after rain, wet rock, no active rainfall, same light. The party stands at the third bend where Maren slipped. Confirmed spatial relations only: the slope drops away on one side of the trail; the burst can lies somewhere below, out of easy reach, and the oil smell rises from down there. Doyun's movement is short and bounded — a few steps down, then back up to the trail; he ends up standing on the trail again holding one iron hoop. Marching order from before still holds as the default arrangement (Doyun forward, Ria middle, Maren rearmost), but the group is halted here, so exact footing positions are the artist's choice. Maren's load is on her back with carrying straps and a knot at a place she can reach and re-tighten herself; Ria is close enough to see that knot. Ria still carries the medicine box (in her left arm, per the previous scene) and the bag with Bori; Bori's nose can clear the bag flap, and the bag opening must be reachable from inside. The oil smell is present in the air at trail level. Whether the burst can itself is visible from where they stand is not established — do not force a clear view of it. Panel shapes, cameras, distances and cutting are entirely the artist's call; the only required legibility is: Maren refusing comfort, Doyun returning with a single hoop and nothing else, Maren speaking while the others hold still, her hands on the tightened straps, and Bori's nose-out-sneeze-back-in.",
"uncertainties": [
"ch-2-p-25 uses wording implying Maren 'sent' Doyun down, but no such request is shown in the source. Do not stage an explicit order or dialogue for it; the assignment's origin stays ambiguous.",
"Who, if anyone, offered Maren comfort before ch-2-p-22 is not stated. Do not invent a consoling line from Ria or Doyun.",
"Ria's and Doyun's reactions to Maren's reasoning are unstated — no reply, agreement, or thanks is given in the source. Leave them unspoken.",
"Whether they actually know of anyone camped below, or will act on the warning, is unstated. It stays a stated obligation, not a confirmed presence.",
"How far the can rolled and whether the burst point is visible from the trail remain unstated.",
"The state of the remaining load on Maren's back (including whether a second oil can survives, which the previous scene left open) is unstated. Do not visually confirm or deny a second can.",
"Why Maren adds two extra turns to the knot is not explained in the source. Show only the tighter knot and Ria noticing it; do not caption a motive.",
"The horse's exact position during this halt is not stated beyond the earlier fact that Doyun held the reins at the front.",
"Whether Bori's sneeze is audible to the others, or whether anyone looks at the bag, is unstated."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-2-p-22",
"kind": "dialogue",
"speaker": "c4",
"text": "“괜찮습니다. 저건 제 값이니까.”"
},
{
"id": "text-2",
"sourceId": "ch-2-p-24",
"kind": "dialogue",
"speaker": "c2",
"text": "“나머지는 못 건져.”"
},
{
"id": "text-3",
"sourceId": "ch-2-p-25",
"kind": "dialogue",
"speaker": "c4",
"text": "“건지려고 보낸 게 아닙니다. 어디까지 굴렀는지만 알면 돼요. 저 아래에서 불 피우는 사람이 있으면 말해 줘야 하니까.”"
},
{
"id": "text-4",
"sourceId": "ch-2-p-26",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 그 매듭이 아까보다 두 번 더 감겨 있는 것을 보았다."
},
{
"id": "text-5",
"sourceId": "ch-2-p-27",
"kind": "caption",
"speaker": "narrator",
"text": "마른 자리를 포기할 생각은 없어 보였다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-2-p-22"
],
"action": "Maren refuses any softening of the loss and prices it as hers alone, cutting off comfort before it can be offered.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-2-p-23"
],
"action": "Doyun goes a few steps down the slope toward the burst point and climbs back up; the return is empty except for one bent iron hoop in his hand.",
"textIds": []
},
{
"id": "beat-3",
"sourceIds": [
"ch-2-p-23",
"ch-2-p-24"
],
"action": "He delivers the verdict flatly: nothing else can be pulled back up. The hoop is the whole salvage.",
"textIds": [
"text-2"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-2-p-25"
],
"action": "Maren corrects the premise: recovery was never the point. She needed the roll distance, because spilled oil plus someone's cookfire below is a warning she owes a stranger. The loss becomes a hazard report, spoken by the carter rather than the guides.",
"textIds": [
"text-3"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-2-p-26"
],
"action": "She ends the subject with her hands, hauling the back-carry straps tight; Ria silently counts two extra turns in the knot and says nothing about what that tells her.",
"textIds": [
"text-4"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-2-p-27"
],
"action": "Bori stirs in Ria's bag, pokes its nose past the flap, sneezes at the oil smell in the air and retreats, holding its claim on the dry spot.",
"textIds": [
"text-5"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-2-p-22"
],
"statement": "Maren declines consolation over the lost oil, framing the loss as her own cost to bear."
},
{
"id": "fact-2",
"sourceIds": [
"ch-2-p-23"
],
"statement": "Doyun descends a few steps down the slope and comes back up."
},
{
"id": "fact-3",
"sourceIds": [
"ch-2-p-23"
],
"statement": "The only thing in his hand when he returns is a single iron hoop from the burst can."
},
{
"id": "fact-4",
"sourceIds": [
"ch-2-p-24"
],
"statement": "Doyun reports that the rest cannot be recovered."
},
{
"id": "fact-5",
"sourceIds": [
"ch-2-p-25"
],
"statement": "Maren states she did not send him down to recover anything; she only needed to know how far the can rolled."
},
{
"id": "fact-6",
"sourceIds": [
"ch-2-p-25"
],
"statement": "Her stated reason: if anyone is lighting a fire down below, they have to be told about the spilled oil."
},
{
"id": "fact-7",
"sourceIds": [
"ch-2-p-26"
],
"statement": "After speaking, Maren re-tightens the straps of her back-carry."
},
{
"id": "fact-8",
"sourceIds": [
"ch-2-p-26"
],
"statement": "Ria notices that the knot is now wound two turns more than it was earlier."
},
{
"id": "fact-9",
"sourceIds": [
"ch-2-p-27"
],
"statement": "Inside Ria's bag, Bori shifts position; the sound of it moving is audible."
},
{
"id": "fact-10",
"sourceIds": [
"ch-2-p-27"
],
"statement": "Bori's nose comes out past the bag flap, sneezes at the oil smell, and goes back in; it shows no intention of giving up the dry spot."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines. Morning after rain on a wet mountain beast trail; no rainfall, soaked rock, consistent light. Adult cast, small marten.",
"moments": [
{
"sourceIds": [
"ch-2-p-22"
],
"action": "The older woman with the back-carry stands squared on the wet trail, face closed, speaking before anyone else can. Her eyes stay off the slope below.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-2-p-23"
],
"action": "The swordsman's boot lands back on the trail as he rises from below the edge. One bent iron hoop hangs from his hand; nothing else.",
"textIds": []
},
{
"sourceIds": [
"ch-2-p-24"
],
"action": "Standing on the trail, he holds the single hoop out flat at waist height, empty hand open beside it.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-2-p-25"
],
"action": "The older woman speaks, gaze angled downslope. The swordsman and the young woman with the medicine box hold still, saying nothing.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-2-p-26"
],
"action": "Close on her gloved hands hauling the back-carry strap knot tight; the young woman's eyes are fixed on that knot from beside her.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-2-p-27"
],
"action": "A small marten's nose pokes past the bag flap at the young woman's side, nostrils wrinkled mid-sneeze, body still tucked in the bag.",
"textIds": [
"text-5"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s2 r1): Maren keeps red-brown tied curls, white shirt, brick vest and back-carry with one remaining oil can; Doyun keeps black hair, grey eyes, black shirt, green coat and sword; Lia keeps chestnut bob, amber eyes, sand jacket and the strapped medicine box with Bori beside it."
},
"setting": {
"passed": true,
"evidence": "Same wet rocky beast trail with conifer slopes and overcast mist; the burst-can slope is implied below the trail edge in panel 2 where Doyun's boot climbs back up."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Maren re-shouldering the sack after '한 통…….'; this scene opens with her closing line, then Doyun returning from below with one iron hoop, matching p22-p23."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "“괜찮습니다. 저건 제 값이니까.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon tail to Maren facing away from the slope; exact text."
},
{
"id": "text-2",
"observedText": "“나머지는 못 건져.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon tail to Doyun holding the bent iron hoop with his other hand open; exact text."
},
{
"id": "text-3",
"observedText": "“건지려고 보낸 게 아닙니다. 어디까지 굴렀는지만 알면 돼요. 저 아래에서 불 피우는 사람이 있으면 말해 줘야 하니까.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon tail to Maren in profile looking downslope while Doyun and Lia stand silent; exact text over four lines."
},
{
"id": "text-4",
"observedText": "리아는 그 매듭이 아까보다 두 번 더 감겨 있는 것을 보았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption over Maren's gloved hands hauling the rope knot tight with Lia's eyes on it; exact text."
},
{
"id": "text-5",
"observedText": "마른 자리를 포기할 생각은 없어 보였다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 caption over Bori sneezing at the bag flap; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s2 image. Six bordered panels: full-width, two, full-width, two; read left to right, top to bottom. All five planned Korean texts are rendered exactly once and verbatim with tails to the correct speakers. Panel 2 shows Doyun's boot landing back on the trail with only one bent iron hoop in hand; panel 3 the hoop held out with the empty hand open; panel 5 the doubled rope knot on the back-carry strap. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 6
}
},
{
"id": "s4",
"n": 4,
"title": "짐을 내려놓고 혼자 오르다",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-2-p-28",
"n": 28,
"text": "해가 능선 위로 반쯤 올라왔을 때 리아가 멈췄다."
},
{
"id": "ch-2-p-29",
"n": 29,
"text": "“여기 두고 가요. 짐부터 올리지 말고.”"
},
{
"id": "ch-2-p-30",
"n": 30,
"text": "마렌이 눈을 크게 떴다."
},
{
"id": "ch-2-p-31",
"n": 31,
"text": "“올라가다 말고요?”"
},
{
"id": "ch-2-p-32",
"n": 32,
"text": "“길이 맞는지부터 봐야 해요. 틀리면 두 번 지는 거니까.”"
},
{
"id": "ch-2-p-33",
"n": 33,
"text": "리아는 약 상자를 내려놓고 혼자 위로 올라갔다. 어제 사슴이 내려가려다 돌아 나온 지점. 젖은 흙 위에 굽 자국이 선명했다."
},
{
"id": "ch-2-p-34",
"n": 34,
"text": "내려간 자국과 올라온 자국이 겹쳐 있었다."
},
{
"id": "ch-2-p-35",
"n": 35,
"text": "한 번이 아니었다. 같은 자리에서 몸을 돌린 흔적이 세 겹. 바깥쪽 풀은 옆으로 눕고 가운데 흙은 파여 있었다. 무언가에 쫓겨 도망친 짐승의 자국이 아니었다. 내려가려다 막혀서, 매번 같은 자리에서 돌아선 짐승의 자국이었다."
}
],
"pFrom": 28,
"pTo": 35,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep02-s4.webp",
"blocking": 1,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·2칸: 보리가 마렌의 지게 위에 있음. 전 장면과 p27은 리아 가방 안, p28~35에 이동 없음. 운반자 창작.",
"en": "Panels 1 and 2 place Bori on top of Maren's back-carry; the previous scene and p27 establish Bori inside Lia's bag refusing to leave its dry spot, and nothing in p28-p35 moves it, so this is an invented change of carrier."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: p29 대사 시점에 리아가 이미 약 상자 없음. 원문은 p33에서 내려놓음.",
"en": "Panel 1 shows Lia already without the medicine box while speaking p29; the source has her set the box down at p33 after the exchange."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 리아가 큰 배낭을 멤. 원문 짐은 품에 안은 약 상자뿐.",
"en": "Panel 4 shows Lia wearing a large backpack in addition to her satchel; her load in the source is the medicine box carried in her arms, which she has just put down."
}
],
"textsTotal": 8,
"textsOk": 8,
"timings": {
"planS": [
55
],
"preflightS": [
49
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1064,
"plan": {
"intent": "A scene about a guide refusing to spend the group's strength before the road is confirmed. The reader should first feel the cost of the halt — sunrise only half over the ridge, a loaded climb already underway, and Ria calling a stop before the cargo goes up. Maren's disbelief prices that stop honestly: stopping mid-climb wastes what they already spent. Ria's answer is the scene's spine — being wrong means losing twice, so the route gets checked before the weight follows. Then the payoff is silent and physical: Ria goes up alone, and the wet ground gives her more than she asked for. Not one turn but three, layered in the same spot, grass flattened sideways and soil dug out in the middle. The reader should arrive at the reading a beat before or with Ria: this is not an animal fleeing something behind it. This is an animal that tried to go down and was stopped, over and over, at exactly this place. End on that recognition, not on a plan.",
"staging": "Morning after rain, continuous in weather and light with the previous finished scene: wet rock and wet soil, no active rainfall, ground still soaked enough to hold impressions. The party is partway up a slope on the old beast trail; the sun sits half above the ridgeline, so light is low and raking from the ridge direction, which also means ground marks read with long shadows. Confirmed spatial facts only: (1) the group halts mid-ascent, below the spot Ria wants to inspect; (2) the inspection spot is higher up the slope from where the group stops, close enough that Ria reaches it on foot and alone; (3) that spot is the same place where a deer began to descend the day before and came back out; (4) the medicine box Ria has been carrying is set down on the ground before she climbs; (5) the load spoken of in ch-2-p-29 stays where the group halted, not carried up. On the ground at the inspection point, the arrangement of evidence is fixed and must stay legible: downward and upward hoof prints overlapping in one place, three layers of turning marks at that same place, grass around the outside pressed flat sideways, soil in the middle scooped and torn. Whether the blocked route below is visible from Ria's position is not established — do not show what stopped the deer. Which other companions are present at the halt beyond Maren is not stated by these units; if a wider party is shown for continuity, keep them at the halt point and do not give them lines. Panel shapes, camera distances, cutting and reading rhythm are entirely the artist's choice; required legibility is only: the halt, Maren's widened eyes, Ria speaking her reason, Ria alone at the tracks, and the ground evidence readable enough that the three overlapping turns are countable.",
"uncertainties": [
"ch-2-p-28 through ch-2-p-35 never mention c2 or c3. Whether Doyun and Bori are present at this halt is unstated — do not give them dialogue, reactions or a decisive action.",
"The nature of the load in ch-2-p-29 (whose cargo, how it is carried, whether on an animal or on backs) is unstated in these units. Do not visually settle it.",
"What blocked the deer from descending is never stated. Show no cause, no creature, no barrier — only the turning marks.",
"Whether Ria actually witnessed the deer yesterday or is reconstructing it from earlier observation is ambiguous in ch-2-p-33. Avoid staging an explicit flashback as confirmed memory.",
"Maren's line in ch-2-p-31 is a question, not a refusal. Whether she accepts or resists the halt is unstated; leave her compliance unresolved.",
"No reply from anyone follows Ria's reason in ch-2-p-32. Do not add agreement or thanks.",
"The exact vertical distance between the halt point and the track site is unstated.",
"Whether Ria voices her conclusion aloud is unstated — ch-2-p-35 is narration only. Keep the reading internal.",
"Whether these tracks relate to the mother's markings or to any earlier discovery is not stated in these units; do not imply a connection."
],
"texts": [
{
"id": "cap-1",
"sourceId": "ch-2-p-28",
"kind": "caption",
"speaker": "narrator",
"text": "해가 능선 위로 반쯤 올라왔을 때 리아가 멈췄다."
},
{
"id": "txt-1",
"sourceId": "ch-2-p-29",
"kind": "dialogue",
"speaker": "c1",
"text": "“여기 두고 가요. 짐부터 올리지 말고.”"
},
{
"id": "txt-2",
"sourceId": "ch-2-p-31",
"kind": "dialogue",
"speaker": "c4",
"text": "“올라가다 말고요?”"
},
{
"id": "txt-3",
"sourceId": "ch-2-p-32",
"kind": "dialogue",
"speaker": "c1",
"text": "“길이 맞는지부터 봐야 해요. 틀리면 두 번 지는 거니까.”"
},
{
"id": "cap-2",
"sourceId": "ch-2-p-33",
"kind": "caption",
"speaker": "narrator",
"text": "젖은 흙 위에 굽 자국이 선명했다."
},
{
"id": "cap-3",
"sourceId": "ch-2-p-34",
"kind": "caption",
"speaker": "narrator",
"text": "내려간 자국과 올라온 자국이 겹쳐 있었다."
},
{
"id": "cap-4",
"sourceId": "ch-2-p-35",
"kind": "caption",
"speaker": "narrator",
"text": "같은 자리에서 몸을 돌린 흔적이 세 겹."
},
{
"id": "cap-5",
"sourceId": "ch-2-p-35",
"kind": "caption",
"speaker": "narrator",
"text": "내려가려다 막혀서, 매번 같은 자리에서 돌아선 짐승의 자국이었다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-2-p-28"
],
"action": "Partway up the slope in half-risen morning light, Ria stops the group's forward motion without warning.",
"textIds": [
"cap-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-2-p-29"
],
"action": "Ria orders the load set down here and forbids sending the cargo up ahead of the check.",
"textIds": [
"txt-1"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-2-p-30",
"ch-2-p-31"
],
"action": "Maren reacts with open disbelief at abandoning a climb already half spent.",
"textIds": [
"txt-2"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-2-p-32"
],
"action": "Ria gives her reason as an arithmetic of loss rather than a reassurance: verify the road first, because a wrong road is paid for twice.",
"textIds": [
"txt-3"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-2-p-33"
],
"action": "She puts down the medicine box and goes up alone to yesterday's spot, where the wet ground holds crisp hoof prints.",
"textIds": [
"cap-2"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-2-p-34"
],
"action": "Close on the ground: the descending prints and the ascending prints lie on top of each other, same place.",
"textIds": [
"cap-3"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-2-p-35"
],
"action": "The evidence multiplies — three layers of turning, grass pressed sideways at the edges, soil torn open in the center. This was repetition, not a single panic.",
"textIds": [
"cap-4"
]
},
{
"id": "beat-8",
"sourceIds": [
"ch-2-p-35"
],
"action": "Ria's reading lands: nothing chased this animal out. Something below stopped it, and it turned back at this exact place every time.",
"textIds": [
"cap-5"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-2-p-28"
],
"statement": "The sun has risen only halfway above the ridgeline when Ria halts."
},
{
"id": "fact-2",
"sourceIds": [
"ch-2-p-29"
],
"statement": "Ria instructs that the load be left here and not hauled up first."
},
{
"id": "fact-3",
"sourceIds": [
"ch-2-p-30",
"ch-2-p-31"
],
"statement": "Maren's eyes widen and she questions stopping partway up the climb."
},
{
"id": "fact-4",
"sourceIds": [
"ch-2-p-32"
],
"statement": "Ria's stated reason: the route must be confirmed correct first, because being wrong costs them twice."
},
{
"id": "fact-5",
"sourceIds": [
"ch-2-p-33"
],
"statement": "Ria sets down the medicine box and climbs up alone."
},
{
"id": "fact-6",
"sourceIds": [
"ch-2-p-33"
],
"statement": "The place she goes to is where, the day before, a deer started down and then came back out."
},
{
"id": "fact-7",
"sourceIds": [
"ch-2-p-33"
],
"statement": "Hoof marks are sharp and clear on the wet soil there."
},
{
"id": "fact-8",
"sourceIds": [
"ch-2-p-34"
],
"statement": "Downward tracks and upward tracks overlap each other at the same place."
},
{
"id": "fact-9",
"sourceIds": [
"ch-2-p-35"
],
"statement": "The turning marks are layered three times over, meaning it happened more than once."
},
{
"id": "fact-10",
"sourceIds": [
"ch-2-p-35"
],
"statement": "The outer grass lies flattened sideways while the soil in the middle is gouged out."
},
{
"id": "fact-11",
"sourceIds": [
"ch-2-p-35"
],
"statement": "Ria reads the marks as not belonging to an animal fleeing a pursuer, but to an animal that tried to descend, was blocked, and turned back at the same spot every time."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines, adult cast, wet mountain slope after rain, low raking sunrise light, long ground shadows, Korean lettering drawn in-image.",
"moments": [
{
"sourceIds": [
"ch-2-p-28",
"ch-2-p-29"
],
"action": "Half-risen sun behind the ridge. On the wet slope trail Ria stops mid-climb and turns back, palm out, toward the loaded companions a few steps below her.",
"textIds": [
"cap-1",
"txt-1"
]
},
{
"sourceIds": [
"ch-2-p-30",
"ch-2-p-31"
],
"action": "Maren, pack still on her back, eyes wide open, head lifted toward Ria, mouth mid-question.",
"textIds": [
"txt-2"
]
},
{
"sourceIds": [
"ch-2-p-32"
],
"action": "Ria speaking, face calm and level, low sunlight edging her from the ridge side; nobody answers her.",
"textIds": [
"txt-3"
]
},
{
"sourceIds": [
"ch-2-p-33"
],
"action": "Higher up the slope, Ria alone, crouched over dark wet soil, her medicine box no longer with her; sharp hoof prints catch the raking light.",
"textIds": [
"cap-2"
]
},
{
"sourceIds": [
"ch-2-p-34"
],
"action": "Close on the ground: downward-pointing hoof prints and upward-pointing hoof prints pressed over each other in one patch of wet soil.",
"textIds": [
"cap-3"
]
},
{
"sourceIds": [
"ch-2-p-35"
],
"action": "Closer still: three countable layers of turning marks in the same spot, outer grass flattened sideways, center soil scooped and torn open.",
"textIds": [
"cap-4"
]
},
{
"sourceIds": [
"ch-2-p-35"
],
"action": "Ria's face above the marks, eyes fixed downward, expression hardening as she reads them; nothing else visible beyond her and the churned ground.",
"textIds": [
"cap-5"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s3 r1): Lia keeps chestnut bob, amber eyes, sand jacket, fingerless gloves and brown satchel; Doyun keeps black hair, green coat and sword; Maren keeps red curls, white shirt, brick vest and the back-carry; Bori is the same cream marten."
},
"setting": {
"passed": true,
"evidence": "Same mountain trail with conifers; the light has changed to a half-risen sun over the ridge, which p28 requires, and the wet soil continues."
},
"actionTransition": {
"passed": false,
"evidence": "The previous scene ended with Bori sneezing at the flap of Lia's bag; this scene shows Bori riding on top of Maren's back-carry in panels 1 and 2 with no transfer shown, and Lia already without the medicine box in panel 1 although p33 has her set it down only after the exchange."
}
},
"textObservations": [
{
"id": "cap-1",
"observedText": "해가 능선 위로 반쯤 올라왔을 때 리아가 멈췄다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption over the sunrise trail; exact text."
},
{
"id": "txt-1",
"observedText": "“여기 두고 가요. 짐부터 올리지 말고.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon tail to Lia turned back with her palm out; exact text."
},
{
"id": "txt-2",
"observedText": "“올라가다 말고요?”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon tail to Maren with eyes wide; exact text."
},
{
"id": "txt-3",
"observedText": "“길이 맞는지부터 봐야 해요. 틀리면 두 번 지는 거니까.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon tail to Lia lit from the ridge side; exact text."
},
{
"id": "cap-2",
"observedText": "젖은 흙 위에 굽 자국이 선명했다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption over Lia crouched at the hoof prints; exact text."
},
{
"id": "cap-3",
"observedText": "내려간 자국과 올라온 자국이 겹쳐 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption over overlapping cloven prints; exact text."
},
{
"id": "cap-4",
"observedText": "같은 자리에서 몸을 돌린 흔적이 세 겹.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 caption over the churned turning marks; exact text."
},
{
"id": "cap-5",
"observedText": "내려가려다 막혀서, 매번 같은 자리에서 돌아선 짐승의 자국이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 bottom caption under Lia's hardening face; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s3 image. Seven bordered panels: full-width, two, full-width, three; read left to right, top to bottom. All eight Korean texts are rendered exactly once and verbatim with correct speakers. Lia stands above the loaded companions in panel 1, climbs alone in panel 4 without the medicine box, and the three close-ups show deer prints pressed downward and upward over each other with flattened outer grass and scooped centre. Bori is drawn on Maren's pack in panels 1 and 2 instead of in Lia's bag. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 7
}
},
{
"id": "s5",
"n": 5,
"title": "바위틈의 평평한 낙엽",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-2-p-36",
"n": 36,
"text": "리아는 자국을 따라 바위틈 앞까지 갔다. 사람 어깨가 겨우 지날 좁은 통로였다. 젖은 낙엽이 입구를 덮고 있었다."
},
{
"id": "ch-2-p-37",
"n": 37,
"text": "통로 안쪽에서 찬 바람이 나왔다. 젖은 흙 냄새가 아니라 마른 돌 냄새였다. 리아는 한 발을 들여놓다가 멈췄다. 발밑 낙엽이 평평했다. 비탈에 저절로 쌓인 낙엽은 평평하지 않다."
},
{
"id": "ch-2-p-38",
"n": 38,
"text": "가방이 흔들렸다."
},
{
"id": "ch-2-p-39",
"n": 39,
"text": "덮개를 밀고 나온 보리의 털이 등줄기를 따라 부풀었다. 리아가 낙엽 쪽으로 손을 뻗자 보리의 작은 앞발이 손등을 밀쳤다."
},
{
"id": "ch-2-p-40",
"n": 40,
"text": "“키익!”"
},
{
"id": "ch-2-p-41",
"n": 41,
"text": "“알았어. 안 만져.”"
},
{
"id": "ch-2-p-42",
"n": 42,
"text": "보리는 코로 낙엽 더미를 가리키고는 리아의 어깨 위로 올라가 꼬리를 리아의 목에 감았다."
},
{
"id": "ch-2-p-43",
"n": 43,
"text": "리아는 나뭇가지로 낙엽을 걷어 냈다."
}
],
"pFrom": 36,
"pTo": 43,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep02-s5.webp",
"blocking": 0,
"advisory": 2,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: “알았어. 안 만져.” 시점에 보리가 이미 어깨 위. 원문은 그 뒤에 올라감(p42).",
"en": "Panel 5 already shows Bori perched on Lia's shoulder while she says '알았어. 안 만져.'; in the source Bori climbs to the shoulder only afterwards (p42), so the order of the shove and the perch is compressed."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 보리가 낙엽 위에 서서 손을 밀침. 브리프는 가슴에 붙은 상태. 원문은 위치 미지정.",
"en": "Panel 4 places Bori standing on the leaf litter when it shoves Lia's hand, while the brief kept it braced at her chest; the source does not fix its position, so this is an open staging choice rather than a contradiction."
}
],
"textsTotal": 9,
"textsOk": 9,
"timings": {
"planS": [
59
],
"preflightS": [
65
],
"imageS": 48,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1063,
"plan": {
"intent": "A scene where a guide's own careful reading of the ground is overruled by something smaller than her hand. The reader should first feel the narrowing: the tracks end at a split in the rock only wide enough for one set of shoulders, its mouth smothered in soaked leaves. Then the wrongness arrives through the body before the mind — cold air coming out, and the smell is dry stone, not the wet earth everything else smells like this morning. Ria puts one foot in and stops, and the reason is small and precise: the leaves underfoot are flat, and leaves that pile up on a slope by themselves are never flat. The reader should reach that conclusion with her. Then the bag moves. Bori, who wants nothing more than to stay dry and hidden, comes out anyway with its spine fur standing, and physically shoves her reaching hand away. The payoff is not an explanation — Bori cannot give one. It points with its nose at the leaf pile, then climbs to her shoulder and wraps its tail around her neck, which is what it does when it is frightened. Ria concedes with two short words and does not touch the leaves with her hand. She uses a branch instead. End on the branch moving the leaves, not on what is found.",
"staging": "Morning after rain on the old beast trail, continuous with the previous finished scene: no active rainfall, wet rock, soaked ground and soaked leaf litter, low raking light. Confirmed spatial facts, all of which must stay legible: (1) the tracks Ria has been following lead her on foot to a gap between rocks; (2) the gap is a passage so narrow a person's shoulders only just fit, so it must read as a single-body slot, not a cave mouth; (3) wet fallen leaves lie over the entrance; (4) air flows outward from inside the passage toward Ria, and it is cold; (5) Ria gets one foot inside the entrance, and stops there with her weight divided between inside and outside; (6) the leaf bed under that foot is flat — its flatness on a sloping hillside is the visual evidence and must be readable against the uneven natural litter elsewhere on the slope; (7) Bori is inside the bag Ria carries, as established previously, and comes out through the flap itself — no one hands it out and it is not riding on anyone else; (8) Bori's raised fur runs along the spine, and its forepaws are short; (9) Bori's paw contacts the back of Ria's hand and pushes it away from the leaves; (10) after the cry and Ria's reply, Bori's nose points at the leaf pile, then Bori relocates onto Ria's shoulder with its tail around her neck; (11) the final action uses a tree branch, not her hand, to sweep the leaves off. What lies beneath the leaves is not established by these units and must not be shown or implied. Panel shapes, camera distances, cutting and vertical reading rhythm are the artist's choice; prefer fewer, larger, clearly legible panels.",
"uncertainties": [
"Units ch-2-p-36 through ch-2-p-43 never mention c2 or c4. Whether Doyun or Maren is nearby is unstated — give them no dialogue, no reaction and no decisive action, and do not stage them as witnesses to the concession.",
"What is underneath the flat leaves is never stated. Show nothing beneath them, no pit, no trap, no creature, no light, and do not let the branch reveal a result inside this scene.",
"Where the passage leads, how deep it is and whether anything is visible inside it are unstated. Keep the interior unresolved darkness rather than a rendered space.",
"Bori's ability to sense electric current exists in the foundation but these units never state that it is sensing electricity here. Do not draw sparks, arcs, glow or any discharge, and do not visually assert a cause for its alarm.",
"Whether Ria pulls her foot back out of the passage after stopping is unstated.",
"The source of the tracks Ria followed in ch-2-p-36 is not named in these units. Do not label or identify the animal.",
"Ria never speaks her reasoning about the flat leaves aloud; ch-2-p-37 is narration only. Keep that deduction internal.",
"Whether the cold air is a draft from a larger cavity or something else is not explained. Do not visually propose a mechanism.",
"No connection to the mother's markings or to any earlier discovery is stated in these units; do not imply one.",
"Ria's reply in ch-2-p-41 is a concession, not an understanding. Do not stage her as having grasped Bori's reason."
],
"texts": [
{
"id": "cap-1",
"sourceId": "ch-2-p-36",
"kind": "caption",
"speaker": "narrator",
"text": "사람 어깨가 겨우 지날 좁은 통로였다."
},
{
"id": "cap-2",
"sourceId": "ch-2-p-37",
"kind": "caption",
"speaker": "narrator",
"text": "젖은 흙 냄새가 아니라 마른 돌 냄새였다."
},
{
"id": "cap-3",
"sourceId": "ch-2-p-37",
"kind": "caption",
"speaker": "narrator",
"text": "발밑 낙엽이 평평했다."
},
{
"id": "cap-4",
"sourceId": "ch-2-p-37",
"kind": "caption",
"speaker": "narrator",
"text": "비탈에 저절로 쌓인 낙엽은 평평하지 않다."
},
{
"id": "cap-5",
"sourceId": "ch-2-p-38",
"kind": "caption",
"speaker": "narrator",
"text": "가방이 흔들렸다."
},
{
"id": "txt-1",
"sourceId": "ch-2-p-40",
"kind": "dialogue",
"speaker": "c3",
"text": "“키익!”"
},
{
"id": "txt-2",
"sourceId": "ch-2-p-41",
"kind": "dialogue",
"speaker": "c1",
"text": "“알았어. 안 만져.”"
},
{
"id": "cap-6",
"sourceId": "ch-2-p-42",
"kind": "caption",
"speaker": "narrator",
"text": "보리는 코로 낙엽 더미를 가리키고는 리아의 어깨 위로 올라가 꼬리를 리아의 목에 감았다."
},
{
"id": "cap-7",
"sourceId": "ch-2-p-43",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 나뭇가지로 낙엽을 걷어 냈다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-2-p-36"
],
"action": "Following the tracks brings Ria to a split in the rock, a passage barely wide enough for shoulders, its entrance blanketed in soaked leaves.",
"textIds": [
"cap-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-2-p-37"
],
"action": "Cold air pushes out of the opening, and what it carries is the smell of dry stone, wrong for a morning where everything else is soaked.",
"textIds": [
"cap-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-2-p-37"
],
"action": "Ria commits one foot into the gap and halts, because the leaf bed under her boot lies flat, and a slope never stacks leaves flat by itself.",
"textIds": [
"cap-3",
"cap-4"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-2-p-38",
"ch-2-p-39"
],
"action": "The bag jolts; Bori forces the flap open and emerges with its spine fur bristling, abandoning the dry hiding place it never willingly leaves.",
"textIds": [
"cap-5"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-2-p-39",
"ch-2-p-40"
],
"action": "As Ria's hand goes out toward the leaves, Bori's forepaw knocks it back and it shrieks at her.",
"textIds": [
"txt-1"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-2-p-41"
],
"action": "Ria yields immediately and withdraws the hand, conceding out loud without demanding a reason she knows Bori cannot give.",
"textIds": [
"txt-2"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-2-p-42"
],
"action": "Bori aims its nose at the leaf pile once, then retreats up onto Ria's shoulder and coils its tail around her neck, the posture it takes when afraid.",
"textIds": [
"cap-6"
]
},
{
"id": "beat-8",
"sourceIds": [
"ch-2-p-43"
],
"action": "Ria takes a branch and strips the leaves away with it, keeping her skin off whatever is underneath.",
"textIds": [
"cap-7"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-2-p-36"
],
"statement": "Ria follows the tracks until she arrives in front of a gap in the rock."
},
{
"id": "fact-2",
"sourceIds": [
"ch-2-p-36"
],
"statement": "The passage is narrow enough that a person's shoulders barely pass through it."
},
{
"id": "fact-3",
"sourceIds": [
"ch-2-p-36"
],
"statement": "Wet fallen leaves cover the mouth of the passage."
},
{
"id": "fact-4",
"sourceIds": [
"ch-2-p-37"
],
"statement": "Cold air comes out from inside the passage."
},
{
"id": "fact-5",
"sourceIds": [
"ch-2-p-37"
],
"statement": "The air smells of dry stone rather than wet soil."
},
{
"id": "fact-6",
"sourceIds": [
"ch-2-p-37"
],
"statement": "Ria places one foot inside and then stops."
},
{
"id": "fact-7",
"sourceIds": [
"ch-2-p-37"
],
"statement": "The leaves under her foot are flat, and leaves that accumulate on a slope on their own are not flat."
},
{
"id": "fact-8",
"sourceIds": [
"ch-2-p-38",
"ch-2-p-39"
],
"statement": "The bag moves, and Bori pushes the flap open and comes out with the fur along its spine standing up."
},
{
"id": "fact-9",
"sourceIds": [
"ch-2-p-39"
],
"statement": "When Ria reaches a hand toward the leaves, Bori's small forepaw shoves the back of her hand away."
},
{
"id": "fact-10",
"sourceIds": [
"ch-2-p-40",
"ch-2-p-41"
],
"statement": "Bori cries out once, and Ria answers that she will not touch it."
},
{
"id": "fact-11",
"sourceIds": [
"ch-2-p-42"
],
"statement": "Bori indicates the pile of leaves with its nose, then climbs onto Ria's shoulder and winds its tail around her neck."
},
{
"id": "fact-12",
"sourceIds": [
"ch-2-p-43"
],
"statement": "Ria clears the leaves away using a tree branch instead of her hand."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines, adult cast plus a cute small marten. Morning after rain, wet rock and soaked leaf litter, low raking light.",
"moments": [
{
"sourceIds": [
"ch-2-p-36",
"ch-2-p-37"
],
"action": "A wet rock split barely one shoulder wide, its mouth smothered in soaked leaves. Lia stands before it, hair and collar pushed back by cold air flowing outward.",
"textIds": [
"cap-1",
"cap-2"
]
},
{
"sourceIds": [
"ch-2-p-37"
],
"action": "Low angle: Lia's one boot planted inside the entrance on a flat leaf bed, her other foot outside on uneven litter. She halts, eyes down.",
"textIds": [
"cap-3",
"cap-4"
]
},
{
"sourceIds": [
"ch-2-p-38",
"ch-2-p-39"
],
"action": "The flap of the bag Lia carries is shoved open from inside; the small marten Bori emerges, fur along its spine bristling, fixed on the leaves.",
"textIds": [
"cap-5"
]
},
{
"sourceIds": [
"ch-2-p-39",
"ch-2-p-40"
],
"action": "Bori's short forepaw shoves the back of Lia's outstretched hand away from the leaf pile, mouth open in a shriek.",
"textIds": [
"txt-1"
]
},
{
"sourceIds": [
"ch-2-p-41"
],
"action": "Lia's hand pulled back near her chest, palm open, speaking quietly; Bori still braced at her chest, nose angled toward the leaf pile.",
"textIds": [
"txt-2"
]
},
{
"sourceIds": [
"ch-2-p-42",
"ch-2-p-43"
],
"action": "Bori now on Lia's shoulder, tail wound around her neck; Lia sweeps the flat leaves aside with a tree branch. Nothing visible beneath, passage interior dark.",
"textIds": [
"cap-6",
"cap-7"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s4 r1): Lia keeps chestnut bob, amber eyes, sand jacket, fingerless gloves and brown satchel; Bori is the same cream marten with dark tail and dark paws."
},
"setting": {
"passed": true,
"evidence": "Same sunlit mossy rock slope with conifers and mist; the action moves from the hoof prints up to a narrow rock split with a leaf-covered mouth, as p36 requires."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Lia reading the turning prints; this scene opens with her at the split the tracks lead to, then the boot on flat leaves and Bori's warning. Bori is back in Lia's bag here, which matches the source (p38-39) even though the previous image had drawn it on Maren's pack."
}
},
"textObservations": [
{
"id": "cap-1",
"observedText": "사람 어깨가 겨우 지날 좁은 통로였다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 first caption box; exact text."
},
{
"id": "cap-2",
"observedText": "젖은 흙 냄새가 아니라 마른 돌 냄새였다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 second caption box; exact text."
},
{
"id": "cap-3",
"observedText": "발밑 낙엽이 평평했다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 first caption over the boot on the flat leaf bed; exact text."
},
{
"id": "cap-4",
"observedText": "비탈에 저절로 쌓인 낙엽은 평평하지 않다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 second caption; exact text."
},
{
"id": "cap-5",
"observedText": "가방이 흔들렸다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 caption over Bori pushing out of the bag flap with bristled fur; exact text."
},
{
"id": "txt-1",
"observedText": "“키익!”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 jagged balloon pointing to Bori shrieking with its forepaw on Lia's hand; exact text."
},
{
"id": "txt-2",
"observedText": "“알았어. 안 만져.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon tail to Lia with her palm raised; exact text."
},
{
"id": "cap-6",
"observedText": "보리는 코로 낙엽 더미를 가리키고는 리아의 어깨 위로 올라가 꼬리를 리아의 목에 감았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 top caption over Bori on Lia's shoulder with the tail around her neck; exact text."
},
{
"id": "cap-7",
"observedText": "리아는 나뭇가지로 낙엽을 걷어 냈다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 bottom caption; Lia sweeping the leaves with a branch; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s4 image. Six bordered panels: full-width, full-width, two, two; read left to right, top to bottom. All nine Korean texts are rendered exactly once and verbatim with correct speakers. The narrow dark split, the soaked leaf mouth, the flat leaf bed under the boot, Bori's bristled emergence, the shove and the shoulder perch with the tail wound around Lia's neck are all visible; the passage interior stays dark with nothing shown beneath the swept leaves. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 6
}
},
{
"id": "s6",
"n": 6,
"title": "쇠사슬과 털 한 줌",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-2-p-44",
"n": 44,
"text": "쇠사슬이었다."
},
{
"id": "ch-2-p-45",
"n": 45,
"text": "굵은 고리가 통로를 가로질러 양쪽 바위에 박힌 쇠못에 걸려 있었다. 녹이 두껍게 앉았지만 못은 흔들리지 않았다. 사슬 가운데에 짙은 갈색 털 한 줌이 끼어 있었고, 그 위쪽 바위에는 뿔이 긁고 간 흰 자국이 여러 겹으로 나 있었다."
},
{
"id": "ch-2-p-46",
"n": 46,
"text": "리아는 사슬에 낀 털을 손가락으로 빼냈다. 끝이 잘리지 않고 뽑혀 있었다. 사슴은 여기서 걸렸고, 걸린 채로 버티다 물러났다는 뜻이었다."
},
{
"id": "ch-2-p-47",
"n": 47,
"text": "바위의 흰 자국은 높이가 제각각이었다. 어떤 것은 리아의 허리께에, 어떤 것은 무릎 아래에 있었다. 한 마리가 한 계절에 낸 자국이 아니었다."
}
],
"pFrom": 44,
"pTo": 47,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep02-s6.webp",
"blocking": 0,
"advisory": 3,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 흰 자국이 어깨·머리 높이에도 있음. 원문은 허리께와 무릎 아래만(p47).",
"en": "Panel 6 places several white scrapes at Lia's shoulder and head height in addition to waist and below-knee marks; the source names only waist-level and below-knee heights (p47)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 사슬 왼쪽 끝의 쇠못이 안 보임. 양쪽 못은 오른쪽과 2칸에서만 확인.",
"en": "Panel 1 shows the left end of the chain running into leaves and rock without a clearly visible spike, so 'spikes on both walls' is only confirmed on the right side and in the panel 2 close-up."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸은 사슬이 통로 중간 높이, 6칸은 무릎 높이. 같은 사슬로 안 읽힘.",
"en": "The chain sits at roughly mid-height of the slot in panel 1 but hangs near Lia's knees in panel 6; the drop is plausible as slack but the two views are not obviously the same span."
}
],
"textsTotal": 8,
"textsOk": 8,
"timings": {
"planS": [
55
],
"preflightS": [
59
],
"imageS": 46,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1066,
"plan": {
"intent": "The reveal under the leaves is not a monster but hardware: a chain, deliberately anchored. The reader should first take it in as an object — thick links strung across the one-body-wide passage, hooked on iron spikes driven into the rock on both sides — and only then register what it means, which arrives through small evidence Ria reads with her fingers. Rust lies thick but the spikes have not loosened, so this thing has been here long and still holds. A clump of dark brown hair is caught mid-chain, and the rock above it carries layered white gouges from antlers. When Ria pulls the hair free, the ends are torn out, not cut, and that single detail gives her the whole event: something was caught here, held on while caught, and backed off rather than broke through. The last turn is colder and larger than the one before it. She looks up and the white marks sit at wildly different heights, some at her waist, some below her knee. One animal in one season does not leave that. The scene should end on Ria's stillness in front of an old, repeatedly used thing, not on any answer about who put it there.",
"staging": "Immediately continuous with the previous finished scene: morning after rain on the old beast trail, no falling rain, wet rock and wet leaf litter, low raking light, same clothing and gear for Ria. Confirmed spatial facts that must stay legible: (1) the object revealed where the leaves were swept is a chain of thick links; (2) the chain runs across the passage from one side to the other, blocking it, and the passage remains the single-body-wide rock slot established earlier; (3) each end of the chain hangs on an iron spike driven into the rock on that side, so anchor points exist on both walls; (4) the chain and spikes are heavily rusted, yet the spikes sit firm in the stone; (5) a clump of dark brown hair is caught partway along the chain, near the middle of its span; (6) the white antler-scrape marks are on the rock above that clump, and they overlap in multiple layers rather than forming a single scratch; (7) Ria removes the hair with her fingers and holds it, and the hair's ends are ragged and torn rather than clean-cut; (8) the white marks occupy a range of heights measured against Ria's own standing body — some level with her waist, some lower than her knee — so her body needs to be readable as the scale reference when that range is shown. The interior of the passage beyond the chain stays unresolved darkness as before. Panel shapes, camera distances, cutting and vertical reading rhythm are the artist's choice; prefer fewer, larger, clearly legible panels.",
"uncertainties": [
"These units never say who set the chain and spikes, when, or for what purpose. Do not add makers' marks, carvings, guild symbols, a marking connected to Ria's mother, or any other authorship clue.",
"The animal that left the hair and the antler scrapes is never shown or present in these units. Do not depict it, not even as a silhouette, reflection or memory inset.",
"Whether the chain is a trap, a barrier, a boundary marker or something else is not stated. Do not stage any mechanism, tension device, bell, snare loop or attached hardware beyond links and the two spikes.",
"ch-2-p-44 to ch-2-p-47 contain no dialogue and no other named character. Whether c2, c3 or c4 is nearby is unstated: give them no speech, no reaction and no decisive action, and do not have anyone else handle the chain or the hair.",
"Ria's conclusions in ch-2-p-46 and ch-2-p-47 are narration, not spoken lines. Keep the reasoning internal; do not convert captions into dialogue balloons.",
"How long the chain has been in place is not stated as a number. Rust and layered marks are the only evidence; do not date it with vegetation growth stages, bones or other invented time markers.",
"What lies on the far side of the chain, and whether the passage can be passed at all, is not established. Show no destination and no result of testing passage.",
"Whether Ria pulls, lifts or otherwise moves the chain beyond checking the spikes is not stated. Do not show her unhooking or breaking it.",
"Nothing in these units states any link to Bori's electrical sensing. Draw no sparks, arcs, glow or discharge on or near the metal."
],
"texts": [
{
"id": "cap-1",
"sourceId": "ch-2-p-44",
"kind": "caption",
"speaker": "narrator",
"text": "쇠사슬이었다."
},
{
"id": "cap-2",
"sourceId": "ch-2-p-45",
"kind": "caption",
"speaker": "narrator",
"text": "굵은 고리가 통로를 가로질러 양쪽 바위에 박힌 쇠못에 걸려 있었다."
},
{
"id": "cap-3",
"sourceId": "ch-2-p-45",
"kind": "caption",
"speaker": "narrator",
"text": "녹이 두껍게 앉았지만 못은 흔들리지 않았다."
},
{
"id": "cap-4",
"sourceId": "ch-2-p-45",
"kind": "caption",
"speaker": "narrator",
"text": "사슬 가운데에 짙은 갈색 털 한 줌이 끼어 있었고, 그 위쪽 바위에는 뿔이 긁고 간 흰 자국이 여러 겹으로 나 있었다."
},
{
"id": "cap-5",
"sourceId": "ch-2-p-46",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 사슬에 낀 털을 손가락으로 빼냈다. 끝이 잘리지 않고 뽑혀 있었다."
},
{
"id": "cap-6",
"sourceId": "ch-2-p-46",
"kind": "caption",
"speaker": "narrator",
"text": "사슴은 여기서 걸렸고, 걸린 채로 버티다 물러났다는 뜻이었다."
},
{
"id": "cap-7",
"sourceId": "ch-2-p-47",
"kind": "caption",
"speaker": "narrator",
"text": "바위의 흰 자국은 높이가 제각각이었다. 어떤 것은 리아의 허리께에, 어떤 것은 무릎 아래에 있었다."
},
{
"id": "cap-8",
"sourceId": "ch-2-p-47",
"kind": "caption",
"speaker": "narrator",
"text": "한 마리가 한 계절에 낸 자국이 아니었다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-2-p-44",
"ch-2-p-45"
],
"action": "Under the swept leaves lies a chain: thick links crossing the narrow passage, caught on iron spikes set into the rock at either side.",
"textIds": [
"cap-1",
"cap-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-2-p-45"
],
"action": "The metal is heavily rusted, yet testing shows the spikes have not worked loose at all — the barrier still holds as it was meant to.",
"textIds": [
"cap-3"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-2-p-45"
],
"action": "Mid-chain a tuft of dark brown hair is snagged, and the rock face above it carries layer upon layer of white antler scoring.",
"textIds": [
"cap-4"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-2-p-46"
],
"action": "Ria works the hair free with her fingers and finds the ends torn, not severed.",
"textIds": [
"cap-5"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-2-p-46"
],
"action": "The torn ends give her the sequence: a deer snagged here, held its ground while snagged, and finally backed away instead of breaking through.",
"textIds": [
"cap-6"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-2-p-47"
],
"action": "She raises her eyes to the white marks and sees their heights scatter — some at her waist, some under her knee — which no single animal in one season could have made.",
"textIds": [
"cap-7",
"cap-8"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-2-p-44"
],
"statement": "What the cleared leaves uncover is a chain."
},
{
"id": "fact-2",
"sourceIds": [
"ch-2-p-45"
],
"statement": "Thick links run across the passage and hang on iron spikes driven into the rock on both sides."
},
{
"id": "fact-3",
"sourceIds": [
"ch-2-p-45"
],
"statement": "Rust sits thick on the chain, but the spikes do not shift or wobble."
},
{
"id": "fact-4",
"sourceIds": [
"ch-2-p-45"
],
"statement": "A clump of dark brown hair is caught in the middle of the chain."
},
{
"id": "fact-5",
"sourceIds": [
"ch-2-p-45"
],
"statement": "On the rock above that clump, white marks scraped by antlers lie in several overlapping layers."
},
{
"id": "fact-6",
"sourceIds": [
"ch-2-p-46"
],
"statement": "Ria pulls the trapped hair out of the chain with her fingers."
},
{
"id": "fact-7",
"sourceIds": [
"ch-2-p-46"
],
"statement": "The ends of the hair are torn out rather than cut through."
},
{
"id": "fact-8",
"sourceIds": [
"ch-2-p-46"
],
"statement": "From that, the meaning is that a deer was caught here, endured while caught, and then withdrew."
},
{
"id": "fact-9",
"sourceIds": [
"ch-2-p-47"
],
"statement": "The white marks on the rock sit at differing heights, some around Ria's waist and some below her knee."
},
{
"id": "fact-10",
"sourceIds": [
"ch-2-p-47"
],
"statement": "Marks spread across that range of heights are not what one animal in a single season would leave."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines, morning-after-rain mountain light on wet gray rock; adult woman guide with small brown marten; Korean lettering inside panels.",
"moments": [
{
"sourceIds": [
"ch-2-p-44",
"ch-2-p-45"
],
"action": "Frontal view into the narrow wet rock slot: a thick rusted chain spans it wall to wall, each end hooked on an iron spike driven into the rock; darkness beyond.",
"textIds": [
"cap-1",
"cap-2"
]
},
{
"sourceIds": [
"ch-2-p-45"
],
"action": "Close on one anchor: the rusted spike sits flush and tight in the wet stone, a heavy link hanging from it, no gap or crumbling around the shaft.",
"textIds": [
"cap-3"
]
},
{
"sourceIds": [
"ch-2-p-45"
],
"action": "Mid-span of the chain: a clump of dark brown hair snagged between links, and on the rock just above it, layered white antler scrapes crossing one another.",
"textIds": [
"cap-4"
]
},
{
"sourceIds": [
"ch-2-p-46"
],
"action": "Ria's fingers draw the hair clump out from between the rusted links, her sleeve and gear unchanged from the morning trail.",
"textIds": [
"cap-5"
]
},
{
"sourceIds": [
"ch-2-p-46"
],
"action": "Ria stands still, holding the freed tuft up between her fingers; the strand ends are ragged and torn rather than cleanly cut. The marten rides her shoulder, silent.",
"textIds": [
"cap-6"
]
},
{
"sourceIds": [
"ch-2-p-47"
],
"action": "Wide shot: Ria upright beside the chained slot, facing the rock wall where white scrape marks sit at scattered heights, some level with her waist, some below her knee.",
"textIds": [
"cap-7",
"cap-8"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s5 r1): Lia keeps chestnut bob, amber eyes, freckles, sand jacket with rolled sleeves, fingerless black gloves and brown satchel; Bori is the same cream marten with dark tail riding her shoulder as at the end of the previous scene."
},
"setting": {
"passed": true,
"evidence": "Same narrow wet rock slot with leaf litter and mossy walls, morning light, no falling rain; the dark interior beyond the chain continues the unresolved darkness of the previous scene's split."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Lia sweeping leaves aside with a branch; this scene opens on the chain revealed across the slot, then the spike, the hair, the pull and the marks, matching p44-p47."
}
},
"textObservations": [
{
"id": "cap-1",
"observedText": "쇠사슬이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 first caption box; exact text."
},
{
"id": "cap-2",
"observedText": "굵은 고리가 통로를 가로질러 양쪽 바위에 박힌 쇠못에 걸려 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 second caption box over the chain spanning the slot; exact text."
},
{
"id": "cap-3",
"observedText": "녹이 두껍게 앉았지만 못은 흔들리지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 caption over the rusted spike close-up; exact text."
},
{
"id": "cap-4",
"observedText": "사슬 가운데에 짙은 갈색 털 한 줌이 끼어 있었고, 그 위쪽 바위에는 뿔이 긁고 간 흰 자국이 여러 겹으로 나 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 caption over the hair clump and layered white scrapes; exact text."
},
{
"id": "cap-5",
"observedText": "리아는 사슬에 낀 털을 손가락으로 빼냈다. 끝이 잘리지 않고 뽑혀 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption over Lia's gloved hand drawing the hair from the links; exact text."
},
{
"id": "cap-6",
"observedText": "사슴은 여기서 걸렸고, 걸린 채로 버티다 물러났다는 뜻이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption over Lia holding the tuft with Bori on her shoulder; exact text."
},
{
"id": "cap-7",
"observedText": "바위의 흰 자국은 높이가 제각각이었다. 어떤 것은 리아의 허리께에, 어떤 것은 무릎 아래에 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 top-right caption over Lia standing beside the marked wall; exact text."
},
{
"id": "cap-8",
"observedText": "한 마리가 한 계절에 낸 자국이 아니었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 bottom-right caption; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s5 image. Six bordered panels: full-width, two, full-width, two; read left to right, top to bottom. All eight captions are rendered exactly once and verbatim; no dialogue balloons, no other characters, no animal, no sparks or glow on the metal. Panel 1 shows thick rusted links spanning the slot with the right end hooked over an iron spike and darkness beyond; panel 2 the spike seated flush in the stone; panel 3 the dark brown clump mid-span under crossing white scrapes; panel 4 the clump pulled from between links with ragged ends; panel 5 Lia holding the tuft; panel 6 Lia full-length beside the chain with scrapes at several heights on the wall. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 6
}
},
{
"id": "s7",
"n": 7,
"title": "누가 박아 놓았나",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-2-p-48",
"n": 48,
"text": "밑에서 발소리가 올라왔다. 도윤이 먼저, 마렌이 뒤따라."
},
{
"id": "ch-2-p-49",
"n": 49,
"text": "도윤은 사슬 앞에 쪼그려 앉아 쇠못 머리를 손가락으로 훑었다. 망치로 때린 자리가 뭉개져 있었다."
},
{
"id": "ch-2-p-50",
"n": 50,
"text": "“누가 박아 놓은 거야. 짐승이 걸린 게 아니라.”"
},
{
"id": "ch-2-p-51",
"n": 51,
"text": "그는 일어나 리아를 보았다."
},
{
"id": "ch-2-p-52",
"n": 52,
"text": "“그럼 너는 이 길을 어떻게 알았어?”"
},
{
"id": "ch-2-p-53",
"n": 53,
"text": "리아는 오른손목을 소매 안으로 더 밀어 넣었다. 자기가 그 동작을 했다는 걸 뒤늦게 알았고, 도윤의 시선이 이미 그 손에 가 있다는 것도 알았다."
},
{
"id": "ch-2-p-54",
"n": 54,
"text": "“사슴이 사람을 노린 게 아니었어. 아래로 내려가려던 거야. 여기가 막혀서 매번 올라온 거고.”"
},
{
"id": "ch-2-p-55",
"n": 55,
"text": "“그건 나도 봤어. 내가 물은 건 그게 아니야.”"
}
],
"pFrom": 48,
"pTo": 55,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep02-s7.webp",
"blocking": 1,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸 그려짐. 확정 칸 수는 6. 필수 칸 수 불일치.",
"en": "The image contains seven panels (rows two, three and four are each split into two) while the resolved panel count for this scene is six; the mandatory count is not met."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 도윤이 쪼그려 앉지 않고 선 채 기울임(p49). 못에 걸린 사슬 고리 안 보임.",
"en": "Panel 2 shows Doyun leaning in upright at the spike rather than squatting in front of the chain (p49), and no chain link is visible hanging from the spike he touches."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 도윤 시선이 리아 얼굴. 원문은 소매 속 손에 먼저 가 있음(p53).",
"en": "Panel 5 shows Doyun's gaze level with Lia's face while asking; the brief and p53 have his look resting on her sleeved hand before she notices."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 리아가 사슬 건너편에 서 있는 것처럼 보임. 전 장면은 이쪽. 깊이 모호.",
"en": "Panel 1 places Lia on the far side of the sagging chain from the approaching pair; the previous scene left her on the near side and no crossing is stated, though the depth is ambiguous enough to read as standing beside it."
}
],
"textsTotal": 7,
"textsOk": 7,
"timings": {
"planS": [
55
],
"preflightS": [
45
],
"imageS": 43,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1062,
"plan": {
"intent": "The chain stops being a puzzle about animals and becomes a question aimed at Ria. Doyun arrives from below with Maren behind him, and instead of looking down the dark slot he reads the hardware: he runs a finger over the spike head and finds the hammer-mashed metal, evidence of a tool and a hand. His conclusion is flat and physical, not accusatory. Then he stands and turns the same reading attention on his partner. The reader should feel the switch of subject in his body before it lands in words. Ria's answer to his question is a real, correct piece of fieldwork about the deer, and it is also a dodge: she answers what the tracks meant, not how she knew this route existed. The scene's center is a small involuntary movement she cannot take back - her right wrist sliding deeper into her sleeve - and her double realization that she did it and that he was already looking there. End on Doyun refusing the substitute answer, with the question still open and neither of them moving.",
"staging": "Directly continuous with the previous finished scene, same morning after rain on the old beast trail: no falling rain, wet rock, wet leaf litter, low raking light, same clothing and gear. Confirmed spatial facts that must stay readable: (1) the passage is the same single-body-wide rock slot, blocked across its width by the rusted chain of thick links hooked on iron spikes driven into the rock on both walls, with the interior beyond the chain still unresolved darkness; (2) Ria is already there at the chain when the others arrive; (3) Doyun and Maren come up from the lower side of the trail, Doyun in front and Maren behind him, so their arrival direction is below/behind relative to the chain; (4) Doyun lowers into a squat facing the chain and touches a spike head with his fingers, meaning at least one anchor point must be within his reach at that crouched height; (5) the struck face of that spike head is deformed and flattened; (6) Doyun then stands and is facing Ria for the remaining exchange, with the chain between or beside them; (7) Ria's right wrist is covered by her sleeve and she pushes it further in - the hand and the sleeve must be legible as what his look is resting on; (8) Doyun's gaze is on that hand before Ria becomes aware of it, so the order of attention matters more than any particular camera. Maren is present but stays out of the exchange. Panel shapes, distances, cutting and vertical rhythm are the artist's choice; prefer fewer, larger, clearly legible panels.",
"uncertainties": [
"Who drove the spikes, when, and why is not stated in these units. Do not add maker's marks, tools left behind, carvings, guild symbols, or any visual hint of authorship.",
"What is on or under Ria's right sleeve is never shown or named here - injury, scar, map, band or nothing. Do not reveal, outline or silhouette anything on that wrist, and do not let the sleeve slip.",
"Why Ria knew this route is not answered in these units. Do not stage a flashback, a map panel, a mother-related object or any other visual answer.",
"Doyun's inner state is not narrated (POV is third-person limited on Ria). Render him only through posture, gaze and the quoted lines; give him no thought balloon.",
"Maren speaks and acts in none of these units. Keep her present but silent, with no gesture that resolves or comments on the confrontation.",
"Bori is not mentioned in ch-2-p-48 through ch-2-p-55. Presence is unstated: do not give Bori any reaction, sensing behavior, sparks or discharge.",
"The deer is not present and does not appear. Do not depict it, not even as silhouette, reflection or memory inset.",
"Nothing states that anyone pulls, lifts, unhooks or breaks the chain, or tests whether the passage can be crossed. Show no passage attempt and no result.",
"The narration mentions only that the hammered spot is mashed; it does not state how many spikes Doyun touches or how long the spikes have been there. Do not date the metal with bones, growth or other invented time markers.",
"ch-2-p-53 is internal realization, not speech. Keep it as caption; do not convert it into dialogue or have Ria comment on her own hand."
],
"texts": [
{
"id": "cap-1",
"sourceId": "ch-2-p-48",
"kind": "caption",
"speaker": "narrator",
"text": "밑에서 발소리가 올라왔다. 도윤이 먼저, 마렌이 뒤따라."
},
{
"id": "cap-2",
"sourceId": "ch-2-p-49",
"kind": "caption",
"speaker": "narrator",
"text": "망치로 때린 자리가 뭉개져 있었다."
},
{
"id": "d-1",
"sourceId": "ch-2-p-50",
"kind": "dialogue",
"speaker": "c2",
"text": "“누가 박아 놓은 거야. 짐승이 걸린 게 아니라.”"
},
{
"id": "d-2",
"sourceId": "ch-2-p-52",
"kind": "dialogue",
"speaker": "c2",
"text": "“그럼 너는 이 길을 어떻게 알았어?”"
},
{
"id": "cap-3",
"sourceId": "ch-2-p-53",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 오른손목을 소매 안으로 더 밀어 넣었다."
},
{
"id": "d-3",
"sourceId": "ch-2-p-54",
"kind": "dialogue",
"speaker": "c1",
"text": "“사슴이 사람을 노린 게 아니었어. 아래로 내려가려던 거야. 여기가 막혀서 매번 올라온 거고.”"
},
{
"id": "d-4",
"sourceId": "ch-2-p-55",
"kind": "dialogue",
"speaker": "c2",
"text": "“그건 나도 봤어. 내가 물은 건 그게 아니야.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-2-p-48"
],
"action": "Footsteps climb up from below and the two of them arrive at the blocked slot, Doyun leading, Maren trailing him.",
"textIds": [
"cap-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-2-p-49"
],
"action": "Doyun ignores the dark beyond the chain, crouches at the anchor point and reads the spike head with his fingertips, finding the struck surface crushed flat by a hammer.",
"textIds": [
"cap-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-2-p-50",
"ch-2-p-51"
],
"action": "He names what the tool marks mean - a person put this here, no animal caught itself - then rises and turns his attention from the metal to Ria.",
"textIds": [
"d-1"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-2-p-52",
"ch-2-p-53"
],
"action": "He asks her how she knew this route, and her right wrist slides deeper into the sleeve before she has decided anything; she catches her own movement a beat late and realizes his eyes are already on that hand.",
"textIds": [
"d-2",
"cap-3"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-2-p-54"
],
"action": "Ria answers with the deer instead - it wanted to descend, not attack, and kept coming back up because this point is sealed - offering true fieldwork in place of the thing he asked for.",
"textIds": [
"d-3"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-2-p-55"
],
"action": "Doyun refuses the substitution without raising his voice: he saw that as well, and it is not the question, leaving the real one standing between them.",
"textIds": [
"d-4"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-2-p-48"
],
"statement": "Footsteps come up from below: Doyun first, Maren following behind him."
},
{
"id": "fact-2",
"sourceIds": [
"ch-2-p-49"
],
"statement": "Doyun squats down in front of the chain and runs his fingers over the head of an iron spike."
},
{
"id": "fact-3",
"sourceIds": [
"ch-2-p-49"
],
"statement": "The spot on the spike head that was struck by a hammer is mashed flat."
},
{
"id": "fact-4",
"sourceIds": [
"ch-2-p-50"
],
"statement": "Doyun states the spikes were driven in by someone, and that this is not an animal getting snagged."
},
{
"id": "fact-5",
"sourceIds": [
"ch-2-p-51"
],
"statement": "He stands up and looks at Ria."
},
{
"id": "fact-6",
"sourceIds": [
"ch-2-p-52"
],
"statement": "Doyun asks Ria how she knew about this route."
},
{
"id": "fact-7",
"sourceIds": [
"ch-2-p-53"
],
"statement": "Ria pushes her right wrist further up inside her sleeve."
},
{
"id": "fact-8",
"sourceIds": [
"ch-2-p-53"
],
"statement": "She notices only afterwards that she made that movement, and also notices that Doyun's gaze is already on that hand."
},
{
"id": "fact-9",
"sourceIds": [
"ch-2-p-54"
],
"statement": "Ria answers about the deer instead: it was not targeting people, it was trying to go downward, and because this point is blocked it came back up each time."
},
{
"id": "fact-10",
"sourceIds": [
"ch-2-p-55"
],
"statement": "Doyun says he saw that too, and that it is not what he asked."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines. Morning after rain: wet rock slot, wet leaves, low raking light. Korean lettering inside image. Fewer, larger panels.",
"moments": [
{
"sourceIds": [
"ch-2-p-48"
],
"action": "Doyun steps up the wet rock slot toward the rusted chain where Ria already stands; Maren halts a step lower behind him. Beyond the chain, unresolved darkness.",
"textIds": [
"cap-1"
]
},
{
"sourceIds": [
"ch-2-p-49"
],
"action": "Close on Doyun crouched at the rock wall, fingertips resting on one iron spike head whose struck face is mashed flat under thick rust.",
"textIds": [
"cap-2"
]
},
{
"sourceIds": [
"ch-2-p-50",
"ch-2-p-51"
],
"action": "Doyun, just risen to full height beside the chain, hand still half-lowered, eyes already on Ria as he speaks.",
"textIds": [
"d-1"
]
},
{
"sourceIds": [
"ch-2-p-52",
"ch-2-p-53"
],
"action": "Ria's right hand pulled deeper into her sleeve, sleeve unbroken; Doyun's gaze rests on that hand, not her face, as he asks.",
"textIds": [
"d-2",
"cap-3"
]
},
{
"sourceIds": [
"ch-2-p-54"
],
"action": "Ria facing him across the chain, chin slightly up, hand still tucked, answering steadily about the deer. Maren silent in the background.",
"textIds": [
"d-3"
]
},
{
"sourceIds": [
"ch-2-p-55"
],
"action": "Doyun unmoved, level and quiet, holding her eyes; neither shifts position. Wet chain hanging between them.",
"textIds": [
"d-4"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s6 r1): Lia keeps chestnut bob, amber eyes, freckles, sand jacket, fingerless gloves and brown satchel with Bori on her shoulder; Doyun keeps black hair, grey eyes, green hooded coat and sword; Maren keeps red curls, white shirt and brick vest."
},
"setting": {
"passed": true,
"evidence": "Same mossy wet rock slot with leaf litter, the rusted chain across the gap and the dark opening beyond; morning light without rain continues."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Lia alone beside the chain reading the scrape heights; this scene opens with Doyun and Maren climbing up from below to her, then the spike check and the exchange, matching p48-p55."
}
},
"textObservations": [
{
"id": "cap-1",
"observedText": "밑에서 발소리가 올라왔다. 도윤이 먼저, 마렌이 뒤따라.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption over Doyun ahead of Maren climbing toward Lia; exact text."
},
{
"id": "cap-2",
"observedText": "망치로 때린 자리가 뭉개져 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 caption over Doyun's fingers on the rusted spike head; exact text."
},
{
"id": "d-1",
"observedText": "“누가 박아 놓은 거야. 짐승이 걸린 게 아니라.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with tail to Doyun standing beside the chain; exact text."
},
{
"id": "d-2",
"observedText": "“그럼 너는 이 길을 어떻게 알았어?”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with tail to Doyun in profile; exact text."
},
{
"id": "cap-3",
"observedText": "리아는 오른손목을 소매 안으로 더 밀어 넣었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption over Lia's right hand drawn into the sleeve; exact text."
},
{
"id": "d-3",
"observedText": "“사슴이 사람을 노린 게 아니었어. 아래로 내려가려던 거야. 여기가 막혀서 매번 올라온 거고.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with tail to Lia; exact text over three lines."
},
{
"id": "d-4",
"observedText": "“그건 나도 봤어. 내가 물은 건 그게 아니야.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 balloon with tail to Doyun holding Lia's eyes; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s6 image. Seven bordered panels: full-width, then three rows of two; read left to right, top to bottom. The resolved count is six. All seven Korean texts are rendered exactly once and verbatim with tails to the correct speakers. Panel 2 shows the mashed rust-red spike head under Doyun's fingertips; panel 4 shows the right sleeve unbroken with the hand tucked in and nothing revealed; Maren is silent in panels 1 and 6; Bori rides Lia's shoulder without reaction; no deer, no chain handling, no flashback. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 7
}
},
{
"id": "s8",
"n": 8,
"title": "채석장 고리, 오늘은 못 넘는다",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-2-p-56",
"n": 56,
"text": "마렌이 장갑 낀 손으로 사슬 고리를 들어 무게를 가늠했다. 눈썹이 모였다."
},
{
"id": "ch-2-p-57",
"n": 57,
"text": "“이런 고리, 저는 압니다. 채석장에서 돌 끄는 데 쓰는 겁니다. 짐승 막자고 쓰는 물건이 아니에요.”"
},
{
"id": "ch-2-p-58",
"n": 58,
"text": "그녀는 사슬을 내려놓고 손바닥을 털었다."
},
{
"id": "ch-2-p-59",
"n": 59,
"text": "“지렛대 하나로는 안 빠집니다. 못을 뽑으려면 연장이랑 사람 손이 더 있어야 하고, 그러면 오늘은 못 넘어요.”"
},
{
"id": "ch-2-p-60",
"n": 60,
"text": "도윤이 쇠못 옆 바위를 칼자루로 두드렸다. 소리가 둔했다. 그는 칼을 도로 꽂았다."
},
{
"id": "ch-2-p-61",
"n": 61,
"text": "“못 머리에 걸 고리가 있어야 해. 줄로 당기면 줄이 먼저 끊겨.”"
},
{
"id": "ch-2-p-62",
"n": 62,
"text": "“그 줄은 어제 이미 한 번 썼고요.”"
},
{
"id": "ch-2-p-63",
"n": 63,
"text": "마렌이 덧붙였다. 탓하는 말투는 아니었다."
},
{
"id": "ch-2-p-64",
"n": 64,
"text": "해는 벌써 기울기 시작했다. 리아는 기름 냄새가 아직 남은 비탈 아래를 내려다보았다. 반나절이 갔고, 짐은 절반쯤 올라오다 멈춰 있었다."
}
],
"pFrom": 56,
"pTo": 64,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep02-s8.webp",
"blocking": 1,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "adapt",
"layerLabel": "각색 호스트",
"ko": "5칸: 견인 동물 마차와 인부 4~5명 등장. 일행은 셋, 짐은 손으로 운반(2화 s2~s3). 각색 계획이 “마차·동물 여부 미지정”으로 열어 둠.",
"en": "Panel 5 shows a draft-animal wagon and four to five extra people on the slope; the party is three people carrying the load by hand on a shoulder-wide beast trail (episode 2 s2-s3), and these units name no other people or vehicle, so this is invented cast and cargo."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 칼자루 타격에 밝은 불꽃 별. 원문은 둔한 소리(p60), 금속 불꽃 금지.",
"en": "Panel 3 adds a bright impact-star at the hilt strike; p60 states the sound was dull and the earlier guidance forbids sparks or glow on the metal, so the cue reads as a spark rather than a muffled knock."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 도윤이 쪼그리지 않고 선 채. 칼날 쪽을 쥐고 손잡이로 침.",
"en": "Panel 3 shows Doyun leaning in upright rather than crouched at the spike as the brief staged, and he grips the sword by the blade-side of the guard to strike with the pommel, which is plausible but not the 칼자루 grip described."
}
],
"textsTotal": 7,
"textsOk": 7,
"timings": {
"planS": [
64
],
"preflightS": [
46
],
"imageS": 48,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1062,
"plan": {
"intent": "This is the scene where the obstacle stops being a mystery and becomes arithmetic that nobody likes. Maren, the freight hauler, is the one who identifies the hardware, and she does it with her hands before her mouth: she lifts a chain link in a gloved hand and weighs it. Her verdict is professional and unsentimental — this is quarry gear for dragging stone, not a barrier against animals — and then she draws the cost line that matters: one lever will not pull these spikes, it needs tools and more hands, and that means the crossing does not happen today. Doyun answers her the only way he knows: he tests the material himself, knocking the rock beside a spike with his sword hilt, hears a dull sound, and puts the blade back. He states the physical requirement, a hook that catches the spike head, because a rope alone will snap first. Maren adds, without blame, that the rope has already been used once yesterday. The reader should feel the day draining rather than a fight starting: no one is wrong, no one raises a voice, and the plan quietly dies of resources. End on Ria looking down the oil-smelling slope where half a load sits stalled, with the sun already tipping over.",
"staging": "Same location and same continuous day as the previous finished scene, but later: the morning-after-rain light has slid toward a low, tilting late-day sun, while the ground, rock and leaf litter stay wet. Confirmed spatial facts that must remain readable: (1) the blocked passage is still the narrow rock slot crossed by the rusted chain of thick links, the chain hooked on iron spikes driven into rock, with the interior beyond it unresolved; (2) at least one stretch of chain is loose or slack enough that Maren can lift a single link in her hand and then set it back down, so the chain is not drum-tight across its whole length; (3) Maren wears gloves on the hand that lifts the link; (4) Doyun strikes the rock immediately beside a spike with his sword hilt and afterwards returns the sword to its sheath, so he must be within arm's reach of an anchor point with the blade drawn at the start of that action and stowed at the end; (5) all three humans are present at the chain, and the exchange is Maren and Doyun speaking to each other while Ria is close enough to hear; (6) the slope the cargo is on lies downhill from the chain, on the same approach side the group came up, and the smell of oil belongs to that lower slope; (7) the load is stopped roughly halfway up that slope, so it should read as partway, neither at the bottom nor arrived. Panel shapes, camera distances, cutting and vertical rhythm are the artist's choice; prefer fewer, larger, clearly legible panels. Tone is working assessment, not confrontation.",
"uncertainties": [
"Who placed the chain and spikes, when, and why is still unstated. Do not add maker's marks, abandoned tools, quarry insignia, carvings or any visual claim about authorship.",
"Nothing states the quarry itself is visible, nearby or connected to this trail. Maren recognizes only the type of link. Do not show or imply a quarry in the background.",
"No one succeeds in moving, unhooking, cutting or loosening the chain in these units, and nothing states any lever is actually applied. Show no successful extraction and no test that produces a result beyond the dull sound.",
"The lever and the rope are referred to in speech only. Whether they are present on screen, and their condition after yesterday's use, is unstated; do not stage visible fraying, breakage or a rope failing.",
"The exact source of the oil smell on the lower slope is not stated. Do not invent a spill, a lamp, a fire or a damaged container as its cause.",
"What the halted cargo consists of in detail, and whether the wagon or draft animals are visible, is not specified here. Keep the load readable as stalled freight without inventing named goods or new vehicles.",
"Ria speaks no line in these units. Do not give her dialogue or a thought balloon; her state reads only through where she looks and how she stands.",
"Bori is not mentioned in ch-2-p-56 through ch-2-p-64. Presence is unstated: give Bori no sensing behavior, no sparks, no reaction beat.",
"The right sleeve and wrist from the previous scene are not raised again here. Do not reveal, outline or silhouette anything on that wrist, and do not let the sleeve slip.",
"Maren's added remark about the rope is explicitly not accusatory (ch-2-p-63). Do not draw it as a glare, a jab or a challenge to Doyun.",
"Doyun's inner state is not narrated; the POV is limited to Ria. Render him through posture, hands on gear and his quoted lines only.",
"Nothing states a plan, a camp decision, a detour or a marker is chosen at the end of this scene. Do not close on a resolution, a raised map or a departure."
],
"texts": [
{
"id": "cap-1",
"sourceId": "ch-2-p-56",
"kind": "caption",
"speaker": "narrator",
"text": "마렌이 장갑 낀 손으로 사슬 고리를 들어 무게를 가늠했다."
},
{
"id": "d-1",
"sourceId": "ch-2-p-57",
"kind": "dialogue",
"speaker": "c4",
"text": "“이런 고리, 저는 압니다. 채석장에서 돌 끄는 데 쓰는 겁니다. 짐승 막자고 쓰는 물건이 아니에요.”"
},
{
"id": "d-2",
"sourceId": "ch-2-p-59",
"kind": "dialogue",
"speaker": "c4",
"text": "“지렛대 하나로는 안 빠집니다. 못을 뽑으려면 연장이랑 사람 손이 더 있어야 하고, 그러면 오늘은 못 넘어요.”"
},
{
"id": "cap-2",
"sourceId": "ch-2-p-60",
"kind": "caption",
"speaker": "narrator",
"text": "소리가 둔했다."
},
{
"id": "d-3",
"sourceId": "ch-2-p-61",
"kind": "dialogue",
"speaker": "c2",
"text": "“못 머리에 걸 고리가 있어야 해. 줄로 당기면 줄이 먼저 끊겨.”"
},
{
"id": "d-4",
"sourceId": "ch-2-p-62",
"kind": "dialogue",
"speaker": "c4",
"text": "“그 줄은 어제 이미 한 번 썼고요.”"
},
{
"id": "cap-3",
"sourceId": "ch-2-p-64",
"kind": "caption",
"speaker": "narrator",
"text": "반나절이 갔고, 짐은 절반쯤 올라오다 멈춰 있었다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-2-p-56",
"ch-2-p-57"
],
"action": "Maren hefts a single chain link in her gloved hand, frowning as the weight tells her something, then names the hardware for what it is: quarry equipment for hauling stone, never meant to keep beasts out.",
"textIds": [
"cap-1",
"d-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-2-p-58",
"ch-2-p-59"
],
"action": "She lets the chain drop, slaps the dust off her palms, and converts the problem into labor and time: one lever is not enough, spikes need tools and extra hands, so today's crossing is off.",
"textIds": [
"d-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-2-p-60"
],
"action": "Doyun checks her verdict against the rock itself, rapping the stone next to a spike with his sword hilt; the answer comes back dull and solid, and he seats the blade again.",
"textIds": [
"cap-2"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-2-p-61"
],
"action": "He states the missing piece of gear: something that hooks over the spike head, since a rope pulled straight would part before the iron moves.",
"textIds": [
"d-3"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-2-p-62",
"ch-2-p-63"
],
"action": "Maren closes the last exit quietly, noting the rope in question was already spent once yesterday; she is stating inventory, not assigning fault.",
"textIds": [
"d-4"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-2-p-64"
],
"action": "With the sun tipping, Ria turns from the talk to look down the slope that still smells of oil, at the load halted partway up, and the lost half-day lands on her.",
"textIds": [
"cap-3"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-2-p-56"
],
"statement": "Maren lifts one link of the chain with a gloved hand and gauges its weight; her eyebrows draw together."
},
{
"id": "fact-2",
"sourceIds": [
"ch-2-p-57"
],
"statement": "Maren recognizes this type of link: it is quarry gear used for dragging stone, not equipment made to block animals."
},
{
"id": "fact-3",
"sourceIds": [
"ch-2-p-58"
],
"statement": "She puts the chain down and brushes off her palms."
},
{
"id": "fact-4",
"sourceIds": [
"ch-2-p-59"
],
"statement": "Maren states a single lever will not pull the spikes out; extracting them needs tools and more hands, and therefore the crossing cannot be made today."
},
{
"id": "fact-5",
"sourceIds": [
"ch-2-p-60"
],
"statement": "Doyun knocks the rock beside an iron spike with the hilt of his sword; the sound is dull. He then puts the sword back."
},
{
"id": "fact-6",
"sourceIds": [
"ch-2-p-61"
],
"statement": "Doyun states a hook is needed to catch on the spike head, because pulling with a rope would break the rope first."
},
{
"id": "fact-7",
"sourceIds": [
"ch-2-p-62",
"ch-2-p-63"
],
"statement": "Maren adds that that rope was already used once the day before; her tone is not accusatory."
},
{
"id": "fact-8",
"sourceIds": [
"ch-2-p-64"
],
"statement": "The sun has already begun to sink; Ria looks down the slope below, where the smell of oil still lingers."
},
{
"id": "fact-9",
"sourceIds": [
"ch-2-p-64"
],
"statement": "Half a day is gone and the cargo, having come roughly halfway up, is stopped."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines, adult cast. Wet mountain beast trail, low tilting late-day sun, rusted chain on iron spikes. Korean lettering rendered inside image.",
"moments": [
{
"sourceIds": [
"ch-2-p-56",
"ch-2-p-57"
],
"action": "Maren holds one thick rusted chain link raised in her gloved hand, weighing it, eyebrows drawn together, mouth open speaking toward Doyun.",
"textIds": [
"cap-1",
"d-1"
]
},
{
"sourceIds": [
"ch-2-p-58",
"ch-2-p-59"
],
"action": "The chain now lies slack against wet rock; Maren brushes her palms off against each other, still speaking.",
"textIds": [
"d-2"
]
},
{
"sourceIds": [
"ch-2-p-60"
],
"action": "Doyun, crouched close to an iron spike driven into the rock wall, raps the stone beside it with his sword hilt, blade still drawn.",
"textIds": [
"cap-2"
]
},
{
"sourceIds": [
"ch-2-p-61",
"ch-2-p-62",
"ch-2-p-63"
],
"action": "Doyun stands with the sword back in its sheath, one hand indicating the spike head; Maren answers evenly beside him, face calm, not accusing.",
"textIds": [
"d-3",
"d-4"
]
},
{
"sourceIds": [
"ch-2-p-64"
],
"action": "Ria turns from the others to look down the wet slope under a low sinking sun, where the stalled load sits halted partway up.",
"textIds": [
"cap-3"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s7 r1): Maren keeps red curls, freckles, white shirt, brick vest and dark gloves; Doyun keeps black hair, grey eyes, green hooded coat and sword; Lia keeps chestnut bob, sand jacket and satchel with Bori on her shoulder."
},
"setting": {
"passed": true,
"evidence": "Same mossy wet rock slot with the rusted chain on iron spikes; the light has shifted to a low orange late-day sun as p64 requires, with the ground still wet."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended on Doyun's level question to Lia; this scene moves to Maren lifting a link and assessing it, then Doyun's hilt test and the rope remark, matching p56-p63."
}
},
"textObservations": [
{
"id": "cap-1",
"observedText": "마렌이 장갑 낀 손으로 사슬 고리를 들어 무게를 가늠했다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption over Maren's gloved hand holding a raised link; exact text."
},
{
"id": "d-1",
"observedText": "“이런 고리, 저는 압니다. 채석장에서 돌 끄는 데 쓰는 겁니다. 짐승 막자고 쓰는 물건이 아니에요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with tail to Maren speaking toward Doyun; exact text over four lines."
},
{
"id": "d-2",
"observedText": "“지렛대 하나로는 안 빠집니다. 못을 뽑으려면 연장이랑 사람 손이 더 있어야 하고, 그러면 오늘은 못 넘어요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with tail to Maren brushing her palms; exact text."
},
{
"id": "cap-2",
"observedText": "소리가 둔했다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-right caption over Doyun rapping the rock beside the spike with his hilt; exact text."
},
{
"id": "d-3",
"observedText": "“못 머리에 걸 고리가 있어야 해. 줄로 당기면 줄이 먼저 끊겨.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 left balloon with tail to Doyun, sword sheathed, hand indicating the spike; exact text."
},
{
"id": "d-4",
"observedText": "“그 줄은 어제 이미 한 번 썼고요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 right balloon with tail to Maren with a calm face; exact text."
},
{
"id": "cap-3",
"observedText": "반나절이 갔고, 짐은 절반쯤 올라오다 멈춰 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 top-right caption over the sunset slope; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s7 image. Five full-width bordered rows read top to bottom, matching the resolved count. All seven Korean texts are rendered exactly once and verbatim with tails to the correct speakers. Panel 1 has the link raised in Maren's glove; panel 2 the chain slack on rock and her palms brushing; panel 3 the drawn sword's pommel against the stone beside a spike; panel 4 the sword back at his belt; panel 5 Lia turned away looking down the slope. Panel 5 draws the stalled load as a large wooden wagon with a draft animal and four or five unidentified figures hauling it. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 5
}
},
{
"id": "s9",
"n": 9,
"title": "두 번은 못 합니다 — 근거를 말해",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-2-p-65",
"n": 65,
"text": "“이걸 치우면 사슴은 아래로 내려가요. 길목이 비면 사람은 위로 지나가고요. 싸울 일이 없어져요.”"
},
{
"id": "ch-2-p-66",
"n": 66,
"text": "“내일 아침에 이 길로 다시 온다고 칩시다.”"
},
{
"id": "ch-2-p-67",
"n": 67,
"text": "마렌이 어깨에서 자루 끈을 내려 손에 쥐고 말했다."
},
{
"id": "ch-2-p-68",
"n": 68,
"text": "“그럼 저는 오늘 내린 짐을 다시 싣고, 또 지고 올라와야 합니다. 한 번은 하죠. 두 번은 못 합니다.”"
},
{
"id": "ch-2-p-69",
"n": 69,
"text": "도윤이 리아 앞에 섰다."
},
{
"id": "ch-2-p-70",
"n": 70,
"text": "“왜 하필 이 길이야. 다리 남쪽으로도 능선은 붙어. 넌 어제부터 이쪽만 봤어.”"
},
{
"id": "ch-2-p-71",
"n": 71,
"text": "리아는 대답하려고 입을 열었다."
},
{
"id": "ch-2-p-72",
"n": 72,
"text": "바위틈 안쪽, 사슬 너머 벽에 빗물이 지나간 자리가 있었다. 그 아래 끝이 두 갈래로 갈라진 화살표. 그리고 밑에 손톱만 한 짧은 선 하나."
},
{
"id": "ch-2-p-73",
"n": 73,
"text": "어제 본 것과 같은 손이었다. 새긴 지 오래된 것도, 어제 것도 아니었다."
},
{
"id": "ch-2-p-74",
"n": 74,
"text": "리아의 목에 감긴 보리의 꼬리가 한 번 조여졌다."
},
{
"id": "ch-2-p-75",
"n": 75,
"text": "보리가 사슬 너머 어둠을 보다가 리아의 귀 옆에서 낮게 소리를 냈다. 도망갈 때 내는 소리는 아니었다."
},
{
"id": "ch-2-p-76",
"n": 76,
"text": "“리아.”"
},
{
"id": "ch-2-p-77",
"n": 77,
"text": "도윤이 다시 불렀다."
},
{
"id": "ch-2-p-78",
"n": 78,
"text": "“근거를 말해. 아니면 여기까지야.”"
}
],
"pFrom": 65,
"pTo": 78,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep02-s9.webp",
"blocking": 0,
"advisory": 3,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 표식이 갈래 화살표보다 복잡한 복합 문양(p72).",
"en": "Panel 5 draws the mark as a vertical shaft with a forked top and two downward arrowheads on a crossbar, a more compound glyph than the plain arrow whose tip splits into two branches (p72)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 자루 끈이 아직 어깨 위. 손에 쥐는 동작(p67) 미도달.",
"en": "Panel 2 shows Maren's gloved hand gripping the strap while it still sits on her shoulder; the strap taken down into her hand (p67) is not reached within the panel."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 보리 시선이 사슬 너머 어둠 아닌 정면(p75).",
"en": "Panel 6 shows Bori's eyes toward the viewer rather than into the darkness beyond the chain (p75)."
}
],
"textsTotal": 9,
"textsOk": 9,
"timings": {
"planS": [
93
],
"preflightS": [
67
],
"imageS": 46,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1128,
"plan": {
"intent": "The scene where a plan that sounds clean on paper gets priced by the people who would have to pay for it, and then the real reason behind it stays hidden. Ria lays out her logic in three short clauses: pull the chain, the deer drop to the lower ground, the emptied neck of the trail lets people cross above, and nobody has to fight anything. It is a good plan. Maren answers it not with objection but with arithmetic of her own back: she slides the sack strap off her shoulder into her hand, imagines coming back up this same path tomorrow morning, and states the ceiling plainly - she will reload and haul today's unloaded freight up once, never twice. Doyun does something colder. He plants himself in front of Ria and names the pattern he has been watching since yesterday: the ridge also joins south of the bridge, so why only this path, why has her gaze gone nowhere else. Ria opens her mouth to answer, and that is the moment the reader is pulled away from the argument to what she is actually seeing - past the chain, inside the rock slot, a rainwater track on the wall, a forked arrow under it, one fingernail-short line beneath that. The reader should recognize it before anyone speaks: this is the same hand as yesterday, and it is neither an old carving nor one made yesterday. Bori's tail cinches once on her neck, Bori stares into the dark past the chain and makes a low sound at her ear that is not the sound of running away. Then Doyun's voice again, using her name, closing the door: give grounds, or this ends here. The scene must end on Ria holding two answers - the honest one and the useful one - and on a demand she has not met.",
"staging": "Same location and same continuous stretch of the wet post-rain mountain day as the previous finished scene, on the old beast trail at the blocked narrow rock slot; weather, wetness and light must stay coherent with that scene. Confirmed spatial facts that must stay readable. (1) The obstruction is still the rusted thick-link chain hooked on iron spikes driven into the rock across the narrow slot, with the space beyond it dark and unresolved. (2) Exactly three humans are present - Ria, Doyun, Maren - plus Bori; no other people, no wagon, no draft animals, no additional bearers anywhere in the scene. (3) The freight unloaded earlier sits downhill on the approach slope the group climbed, stopped partway up; it must read as hand-carried freight, not vehicle-borne. (4) Maren begins this scene with a sack strap over her shoulder and ends with that strap off the shoulder and held in her hand; the sack itself does not have to leave her grip. (5) Doyun physically places himself in front of Ria before he speaks his challenge, so he is between her and whatever she had been facing. (6) Despite that, Ria retains a sightline into the interior of the rock slot past the chain - the artist decides whether she sees past him, around him, or turns; the mark is inside, on the wall beyond the chain, not on the chain or on the outer face. (7) On that interior wall, three things stack vertically in this order top to bottom: a track where rainwater ran down, a small arrow whose tip end splits into two branches, and one very short line roughly a fingernail long. The mark is small and easy to miss at conversational distance. (8) Bori is on or against Ria's upper body with its tail wrapped around her neck, close enough that its low sound lands beside her ear; Bori's gaze goes into the dark beyond the chain. Tone is a working dispute turning into an interrogation, not a shouting match. Panel shapes, cutting, camera distances and vertical rhythm are the artist's choice; prefer fewer, larger, clearly legible panels.",
"uncertainties": [
"Who cut the marking, when, and what it means are unstated. Add no maker, no signature, no additional glyphs, no legend, no map pulled out to compare.",
"The source says the carving is neither old nor from yesterday. Do not resolve this into a visible timestamp, fresh dust, wet tool scoring or any dating cue beyond the plain incised shapes.",
"Nothing states that Doyun, Maren or anyone but Ria sees or is shown the marking in these units. Do not stage them noticing it, pointing at it, or reacting to it.",
"Ria delivers no answer to Doyun's question in these units. Give her no dialogue after ch-2-p-65 and no thought balloon; her withholding reads only through the opened mouth, posture and where she looks.",
"The deer are referred to in speech only. Do not show deer, hooves, droppings, a herd or any animal beyond Bori.",
"The ridge south of the bridge is named in dialogue only. Do not render it, signpost it, or add a wide establishing view that claims its geography.",
"Bori's low sound is explicitly not a flight sound, but its meaning is not given. No discharge, no sparks, no crackle, no glow, no gesture that points to a specific threat or direction beyond looking into the dark.",
"Nothing in these units states the chain is loosened, cut, lifted or in any way moved. Show no progress on the obstruction and no tool being applied.",
"Whether a lever, rope or other gear is physically on screen is unstated here; if present keep it idle and do not stage damage or failure.",
"Maren's refusal is a limit on her own labor, not an accusation against Ria or Doyun. Do not draw it as a sneer, a shove, or abandoning the sack in anger.",
"The exact contents of the unloaded freight are unspecified in these units. Keep it readable as stalled hand-carried load without inventing named goods or new containers.",
"POV is limited to Ria, so Doyun's and Maren's inner states are unnarrated. Render them through posture, hands on gear or strap, and their quoted lines only.",
"Ria's right sleeve and wrist are not raised or discussed here. Do not reveal, outline or silhouette anything on that wrist and do not let the sleeve slip.",
"No decision, detour, new marker, camp choice or departure is reached in these units. Do not close on a resolution, a handshake, a raised map or anyone walking off."
],
"texts": [
{
"id": "d-1",
"sourceId": "ch-2-p-65",
"kind": "dialogue",
"speaker": "c1",
"text": "“이걸 치우면 사슴은 아래로 내려가요. 길목이 비면 사람은 위로 지나가고요. 싸울 일이 없어져요.”"
},
{
"id": "d-2",
"sourceId": "ch-2-p-66",
"kind": "dialogue",
"speaker": "c4",
"text": "“내일 아침에 이 길로 다시 온다고 칩시다.”"
},
{
"id": "d-3",
"sourceId": "ch-2-p-68",
"kind": "dialogue",
"speaker": "c4",
"text": "“그럼 저는 오늘 내린 짐을 다시 싣고, 또 지고 올라와야 합니다. 한 번은 하죠. 두 번은 못 합니다.”"
},
{
"id": "d-4",
"sourceId": "ch-2-p-70",
"kind": "dialogue",
"speaker": "c2",
"text": "“왜 하필 이 길이야. 다리 남쪽으로도 능선은 붙어. 넌 어제부터 이쪽만 봤어.”"
},
{
"id": "cap-1",
"sourceId": "ch-2-p-72",
"kind": "caption",
"speaker": "narrator",
"text": "그 아래 끝이 두 갈래로 갈라진 화살표. 그리고 밑에 손톱만 한 짧은 선 하나."
},
{
"id": "cap-2",
"sourceId": "ch-2-p-73",
"kind": "caption",
"speaker": "narrator",
"text": "어제 본 것과 같은 손이었다. 새긴 지 오래된 것도, 어제 것도 아니었다."
},
{
"id": "cap-3",
"sourceId": "ch-2-p-75",
"kind": "caption",
"speaker": "narrator",
"text": "도망갈 때 내는 소리는 아니었다."
},
{
"id": "d-5",
"sourceId": "ch-2-p-76",
"kind": "dialogue",
"speaker": "c2",
"text": "“리아.”"
},
{
"id": "d-6",
"sourceId": "ch-2-p-78",
"kind": "dialogue",
"speaker": "c2",
"text": "“근거를 말해. 아니면 여기까지야.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-2-p-65"
],
"action": "Ria sells the plan in its cleanest form - remove the chain, the deer go down, the emptied path lets people cross above, and the fight never has to happen.",
"textIds": [
"d-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-2-p-66",
"ch-2-p-67",
"ch-2-p-68"
],
"action": "Maren does not argue the logic; she slides the sack strap down off her shoulder into her hand and prices the plan against her own body - if they come back up here tomorrow morning she must reload and haul today's dropped freight again, and she will pay that once, not twice.",
"textIds": [
"d-2",
"d-3"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-2-p-69",
"ch-2-p-70"
],
"action": "Doyun steps into Ria's path and names the thing nobody else has: another ridge connects south of the bridge, so the choice of this route is not obvious, and her attention has been fixed here since yesterday.",
"textIds": [
"d-4"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-2-p-71",
"ch-2-p-72"
],
"action": "Ria opens her mouth to answer, and instead her attention snags on the wall inside the rock slot past the chain: a rainwater track, a two-branched arrow beneath it, and one fingernail-short line below that.",
"textIds": [
"cap-1"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-2-p-73"
],
"action": "She recognizes the hand that cut it as the same one from yesterday, and registers that the cutting is neither old nor from yesterday, which quietly makes the whole route question personal.",
"textIds": [
"cap-2"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-2-p-74",
"ch-2-p-75"
],
"action": "Bori's tail cinches once around her neck; Bori stares into the dark beyond the chain and makes a low sound at her ear - not the sound that means run.",
"textIds": [
"cap-3"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-2-p-76",
"ch-2-p-77",
"ch-2-p-78"
],
"action": "Doyun says her name again and closes the exit: grounds, or the route ends here - leaving Ria holding a reason she has not chosen to hand over.",
"textIds": [
"d-5",
"d-6"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-2-p-65"
],
"statement": "Ria's stated plan has three linked steps: clear the chain, the deer move down to lower ground, the emptied neck of the trail lets people pass above, so no fight is needed."
},
{
"id": "fact-2",
"sourceIds": [
"ch-2-p-67"
],
"statement": "Maren takes the sack strap off her shoulder and holds it in her hand before she speaks."
},
{
"id": "fact-3",
"sourceIds": [
"ch-2-p-66",
"ch-2-p-68"
],
"statement": "Maren raises the hypothetical of returning by this path tomorrow morning: it would mean reloading the freight unloaded today and carrying it up again. She will do that once and refuses to do it twice."
},
{
"id": "fact-4",
"sourceIds": [
"ch-2-p-69"
],
"statement": "Doyun moves and positions himself in front of Ria."
},
{
"id": "fact-5",
"sourceIds": [
"ch-2-p-70"
],
"statement": "Doyun points out that the ridge also connects south of the bridge, and that Ria has been looking only toward this side since yesterday."
},
{
"id": "fact-6",
"sourceIds": [
"ch-2-p-71"
],
"statement": "Ria opens her mouth intending to answer him, and no answer is delivered in this scene."
},
{
"id": "fact-7",
"sourceIds": [
"ch-2-p-72"
],
"statement": "Inside the rock slot, on the wall beyond the chain, there is a track left by running rainwater; below it an arrow whose end splits into two branches; below that a single short line about the length of a fingernail."
},
{
"id": "fact-8",
"sourceIds": [
"ch-2-p-73"
],
"statement": "Ria judges the marking to be by the same hand as the one she saw yesterday, and to be neither long-carved nor made yesterday."
},
{
"id": "fact-9",
"sourceIds": [
"ch-2-p-74"
],
"statement": "Bori's tail is wrapped around Ria's neck and tightens once."
},
{
"id": "fact-10",
"sourceIds": [
"ch-2-p-75"
],
"statement": "Bori looks at the darkness beyond the chain, then makes a low sound beside Ria's ear; it is not the sound Bori makes when fleeing."
},
{
"id": "fact-11",
"sourceIds": [
"ch-2-p-76",
"ch-2-p-77",
"ch-2-p-78"
],
"statement": "Doyun calls Ria's name a second time and sets a condition: state the grounds, otherwise it ends here."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines, wet post-rain mountain trail, adult cast plus small marten; Korean lettering drawn inside image; fewer, larger, legible panels.",
"moments": [
{
"sourceIds": [
"ch-2-p-65"
],
"action": "Ria stands before the rusted thick-link chain hooked on iron spikes across the narrow rock slot, one hand lifted toward it as she lays out her plan.",
"textIds": [
"d-1"
]
},
{
"sourceIds": [
"ch-2-p-66",
"ch-2-p-67",
"ch-2-p-68"
],
"action": "Maren, speaking, slides the sack strap down off her shoulder into her gripping hand; the sack stays held, her eyes level and unangry on Ria.",
"textIds": [
"d-2",
"d-3"
]
},
{
"sourceIds": [
"ch-2-p-69",
"ch-2-p-70"
],
"action": "Doyun has planted himself squarely in front of Ria on the narrow wet trail, blocking her forward line, speaking down at her with hands empty.",
"textIds": [
"d-4"
]
},
{
"sourceIds": [
"ch-2-p-71",
"ch-2-p-72"
],
"action": "Past Doyun's shoulder: Ria's mouth has just opened, but her gaze slips beyond the chain into the dim slot, where faint cut marks sit on wet wall.",
"textIds": [
"cap-1"
]
},
{
"sourceIds": [
"ch-2-p-73"
],
"action": "Tight close on that interior wall: a rainwater track, beneath it a small arrow whose tip splits in two branches, beneath that one fingernail-short line. Nothing else.",
"textIds": [
"cap-2"
]
},
{
"sourceIds": [
"ch-2-p-74",
"ch-2-p-75"
],
"action": "Bori's tail cinches once around Ria's neck; the marten, pressed against her shoulder, muzzle near her ear, stares into the darkness beyond the chain.",
"textIds": [
"cap-3"
]
},
{
"sourceIds": [
"ch-2-p-76",
"ch-2-p-78"
],
"action": "Doyun, still squared in front of Ria, speaks her name and his condition; her mouth is closed now, her eyes still not on him.",
"textIds": [
"d-5",
"d-6"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s8 r1): Lia keeps chestnut bob, amber eyes, freckles, sand jacket and fingerless gloves with Bori on her shoulder; Doyun keeps black hair, grey eyes, green hooded coat and sword hilt; Maren keeps red curls, freckles, white shirt, brick vest and gloves."
},
"setting": {
"passed": true,
"evidence": "Same narrow mossy rock slot with the rusted chain on iron spikes, wet stone, late-day light on the conifer slopes beyond; no vehicle, no extra people, no deer."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Lia looking down at the stalled load; this scene opens with her turned back to the chain laying out the plan, then Maren's limit and Doyun's challenge, matching p65-p78."
}
},
"textObservations": [
{
"id": "d-1",
"observedText": "“이걸 치우면 사슴은 아래로 내려가요. 길목이 비면 사람은 위로 지나가고요. 싸울 일이 없어져요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with tail to Lia, hand lifted toward the chain; exact text over four lines."
},
{
"id": "d-2",
"observedText": "“내일 아침에 이 길로 다시 온다고 칩시다.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 upper balloon with tail to Maren; exact text."
},
{
"id": "d-3",
"observedText": "“그럼 저는 오늘 내린 짐을 다시 싣고, 또 지고 올라와야 합니다. 한 번은 하죠. 두 번은 못 합니다.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 lower balloon with tail to Maren, gloved hand on the sack strap; exact text."
},
{
"id": "d-4",
"observedText": "“왜 하필 이 길이야. 다리 남쪽으로도 능선은 붙어. 넌 어제부터 이쪽만 봤어.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with tail to Doyun squared in front of Lia; exact text."
},
{
"id": "cap-1",
"observedText": "그 아래 끝이 두 갈래로 갈라진 화살표. 그리고 밑에 손톱만 한 짧은 선 하나.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption beside Lia's opened mouth and averted gaze past the chain; exact text."
},
{
"id": "cap-2",
"observedText": "어제 본 것과 같은 손이었다. 새긴 지 오래된 것도, 어제 것도 아니었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption over the wall close-up with the water track, forked glyph and short line; exact text."
},
{
"id": "cap-3",
"observedText": "도망갈 때 내는 소리는 아니었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 top-left caption over Bori at Lia's ear with its tail around her neck; exact text."
},
{
"id": "d-5",
"observedText": "“리아.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 upper balloon with tail to Doyun; exact text."
},
{
"id": "d-6",
"observedText": "“근거를 말해. 아니면 여기까지야.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 lower balloon with tail to Doyun; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s8 image. Seven bordered panels: three full-width rows, then two rows of two; read left to right, top to bottom, matching the resolved count. All nine Korean texts are rendered exactly once and verbatim with tails to the correct speakers. Exactly three humans plus Bori appear; the chain stays untouched; the interior wall close-up shows a rainwater streak above an incised glyph and one short line beneath; Lia gives no answer and no thought balloon; Doyun stands between her and the chain in panels 3 and 7; her sleeve stays intact. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 7
}
}
]
},
{
"chapter": 3,
"title": "도윤의 말이 바위 벽에 붙어",
"host": "Grok",
"model": "grok-4.6",
"effort": "medium",
"novelHost": "Grok",
"novelModel": "grok-4.6",
"sceneCount": 8,
"panelTotal": 42,
"passCount": 1,
"blockingTotal": 15,
"advisoryTotal": 18,
"blockingByLayer": {
"pipeline": 5,
"render": 9,
"adapt": 1
},
"imageCalls": 10,
"imageOk": 8,
"cliCalls": 26,
"cost": {
"novelUsd": 0.53,
"webtoonUsd": 1.03,
"webtoonUsdLow": 1.03,
"estimated": false,
"imageUsd": 1.12,
"costsApiUsd": null
},
"scenes": [
{
"id": "s1",
"n": 1,
"title": "내려가지 않은 밤",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-3-p-1",
"n": 1,
"text": "도윤의 말이 바위 벽에 붙어 떨어지지 않았다."
},
{
"id": "ch-3-p-2",
"n": 2,
"text": "근거를 말해. 아니면 여기까지야."
},
{
"id": "ch-3-p-3",
"n": 3,
"text": "해는 이미 능선 뒤로 넘어가 있었고, 사슬 너머에서만 찬 바람이 나왔다. 불을 피우지 않았다. 연기가 아래로 가면 사슴이 먼저 온다. 마렌은 약 상자 끈을 다시 매고, 밀가루 자루를 손으로 짚어 셋을 확인했다. 보리는 상자 뚜껑의 마른 자리를 차지한 채 내려오지 않았다. 리아가 손바닥을 내밀자 작은 앞발이 손가락을 밀어냈다. 자리를 내줄 생각은 없었다."
},
{
"id": "ch-3-p-4",
"n": 4,
"text": "아무도 비탈을 내려가지 않았다. 내려가면 내일이 두 번째가 되었다."
},
{
"id": "ch-3-p-5",
"n": 5,
"text": "새벽빛이 바위틈 입구에 닿았을 때도 사슬은 그대로였다. 돌은 밤새 식어 손바닥에 차가웠다. 리아는 방패 손잡이를 쥐려다 오른손목이 먼저 접히는 것을 느꼈다. 소매 안으로 손을 밀어 넣었다가, 도윤의 시선이 그 손목에 가 있는 것을 알고 동작을 멈췄다."
},
{
"id": "ch-3-p-6",
"n": 6,
"text": "도윤은 칼자루를 한 번 쓸고, 퇴로가 없는 말을 기다렸다. 더 재촉하지는 않았다."
}
],
"pFrom": 1,
"pTo": 6,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep03-s1.webp",
"blocking": 1,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "pipeline",
"layerLabel": "파이프라인(참조·지시)",
"ko": "7칸: 도윤이 굴뚝 연기 나는 초소와 먼 성곽 앞에 섬. 장면은 아직 새벽 사슬 통로(p5~6). 지시문·초소 참조 이미지가 유도.",
"en": "Panel 7 places Doyun at a stone outpost with an active chimney (smoke) and a distant walled town while the scene is still at the chained rock-gap camp at dawn (p5-p6); the outpost is not reached in this excerpt and visible smoke contradicts p3 (no fire, smoke would draw the deer)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸: 칼을 반쯤 뽑아 두 손으로 쥠. 원문은 칼자루를 한 번 쓸 뿐(p6).",
"en": "Panel 7 shows the sword partly drawn from the scabbard with both hands on it, stronger than p6 'sweeps the hilt once'; the waiting posture is not clearly conveyed."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 리아가 잡으려던 방패 손잡이(p5) 없음.",
"en": "Panel 6 does not show the shield grip Lia was reaching for (p5); the folded wrist and the hand moving toward the sleeve are visible, the grip is absent."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 돌 위 장갑 낀 손바닥이 도윤 것으로 읽힘. 리아의 찬 돌 접촉 구분 안 됨.",
"en": "Panel 5 shows a gloved palm on the stone that reads as Doyun's glove; the source leaves the palm unassigned, and Lia's cold-stone contact is not distinguishable."
}
],
"textsTotal": 9,
"textsOk": 9,
"timings": {
"planS": [
102,
128,
144
],
"preflightS": [
164,
128
],
"imageS": 50,
"imageCalls": 3,
"preflightRevisions": 1
},
"imageUsd": 0.1321,
"plan": {
"intent": "The reader should feel a demand that will not drop, then a cold unlit halt beside a chain, then dawn proving nothing moved. Overnight they refuse the slope. At first light the injury in Lia's right wrist is seen; Doyun waits for a statement that names a way back, and no one answers.",
"staging": "A rock-walled gap holds the party. A chain is present in that gap. Wind is felt only on the far side of the chain. After sunset the camp is unlit: a medicine box with a strap and lid, and three flour sacks Maren can touch. Bori is on the dry lid; Lia can offer a palm to that lid. A slope below the gap stays empty and is not the same place as the later dawn entrance. Night comes first; dawn light then reaches the rock-gap entrance with the chain still in place. A palm can meet cooled stone. Lia can reach a shield grip with her right hand near a sleeve. Doyun can have a sword hilt within reach. Leave unspecified: how the chain is fastened, what it blocks, distances, any route beyond the chain, and any side path or outpost. Do not light a fire. Do not show a descent. Do not show a spoken answer.",
"uncertainties": [
"The listener of text-2 is unnamed in ch-3-p-2; do not assign that listener as a fact.",
"Who chose not to light a fire, and who stated the smoke-and-deer reason, are unnamed in ch-3-p-3.",
"How the chain is fixed, and what it bars, are unnamed.",
"Whose palm finds the cooled stone in ch-3-p-5 is unnamed; keep that palm unassigned.",
"What it would mean for tomorrow to become a second time is not mapped as geography.",
"A dawn side path and a mountain outpost are named in user direction but not in ch-3-p-1 through ch-3-p-6; omit them."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-3-p-1",
"kind": "caption",
"speaker": "narrator",
"text": "도윤의 말이 바위 벽에 붙어 떨어지지 않았다."
},
{
"id": "text-2",
"sourceId": "ch-3-p-2",
"kind": "dialogue",
"speaker": "c2",
"text": "근거를 말해. 아니면 여기까지야."
},
{
"id": "text-3",
"sourceId": "ch-3-p-3",
"kind": "caption",
"speaker": "narrator",
"text": "해는 이미 능선 뒤로 넘어가 있었고, 사슬 너머에서만 찬 바람이 나왔다. 불을 피우지 않았다. 연기가 아래로 가면 사슴이 먼저 온다."
},
{
"id": "text-4",
"sourceId": "ch-3-p-3",
"kind": "caption",
"speaker": "narrator",
"text": "마렌은 약 상자 끈을 다시 매고, 밀가루 자루를 손으로 짚어 셋을 확인했다."
},
{
"id": "text-5",
"sourceId": "ch-3-p-3",
"kind": "caption",
"speaker": "narrator",
"text": "보리는 상자 뚜껑의 마른 자리를 차지한 채 내려오지 않았다. 리아가 손바닥을 내밀자 작은 앞발이 손가락을 밀어냈다. 자리를 내줄 생각은 없었다."
},
{
"id": "text-6",
"sourceId": "ch-3-p-4",
"kind": "caption",
"speaker": "narrator",
"text": "아무도 비탈을 내려가지 않았다. 내려가면 내일이 두 번째가 되었다."
},
{
"id": "text-7",
"sourceId": "ch-3-p-5",
"kind": "caption",
"speaker": "narrator",
"text": "새벽빛이 바위틈 입구에 닿았을 때도 사슬은 그대로였다. 돌은 밤새 식어 손바닥에 차가웠다."
},
{
"id": "text-8",
"sourceId": "ch-3-p-5",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 방패 손잡이를 쥐려다 오른손목이 먼저 접히는 것을 느꼈다. 소매 안으로 손을 밀어 넣었다가, 도윤의 시선이 그 손목에 가 있는 것을 알고 동작을 멈췄다."
},
{
"id": "text-9",
"sourceId": "ch-3-p-6",
"kind": "caption",
"speaker": "narrator",
"text": "도윤은 칼자루를 한 번 쓸고, 퇴로가 없는 말을 기다렸다. 더 재촉하지는 않았다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-3-p-1"
],
"action": "Doyun's demand remains on the rock wall instead of falling away.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-3-p-2"
],
"action": "Doyun delivers the grounds-or-stop line; the addressee is not named in this unit.",
"textIds": [
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-3-p-3"
],
"action": "After the sun is behind the ridge, the halt stays dark; cold wind arrives only from the far side of the chain, and no fire is made for the smoke-and-deer reason.",
"textIds": [
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-3-p-3"
],
"action": "At the medicine box Maren reties the strap and checks three flour sacks by hand.",
"textIds": [
"text-4"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-3-p-3"
],
"action": "Bori keeps the dry lid and does not come down; Lia's offered palm is pushed away by a small forepaw, and the place is not yielded.",
"textIds": [
"text-5"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-3-p-4"
],
"action": "The slope below stays empty; no one begins a descent, because a descent would make tomorrow a second time.",
"textIds": [
"text-6"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-3-p-5"
],
"action": "Dawn light reaches the rock-gap entrance; the chain is still as it was, and a palm finds the stone cold. Whose palm is unnamed.",
"textIds": [
"text-7"
]
},
{
"id": "beat-8",
"sourceIds": [
"ch-3-p-5"
],
"action": "Lia reaches for the shield grip, her right wrist folds first, she starts the hand toward the sleeve, then freezes the motion because she knows Doyun is looking at that wrist.",
"textIds": [
"text-8"
]
},
{
"id": "beat-9",
"sourceIds": [
"ch-3-p-6"
],
"action": "Doyun sweeps the hilt once and waits for a no-retreat-route statement without further urging. No reply is given.",
"textIds": [
"text-9"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-3-p-1"
],
"statement": "Doyun's spoken words stay stuck on the rock wall and do not fall."
},
{
"id": "fact-2",
"sourceIds": [
"ch-3-p-2"
],
"statement": "Doyun speaks the grounds-or-stop line recorded as text-2."
},
{
"id": "fact-3",
"sourceIds": [
"ch-3-p-3"
],
"statement": "The sun has already gone behind the ridge."
},
{
"id": "fact-4",
"sourceIds": [
"ch-3-p-3"
],
"statement": "Cold wind comes only from beyond the chain."
},
{
"id": "fact-5",
"sourceIds": [
"ch-3-p-3"
],
"statement": "No fire is lit."
},
{
"id": "fact-6",
"sourceIds": [
"ch-3-p-3"
],
"statement": "The stated reason for no fire is that if smoke goes downward, deer come first."
},
{
"id": "fact-7",
"sourceIds": [
"ch-3-p-3"
],
"statement": "Maren reties the medicine-box strap and confirms three flour sacks by hand."
},
{
"id": "fact-8",
"sourceIds": [
"ch-3-p-3"
],
"statement": "Bori occupies the dry place on the box lid and does not come down."
},
{
"id": "fact-9",
"sourceIds": [
"ch-3-p-3"
],
"statement": "When Lia offers a palm, a small forepaw pushes her fingers away; there is no intent to give up the place."
},
{
"id": "fact-10",
"sourceIds": [
"ch-3-p-4"
],
"statement": "Nobody goes down the slope."
},
{
"id": "fact-11",
"sourceIds": [
"ch-3-p-4"
],
"statement": "Going down would make tomorrow a second time."
},
{
"id": "fact-12",
"sourceIds": [
"ch-3-p-5"
],
"statement": "When dawn light reaches the rock-gap entrance, the chain is unchanged."
},
{
"id": "fact-13",
"sourceIds": [
"ch-3-p-5"
],
"statement": "The stone has cooled overnight and is cold on a palm."
},
{
"id": "fact-14",
"sourceIds": [
"ch-3-p-5"
],
"statement": "Lia, reaching for the shield grip, feels her right wrist fold first."
},
{
"id": "fact-15",
"sourceIds": [
"ch-3-p-5"
],
"statement": "Lia starts to push that hand into her sleeve, then stops the motion, knowing Doyun's gaze is on that wrist."
},
{
"id": "fact-16",
"sourceIds": [
"ch-3-p-6"
],
"statement": "Doyun sweeps the sword hilt once and waits for a statement that has no retreat route; he does not hurry further."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink, adult cast, small marten; in-image Korean lettering; coherent night-to-dawn rock-gap light.",
"moments": [
{
"sourceIds": [
"ch-3-p-1",
"ch-3-p-2"
],
"action": "Doyun stands at a rock wall as his spoken demand hangs there; no listener is shown as named.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-3-p-3",
"ch-3-p-4"
],
"action": "After sunset the rock-gap camp is unlit; a chain is in the gap; the slope below is empty; no fire.",
"textIds": [
"text-3",
"text-6"
]
},
{
"sourceIds": [
"ch-3-p-3"
],
"action": "Maren reties the medicine-box strap and rests a hand on three flour sacks.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-3-p-3"
],
"action": "Bori stays on the dry box lid; a small forepaw pushes Lia's offered fingers away from the place.",
"textIds": [
"text-5"
]
},
{
"sourceIds": [
"ch-3-p-5"
],
"action": "Dawn light touches the rock-gap entrance; the chain is unchanged; an unassigned palm meets cold stone.",
"textIds": [
"text-7"
]
},
{
"sourceIds": [
"ch-3-p-5"
],
"action": "Lia freezes with her right wrist folded toward her sleeve, a shield grip near; Doyun's gaze is on that wrist.",
"textIds": [
"text-8"
]
},
{
"sourceIds": [
"ch-3-p-6"
],
"action": "Doyun sweeps the sword hilt once and waits; no spoken answer is present.",
"textIds": [
"text-9"
]
}
]
},
"review": {
"continuity": null,
"textObservations": [
{
"id": "text-1",
"observedText": "도윤의 말이 바위 벽에 붙어 떨어지지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption box; exact text."
},
{
"id": "text-2",
"observedText": "근거를 말해. 아니면 여기까지야.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with tail to Doyun (black hair, grey eyes, green coat) with his gloved hand on the rock wall; exact text, no quotation marks as in source."
},
{
"id": "text-3",
"observedText": "해는 이미 능선 뒤로 넘어가 있었고, 사슬 너머에서만 찬 바람이 나왔다. 불을 피우지 않았다. 연기가 아래로 가면 사슴이 먼저 온다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 top caption over the chained rock gap at dusk; exact text."
},
{
"id": "text-4",
"observedText": "마렌은 약 상자 끈을 다시 매고, 밀가루 자루를 손으로 짚어 셋을 확인했다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 caption over Maren (red curls, brick vest) with a strapped medicine box and three flour sacks; exact text."
},
{
"id": "text-5",
"observedText": "보리는 상자 뚜껑의 마른 자리를 차지한 채 내려오지 않았다. 리아가 손바닥을 내밀자 작은 앞발이 손가락을 밀어냈다. 자리를 내줄 생각은 없었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption over Bori on the box lid pushing Lia's offered fingers with a forepaw; exact text."
},
{
"id": "text-6",
"observedText": "아무도 비탈을 내려가지 않았다. 내려가면 내일이 두 번째가 되었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 lower-right caption; exact text."
},
{
"id": "text-7",
"observedText": "새벽빛이 바위틈 입구에 닿았을 때도 사슬은 그대로였다. 돌은 밤새 식어 손바닥에 차가웠다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption over dawn light on the unchanged chain, a gloved palm on stone beside the carved forked arrow; exact text."
},
{
"id": "text-8",
"observedText": "리아는 방패 손잡이를 쥐려다 오른손목이 먼저 접히는 것을 느꼈다. 소매 안으로 손을 밀어 넣었다가, 도윤의 시선이 그 손목에 가 있는 것을 알고 동작을 멈췄다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 caption over Lia with her right wrist folded toward her sleeve and Doyun's gaze on it; exact text."
},
{
"id": "text-9",
"observedText": "도윤은 칼자루를 한 번 쓸고, 퇴로가 없는 말을 기다렸다. 더 재촉하지는 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 caption over Doyun gripping the sword hilt; exact text."
}
],
"evidence": "Opened the actual r3 scene.png. Seven bordered panels: three rows of two plus one full-width bottom panel, read left to right, top to bottom. All nine Korean texts are rendered exactly once and verbatim; the single dialogue balloon points to Doyun. Chain-blocked rock gap, forked two-way arrow mark, no fire and dusk-to-dawn light progression follow the environment reference and the source. Identities match the reference sheets (Lia chestnut bob and amber eyes, Doyun black hair and green coat, Maren red curls and brick vest, Bori cream marten with dark tail). The final panel breaks the setting: Doyun stands in front of a stone outpost with chimney smoke, a fence and a distant walled town, which is the outpost reached later in the chapter, not the chained rock gap where this scene ends at dawn. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 7
}
},
{
"id": "s2",
"n": 2,
"title": "두 갈래 화살표",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-3-p-7",
"n": 7,
"text": "리아는 사슬 너머 벽을 가리켰다. 끝이 두 갈래로 갈라진 화살표, 그 아래 손톱만 한 짧은 선. 손가락이 선 앞에서 멈췄다. 그 손을 부르는 이름은 삼켰다."
},
{
"id": "ch-3-p-8",
"n": 8,
"text": "“아래가 짐승 길이야. 위쪽 옆이 사람 길이고. 겹치지 않게 나눠 둔 표시야.”"
},
{
"id": "ch-3-p-9",
"n": 9,
"text": "도윤이 화살표를 보았다. 회색 눈이 짧게 움직였다."
},
{
"id": "ch-3-p-10",
"n": 10,
"text": "“누가 새겼는지는 지금 안 물을게. 그게 지금은 맞다는 거지.”"
},
{
"id": "ch-3-p-11",
"n": 11,
"text": "“맞아. 아래를 열면 사슴은 내려가고, 사람은 옆으로 지나. 싸울 자리가 없어져.”"
},
{
"id": "ch-3-p-12",
"n": 12,
"text": "리아는 접힌 손목을 반대손으로 덮었다."
},
{
"id": "ch-3-p-13",
"n": 13,
"text": "“방패는 오래 못 받아. 열리는 순간에만.”"
}
],
"pFrom": 7,
"pTo": 13,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep03-s2.webp",
"blocking": 1,
"advisory": 1,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸 그려짐(3행이 둘로 갈림). 확정 칸 수는 5.",
"en": "The image contains six panels (row three is divided into two bordered panels) while the resolved panel count for this scene is five; the mandatory count is not met."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "화살표 밑 “손톱만 한 짧은 선”이 화살대 길이의 굵은 선으로 그려짐(p7).",
"en": "The 'fingernail-short line' under the arrow is drawn as a wide dash roughly the length of the arrow shaft rather than a nail-sized mark (p7)."
}
],
"textsTotal": 9,
"textsOk": 9,
"timings": {
"planS": [
171
],
"preflightS": [
177
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1312,
"plan": {
"intent": "The reader should feel Lia answer the overnight demand by pointing at a split-path mark instead of naming whose hand made it, then feel Doyun accept the present reading without asking the carver, then feel the cost in her covered wrist as she limits the shield to the opening instant.",
"staging": "The party remains in the rock-walled gap from the prior dawn halt. A chain still occupies that gap. Beyond the chain a wall can bear the mark: a forked-tip arrow with a short fingernail-length line under it. Lia can point at that wall; a finger can stop in front of the line. Doyun can see the arrow. Lia has a folded wrist the opposite hand can cover. Keep light as continued dawn on the same rock and chain. Leave unspecified: how the chain is fastened, what it bars, distances, whether any lower beast path or upper side human path is visible as terrain, any opened passage, any deer, any sustained shield face, any fire, and any outpost. Do not show a descent. Do not letter a swallowed name. Do not complete the opening spoken in text-7.",
"uncertainties": [
"The name swallowed in ch-3-p-7 is unnamed; do not assign a carver or letter that name.",
"Who carved the mark is unnamed in this excerpt; text-6 defers that question.",
"Whether the beast path below and the human path on the upper side can be seen as ground from the gap is unnamed; they are the spoken meaning of the mark.",
"How the chain is fixed, and what it bars, remain unnamed.",
"Opening below in ch-3-p-11 is stated as a consequence, not as an action completed in this excerpt.",
"Which side the folded wrist is on is not restated in ch-3-p-12; do not invent a new injury.",
"Maren and Bori are not mentioned in ch-3-p-7 through ch-3-p-13.",
"A dawn side path and a mountain outpost are named in user direction but not in this excerpt; omit them as places reached."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-3-p-7",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 사슬 너머 벽을 가리켰다."
},
{
"id": "text-2",
"sourceId": "ch-3-p-7",
"kind": "caption",
"speaker": "narrator",
"text": "끝이 두 갈래로 갈라진 화살표, 그 아래 손톱만 한 짧은 선."
},
{
"id": "text-3",
"sourceId": "ch-3-p-7",
"kind": "caption",
"speaker": "narrator",
"text": "손가락이 선 앞에서 멈췄다. 그 손을 부르는 이름은 삼켰다."
},
{
"id": "text-4",
"sourceId": "ch-3-p-8",
"kind": "dialogue",
"speaker": "c1",
"text": "“아래가 짐승 길이야. 위쪽 옆이 사람 길이고. 겹치지 않게 나눠 둔 표시야.”"
},
{
"id": "text-5",
"sourceId": "ch-3-p-9",
"kind": "caption",
"speaker": "narrator",
"text": "도윤이 화살표를 보았다. 회색 눈이 짧게 움직였다."
},
{
"id": "text-6",
"sourceId": "ch-3-p-10",
"kind": "dialogue",
"speaker": "c2",
"text": "“누가 새겼는지는 지금 안 물을게. 그게 지금은 맞다는 거지.”"
},
{
"id": "text-7",
"sourceId": "ch-3-p-11",
"kind": "dialogue",
"speaker": "c1",
"text": "“맞아. 아래를 열면 사슴은 내려가고, 사람은 옆으로 지나. 싸울 자리가 없어져.”"
},
{
"id": "text-8",
"sourceId": "ch-3-p-12",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 접힌 손목을 반대손으로 덮었다."
},
{
"id": "text-9",
"sourceId": "ch-3-p-13",
"kind": "dialogue",
"speaker": "c1",
"text": "“방패는 오래 못 받아. 열리는 순간에만.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-3-p-7"
],
"action": "Lia points at the wall beyond the chain, where a forked-tip arrow sits above a fingernail-short line.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-3-p-7"
],
"action": "The pointing finger stops in front of the short line; Lia swallows the name that would call that hand and does not speak it.",
"textIds": [
"text-3"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-3-p-8"
],
"action": "Lia names the mark as a split of a beast path below and a human path on the upper side, kept from overlapping.",
"textIds": [
"text-4"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-3-p-9",
"ch-3-p-10"
],
"action": "Doyun looks at the arrow; his gray eyes move briefly; he withholds the carver question and treats the mark as correct for now.",
"textIds": [
"text-5",
"text-6"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-3-p-11"
],
"action": "Lia confirms that opening below would send deer downward and people sideways, leaving no place to fight.",
"textIds": [
"text-7"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-3-p-12",
"ch-3-p-13"
],
"action": "Lia covers the folded wrist with the opposite hand and limits the shield to the instant of opening, not a long hold.",
"textIds": [
"text-8",
"text-9"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-3-p-7"
],
"statement": "Lia pointed at the wall beyond the chain."
},
{
"id": "fact-2",
"sourceIds": [
"ch-3-p-7"
],
"statement": "On that wall there is an arrow whose tip splits into two branches."
},
{
"id": "fact-3",
"sourceIds": [
"ch-3-p-7"
],
"statement": "Below that arrow is a short line about as long as a fingernail."
},
{
"id": "fact-4",
"sourceIds": [
"ch-3-p-7"
],
"statement": "A finger stopped in front of that short line."
},
{
"id": "fact-5",
"sourceIds": [
"ch-3-p-7"
],
"statement": "Lia swallowed the name that would call that hand."
},
{
"id": "fact-6",
"sourceIds": [
"ch-3-p-8"
],
"statement": "Lia speaks the line recorded as text-4."
},
{
"id": "fact-7",
"sourceIds": [
"ch-3-p-9"
],
"statement": "Doyun looked at the arrow."
},
{
"id": "fact-8",
"sourceIds": [
"ch-3-p-9"
],
"statement": "Doyun's gray eyes moved briefly."
},
{
"id": "fact-9",
"sourceIds": [
"ch-3-p-10"
],
"statement": "Doyun speaks the line recorded as text-6."
},
{
"id": "fact-10",
"sourceIds": [
"ch-3-p-11"
],
"statement": "Lia speaks the line recorded as text-7."
},
{
"id": "fact-11",
"sourceIds": [
"ch-3-p-12"
],
"statement": "Lia covered the folded wrist with the opposite hand."
},
{
"id": "fact-12",
"sourceIds": [
"ch-3-p-13"
],
"statement": "Lia speaks the line recorded as text-9."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic with expressive ink; adult cast matching the prior dawn chain-gap scene.",
"moments": [
{
"sourceIds": [
"ch-3-p-7"
],
"action": "Lia points past the chain; her finger has stopped in front of the fingernail-short line under the forked-tip arrow.",
"textIds": [
"text-1",
"text-2",
"text-3"
]
},
{
"sourceIds": [
"ch-3-p-8"
],
"action": "Lia speaks at the marked wall in the chained dawn gap, still facing the split-tip arrow.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-3-p-9",
"ch-3-p-10"
],
"action": "Doyun looks at the forked arrow; his gray eyes shift briefly as he answers.",
"textIds": [
"text-5",
"text-6"
]
},
{
"sourceIds": [
"ch-3-p-11"
],
"action": "Lia answers beside the unchanged chain in the dawn gap.",
"textIds": [
"text-7"
]
},
{
"sourceIds": [
"ch-3-p-12",
"ch-3-p-13"
],
"action": "Lia covers the folded wrist with the opposite hand as she speaks in the same dawn gap.",
"textIds": [
"text-8",
"text-9"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s1 r3): Lia keeps chestnut bob, amber eyes, sand jacket, fingerless gloves and shoulder strap; Doyun keeps black hair, grey eyes, green hooded coat and the sword hilt over his shoulder."
},
"setting": {
"passed": true,
"evidence": "Same chained rock gap with the carved forked two-way arrow and short line on the wall, dawn light at the gap entrance continuing from the previous scene's final dawn panels."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Doyun waiting for Lia's answer at dawn; this scene opens with Lia pointing past the chain at the mark and explaining it, matching p7-p8."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "리아는 사슬 너머 벽을 가리켰다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Row 1 first caption box; exact text."
},
{
"id": "text-2",
"observedText": "끝이 두 갈래로 갈라진 화살표, 그 아래 손톱만 한 짧은 선.",
"readable": true,
"speakerCorrect": true,
"evidence": "Row 1 second caption box beside Lia's pointing arm; exact text."
},
{
"id": "text-3",
"observedText": "손가락이 선 앞에서 멈췄다. 그 손을 부르는 이름은 삼켰다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Row 1 third caption box; exact text."
},
{
"id": "text-4",
"observedText": "“아래가 짐승 길이야. 위쪽 옆이 사람 길이고. 겹치지 않게 나눠 둔 표시야.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Row 2 balloon tail to Lia speaking toward the marked wall; exact text."
},
{
"id": "text-5",
"observedText": "도윤이 화살표를 보았다. 회색 눈이 짧게 움직였다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Row 3 left panel caption over Doyun's face; exact text."
},
{
"id": "text-6",
"observedText": "“누가 새겼는지는 지금 안 물을게. 그게 지금은 맞다는 거지.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Row 3 right panel balloon tail to Doyun's eye close-up beside the arrow; exact text."
},
{
"id": "text-7",
"observedText": "“맞아. 아래를 열면 사슴은 내려가고, 사람은 옆으로 지나. 싸울 자리가 없어져.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Row 4 balloon tail to Lia; exact text."
},
{
"id": "text-8",
"observedText": "리아는 접힌 손목을 반대손으로 덮었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Row 5 caption over Lia covering her folded wrist with the opposite hand; exact text."
},
{
"id": "text-9",
"observedText": "“방패는 오래 못 받아. 열리는 순간에만.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Row 5 balloon tail to Lia; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s1 image. Five horizontal rows, but the third row is split by a vertical gutter into two bordered panels (Doyun's face with caption, then an eye close-up with the arrow and his balloon), so six visible panels against the resolved count of five. Reading order is top to bottom, left to right within row three. All nine Korean texts are rendered exactly once and verbatim with correct speakers. The forked arrow with a short line beneath it is visible on the wall in every row; Lia's finger stops short of the line in row 1; the chain stays unchanged. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 6
}
},
{
"id": "s3",
"n": 3,
"title": "밑은 내가 풀어",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-3-p-14",
"n": 14,
"text": "마렌이 장갑을 고쳐 끼며 약 상자 끈을 한 번 더 잡아당겼다."
},
{
"id": "ch-3-p-15",
"n": 15,
"text": "“약은 못 내놓습니다. 밀가루는 무게로 쓸게요. 자루가 미끄러져도 상자는 내가 붙잡아요.”"
},
{
"id": "ch-3-p-16",
"n": 16,
"text": "도윤이 고개를 끄덕였다. 점검은 짧게, 결정은 한 줄이었다."
},
{
"id": "ch-3-p-17",
"n": 17,
"text": "“근거는 생겼어, 리아. 밑은 내가 풀어. 위는 짧게만 막아.”"
},
{
"id": "ch-3-p-18",
"n": 18,
"text": "그는 통로 아래 어둠을 턱으로 가리켰다."
},
{
"id": "ch-3-p-19",
"n": 19,
"text": "“네가 또 혼자 들어가면, 나는 네 뒤를 못 봐.”"
},
{
"id": "ch-3-p-20",
"n": 20,
"text": "리아가 입을 열었다가 닫았다. 그 아래 자리를 가로채지 않았다."
},
{
"id": "ch-3-p-21",
"n": 21,
"text": "“알겠어. 위만 막을게, 도윤.”"
}
],
"pFrom": 14,
"pTo": 21,
"panelCount": 4,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep03-s3.webp",
"blocking": 2,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸 대사: “나는 네 뒤를 못 봐” → “나는 내 뒤를 못 봐”. 한 글자로 뜻이 뒤집힘.",
"en": "Panel 3 balloon renders text-6 as '나는 내 뒤를 못 봐' instead of the source '나는 네 뒤를 못 봐' (p19); the one-syllable change reverses the meaning from Lia's back to Doyun's own back."
},
{
"severity": "blocking",
"layer": "pipeline",
"layerLabel": "파이프라인(참조·지시)",
"ko": "1칸: 마렌이 선반·상자·울타리 있는 석조 창고 안. 셋이 같은 바위 통로여야 함(p14~15). 지시문의 초소 문구와 참조 이미지가 유도.",
"en": "Panel 1 sets Maren inside a built stone storeroom with wooden shelves, crates, a fenced cobbled path and a distant mountain view; the plan requires all three to share the same rock passage and forbids showing the outpost as a place reached (p14-p15 give no change of location)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 약 상자 끈을 당기는 동작(p14) 없음. 상자는 선반 위에 그대로.",
"en": "Panel 1 shows Maren tugging her glove while the strapped medicine box rests untouched on the ledge; the 'pulled the medicine-box strap once more' action of p14 is not visible."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 약을 못 내놓는다는 단호한 대사에 눈 감고 미소.",
"en": "Panel 1 gives Maren a closed-eyed smile while stating she will not release the medicine; the source line is a firm refusal, so the expression softens the beat."
}
],
"textsTotal": 8,
"textsOk": 8,
"timings": {
"planS": [
106
],
"preflightS": [
190
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1436,
"plan": {
"intent": "The reader should feel Maren pin what she will not surrender to her own grip, then feel Doyun collapse a short check into a one-line split of labor, then feel Lia stop herself from taking the lower place and accept only the brief upper block.",
"staging": "Maren, Doyun, and Lia share one rock passage. Maren can reach her gloves and a medicine box that has a strap; flour sacks are cargo she can keep near her hands. Doyun can nod and can indicate, with his chin, darkness that sits below the passage. Lia can open and close her mouth while remaining out of that lower darkness. Do not complete the loosening below or the upper block. Do not form a light shield. Leave unspecified: how any earlier chain is fastened or whether it still occupies the gap; the depth, shape, and contents of the darkness below; distances; whether sacks already bear weight; Bori; any side path or outpost. Keep light as continued outdoor light on the same rock, not a new time of day. Do not show a descent.",
"uncertainties": [
"How the medicine box and flour sacks sit relative to each other is unnamed beyond Maren's stated plan in ch-3-p-15; do not show that plan as already executed.",
"What loosen below in ch-3-p-17 means mechanically is unnamed; the line assigns work, it does not complete it.",
"What block above in ch-3-p-17 and ch-3-p-21 means as a finished action is unnamed; do not invent a formed shield or a sealed upper gap.",
"The darkness below the passage in ch-3-p-18 is unnamed in depth, shape, and contents.",
"The lower place in ch-3-p-20 has no mapped platform, ladder, or foothold; Lia withholds it, she does not occupy it.",
"Whether a chain still occupies the gap is unnamed in this excerpt.",
"Bori is not mentioned in ch-3-p-14 through ch-3-p-21.",
"A dawn side path and a mountain outpost are named in user direction but not in this excerpt; omit them as places reached."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-3-p-14",
"kind": "caption",
"speaker": "narrator",
"text": "마렌이 장갑을 고쳐 끼며 약 상자 끈을 한 번 더 잡아당겼다."
},
{
"id": "text-2",
"sourceId": "ch-3-p-15",
"kind": "dialogue",
"speaker": "c4",
"text": "“약은 못 내놓습니다. 밀가루는 무게로 쓸게요. 자루가 미끄러져도 상자는 내가 붙잡아요.”"
},
{
"id": "text-3",
"sourceId": "ch-3-p-16",
"kind": "caption",
"speaker": "narrator",
"text": "도윤이 고개를 끄덕였다. 점검은 짧게, 결정은 한 줄이었다."
},
{
"id": "text-4",
"sourceId": "ch-3-p-17",
"kind": "dialogue",
"speaker": "c2",
"text": "“근거는 생겼어, 리아. 밑은 내가 풀어. 위는 짧게만 막아.”"
},
{
"id": "text-5",
"sourceId": "ch-3-p-18",
"kind": "caption",
"speaker": "narrator",
"text": "그는 통로 아래 어둠을 턱으로 가리켰다."
},
{
"id": "text-6",
"sourceId": "ch-3-p-19",
"kind": "dialogue",
"speaker": "c2",
"text": "“네가 또 혼자 들어가면, 나는 네 뒤를 못 봐.”"
},
{
"id": "text-7",
"sourceId": "ch-3-p-20",
"kind": "caption",
"speaker": "narrator",
"text": "리아가 입을 열었다가 닫았다. 그 아래 자리를 가로채지 않았다."
},
{
"id": "text-8",
"sourceId": "ch-3-p-21",
"kind": "dialogue",
"speaker": "c1",
"text": "“알겠어. 위만 막을게, 도윤.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-3-p-14",
"ch-3-p-15"
],
"action": "Maren resets her gloves, pulls the medicine-box strap once more, and states she will not release the medicine, will use flour as weight, and will hold the box even if sacks slip.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-3-p-16"
],
"action": "Doyun nods; the check stays short and the decision is one line.",
"textIds": [
"text-3"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-3-p-17",
"ch-3-p-18"
],
"action": "Doyun names the split of labor to Lia and indicates the darkness below the passage with his chin.",
"textIds": [
"text-4",
"text-5"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-3-p-19"
],
"action": "Doyun states the condition that if Lia enters alone again he cannot watch her back.",
"textIds": [
"text-6"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-3-p-20",
"ch-3-p-21"
],
"action": "Lia starts to speak, stops, does not take the lower place, and accepts only the upper block.",
"textIds": [
"text-7",
"text-8"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-3-p-14"
],
"statement": "Maren adjusted her gloves."
},
{
"id": "fact-2",
"sourceIds": [
"ch-3-p-14"
],
"statement": "While adjusting the gloves, Maren pulled the medicine-box strap once more."
},
{
"id": "fact-3",
"sourceIds": [
"ch-3-p-15"
],
"statement": "Maren speaks the line recorded as text-2."
},
{
"id": "fact-4",
"sourceIds": [
"ch-3-p-16"
],
"statement": "Doyun nodded."
},
{
"id": "fact-5",
"sourceIds": [
"ch-3-p-16"
],
"statement": "The check stayed short, and the decision was one line."
},
{
"id": "fact-6",
"sourceIds": [
"ch-3-p-17"
],
"statement": "Doyun speaks the line recorded as text-4."
},
{
"id": "fact-7",
"sourceIds": [
"ch-3-p-18"
],
"statement": "Doyun indicated the darkness below the passage with his chin."
},
{
"id": "fact-8",
"sourceIds": [
"ch-3-p-19"
],
"statement": "Doyun speaks the line recorded as text-6."
},
{
"id": "fact-9",
"sourceIds": [
"ch-3-p-20"
],
"statement": "Lia opened her mouth and then closed it."
},
{
"id": "fact-10",
"sourceIds": [
"ch-3-p-20"
],
"statement": "Lia did not take the lower place."
},
{
"id": "fact-11",
"sourceIds": [
"ch-3-p-21"
],
"statement": "Lia speaks the line recorded as text-8."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink, adult cast; same rock passage and continued outdoor light as the prior scene; interior Korean lettering.",
"moments": [
{
"sourceIds": [
"ch-3-p-14",
"ch-3-p-15"
],
"action": "Maren readjusts her gloves and tugs the medicine-box strap once more as she speaks, flour sacks near her hands.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-3-p-16",
"ch-3-p-17"
],
"action": "Doyun, having given a short nod, speaks the one-line split of labor to Lia.",
"textIds": [
"text-3",
"text-4"
]
},
{
"sourceIds": [
"ch-3-p-18",
"ch-3-p-19"
],
"action": "Doyun indicates the darkness below the passage with his chin as he speaks to Lia.",
"textIds": [
"text-5",
"text-6"
]
},
{
"sourceIds": [
"ch-3-p-20",
"ch-3-p-21"
],
"action": "Lia remains on the passage, outside the lower darkness, and speaks to Doyun.",
"textIds": [
"text-7",
"text-8"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s2 r1): Lia keeps chestnut bob, amber eyes, sand jacket and fingerless gloves; Doyun keeps black hair, grey eyes, green hooded coat and the sword hilt over his shoulder; Maren matches her reference with red curls, white shirt, brick vest and gloves."
},
"setting": {
"passed": false,
"evidence": "Panels 2, 3 and 4 continue the chained rock gap with the carved forked arrow on the wall, but panel 1 places Maren inside a built stone structure with wooden shelves, stacked crates, a fenced cobbled path and an open mountain vista, which is not the shared rock passage of the previous scene."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Lia covering her folded wrist and saying the shield only holds at the moment of opening; this scene opens with Maren's cargo decision and Doyun's split of labor, matching p14-p17 in order."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "마렌이 장갑을 고쳐 끼며 약 상자 끈을 한 번 더 잡아당겼다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption box; exact text."
},
{
"id": "text-2",
"observedText": "“약은 못 내놓습니다. 밀가루는 무게로 쓸게요. 자루가 미끄러져도 상자는 내가 붙잡아요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with tail to Maren; exact text over four lines."
},
{
"id": "text-3",
"observedText": "도윤이 고개를 끄덕였다. 점검은 짧게, 결정은 한 줄이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 top-left caption; exact text."
},
{
"id": "text-4",
"observedText": "“근거는 생겼어, 리아. 밑은 내가 풀어. 위는 짧게만 막아.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with tail to Doyun facing Lia; exact text."
},
{
"id": "text-5",
"observedText": "그는 통로 아래 어둠을 턱으로 가리켰다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-left caption; exact text."
},
{
"id": "text-6",
"observedText": "“네가 또 혼자 들어가면, 나는 내 뒤를 못 봐.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with tail to Doyun; second clause reads '나는 내 뒤를 못 봐' where the source has '나는 네 뒤를 못 봐' (verified on an enlarged crop)."
},
{
"id": "text-7",
"observedText": "리아가 입을 열었다가 닫았다. 그 아래 자리를 가로채지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 top-left caption; exact text."
},
{
"id": "text-8",
"observedText": "“알겠어. 위만 막을게, 도윤.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon beside Lia's face; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s2 image. Four full-width bordered rows read top to bottom, matching the resolved count of four. Seven of eight Korean texts are verbatim; text-6 has one syllable changed (네 -> 내), which flips whose back Doyun cannot watch. Panel 1 shows Maren tightening a glove beside flour sacks with a strapped box on the ledge, but inside a stone building with shelves, crates and a fence rather than the rock passage. Panels 2-4 stay in the chained gap: Doyun faces Lia, then looks toward the dark opening below the chain, then Lia answers in front of the forked-arrow wall without entering the darkness. No descent, no shield and no completed loosening or block are drawn. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 4
}
},
{
"id": "s4",
"n": 4,
"title": "남은 손은 셋",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-3-p-22",
"n": 22,
"text": "도윤이 사슬 아래 그늘로 내려가 무릎을 짚었다. 리아는 통로 입구 왼쪽에 붙었고, 마렌은 약 상자를 몸과 바위 사이에 끼워 둔 채 밀가루 자루만 줄 쪽으로 굴렸다."
},
{
"id": "ch-3-p-23",
"n": 23,
"text": "“빠지면 바로 말해. 남은 손은 셋이야.”"
},
{
"id": "ch-3-p-24",
"n": 24,
"text": "리아는 고개만 끄덕였다. 손목 이야기는 하지 않았다."
},
{
"id": "ch-3-p-25",
"n": 25,
"text": "아래 틈은 사슬과 바위 사이에 손바닥만 한 어둠이었다. 도윤이 어제 주운 쇠테를 못 머리에 걸고 남은 줄을 감았다. 마렌이 밀가루 자루 두 개를 줄 끝에 매달아 무게를 실었다. 젖은 돌 위에서 자루가 줄을 팽팽하게 잡아당겼다."
},
{
"id": "ch-3-p-26",
"n": 26,
"text": "“보리.”"
},
{
"id": "ch-3-p-27",
"n": 27,
"text": "리아가 낮게 불렀다. 보리가 상자 위에서 짧게 울었다. 내려오라는 손짓에도 앞발만 상자 모서리를 짚은 채 꿈쩍하지 않았다."
}
],
"pFrom": 22,
"pTo": 27,
"panelCount": 4,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep03-s4.webp",
"blocking": 0,
"advisory": 3,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 못 머리가 리벳 박힌 큰 철판+볼트로 그려짐. 원문은 못 머리만(p25).",
"en": "Panel 3 draws the nail head as a large riveted iron plate with a heavy bolt; the source names only a nail head (p25), so the host hardware is an invented detail."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 사슬 너머로 밝은 계곡·산 전망. 원문은 건너편 미지정.",
"en": "Panel 1 opens the passage onto a bright valley and mountain view beyond the chains; the far side of the gap is unspecified in the excerpt."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 줄이 감긴 채 도윤 옆에 놓임. “줄 쪽으로 굴렸다”(p22)가 느슨하게만 읽힘.",
"en": "Panel 1 shows a coiled rope at Doyun's side rather than an anchored line the sack is rolled toward, so 'toward the rope' (p22) reads only loosely."
}
],
"textsTotal": 6,
"textsOk": 6,
"timings": {
"planS": [
134,
170,
121,
104
],
"preflightS": [
238,
234,
184,
209
],
"imageS": 48,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1314,
"plan": {
"intent": "The reader should feel the three take separate holds at the same passage, then feel Doyun collapse safety into a countable remaining-hands rule, then feel Lia answer with a nod that withholds the wrist, then feel cargo become taut weight on a short line, then feel Bori refuse the lower place.",
"staging": "One rock passage with a chain. Doyun is in the shade under that chain with his knees planted; he can reach a nail head, an iron hoop, and remaining rope. Lia can stay against the left side of the passage entrance and can make a come-down gesture toward Bori. Maren can keep the medicine box between her body and the rock, can roll a flour sack toward the rope, and can later hang two flour sacks on the rope end. The lower gap sits between chain and rock as palm-sized darkness, not as a mapped shaft. Wet stone is present where the hung sacks can pull the rope taut. A box is present that can bear Bori on its top and at one corner. Keep Bori a small cream marten with a dark brown tail tip. Do not send anyone through the gap. Do not form a light shield. Do not change time of day or leave this passage. Leave unspecified: cameras, panel rectangles, how the nail is seated, the far side of the gap, and any side ledge or outpost.",
"uncertainties": [
"How far under the chain Doyun went is unnamed beyond shade and planted knees in ch-3-p-22; do not invent a shaft, ladder, or completed passage through the gap.",
"Passage-entrance left in ch-3-p-22 has no named facing, distance, or foothold.",
"The rope already exists when Maren rolls a sack toward it in ch-3-p-22, but its length, anchor, and whether it is already tied are unnamed.",
"ch-3-p-22 names one sack being rolled; ch-3-p-25 names two sacks hung. Do not show two sacks already hanging during the roll.",
"The nail head in ch-3-p-25 has no named host object, height, or relation to the chain; show only that the hoop hangs on a nail head.",
"Yesterday in ch-3-p-25 is backstory for the hoop; do not stage that earlier pickup.",
"Wet stone in ch-3-p-25 is unnamed in area and in how it sits against the gap; do not invent dripping water sources or a pool.",
"The box under Bori in ch-3-p-27 is not named as the medicine box; do not force them to be the same object.",
"The come-down gesture in ch-3-p-27 is unnamed in whose hands; Lia calls, but the gesturer is not stated.",
"Bori's short cry in ch-3-p-27 has no written sound word; do not invent a spelled cry.",
"Lia not speaking of her wrist in ch-3-p-24 does not describe a visible wound; do not invent injury detail.",
"Remaining hands are three in text-2; do not invent a numbered roster or a fourth person.",
"A side ledge and a mountain outpost are not reached in this excerpt; omit them as places arrived."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-3-p-22",
"kind": "caption",
"speaker": "narrator",
"text": "도윤이 사슬 아래 그늘로 내려가 무릎을 짚었다. 리아는 통로 입구 왼쪽에 붙었고, 마렌은 약 상자를 몸과 바위 사이에 끼워 둔 채 밀가루 자루만 줄 쪽으로 굴렸다."
},
{
"id": "text-2",
"sourceId": "ch-3-p-23",
"kind": "dialogue",
"speaker": "c2",
"text": "“빠지면 바로 말해. 남은 손은 셋이야.”"
},
{
"id": "text-3",
"sourceId": "ch-3-p-24",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 고개만 끄덕였다. 손목 이야기는 하지 않았다."
},
{
"id": "text-4",
"sourceId": "ch-3-p-25",
"kind": "caption",
"speaker": "narrator",
"text": "아래 틈은 사슬과 바위 사이에 손바닥만 한 어둠이었다. 도윤이 어제 주운 쇠테를 못 머리에 걸고 남은 줄을 감았다. 마렌이 밀가루 자루 두 개를 줄 끝에 매달아 무게를 실었다. 젖은 돌 위에서 자루가 줄을 팽팽하게 잡아당겼다."
},
{
"id": "text-5",
"sourceId": "ch-3-p-26",
"kind": "dialogue",
"speaker": "c1",
"text": "“보리.”"
},
{
"id": "text-6",
"sourceId": "ch-3-p-27",
"kind": "caption",
"speaker": "narrator",
"text": "리아가 낮게 불렀다. 보리가 상자 위에서 짧게 울었다. 내려오라는 손짓에도 앞발만 상자 모서리를 짚은 채 꿈쩍하지 않았다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-3-p-22"
],
"action": "Doyun takes the shade under the chain on his knees, Lia holds the left of the passage entrance, and Maren wedges the medicine box against the rock while rolling only a flour sack toward the rope.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-3-p-23"
],
"action": "Doyun states the slip condition and that remaining hands are three.",
"textIds": [
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-3-p-24"
],
"action": "Lia answers with a nod only and does not mention her wrist.",
"textIds": [
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-3-p-25"
],
"action": "The lower gap is shown as palm-sized darkness between chain and rock; Doyun hangs the iron hoop on a nail head and winds remaining rope; Maren hangs two flour sacks on the rope end; on wet stone the sacks pull the rope taut.",
"textIds": [
"text-4"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-3-p-26",
"ch-3-p-27"
],
"action": "Lia calls Bori in a low voice; Bori answers with a short cry from on a box and, even after a come-down gesture, keeps only front paws on the box corner and does not descend.",
"textIds": [
"text-5",
"text-6"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-3-p-22"
],
"statement": "Doyun went down into the shade under the chain and planted his knees."
},
{
"id": "fact-2",
"sourceIds": [
"ch-3-p-22"
],
"statement": "Lia stayed against the left side of the passage entrance."
},
{
"id": "fact-3",
"sourceIds": [
"ch-3-p-22"
],
"statement": "Maren kept the medicine box wedged between her body and the rock."
},
{
"id": "fact-4",
"sourceIds": [
"ch-3-p-22"
],
"statement": "While the medicine box stayed wedged, Maren rolled only a flour sack toward the rope."
},
{
"id": "fact-5",
"sourceIds": [
"ch-3-p-23"
],
"statement": "Doyun speaks the line recorded as text-2."
},
{
"id": "fact-6",
"sourceIds": [
"ch-3-p-24"
],
"statement": "Lia nodded only."
},
{
"id": "fact-7",
"sourceIds": [
"ch-3-p-24"
],
"statement": "Lia did not speak about her wrist."
},
{
"id": "fact-8",
"sourceIds": [
"ch-3-p-25"
],
"statement": "The lower gap was a palm-sized darkness between the chain and the rock."
},
{
"id": "fact-9",
"sourceIds": [
"ch-3-p-25"
],
"statement": "Doyun hung an iron hoop he had picked up the day before on a nail head and wound the remaining rope."
},
{
"id": "fact-10",
"sourceIds": [
"ch-3-p-25"
],
"statement": "Maren hung two flour sacks on the end of the rope to put weight on it."
},
{
"id": "fact-11",
"sourceIds": [
"ch-3-p-25"
],
"statement": "On wet stone the sacks pulled the rope taut."
},
{
"id": "fact-12",
"sourceIds": [
"ch-3-p-26"
],
"statement": "Lia speaks the line recorded as text-5."
},
{
"id": "fact-13",
"sourceIds": [
"ch-3-p-27"
],
"statement": "Lia called in a low voice."
},
{
"id": "fact-14",
"sourceIds": [
"ch-3-p-27"
],
"statement": "Bori made a short cry from on top of a box."
},
{
"id": "fact-15",
"sourceIds": [
"ch-3-p-27"
],
"statement": "Despite a gesture to come down, Bori only set front paws on the box corner and did not move."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink; adult Doyun, Lia, Maren in prior-scene clothes; small cream marten, dark brown tail tip; rusted-chain rock passage; in-image Korean lettering.",
"moments": [
{
"sourceIds": [
"ch-3-p-22"
],
"action": "Under the chain, Doyun kneels in shade. Lia holds the passage entrance left. Maren wedges the medicine box against the rock and rolls one flour sack toward the rope.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-3-p-23",
"ch-3-p-24"
],
"action": "Doyun, kneeling in chain-shade, gives the remaining-hands rule. Lia at the entrance left answers with a nod only.",
"textIds": [
"text-2",
"text-3"
]
},
{
"sourceIds": [
"ch-3-p-25"
],
"action": "Palm-sized darkness sits between chain and rock. An iron hoop hangs on a nail head, remaining rope wound. Two flour sacks on wet stone pull the rope taut.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-3-p-26",
"ch-3-p-27"
],
"action": "Lia calls Bori in a low voice. On a box, the small cream marten gives a short cry, front paws on the corner, and does not descend.",
"textIds": [
"text-5",
"text-6"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s3 r1): Lia keeps chestnut bob, amber eyes, sand jacket, fingerless gloves and brown satchel; Doyun keeps black hair, grey eyes, green hooded coat with rope and sword hilt; Maren keeps red curls, white shirt, brick vest and gloves; Bori is the small cream marten with dark brown tail tip."
},
"setting": {
"passed": true,
"evidence": "Same chained rock passage with rusted links across the gap and the dark low opening under the lowest chain; outdoor light continues without a change of time, and no storeroom, side ledge or outpost appears."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Lia accepting only the upper block; this scene opens with the three holds taken (Doyun under the chain, Lia at entrance left, Maren with the box and one sack), matching p22."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "도윤이 사슬 아래 그늘로 내려가 무릎을 짚었다. 리아는 통로 입구 왼쪽에 붙었고, 마렌은 약 상자를 몸과 바위 사이에 끼워 둔 채 밀가루 자루만 줄 쪽으로 굴렸다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption over the three holds; exact text over three lines."
},
{
"id": "text-2",
"observedText": "“빠지면 바로 말해. 남은 손은 셋이야.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with tail to Doyun kneeling in chain-shade; exact text."
},
{
"id": "text-3",
"observedText": "리아는 고개만 끄덕였다. 손목 이야기는 하지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 bottom-right caption beside Lia's lowered profile; exact text."
},
{
"id": "text-4",
"observedText": "아래 틈은 사슬과 바위 사이에 손바닥만 한 어둠이었다. 도윤이 어제 주운 쇠테를 못 머리에 걸고 남은 줄을 감았다. 마렌이 밀가루 자루 두 개를 줄 끝에 매달아 무게를 실었다. 젖은 돌 위에서 자루가 줄을 팽팽하게 잡아당겼다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-left caption over the hoop on the nail head, wound rope and two sacks on wet stone; exact text over four lines."
},
{
"id": "text-5",
"observedText": "“보리.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with tail to Lia making the come-down gesture; exact text."
},
{
"id": "text-6",
"observedText": "리아가 낮게 불렀다. 보리가 상자 위에서 짧게 울었다. 내려오라는 손짓에도 앞발만 상자 모서리를 짚은 채 꿈쩍하지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 bottom-right caption under Bori crying on the box corner; exact text over three lines."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s3 image. Four full-width bordered rows read top to bottom, matching the resolved count. All six Korean texts are rendered exactly once and verbatim with correct speakers. Panel 1 shows Doyun crouched under the chains at the dark opening, Lia pressed to the left wall at the entrance, Maren with a strapped box behind her against the rock rolling one sack; panel 3 the palm-sized darkness between chain and rock, an iron hoop hung on a nail head with rope wound and two sacks pulling the line taut on wet stone; panel 4 Bori on a box with forepaws on its corner, mouth open, not descending, while Lia gestures down. No one passes the gap, no light shield, no invented cry lettering. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 4
}
},
{
"id": "s5",
"n": 5,
"title": "사슴이 온다",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-3-p-28",
"n": 28,
"text": "비탈 위에서 돌이 굴러오는 소리가 났다. 굽이 젖은 흙을 찍는 소리. 내려가려다 막혀 돌아 나오던 그 자리였다."
},
{
"id": "ch-3-p-29",
"n": 29,
"text": "“온다.”"
},
{
"id": "ch-3-p-30",
"n": 30,
"text": "사슴은 안개보다 먼저 뿔이 보였다. 어깨가 통로를 메웠다. 사람은 보지 않았다. 사슬만 보았다."
},
{
"id": "ch-3-p-31",
"n": 31,
"text": "도윤이 줄에 매달렸다. 뭉갠 못 머리가 비틀리며 쇳소리를 냈다. 틈이 한 뼘 벌어졌다. 사슬은 위에 남고, 아래만 열렸다."
},
{
"id": "ch-3-p-32",
"n": 32,
"text": "사슴이 위를 밟았다. 돌가루가 리아의 머리카락 위로 떨어졌다. 리아가 빛으로 만든 방패를 앞으로 꺼냈다. 가까운 청록빛. 비스듬히. 뿔이 방패를 긁고 충격이 아래로 꺾였다. 받은 힘을 가두거나 키우지는 못했다. 손목이 저렸다. 한 번이었다."
},
{
"id": "ch-3-p-33",
"n": 33,
"text": "“지금!”"
},
{
"id": "ch-3-p-34",
"n": 34,
"text": "틈이 무릎 너비로 벌어졌다. 리아는 사슴 앞에 서지 않고 한 발 옆으로 붙어 열린 아래만 비켰다. 사슴이 그 어둠을 보더니 비탈로 빠졌다. 흙이 무너지고, 뿔이 나뭇가지를 부러뜨리는 소리가 멀리 내려갔다."
}
],
"pFrom": 28,
"pTo": 34,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep03-s5.webp",
"blocking": 2,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸 캡션: “한 번이었다” → “한 변이었다”.",
"en": "Panel 4 caption renders '한 번이었다' (p32) as '한 변이었다', turning 'it was one time' into a nonsense word; the verbatim requirement is not met."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 못 머리가 다시 리벳 철판+볼트+고리. 계획이 철판·리벳·추가 하드웨어를 명시적으로 금지(p31).",
"en": "Panel 3 draws the mashed nail head as a large riveted iron plate with a heavy bolt and a hoop; the plan explicitly forbids inventing rivets, a large iron plate or new hardware beyond a mashed nail head (p31)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 계획에 없는 효과음 ‘콰르르…’ 삽입.",
"en": "Panel 1 letters an invented sound effect '콰르르…' for the rolling stones that is not among the seven planned texts."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "마렌이 1·4·5칸에 반응 표정으로 등장. 발췌에 이름 없음. 수동적 존재라 행동 창작은 아님.",
"en": "Maren appears in panels 1, 4 and 5 with reaction expressions although she is not named in this excerpt; her presence is passive, not an invented action."
}
],
"textsTotal": 7,
"textsOk": 7,
"timings": {
"planS": [
166
],
"preflightS": [
235
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1445,
"plan": {
"intent": "The reader should hear the blocked descent return as stone and hoof before anyone is seen, then watch the deer fill the passage while attending only to the chain, then feel Doyun spend his weight on the rope to open only the lower gap, then feel Lia spend one close angled shield that bends the antler shock down without storing it, then feel the knee-wide dark below become the path the deer takes instead of the people.",
"staging": "One rock passage with a chain, wet earth, and a slope above. This is the same blocked place they came back out of, not a new location. Fog is present only enough that antlers can show before it. A deer large enough for shoulders to fill the passage can face the chain. Doyun can hang his weight on the existing rope so a mashed nail head twists and the lower gap widens first a palm-width, then later to knee width, while the chain stays above. The deer can step on the upper part so stone dust can fall onto Lia's hair. Lia can bring one close teal light shield forward at an angle within reach of the antlers, then keep one step to the side rather than in front of the deer and only clear the opened below. The opened below is a darkness the deer can see. The deer can fall onto the slope; collapsing earth and a receding branch-break sound can follow. Do not send people through the gap. Do not have the shield trap, store, or increase force. Do not make a second shield catch. Do not change time of day. Do not leave this passage for a side ledge or outpost. Do not invent Maren or Bori actions in this excerpt. Leave unspecified: cameras, panel rectangles, nail host hardware beyond a mashed nail head, far-side vista, cliff height, and any mapped shaft.",
"uncertainties": [
"The speaker of text-2 is unnamed in ch-3-p-29; the c2 id is a lettering placeholder, not a source identification. Do not lock the shout to a confirmed mouth.",
"The speaker of text-6 is unnamed in ch-3-p-33; the c1 id is a lettering placeholder, not a source identification. Do not lock the shout to a confirmed mouth.",
"Maren and Bori are not named in this excerpt; do not invent their positions or actions here.",
"Fog in ch-3-p-30 is unnamed in extent, height, and weather; show only that antlers can precede it.",
"Deer size, color, and antler shape are unnamed beyond antlers, shoulders filling the passage, and hooves.",
"How far Doyun moves while hanging on the rope is unnamed; do not invent a drop through the gap.",
"The mashed nail head in ch-3-p-31 has no named host object, height, or plate; do not invent rivets, a large iron plate, or new hardware.",
"Upper in ch-3-p-32 is unnamed as a ledge, chain top, or rock shelf; show only a surface the deer can step so dust can fall onto Lia's hair.",
"How the gap grows from palm-width to knee width is unnamed as a second pull, slide, or break; show the named widths only.",
"Wrist numbness in ch-3-p-32 does not describe a visible wound; do not invent injury detail.",
"The darkness the deer sees in ch-3-p-34 is the opened below, not a mapped tunnel or far landscape.",
"Falling onto the slope in ch-3-p-34 does not name cliff height, a completed descent path, or a landing place.",
"Tree branches in ch-3-p-34 exist only as a receding sound; do not cut away to a forest floor or outpost.",
"A side ledge and a mountain outpost are not reached in this excerpt; omit them as places arrived.",
"Time of day is unnamed; do not advance light beyond the current scene."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-3-p-28",
"kind": "caption",
"speaker": "narrator",
"text": "비탈 위에서 돌이 굴러오는 소리가 났다. 굽이 젖은 흙을 찍는 소리. 내려가려다 막혀 돌아 나오던 그 자리였다."
},
{
"id": "text-2",
"sourceId": "ch-3-p-29",
"kind": "dialogue",
"speaker": "c2",
"text": "“온다.”"
},
{
"id": "text-3",
"sourceId": "ch-3-p-30",
"kind": "caption",
"speaker": "narrator",
"text": "사슴은 안개보다 먼저 뿔이 보였다. 어깨가 통로를 메웠다. 사람은 보지 않았다. 사슬만 보았다."
},
{
"id": "text-4",
"sourceId": "ch-3-p-31",
"kind": "caption",
"speaker": "narrator",
"text": "도윤이 줄에 매달렸다. 뭉갠 못 머리가 비틀리며 쇳소리를 냈다. 틈이 한 뼘 벌어졌다. 사슬은 위에 남고, 아래만 열렸다."
},
{
"id": "text-5",
"sourceId": "ch-3-p-32",
"kind": "caption",
"speaker": "narrator",
"text": "사슴이 위를 밟았다. 돌가루가 리아의 머리카락 위로 떨어졌다. 리아가 빛으로 만든 방패를 앞으로 꺼냈다. 가까운 청록빛. 비스듬히. 뿔이 방패를 긁고 충격이 아래로 꺾였다. 받은 힘을 가두거나 키우지는 못했다. 손목이 저렸다. 한 번이었다."
},
{
"id": "text-6",
"sourceId": "ch-3-p-33",
"kind": "dialogue",
"speaker": "c1",
"text": "“지금!”"
},
{
"id": "text-7",
"sourceId": "ch-3-p-34",
"kind": "caption",
"speaker": "narrator",
"text": "틈이 무릎 너비로 벌어졌다. 리아는 사슴 앞에 서지 않고 한 발 옆으로 붙어 열린 아래만 비켰다. 사슴이 그 어둠을 보더니 비탈로 빠졌다. 흙이 무너지고, 뿔이 나뭇가지를 부러뜨리는 소리가 멀리 내려갔다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-3-p-28",
"ch-3-p-29"
],
"action": "Stone-roll and hoof sounds arrive from the slope at the same blocked-and-returned place, and the spoken line recorded as text-2 occurs.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-3-p-30"
],
"action": "The deer's antlers show before the fog, its shoulders fill the passage, and it looks at the chain rather than at people.",
"textIds": [
"text-3"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-3-p-31"
],
"action": "Doyun hangs on the rope; the mashed nail head twists with a metal sound; the gap opens a palm-width while the chain stays above and only the lower part opens.",
"textIds": [
"text-4"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-3-p-32"
],
"action": "The deer steps on the upper part and stone dust falls on Lia's hair; she brings one close teal light shield forward at an angle; antlers scrape it, the shock bends down, the force is neither trapped nor increased, her wrist goes numb, and it is only once.",
"textIds": [
"text-5"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-3-p-33"
],
"action": "The spoken line recorded as text-6 occurs as the timing cue after that single shield.",
"textIds": [
"text-6"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-3-p-34"
],
"action": "The gap opens to knee width; Lia stays off the deer's front, one step to the side, and only clears the opened below; the deer takes that darkness, falls onto the slope, earth collapses, and the antler-and-branch sound recedes far down.",
"textIds": [
"text-7"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-3-p-28"
],
"statement": "From the slope above came the sound of stones rolling."
},
{
"id": "fact-2",
"sourceIds": [
"ch-3-p-28"
],
"statement": "There was the sound of hooves striking wet earth."
},
{
"id": "fact-3",
"sourceIds": [
"ch-3-p-28"
],
"statement": "This was the same place they had tried to go down, been blocked, and come back out."
},
{
"id": "fact-4",
"sourceIds": [
"ch-3-p-29"
],
"statement": "The spoken line recorded as text-2 occurs."
},
{
"id": "fact-5",
"sourceIds": [
"ch-3-p-30"
],
"statement": "The deer's antlers were visible before the fog."
},
{
"id": "fact-6",
"sourceIds": [
"ch-3-p-30"
],
"statement": "The deer's shoulders filled the passage."
},
{
"id": "fact-7",
"sourceIds": [
"ch-3-p-30"
],
"statement": "The deer did not look at people."
},
{
"id": "fact-8",
"sourceIds": [
"ch-3-p-30"
],
"statement": "The deer looked only at the chain."
},
{
"id": "fact-9",
"sourceIds": [
"ch-3-p-31"
],
"statement": "Doyun hung on the rope."
},
{
"id": "fact-10",
"sourceIds": [
"ch-3-p-31"
],
"statement": "A mashed nail head twisted and made a metal sound."
},
{
"id": "fact-11",
"sourceIds": [
"ch-3-p-31"
],
"statement": "The gap opened by a palm-width."
},
{
"id": "fact-12",
"sourceIds": [
"ch-3-p-31"
],
"statement": "The chain remained above, and only the lower part opened."
},
{
"id": "fact-13",
"sourceIds": [
"ch-3-p-32"
],
"statement": "The deer stepped on the upper part."
},
{
"id": "fact-14",
"sourceIds": [
"ch-3-p-32"
],
"statement": "Stone dust fell onto Lia's hair."
},
{
"id": "fact-15",
"sourceIds": [
"ch-3-p-32"
],
"statement": "Lia brought a shield made of light forward."
},
{
"id": "fact-16",
"sourceIds": [
"ch-3-p-32"
],
"statement": "The light was close teal and set at an angle."
},
{
"id": "fact-17",
"sourceIds": [
"ch-3-p-32"
],
"statement": "Antlers scraped the shield and the impact bent downward."
},
{
"id": "fact-18",
"sourceIds": [
"ch-3-p-32"
],
"statement": "The received force was not trapped or increased."
},
{
"id": "fact-19",
"sourceIds": [
"ch-3-p-32"
],
"statement": "Lia's wrist went numb."
},
{
"id": "fact-20",
"sourceIds": [
"ch-3-p-32"
],
"statement": "That shield action happened once."
},
{
"id": "fact-21",
"sourceIds": [
"ch-3-p-33"
],
"statement": "The spoken line recorded as text-6 occurs."
},
{
"id": "fact-22",
"sourceIds": [
"ch-3-p-34"
],
"statement": "The gap opened to knee width."
},
{
"id": "fact-23",
"sourceIds": [
"ch-3-p-34"
],
"statement": "Lia did not stand in front of the deer; she kept one step to the side and only cleared the opened below."
},
{
"id": "fact-24",
"sourceIds": [
"ch-3-p-34"
],
"statement": "The deer saw that darkness and fell onto the slope."
},
{
"id": "fact-25",
"sourceIds": [
"ch-3-p-34"
],
"statement": "Earth collapsed, and the sound of antlers breaking tree branches went far down."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink, adult cast; same rock-chain passage as the previous scene; in-image Korean lettering.",
"moments": [
{
"sourceIds": [
"ch-3-p-28",
"ch-3-p-29"
],
"action": "At the same blocked chain passage, loose stones roll on the wet slope above.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-3-p-30"
],
"action": "Antlers show before the fog; the deer's shoulders fill the passage as it looks at the chain, not at people.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-3-p-31"
],
"action": "Doyun hangs his weight on the rope; a mashed nail head twists; only the lower gap opens a palm-width, chain still above.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-3-p-32"
],
"action": "The deer stands on the upper surface; dust falls on Lia's hair as one close angled teal light shield takes a single antler scrape downward.",
"textIds": [
"text-5"
]
},
{
"sourceIds": [
"ch-3-p-33",
"ch-3-p-34"
],
"action": "Lia keeps one step to the side, clearing only the knee-wide dark below; the deer takes that dark, earth gives, and it falls onto the slope.",
"textIds": [
"text-6",
"text-7"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s4 r1): Lia keeps chestnut bob, amber eyes, freckles, sand jacket and fingerless gloves; Doyun keeps black hair, green hooded coat, rope and sword hilt; Maren keeps red curls, white shirt and brick vest."
},
"setting": {
"passed": true,
"evidence": "Same chained rock passage with the rusted links, the wet slope above and the dark lower gap; the hoop-and-rope rig from the previous scene continues in panel 3; time of day unchanged; no side ledge or outpost."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with the rope weighted by two sacks and Bori refusing to come down; this scene opens with stones rolling on the slope above and the warning, then the deer at the chain, matching p28-p30."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "비탈 위에서 돌이 굴러오는 소리가 났다. 굽이 젖은 흙을 찍는 소리. 내려가려다 막혀 돌아 나오던 그 자리였다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption over the three at the chain with stones tumbling; exact text over three lines."
},
{
"id": "text-2",
"observedText": "“온다.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon between Doyun and Maren with a short tail toward Doyun; the source names no speaker and the c2 id is a placeholder, so the loose attachment is acceptable."
},
{
"id": "text-3",
"observedText": "사슴은 안개보다 먼저 뿔이 보였다. 어깨가 통로를 메웠다. 사람은 보지 않았다. 사슬만 보았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 top-left caption over the antlered deer filling the passage and looking at the chain; exact text."
},
{
"id": "text-4",
"observedText": "도윤이 줄에 매달렸다. 뭉갠 못 머리가 비틀리며 쇳소리를 냈다. 틈이 한 뼘 벌어졌다. 사슬은 위에 남고, 아래만 열렸다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-left caption over Doyun hauling on the rope; exact text."
},
{
"id": "text-5",
"observedText": "사슴이 위를 밟았다. 돌가루가 리아의 머리카락 위로 떨어졌다. 리아가 빛으로 만든 방패를 앞으로 꺼냈다. 가까운 청록빛. 비스듬히. 뿔이 방패를 긁고 충격이 아래로 꺾였다. 받은 힘을 가두거나 키우지는 못했다. 손목이 저렸다. 한 변이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 top-left caption; the final sentence reads '한 변이었다' where the source has '한 번이었다' (verified on an enlarged crop); the rest is exact."
},
{
"id": "text-6",
"observedText": "“지금!”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with tail to Lia shouting; the source names no speaker and c1 is a placeholder."
},
{
"id": "text-7",
"observedText": "틈이 무릎 너비로 벌어졌다. 리아는 사슴 앞에 서지 않고 한 발 옆으로 붙어 열린 아래만 비켰다. 사슴이 그 어둠을 보더니 비탈로 빠졌다. 흙이 무너지고, 뿔이 나뭇가지를 부러뜨리는 소리가 멀리 내려갔다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 top-right caption over the deer tumbling down the slope through branches; exact text."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s4 image. Five full-width bordered rows read top to bottom, matching the resolved count. Six of seven texts are verbatim; text-5 has one syllable changed. Panel 1 adds an extra sound-effect lettering '콰르르…' for the rolling stones. Panel 2 shows antlers ahead of the fog and the deer's shoulders filling the slot with its eyes on the chain; panel 3 Doyun's weight on the rope with the chain still above and a dark gap below; panel 4 dust falling on Lia's hair as one angled teal shield takes the antler scrape; panel 5 Lia a step to the side while the deer drops onto the slope, earth giving way. No one passes the gap; no second shield. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 5
}
},
{
"id": "s6",
"n": 6,
"title": "사슬 밑 사람 길",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-3-p-35",
"n": 35,
"text": "줄이 딸려 내려갔다. 밀가루 자루가 비탈을 긁으며 미끄러졌다. 마렌이 약 상자를 끌어안았다. 한 자루가 그녀의 무릎을 쳤지만 상자는 놓지 않았다. 보리가 뚜껑 위에서 몸을 낮추고 꼬리만 리아 쪽으로 뻗었다. 그래도 상자에서 내리지 않았다."
},
{
"id": "ch-3-p-36",
"n": 36,
"text": "“자루는 놔요!”"
},
{
"id": "ch-3-p-37",
"n": 37,
"text": "쇠테와 줄이 못 머리에 걸린 채 아래로 사라졌다. 철물을 건지려면 줄을 붙잡아야 했고, 줄을 붙잡으면 약이 미끄러졌다. 도윤이 손을 놓았다. 못은 반쯤 돌아간 채로 남았고, 아래 길은 열린 채였다."
},
{
"id": "ch-3-p-38",
"n": 38,
"text": "사람은 사슬 밑으로 기어서 지나갔다. 짐승이 쓰던 높이와는 겹치지 않았다. 무릎이 젖은 돌에 닿을 때마다 약 상자 모서리가 바위에 긁혔다. 마렌이 상자 밑을 받치고, 도윤이 앞에서 사슬 고리를 손으로 들어 높이를 만들어 주었다. 리아는 뒤에서 방패를 들지 않았다. 이미 한 번 쓴 뒤였다. 빈 손이 더 빨랐다."
},
{
"id": "ch-3-p-39",
"n": 39,
"text": "통로를 빠져나오자 옆길이 보였다. 사람 한 줄이 지나갈 너비였다. 리아가 벽에 스친 어깨로 화살표를 다시 보았다. 아래 갈래는 이제 실제로 열려 있었고, 옆 갈래는 그들의 무릎이 지난 자리였다. 아래로 떨어진 사슴의 소리는 이미 계곡 쪽으로 멀어져 있었다."
},
{
"id": "ch-3-p-40",
"n": 40,
"text": "동쪽 비탈로 내려가는 동안 리아의 오른손목은 소매 안에서 맥없이 떨렸다. 방패 빛은 이미 꺼져 있었다. 짐을 나누었다. 약은 마렌, 남은 마른 식량은 도윤. 리아는 빈손에 가깝게 방패만 들었다. 보리가 상자 위에서 기어 가방 덮개 안으로 들어갔다. 기름 냄새에 코를 찡그리더니, 그래도 마른 안쪽을 포기하지는 않았다."
},
{
"id": "ch-3-p-41",
"n": 41,
"text": "옆길은 젖었지만 사슴 자국과 겹치지 않았다. 짐승 길은 그 아래 비탈에 따로 나 있었고, 굽 자국과 사람 발자국은 더 이상 같은 흙을 밟지 않았다. 해가 어깨 높이까지 올라왔을 때 돌담이 보였다."
}
],
"pFrom": 35,
"pTo": 41,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep03-s6.webp",
"blocking": 4,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸 캡션: “짐승 길은” → “짐송 길은”.",
"en": "Panel 6 caption renders '짐승 길은' (p41) as '짐송 길은', a non-word; the verbatim requirement is not met."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 리아가 유리면 달린 실물 원형 방패를 듦. 방패는 이미 꺼진 빛일 뿐, 큰 소품 창작 금지(p40).",
"en": "Panel 5 draws Lia carrying a large physical round shield with a glassy face; the plan states her shield is only a light already gone out and forbids inventing a large new prop (p40)."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 고리가 또 리벳 철판에 걸림. 고리·줄·못 머리 외 하드웨어 금지(p37).",
"en": "Panel 2 again hangs the hoop on a large riveted iron plate; the plan explicitly forbids a large plate, rivets or new hardware beyond a hoop, rope and nail head (p37)."
},
{
"severity": "blocking",
"layer": "pipeline",
"layerLabel": "파이프라인(참조·지시)",
"ko": "6칸: 능선 위 탑 있는 성곽 도시. 원문은 돌담이 보였다(p41)뿐. 참조 이미지(옆길)에 먼 성곽 도시가 포함돼 유도.",
"en": "Panel 6 places a walled town with towers on the far ridge under the rising sun; p41 names only a stone wall becoming visible, and the plan forbids turning it into a village or outpost."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 보리가 덮개 안으로 기어드는 게 아니라 가방 위에 앉음(p40). 마렌은 활짝 웃음.",
"en": "Panel 5 shows Bori perched on top of the closed bag rather than crawling in under the flap with a wrinkled nose (p40), and Maren grinning broadly while carrying the box."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 벽에 스친 어깨(p39) 단서가 안 읽힘.",
"en": "Panel 4 shows Lia's mark-side shoulder clear of the wall rather than brushing it (p39), so the 'wall-brushed shoulder' cue is not readable."
}
],
"textsTotal": 7,
"textsOk": 7,
"timings": {
"planS": [
184
],
"preflightS": [
159
],
"imageS": 56,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1461,
"plan": {
"intent": "The reader should feel cargo choose itself under a sliding slope: Maren keeps the medicine box while a sack hits her, someone tells the sacks to be dropped, Doyun opens his hands because holding the rope would let the medicine slip, then the group crawls under the chain at a height the beast did not use. After the passage, the side fork should read as the line their knees already took, loads should split without a second shield, Bori should pick the dry bag anyway, and the wet side path should no longer share earth with hoofprints until a stone wall appears with the sun at shoulder height.",
"staging": "Continue the same rock passage as the prior finished scene: chain still above, lower gap already open, existing rope and a mashed nail head, wet stone, a slope the sacks can scrape. Maren can hold a medicine box with Bori on the lid; flour sacks can hit her knee and slide away; the iron hoop and rope can vanish down while caught on that nail head; Doyun can let the rope go so the half-turned nail and open lower path remain. People can crawl under the chain at a height that does not overlap the height the beast used, with Maren supporting the box from below, Doyun in front lifting one chain ring by hand to make height, and Lia behind with empty hands and no raised shield. After the passage, a side path of one-person-line width can appear; an arrow mark can be seen again from a shoulder that brushed the wall; the lower fork can stay open as the deer's way while the side fork is the knee-path they used. They can descend an eastern slope with loads split: medicine with Maren, remaining dry food with Doyun, Lia close to empty-handed holding only a shield whose light is already out. Bori can crawl from the box into a bag flap. The wet side path can run apart from deer tracks on a lower slope. A stone wall can become visible only when the sun has risen to shoulder height. Keep clothing, faces, and props consistent with the supplied previous scene. Leave unspecified: cameras, panel rectangles, sack count beyond one that hits a knee, what the hoop was bound to, whose bag it is, the source of the oil smell, wound detail on the wrist, a second lit shield, extra hardware around the nail, the deer's body, valley scenery, and any outpost or interior beyond a visible stone wall.",
"uncertainties": [
"The speaker of text-2 is unnamed in ch-3-p-36; the c4 id is a lettering placeholder, not a source identification. Do not lock the shout to a confirmed mouth.",
"What pulls the rope downward in ch-3-p-35 is unnamed; do not show the deer still attached or invent a new mechanism.",
"How many flour sacks exist is unnamed beyond sliding sacks and one that hits a knee.",
"The iron hoop in ch-3-p-37 has no named size, cargo lashing, or extra fittings; do not invent a large plate, rivets, or new hardware beyond a hoop, rope, and nail head.",
"How holding the rope would make the medicine slip is unnamed as a physical coupling; show the named choice, not a new machine.",
"How far the hoop and rope fall is unnamed; they vanish downward, with no landing shown.",
"The chain ring Doyun lifts is unnamed in size and rust; show a ring he can raise by hand to make height, not a new gate.",
"The earlier single shield use is prior action; do not restage that catch or light a second shield.",
"Empty hands being faster does not name a dropped object besides not raising a shield.",
"The arrow mark in ch-3-p-39 is unnamed in color, maker, and meaning; show a mark that can be seen again, not a decoded map.",
"The valley exists only as a receding deer sound; do not cut away to a forest floor or a completed deer landing.",
"Wrist trembling in ch-3-p-40 is inside the sleeve and is not a described wound; do not invent injury detail.",
"The shield Lia holds while close to empty-handed is unnamed as a physical board or a dark tool; do not invent a large new prop, and keep the shield light already out.",
"Which bag Bori enters, and what smells of oil, are unnamed; do not invent labeled cargo.",
"The stone wall in ch-3-p-41 is visible only; do not turn it into an arrived outpost, village, or interior.",
"Shoulder-height sun belongs with the wall; do not jump to a later time of day before that beat."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-3-p-35",
"kind": "caption",
"speaker": "narrator",
"text": "줄이 딸려 내려갔다. 밀가루 자루가 비탈을 긁으며 미끄러졌다. 마렌이 약 상자를 끌어안았다. 한 자루가 그녀의 무릎을 쳤지만 상자는 놓지 않았다. 보리가 뚜껑 위에서 몸을 낮추고 꼬리만 리아 쪽으로 뻗었다. 그래도 상자에서 내리지 않았다."
},
{
"id": "text-2",
"sourceId": "ch-3-p-36",
"kind": "dialogue",
"speaker": "c4",
"text": "“자루는 놔요!”"
},
{
"id": "text-3",
"sourceId": "ch-3-p-37",
"kind": "caption",
"speaker": "narrator",
"text": "쇠테와 줄이 못 머리에 걸린 채 아래로 사라졌다. 철물을 건지려면 줄을 붙잡아야 했고, 줄을 붙잡으면 약이 미끄러졌다. 도윤이 손을 놓았다. 못은 반쯤 돌아간 채로 남았고, 아래 길은 열린 채였다."
},
{
"id": "text-4",
"sourceId": "ch-3-p-38",
"kind": "caption",
"speaker": "narrator",
"text": "사람은 사슬 밑으로 기어서 지나갔다. 짐승이 쓰던 높이와는 겹치지 않았다. 무릎이 젖은 돌에 닿을 때마다 약 상자 모서리가 바위에 긁혔다. 마렌이 상자 밑을 받치고, 도윤이 앞에서 사슬 고리를 손으로 들어 높이를 만들어 주었다. 리아는 뒤에서 방패를 들지 않았다. 이미 한 번 쓴 뒤였다. 빈 손이 더 빨랐다."
},
{
"id": "text-5",
"sourceId": "ch-3-p-39",
"kind": "caption",
"speaker": "narrator",
"text": "통로를 빠져나오자 옆길이 보였다. 사람 한 줄이 지나갈 너비였다. 리아가 벽에 스친 어깨로 화살표를 다시 보았다. 아래 갈래는 이제 실제로 열려 있었고, 옆 갈래는 그들의 무릎이 지난 자리였다. 아래로 떨어진 사슴의 소리는 이미 계곡 쪽으로 멀어져 있었다."
},
{
"id": "text-6",
"sourceId": "ch-3-p-40",
"kind": "caption",
"speaker": "narrator",
"text": "동쪽 비탈로 내려가는 동안 리아의 오른손목은 소매 안에서 맥없이 떨렸다. 방패 빛은 이미 꺼져 있었다. 짐을 나누었다. 약은 마렌, 남은 마른 식량은 도윤. 리아는 빈손에 가깝게 방패만 들었다. 보리가 상자 위에서 기어 가방 덮개 안으로 들어갔다. 기름 냄새에 코를 찡그리더니, 그래도 마른 안쪽을 포기하지는 않았다."
},
{
"id": "text-7",
"sourceId": "ch-3-p-41",
"kind": "caption",
"speaker": "narrator",
"text": "옆길은 젖었지만 사슴 자국과 겹치지 않았다. 짐승 길은 그 아래 비탈에 따로 나 있었고, 굽 자국과 사람 발자국은 더 이상 같은 흙을 밟지 않았다. 해가 어깨 높이까지 올라왔을 때 돌담이 보였다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-3-p-35"
],
"action": "The rope is pulled downward; flour sacks scrape the slope and slide; Maren clutches the medicine box; one sack hits her knee and she still does not drop the box; Bori lowers on the lid, extends only its tail toward Lia, and still does not leave the box.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-3-p-36"
],
"action": "The spoken line recorded as text-2 occurs while the sacks are the thing to drop.",
"textIds": [
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-3-p-37"
],
"action": "The iron hoop and rope vanish downward while caught on the nail head; recovering the ironware would mean holding the rope, and holding the rope would let the medicine slip; Doyun lets go; the nail remains half-turned; the lower path remains open.",
"textIds": [
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-3-p-38"
],
"action": "People crawl under the chain at a height that does not overlap the height the beast used; the medicine-box corner scrapes rock when knees meet wet stone; Maren supports the box from below; Doyun in front lifts a chain ring by hand to make height; Lia behind does not raise a shield after the earlier single use, because empty hands are faster.",
"textIds": [
"text-4"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-3-p-39"
],
"action": "Once out of the passage, a one-person-line side path is visible; Lia sees the arrow mark again with the shoulder that brushed the wall; the lower fork is now actually open; the side fork is where their knees passed; the fallen deer's sound is already receding toward the valley.",
"textIds": [
"text-5"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-3-p-40"
],
"action": "On the eastern slope Lia's right wrist trembles weakly inside the sleeve and the shield light is already out; they divide loads so medicine is Maren's, remaining dry food is Doyun's, and Lia is close to empty-handed holding only a shield; Bori crawls from the box into a bag flap, wrinkles its nose at oil smell, and still does not abandon the dry interior.",
"textIds": [
"text-6"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-3-p-41"
],
"action": "The wet side path does not overlap deer tracks; the beast path lies separately on the slope below; hoofprints and human footprints no longer share the same earth; when the sun has risen to shoulder height, a stone wall is visible.",
"textIds": [
"text-7"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-3-p-35"
],
"statement": "The rope is pulled downward."
},
{
"id": "fact-2",
"sourceIds": [
"ch-3-p-35"
],
"statement": "Flour sacks scrape the slope and slide."
},
{
"id": "fact-3",
"sourceIds": [
"ch-3-p-35"
],
"statement": "Maren clutches the medicine box."
},
{
"id": "fact-4",
"sourceIds": [
"ch-3-p-35"
],
"statement": "One sack hits her knee."
},
{
"id": "fact-5",
"sourceIds": [
"ch-3-p-35"
],
"statement": "She does not drop the box."
},
{
"id": "fact-6",
"sourceIds": [
"ch-3-p-35"
],
"statement": "Bori lowers its body on the lid."
},
{
"id": "fact-7",
"sourceIds": [
"ch-3-p-35"
],
"statement": "Bori extends only its tail toward Lia."
},
{
"id": "fact-8",
"sourceIds": [
"ch-3-p-35"
],
"statement": "Bori still does not get off the box."
},
{
"id": "fact-9",
"sourceIds": [
"ch-3-p-36"
],
"statement": "The spoken line recorded as text-2 occurs."
},
{
"id": "fact-10",
"sourceIds": [
"ch-3-p-37"
],
"statement": "An iron hoop and the rope vanish downward while caught on the nail head."
},
{
"id": "fact-11",
"sourceIds": [
"ch-3-p-37"
],
"statement": "Recovering the ironware would require holding the rope."
},
{
"id": "fact-12",
"sourceIds": [
"ch-3-p-37"
],
"statement": "Holding the rope would let the medicine slip."
},
{
"id": "fact-13",
"sourceIds": [
"ch-3-p-37"
],
"statement": "Doyun lets go with his hands."
},
{
"id": "fact-14",
"sourceIds": [
"ch-3-p-37"
],
"statement": "The nail remains half-turned."
},
{
"id": "fact-15",
"sourceIds": [
"ch-3-p-37"
],
"statement": "The lower path remains open."
},
{
"id": "fact-16",
"sourceIds": [
"ch-3-p-38"
],
"statement": "People crawl under the chain and pass."
},
{
"id": "fact-17",
"sourceIds": [
"ch-3-p-38"
],
"statement": "That crawl height does not overlap the height the beast used."
},
{
"id": "fact-18",
"sourceIds": [
"ch-3-p-38"
],
"statement": "Whenever knees touch wet stone, a corner of the medicine box scrapes rock."
},
{
"id": "fact-19",
"sourceIds": [
"ch-3-p-38"
],
"statement": "Maren supports the underside of the box."
},
{
"id": "fact-20",
"sourceIds": [
"ch-3-p-38"
],
"statement": "Doyun, in front, lifts a chain ring with his hand and makes height."
},
{
"id": "fact-21",
"sourceIds": [
"ch-3-p-38"
],
"statement": "Lia, behind, does not raise a shield."
},
{
"id": "fact-22",
"sourceIds": [
"ch-3-p-38"
],
"statement": "A shield has already been used once."
},
{
"id": "fact-23",
"sourceIds": [
"ch-3-p-38"
],
"statement": "Empty hands are faster."
},
{
"id": "fact-24",
"sourceIds": [
"ch-3-p-39"
],
"statement": "After they come out of the passage, a side path is visible."
},
{
"id": "fact-25",
"sourceIds": [
"ch-3-p-39"
],
"statement": "The side path is wide enough for one line of people."
},
{
"id": "fact-26",
"sourceIds": [
"ch-3-p-39"
],
"statement": "Lia sees the arrow mark again with the shoulder that brushed the wall."
},
{
"id": "fact-27",
"sourceIds": [
"ch-3-p-39"
],
"statement": "The lower fork is now actually open."
},
{
"id": "fact-28",
"sourceIds": [
"ch-3-p-39"
],
"statement": "The side fork is the place their knees passed."
},
{
"id": "fact-29",
"sourceIds": [
"ch-3-p-39"
],
"statement": "The sound of the deer that fell below is already receding toward the valley."
},
{
"id": "fact-30",
"sourceIds": [
"ch-3-p-40"
],
"statement": "While they go down the eastern slope, Lia's right wrist trembles weakly inside the sleeve."
},
{
"id": "fact-31",
"sourceIds": [
"ch-3-p-40"
],
"statement": "The shield light is already out."
},
{
"id": "fact-32",
"sourceIds": [
"ch-3-p-40"
],
"statement": "They divide the loads."
},
{
"id": "fact-33",
"sourceIds": [
"ch-3-p-40"
],
"statement": "The medicine is Maren's."
},
{
"id": "fact-34",
"sourceIds": [
"ch-3-p-40"
],
"statement": "The remaining dry food is Doyun's."
},
{
"id": "fact-35",
"sourceIds": [
"ch-3-p-40"
],
"statement": "Lia is close to empty-handed and holds only a shield."
},
{
"id": "fact-36",
"sourceIds": [
"ch-3-p-40"
],
"statement": "Bori crawls from on top of the box into a bag flap."
},
{
"id": "fact-37",
"sourceIds": [
"ch-3-p-40"
],
"statement": "Bori wrinkles its nose at an oil smell."
},
{
"id": "fact-38",
"sourceIds": [
"ch-3-p-40"
],
"statement": "Bori still does not abandon the dry interior."
},
{
"id": "fact-39",
"sourceIds": [
"ch-3-p-41"
],
"statement": "The side path is wet but does not overlap deer tracks."
},
{
"id": "fact-40",
"sourceIds": [
"ch-3-p-41"
],
"statement": "The beast path is separately on the slope below that."
},
{
"id": "fact-41",
"sourceIds": [
"ch-3-p-41"
],
"statement": "Hoofprints and human footprints no longer step the same earth."
},
{
"id": "fact-42",
"sourceIds": [
"ch-3-p-41"
],
"statement": "When the sun has risen to shoulder height, a stone wall is visible."
}
]
},
"brief": {
"style": "Full-color fantasy comic with expressive ink; adult cast and small marten; same wet rock chain passage as the prior scene.",
"moments": [
{
"sourceIds": [
"ch-3-p-35",
"ch-3-p-36"
],
"action": "Rope yanks down; flour sacks scrape the slope; one hits Maren's knee; she keeps the medicine box; Bori stays on the lid, tail toward Lia.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-3-p-37"
],
"action": "Iron hoop and rope vanish down still caught on the mashed half-turned nail head; Doyun opens his hands; the lower path stays open.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-3-p-38"
],
"action": "Under the chain at a low gap, Maren supports the box as a corner scrapes wet stone; Doyun ahead lifts one ring; Lia behind, empty-handed.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-3-p-39"
],
"action": "Outside the passage, Lia's wall-brushed shoulder faces the arrow mark; a one-person side fork is their knee path; the lower fork stays open.",
"textIds": [
"text-5"
]
},
{
"sourceIds": [
"ch-3-p-40"
],
"action": "Eastern slope: Maren has the box, Doyun the dry food, Lia an unlit shield with a slack sleeved right wrist; Bori enters a bag flap, nose wrinkled.",
"textIds": [
"text-6"
]
},
{
"sourceIds": [
"ch-3-p-41"
],
"action": "Wet side path with human prints only; a separate beast track on the slope below; a stone wall appears with the sun at shoulder height.",
"textIds": [
"text-7"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s5 r1): Lia keeps chestnut bob, amber eyes, freckles, sand jacket and fingerless gloves; Doyun keeps black hair, grey eyes, green hooded coat and sword; Maren keeps red curls, white shirt, brick vest and gloves; Bori is the cream marten with dark tail tip."
},
"setting": {
"passed": true,
"evidence": "Panels 1-3 continue the chained passage with the open lower gap, rope, wet stone and sliding sacks; panels 4-6 move to the side ledge and eastern slope only as the excerpt reaches them, with the sun rising to shoulder height in the last panel."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with the deer dropping onto the slope; this scene opens with the rope yanked down and the sacks sliding while Maren clutches the box, matching p35."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "줄이 딸려 내려갔다. 밀가루 자루가 비탈을 긁으며 미끄러졌다. 마렌이 약 상자를 끌어안았다. 한 자루가 그녀의 무릎을 쳤지만 상자는 놓지 않았다. 보리가 뚜껑 위에서 몸을 낮추고 꼬리만 리아 쪽으로 뻗었다. 그래도 상자에서 내리지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top caption over Maren hugging the box with Bori on the lid; exact text over four lines (verified on an enlarged crop)."
},
{
"id": "text-2",
"observedText": "“자루는 놔요!”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with tail to Lia shouting toward Maren; the source names no speaker and c4 is a placeholder, so the attachment is acceptable."
},
{
"id": "text-3",
"observedText": "쇠테와 줄이 못 머리에 걸린 채 아래로 사라졌다. 철물을 건지려면 줄을 붙잡아야 했고, 줄을 붙잡으면 약이 미끄러졌다. 도윤이 손을 놓았다. 못은 반쯤 돌아간 채로 남았고, 아래 길은 열린 채였다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 top caption over the hoop and rope dropping past Doyun's opened hands; exact text (verified on an enlarged crop)."
},
{
"id": "text-4",
"observedText": "사람은 사슬 밑으로 기어서 지나갔다. 짐승이 쓰던 높이와는 겹치지 않았다. 무릎이 젖은 돌에 닿을 때마다 약 상자 모서리가 바위에 긁혔다. 마렌이 상자 밑을 받치고, 도윤이 앞에서 사슬 고리를 손으로 들어 높이를 만들어 주었다. 리아는 뒤에서 방패를 들지 않았다. 이미 한 번 쓴 뒤였다. 빈 손이 더 빨랐다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top caption over the three crawling under the chain; exact text (verified on an enlarged crop)."
},
{
"id": "text-5",
"observedText": "통로를 빠져나오자 옆길이 보였다. 사람 한 줄이 지나갈 너비였다. 리아가 벽에 스친 어깨로 화살표를 다시 보았다. 아래 갈래는 이제 실제로 열려 있었고, 옆 갈래는 그들의 무릎이 지난 자리였다. 아래로 떨어진 사슴의 소리는 이미 계곡 쪽으로 멀어져 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 top caption over Lia at the arrow-marked wall beside the ledge; exact text (verified on an enlarged crop)."
},
{
"id": "text-6",
"observedText": "동쪽 비탈로 내려가는 동안 리아의 오른손목은 소매 안에서 맥없이 떨렸다. 방패 빛은 이미 꺼져 있었다. 짐을 나누었다. 약은 마렌, 남은 마른 식량은 도윤. 리아는 빈손에 가깝게 방패만 들었다. 보리가 상자 위에서 기어 가방 덮개 안으로 들어갔다. 기름 냄새에 코를 찡그리더니, 그래도 마른 안쪽을 포기하지는 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 top caption over the descending trio; exact text (verified on an enlarged crop)."
},
{
"id": "text-7",
"observedText": "옆길은 젖었지만 사슴 자국과 겹치지 않았다. 짐송 길은 그 아래 비탈에 따로 나 있었고, 굽 자국과 사람 발자국은 더 이상 같은 흙을 밟지 않았다. 해가 어깨 높이까지 올라왔을 때 돌담이 보였다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 top caption; '짐승 길은' is rendered as '짐송 길은' (verified on a high-magnification crop); the rest is exact."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s5 image. Six bordered panels in three rows of two; read left to right, top to bottom, matching the resolved count. Six of seven texts are verbatim; text-7 has one syllable changed. Panel 1 shows sacks sliding, Maren hugging the box, Bori flattened on the lid with its tail toward Lia; panel 2 the hoop and rope falling from the nail with Doyun's hands open; panel 3 Doyun lifting a chain ring ahead, Maren supporting the box, Lia last with empty hands; panel 4 Lia's shoulder at the forked arrow with the narrow ledge; panel 5 the loads split on the eastern slope; panel 6 the wet ledge path with a separate track below and a sunrise. Panel 2 hangs the hoop on a riveted iron plate; panel 5 gives Lia a large physical round shield; panel 6 shows a walled town with towers on the far ridge. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 6
}
},
{
"id": "s7",
"n": 7,
"title": "거점의 서명",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-3-p-42",
"n": 42,
"text": "거점은 낮은 지붕과 굴뚝 연기였다. 문이 열리고, 기다린 사람이 약 상자의 봉인을 확인했다. 장부 옆에 빈 약장이 놓여 있었다. 봉인을 뜯지 않은 채 상자만 넘겨도 대기 줄이 움직였다. 상자가 바닥에 내려놓이자 마렌이 잃은 물건 수를 세다 말을 끊고, 숨을 길게 내쉬었다."
},
{
"id": "ch-3-p-43",
"n": 43,
"text": "“도착했습니다. 기름은 못 가져왔고, 밀가루는 하나만 남았습니다. 약은 그대로예요.”"
},
{
"id": "ch-3-p-44",
"n": 44,
"text": "받는 사람이 길잡이 표식을 확인하고 장부에 줄을 그었다. 첫 공동 의뢰의 끝은 박수보다 서명에 가까웠다. 도윤이 이름을 적고, 남은 사람 수를 세듯 세 사람을 돌아보았다."
},
{
"id": "ch-3-p-45",
"n": 45,
"text": "마렌이 장갑을 벗고 손가락을 접었다. 기름, 밀가루, 줄, 쇠테. 넷을 세다 다섯에서 멈추고 입을 다물었다."
},
{
"id": "ch-3-p-46",
"n": 46,
"text": "“별거 아닙니다. 다시 벌면…….”"
},
{
"id": "ch-3-p-47",
"n": 47,
"text": "그녀는 그 다음을 잇지 않았다."
},
{
"id": "ch-3-p-48",
"n": 48,
"text": "“약은 들어갔으니까.”"
}
],
"pFrom": 42,
"pTo": 48,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep03-s7.webp",
"blocking": 2,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸 캡션: “길잡이 표식을” → “길잡이 표석을”. 표식이 돌 표지로 바뀜.",
"en": "Panel 3 caption renders '길잡이 표식을' (p44) as '길잡이 표석을', changing 'mark' to 'stone marker'; the verbatim requirement is not met."
},
{
"severity": "blocking",
"layer": "pipeline",
"layerLabel": "파이프라인(참조·지시)",
"ko": "1칸 배경: 산등성이 위 탑 있는 성곽 도시. 낮은 지붕과 굴뚝 연기만 허용(p42). 참조 이미지 유도.",
"en": "Panel 1 background places a towered castle-town on the mountain ridge behind the outpost; the plan explicitly forbids adding towers or a walled town beyond low roofs and chimney smoke (p42)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸 “남았습니다”에 잡획 하나, 5칸 “벌면…….”에 마침표 하나 추가. 읽히지만 정확 렌더링 아님.",
"en": "Panel 2 balloon has a stray horizontal stroke inside '남았습니다', and panel 5 has an extra period after the ellipsis in '다시 벌면…….'; both are legible but not clean verbatim lettering."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 도윤이 장부만 봄. 세 사람을 돌아보는 동작(p44)이 별도 비트로 없음.",
"en": "Panel 3 shows Doyun still looking down at the ledger while writing; the turn to look at three people (p44) is not shown as a distinct beat."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 길잡이 표식이 책상 위 돌판으로 그려짐. 원문은 위치 미지정. 창작 소품.",
"en": "Panel 3 draws the pathfinder mark as a carved stone tablet placed on the desk; the source does not locate the mark, so this is an invented host object, though not a decoded map."
}
],
"textsTotal": 7,
"textsOk": 7,
"timings": {
"planS": [
158
],
"preflightS": [
232
],
"imageS": 52,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1443,
"plan": {
"intent": "The reader should feel the first joint job close as a handoff and a ledger line, not a cheer. A sealed medicine box is enough to move a waiting line, while Maren’s losses stay a count she cannot finish calling small. Doyun treats the people still there the way he treats a remaining headcount.",
"staging": "This excerpt reaches the outpost: low roofs and chimney smoke, not the rock passage. A door can open onto a space that holds a ledger, an empty medicine cabinet beside that ledger, a waiting line, and a floor where the medicine box can be set down. The box keeps its seal; the seal is checked and the box is handed over unopened. Do not show oil, extra flour, rope, or the iron hoop as cargo still in hand; they exist only in the count. Maren can remove gloves and fold fingers. A receiving person can check a pathfinder mark and draw a line in the ledger. Doyun can write a name and turn to look at three people. Keep clothing, faces, and the medicine box consistent with the supplied previous scene. Do not add towers, a walled town, applause, a second time of day, or a return to chains. Leave unspecified: cameras, panel rectangles, whether the waiting person and the receiving person are the same body, where the pathfinder mark sits, whose name is written, who the three people are, who set the box down, interior architecture beyond the named objects, daylight beyond coherence with chimney smoke, and whether Bori is on-panel.",
"uncertainties": [
"The speakers of text-2, text-5, and text-7 are unnamed in ch-3-p-43, ch-3-p-46, and ch-3-p-48; the c4 ids are lettering placeholders, not source identifications. Do not lock those lines to a confirmed mouth.",
"ch-3-p-42 names a waiting person and ch-3-p-44 names a receiving person; the source does not say they are the same person or two people.",
"Who sets the box on the floor in ch-3-p-42 is unnamed.",
"The pathfinder mark in ch-3-p-44 has no named location, color, maker, or meaning; show a mark that can be checked, not a decoded map.",
"Whose name Doyun writes in ch-3-p-44 is unnamed.",
"The three people Doyun looks at in ch-3-p-44 are unnamed; do not invent a roll call or force unmentioned business onto anyone.",
"The fifth item in Maren’s count in ch-3-p-45 is unnamed; she stops at five with her mouth closed. Do not invent the missing object.",
"Oil, flour beyond the one remaining named in text-2, rope, and the iron hoop are lost or absent as delivered cargo; do not restage them on the floor as recovered goods.",
"The waiting line’s size and who stands in it are unnamed beyond the fact that it moves.",
"Time of day is unnamed in this excerpt; keep light coherent with chimney smoke and do not jump to night or a later hour.",
"Bori is unnamed in these units; presence or absence is not a source fact.",
"The comparison to applause in ch-3-p-44 is not an applause event; do not draw a crowd clapping.",
"Low roofs and chimney smoke do not name a town of towers, battlements, or a large village; do not expand the outpost past what the units show."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-3-p-42",
"kind": "caption",
"speaker": "narrator",
"text": "거점은 낮은 지붕과 굴뚝 연기였다. 문이 열리고, 기다린 사람이 약 상자의 봉인을 확인했다. 장부 옆에 빈 약장이 놓여 있었다. 봉인을 뜯지 않은 채 상자만 넘겨도 대기 줄이 움직였다. 상자가 바닥에 내려놓이자 마렌이 잃은 물건 수를 세다 말을 끊고, 숨을 길게 내쉬었다."
},
{
"id": "text-2",
"sourceId": "ch-3-p-43",
"kind": "dialogue",
"speaker": "c4",
"text": "“도착했습니다. 기름은 못 가져왔고, 밀가루는 하나만 남았습니다. 약은 그대로예요.”"
},
{
"id": "text-3",
"sourceId": "ch-3-p-44",
"kind": "caption",
"speaker": "narrator",
"text": "받는 사람이 길잡이 표식을 확인하고 장부에 줄을 그었다. 첫 공동 의뢰의 끝은 박수보다 서명에 가까웠다. 도윤이 이름을 적고, 남은 사람 수를 세듯 세 사람을 돌아보았다."
},
{
"id": "text-4",
"sourceId": "ch-3-p-45",
"kind": "caption",
"speaker": "narrator",
"text": "마렌이 장갑을 벗고 손가락을 접었다. 기름, 밀가루, 줄, 쇠테. 넷을 세다 다섯에서 멈추고 입을 다물었다."
},
{
"id": "text-5",
"sourceId": "ch-3-p-46",
"kind": "dialogue",
"speaker": "c4",
"text": "“별거 아닙니다. 다시 벌면…….”"
},
{
"id": "text-6",
"sourceId": "ch-3-p-47",
"kind": "caption",
"speaker": "narrator",
"text": "그녀는 그 다음을 잇지 않았다."
},
{
"id": "text-7",
"sourceId": "ch-3-p-48",
"kind": "dialogue",
"speaker": "c4",
"text": "“약은 들어갔으니까.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-3-p-42"
],
"action": "The outpost is low roofs and chimney smoke; a door opens; a waiting person checks the medicine-box seal; an empty medicine cabinet sits beside a ledger; handing over only the unopened box moves the waiting line; when the box is set on the floor, Maren counts lost items, breaks off speaking, and lets out a long breath.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-3-p-43"
],
"action": "The spoken line recorded as text-2 occurs as the arrival report of missing oil, one remaining flour, and medicine unchanged.",
"textIds": [
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-3-p-44"
],
"action": "The receiving person checks a pathfinder mark and draws a line in the ledger; the first joint commission ends closer to a signature than applause; Doyun writes a name and looks around at three people as if counting remaining people.",
"textIds": [
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-3-p-45"
],
"action": "Maren takes off gloves and folds her fingers; the count names oil, flour, rope, and iron hoop; she counts four, stops at five, and closes her mouth.",
"textIds": [
"text-4"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-3-p-46",
"ch-3-p-47"
],
"action": "The spoken line recorded as text-5 occurs; she does not continue after that.",
"textIds": [
"text-5",
"text-6"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-3-p-48"
],
"action": "The spoken line recorded as text-7 occurs.",
"textIds": [
"text-7"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-3-p-42"
],
"statement": "The outpost is low roofs and chimney smoke."
},
{
"id": "fact-2",
"sourceIds": [
"ch-3-p-42"
],
"statement": "A door opened."
},
{
"id": "fact-3",
"sourceIds": [
"ch-3-p-42"
],
"statement": "A person who had been waiting checked the seal of the medicine box."
},
{
"id": "fact-4",
"sourceIds": [
"ch-3-p-42"
],
"statement": "An empty medicine cabinet sat beside a ledger."
},
{
"id": "fact-5",
"sourceIds": [
"ch-3-p-42"
],
"statement": "Handing over only the box without breaking the seal made the waiting line move."
},
{
"id": "fact-6",
"sourceIds": [
"ch-3-p-42"
],
"statement": "When the box was set on the floor, Maren counted lost items, broke off speaking, and let out a long breath."
},
{
"id": "fact-7",
"sourceIds": [
"ch-3-p-43"
],
"statement": "The spoken line recorded as text-2 occurs."
},
{
"id": "fact-8",
"sourceIds": [
"ch-3-p-44"
],
"statement": "The receiving person checked a pathfinder mark and drew a line in the ledger."
},
{
"id": "fact-9",
"sourceIds": [
"ch-3-p-44"
],
"statement": "The end of the first joint commission was closer to a signature than to applause."
},
{
"id": "fact-10",
"sourceIds": [
"ch-3-p-44"
],
"statement": "Doyun wrote a name."
},
{
"id": "fact-11",
"sourceIds": [
"ch-3-p-44"
],
"statement": "Doyun looked around at three people as if counting remaining people."
},
{
"id": "fact-12",
"sourceIds": [
"ch-3-p-45"
],
"statement": "Maren took off gloves and folded her fingers."
},
{
"id": "fact-13",
"sourceIds": [
"ch-3-p-45"
],
"statement": "The count named oil, flour, rope, and iron hoop."
},
{
"id": "fact-14",
"sourceIds": [
"ch-3-p-45"
],
"statement": "She counted four, stopped at five, and closed her mouth."
},
{
"id": "fact-15",
"sourceIds": [
"ch-3-p-46"
],
"statement": "The spoken line recorded as text-5 occurs."
},
{
"id": "fact-16",
"sourceIds": [
"ch-3-p-47"
],
"statement": "She did not continue after that."
},
{
"id": "fact-17",
"sourceIds": [
"ch-3-p-48"
],
"statement": "The spoken line recorded as text-7 occurs."
}
]
},
"brief": {
"style": "Full-color finished fantasy comic with expressive ink lines and adult cast; keep faces, clothing, and sealed medicine box consistent with the previous scene.",
"moments": [
{
"sourceIds": [
"ch-3-p-42"
],
"action": "Low-roof outpost with chimney smoke. A sealed medicine box rests on the floor beside a ledger and empty cabinet. A waiting person checks the seal as a line shifts. Maren exhales, her count broken.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-3-p-43"
],
"action": "Inside the outpost, the arrival report is spoken: oil not brought, only one flour remaining, medicine unchanged.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-3-p-44"
],
"action": "A receiving person checks a pathfinder mark and draws a ledger line. Doyun has written a name and looks around at three people as if counting who remains.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-3-p-45"
],
"action": "Maren, gloves removed, folds her fingers in a silent count of four, then stops at five with her mouth closed.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-3-p-46",
"ch-3-p-47",
"ch-3-p-48"
],
"action": "After the unfinished nothing-line, she does not continue that sentence; then the medicine-went-in line is spoken, still in the outpost.",
"textIds": [
"text-5",
"text-6",
"text-7"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s6 r1): Lia keeps chestnut bob, amber eyes, sand jacket; Doyun keeps black hair, grey eyes, green hooded coat; Maren keeps red curls, freckles, white shirt, brick vest and gloves; Bori is the cream marten; the strapped medicine box is the same chest."
},
"setting": {
"passed": true,
"evidence": "The excerpt reaches the outpost and the image shows a low stone-and-timber building with chimney smoke, then an interior with ledger, shelves and a waiting line; daylight coherent with smoke. The far background adds a towered town on the ridge, noted below."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with the stone wall seen at shoulder-height sun; this scene opens at the outpost door with the sealed box being checked and Maren exhaling, matching p42."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "거점은 낮은 지붕과 굴뚝 연기였다. 문이 열리고, 기다린 사람이 약 상자의 봉인을 확인했다. 장부 옆에 빈 약장이 놓여 있었다. 봉인을 뜯지 않은 채 상자만 넘겨도 대기 줄이 움직였다. 상자가 바닥에 내려놓이자 마렌이 잃은 물건 수를 세다 말을 끊고, 숨을 길게 내쉬었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-right caption; exact text over five lines (verified on an enlarged crop)."
},
{
"id": "text-2",
"observedText": "“도착했습니다. 기름은 못 가져왔고, 밀가루는 하나만 남았습ㅡ니다. 약은 그대로예요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with tail to Maren; text matches except a stray dash-like stroke rendered between '습' and '니' (verified on an enlarged crop). The source names no speaker; c4 is a placeholder."
},
{
"id": "text-3",
"observedText": "받는 사람이 길잡이 표석을 확인하고 장부에 줄을 그었다. 첫 공동 의뢰의 끝은 박수보다 서명에 가까웠다. 도윤이 이름을 적고, 남은 사람 수를 세듯 세 사람을 돌아보았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-left caption; '표식을' is rendered as '표석을' (verified on an enlarged crop); the rest is exact."
},
{
"id": "text-4",
"observedText": "마렌이 장갑을 벗고 손가락을 접었다. 기름, 밀가루, 줄, 쇠테. 넷을 세다 다섯에서 멈추고 입을 다물었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 top-left caption over Maren folding her fingers with gloves on the table; exact text."
},
{
"id": "text-5",
"observedText": "“별거 아닙니다. 다시 벌면……..”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 upper balloon with tail to Maren; the ellipsis is followed by two periods instead of one; otherwise exact."
},
{
"id": "text-6",
"observedText": "그녀는 그 다음을 잇지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 middle caption; exact text."
},
{
"id": "text-7",
"observedText": "“약은 들어갔으니까.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 lower balloon with tail to Maren looking down at the box; exact text; c4 is a placeholder."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s6 image. Five bordered panels: three full-width rows, then one row of two; read left to right, top to bottom, matching the resolved count. Five of seven texts are verbatim; text-3 has one syllable changed and text-2 and text-5 carry small glyph or punctuation artifacts. Panel 1 shows the low-roofed outpost with chimney smoke, a line of people inside the door and a man checking the tagged seal on the box; panel 2 the receiver with ledger and empty shelves; panel 3 a stone tablet with the forked arrow beside the ledger as Doyun writes; panel 4 Maren's bare fingers counting; panel 5 the two lines and the caption. No oil, rope or hoop shown as cargo; no applause. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 5
}
},
{
"id": "s8",
"n": 8,
"title": "같은 손의 조각",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-3-p-49",
"n": 49,
"text": "조끼 안주머니에서 접힌 가죽 조각이 나왔다. 다음 구간 길이었다. 끊긴 자리에 같은 손이 있었다. 두 갈래 화살표, 짧은 선. 가장자리는 닳아 있었고, 화살표의 꺾인 각이 벽의 것과 같았다. 짧은 선의 깊이도 같았다."
},
{
"id": "ch-3-p-50",
"n": 50,
"text": "리아의 시선이 그 선에서 멈췄다. 그 손을 알아보는 이유는 입에 올리지 않았다. 말하면 길이 다시 자기 것이 될 것 같았다. 도윤이 그 얼굴을 보았지만, 이번에는 이름을 묻지 않았다."
},
{
"id": "ch-3-p-51",
"n": 51,
"text": "“리아.”"
},
{
"id": "ch-3-p-52",
"n": 52,
"text": "마렌이 가죽 모서리를 문질렀다."
},
{
"id": "ch-3-p-53",
"n": 53,
"text": "“이 조각, 동쪽 다음으로 넘어가는 길입니다. 혼자 가면 또 막혀요. 같이 가겠다면, 짐은 제가 맞출게요.”"
},
{
"id": "ch-3-p-54",
"n": 54,
"text": "리아가 손목을 움직여 보았다. 저림이 남아 있었다. 새긴 손은 말하지 않았고, 사슬을 박은 자도 아직 벽에 없었다."
},
{
"id": "ch-3-p-55",
"n": 55,
"text": "“같이 가요, 마렌 씨. 다음이 어디로 붙는지만 먼저 봐요.”"
},
{
"id": "ch-3-p-56",
"n": 56,
"text": "도윤이 칼집을 한 번 쓸고 끄덕였다. 가방 속에서 보리가 작게 울었다. 꾸. 반대하지 않는 소리였다."
},
{
"id": "ch-3-p-57",
"n": 57,
"text": "거점 뒤편으로 길이 이어져 있었다. 같은 표식이 그 입구 돌에도 희미했다."
}
],
"pFrom": 49,
"pTo": 57,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep03-s8.webp",
"blocking": 3,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸 캡션: “이어져 있었다” → “이여져 있었다”.",
"en": "Panel 5 caption renders '길이 이어져 있었다' (p57) as '길이 이여져 있었다'; the verbatim requirement is not met."
},
{
"severity": "blocking",
"layer": "adapt",
"layerLabel": "각색 호스트",
"ko": "1칸: 가죽 조각에 손바닥 자국이 찍힘. “같은 손이 있었다”(p49)는 같은 사람 솜씨라는 뜻. 각색 계획이 “a hand”로 오독.",
"en": "Panel 1 stamps a literal palm print on the leather scrap; '끊긴 자리에 같은 손이 있었다' (p49) means the same maker's hand, not a handprint, so the image invents a glyph that changes the source's meaning."
},
{
"severity": "blocking",
"layer": "pipeline",
"layerLabel": "파이프라인(참조·지시)",
"ko": "5칸 배경: 다시 탑 있는 성곽 도시. 계획은 탑·성곽 도시 금지(p57). 참조 이미지 유도.",
"en": "Panel 5 background shows a towered walled town on the ridge behind the rear path; the plan explicitly forbids adding towers or a walled town (p57 names only a path and an entrance stone)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 입구 돌의 표식이 크고 선명. 원문은 희미했다(p57).",
"en": "Panel 5 carves the entrance-stone mark boldly and large; p57 describes the same mark as faint (희미했다)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3·4칸: 마렌이 따뜻하게 미소. 원문 어조는 담담.",
"en": "Panels 3 and 4 give Maren a warm smile while offering to match the loads; the source tone is plain and unemphatic, so the expression is softer than the text."
}
],
"textsTotal": 11,
"textsOk": 11,
"timings": {
"planS": [
173
],
"preflightS": [
245
],
"imageS": 50,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1446,
"plan": {
"intent": "The reader should feel a finished delivery reopen through a scrap of leather, not through a confession. Lia recognizes a hand on the fragment and keeps the reason unsaid so the road does not become hers alone. Maren turns that scrap into a shared crossing and offers to match the loads. Doyun answers with a scabbard and a nod instead of a name. A small cry from the bag does not block them. The first attach point is only the path behind the outpost.",
"staging": "This excerpt stays at the outpost reached in the previous scene, then reaches a path behind that outpost. A vest with an inner pocket can yield a folded leather piece. The piece can show a broken place with a hand, a two-pronged arrow, a short line, and a worn edge. Those marks can be seen well enough to compare bent angle and line depth with a wall mark; do not move the scene to the rusted-chain rock passage to stage that likeness. Lia can look at the short line. Doyun can see her face. Maren can rub the leather corner while the piece is in play. Lia can move a wrist. Doyun has a scabbard he can sweep. A bag is present; Bori can remain inside it and cry from there. Behind the outpost a path continues; an entrance stone can carry a faint mark of the same kind. Keep faces, clothing, and packs consistent with the supplied previous scene. Do not add towers, a walled town, a second time of day, applause, decoded map notes, or a return to chains. Leave unspecified: cameras, panel rectangles, whose vest, who draws the piece out, whether the compared wall is on-panel, which wall still lacks the chain-driver, whose bag, whether anyone steps onto the rear path, and interior versus yard as long as the outpost and its rear path remain the place.",
"uncertainties": [
"ch-3-p-49 does not name whose vest it is or whose hand draws the piece out.",
"The wall used for the angle and depth match in ch-3-p-49 is unnamed as a present location; likeness is a fact, not a license to restage the chained rock passage.",
"What the hand on the piece is the same as, beyond the source's claim of sameness, is unnamed; do not letter a guessed identity.",
"The speaker of text-3 is unnamed in ch-3-p-51; the c4 id is a lettering placeholder, not a source identification.",
"The speaker of text-5 is unnamed in ch-3-p-53; ch-3-p-52 names Maren rubbing the corner immediately before; the c4 id remains a lettering placeholder.",
"The speaker of text-7 is unnamed in ch-3-p-55; ch-3-p-54 names Lia immediately before and the line addresses Maren; the c1 id is a lettering placeholder, not a locked mouth.",
"The name Doyun does not ask in ch-3-p-50 is unnamed; do not invent lettering for it.",
"Which wall still lacks the chain-driver in ch-3-p-54 is unnamed.",
"The one who drove in the chains is unnamed and absent; do not invent a face or put that person on the wall.",
"Whose bag holds Bori in ch-3-p-56 is unnamed.",
"ch-3-p-57 says the path continues behind the outpost; it does not say anyone walks it in this excerpt.",
"Time of day is unnamed; keep light coherent with the prior outpost and do not jump to night or a later hour."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-3-p-49",
"kind": "caption",
"speaker": "narrator",
"text": "조끼 안주머니에서 접힌 가죽 조각이 나왔다. 다음 구간 길이었다. 끊긴 자리에 같은 손이 있었다. 두 갈래 화살표, 짧은 선. 가장자리는 닳아 있었고, 화살표의 꺾인 각이 벽의 것과 같았다. 짧은 선의 깊이도 같았다."
},
{
"id": "text-2",
"sourceId": "ch-3-p-50",
"kind": "caption",
"speaker": "narrator",
"text": "리아의 시선이 그 선에서 멈췄다. 그 손을 알아보는 이유는 입에 올리지 않았다. 말하면 길이 다시 자기 것이 될 것 같았다. 도윤이 그 얼굴을 보았지만, 이번에는 이름을 묻지 않았다."
},
{
"id": "text-3",
"sourceId": "ch-3-p-51",
"kind": "dialogue",
"speaker": "c4",
"text": "“리아.”"
},
{
"id": "text-4",
"sourceId": "ch-3-p-52",
"kind": "caption",
"speaker": "narrator",
"text": "마렌이 가죽 모서리를 문질렀다."
},
{
"id": "text-5",
"sourceId": "ch-3-p-53",
"kind": "dialogue",
"speaker": "c4",
"text": "“이 조각, 동쪽 다음으로 넘어가는 길입니다. 혼자 가면 또 막혀요. 같이 가겠다면, 짐은 제가 맞출게요.”"
},
{
"id": "text-6",
"sourceId": "ch-3-p-54",
"kind": "caption",
"speaker": "narrator",
"text": "리아가 손목을 움직여 보았다. 저림이 남아 있었다. 새긴 손은 말하지 않았고, 사슬을 박은 자도 아직 벽에 없었다."
},
{
"id": "text-7",
"sourceId": "ch-3-p-55",
"kind": "dialogue",
"speaker": "c1",
"text": "“같이 가요, 마렌 씨. 다음이 어디로 붙는지만 먼저 봐요.”"
},
{
"id": "text-8",
"sourceId": "ch-3-p-56",
"kind": "caption",
"speaker": "narrator",
"text": "도윤이 칼집을 한 번 쓸고 끄덕였다. 가방 속에서 보리가 작게 울었다."
},
{
"id": "text-9",
"sourceId": "ch-3-p-56",
"kind": "sfx",
"speaker": "c3",
"text": "꾸."
},
{
"id": "text-10",
"sourceId": "ch-3-p-56",
"kind": "caption",
"speaker": "narrator",
"text": "반대하지 않는 소리였다."
},
{
"id": "text-11",
"sourceId": "ch-3-p-57",
"kind": "caption",
"speaker": "narrator",
"text": "거점 뒤편으로 길이 이어져 있었다. 같은 표식이 그 입구 돌에도 희미했다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-3-p-49"
],
"action": "A folded leather piece comes out of a vest inner pocket as the next section of the road; at the broken place is the same hand, a two-pronged arrow and a short line; the edge is worn, and the arrow's bent angle and the short line's depth match the wall's.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-3-p-50"
],
"action": "Lia's gaze stops on the short line; she does not speak the reason she recognizes the hand, because speaking feels as if the road would become hers again; Doyun sees that face and this time does not ask the name.",
"textIds": [
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-3-p-51",
"ch-3-p-52",
"ch-3-p-53"
],
"action": "The spoken line recorded as text-3 occurs; Maren rubs the leather corner; the spoken line recorded as text-5 offers the piece as the road past the east, warns that going alone will be blocked again, and offers to match the loads if they go together.",
"textIds": [
"text-3",
"text-4",
"text-5"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-3-p-54"
],
"action": "Lia moves her wrist; numbness remains; the carved hand does not speak, and the one who drove in the chains is still not on the wall.",
"textIds": [
"text-6"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-3-p-55"
],
"action": "The spoken line recorded as text-7 accepts going together and limits the first step to seeing where the next piece attaches.",
"textIds": [
"text-7"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-3-p-56"
],
"action": "Doyun sweeps the scabbard once and nods; Bori cries softly from inside a bag; the cry recorded as text-9 is a sound that does not oppose.",
"textIds": [
"text-8",
"text-9",
"text-10"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-3-p-57"
],
"action": "A path continues behind the outpost, and the same mark is faint on the stone at that entrance.",
"textIds": [
"text-11"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-3-p-49"
],
"statement": "A folded leather piece came out of a vest inner pocket."
},
{
"id": "fact-2",
"sourceIds": [
"ch-3-p-49"
],
"statement": "The piece was the next section of the road."
},
{
"id": "fact-3",
"sourceIds": [
"ch-3-p-49"
],
"statement": "At the broken place on the piece was the same hand."
},
{
"id": "fact-4",
"sourceIds": [
"ch-3-p-49"
],
"statement": "The marks are a two-pronged arrow and a short line."
},
{
"id": "fact-5",
"sourceIds": [
"ch-3-p-49"
],
"statement": "The edge of the piece was worn."
},
{
"id": "fact-6",
"sourceIds": [
"ch-3-p-49"
],
"statement": "The bent angle of the arrow was the same as the one on the wall."
},
{
"id": "fact-7",
"sourceIds": [
"ch-3-p-49"
],
"statement": "The depth of the short line was also the same as the wall's."
},
{
"id": "fact-8",
"sourceIds": [
"ch-3-p-50"
],
"statement": "Lia's gaze stopped on that line."
},
{
"id": "fact-9",
"sourceIds": [
"ch-3-p-50"
],
"statement": "She did not speak the reason she recognized that hand."
},
{
"id": "fact-10",
"sourceIds": [
"ch-3-p-50"
],
"statement": "She felt that if she spoke, the road would become hers again."
},
{
"id": "fact-11",
"sourceIds": [
"ch-3-p-50"
],
"statement": "Doyun saw that face."
},
{
"id": "fact-12",
"sourceIds": [
"ch-3-p-50"
],
"statement": "This time Doyun did not ask the name."
},
{
"id": "fact-13",
"sourceIds": [
"ch-3-p-51"
],
"statement": "The spoken line recorded as text-3 occurs."
},
{
"id": "fact-14",
"sourceIds": [
"ch-3-p-52"
],
"statement": "Maren rubbed the leather corner."
},
{
"id": "fact-15",
"sourceIds": [
"ch-3-p-53"
],
"statement": "The spoken line recorded as text-5 occurs."
},
{
"id": "fact-16",
"sourceIds": [
"ch-3-p-54"
],
"statement": "Lia moved her wrist."
},
{
"id": "fact-17",
"sourceIds": [
"ch-3-p-54"
],
"statement": "Numbness remained in that wrist."
},
{
"id": "fact-18",
"sourceIds": [
"ch-3-p-54"
],
"statement": "The carved hand did not speak."
},
{
"id": "fact-19",
"sourceIds": [
"ch-3-p-54"
],
"statement": "The one who drove in the chains was still not on the wall."
},
{
"id": "fact-20",
"sourceIds": [
"ch-3-p-55"
],
"statement": "The spoken line recorded as text-7 occurs."
},
{
"id": "fact-21",
"sourceIds": [
"ch-3-p-56"
],
"statement": "Doyun swept the scabbard once and nodded."
},
{
"id": "fact-22",
"sourceIds": [
"ch-3-p-56"
],
"statement": "From inside a bag, Bori cried softly."
},
{
"id": "fact-23",
"sourceIds": [
"ch-3-p-56"
],
"statement": "The cry recorded as text-9 occurs."
},
{
"id": "fact-24",
"sourceIds": [
"ch-3-p-56"
],
"statement": "That cry was a sound that did not oppose."
},
{
"id": "fact-25",
"sourceIds": [
"ch-3-p-57"
],
"statement": "A path continued behind the outpost."
},
{
"id": "fact-26",
"sourceIds": [
"ch-3-p-57"
],
"statement": "The same mark was faint on the stone at that path's entrance."
}
]
},
"brief": {
"style": "Full-color fantasy webtoon, expressive ink, adult travelers matching the prior outpost scene, low roofs, a small marten still inside a bag.",
"moments": [
{
"sourceIds": [
"ch-3-p-49"
],
"action": "A folded worn leather scrap is out of a vest inner pocket, its broken place showing a hand, two-pronged arrow, and short line.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-3-p-50"
],
"action": "Lia stares at the short line on the scrap. Doyun watches her face and does not ask a name.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-3-p-51",
"ch-3-p-52",
"ch-3-p-53"
],
"action": "Maren rubs the leather corner while the scrap stays in play.",
"textIds": [
"text-3",
"text-4",
"text-5"
]
},
{
"sourceIds": [
"ch-3-p-54",
"ch-3-p-55"
],
"action": "Lia flexes her wrist with remaining numbness as she faces Maren.",
"textIds": [
"text-6",
"text-7"
]
},
{
"sourceIds": [
"ch-3-p-56",
"ch-3-p-57"
],
"action": "Doyun sweeps the scabbard once and nods beside a bag. Behind the outpost a path continues; the entrance stone bears a faint same mark.",
"textIds": [
"text-8",
"text-9",
"text-10",
"text-11"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the previous scene image (s7 r1): Lia keeps chestnut bob, amber eyes, freckles, sand jacket and fingerless gloves; Doyun keeps black hair, grey eyes, green hooded coat, rope and sword; Maren keeps red curls, freckles, white shirt, brick vest and gloves; Bori is the cream marten in the brown bag."
},
"setting": {
"passed": true,
"evidence": "Panels 1-4 stay inside the timber outpost with lantern light and shelves from the previous scene; panel 5 is the rear path behind the outpost with a fence and entrance stone, in the same daylight. The far background again shows a towered town, noted below."
},
"actionTransition": {
"passed": true,
"evidence": "Previous scene ended with Maren's '약은 들어갔으니까' over the delivered box; this scene opens with the leather scrap drawn from a vest pocket and compared, matching p49."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "조끼 안주머니에서 접힌 가죽 조각이 나왔다. 다음 구간 길이었다. 끊긴 자리에 같은 손이 있었다. 두 갈래 화살표, 짧은 선. 가장자리는 닳아 있었고, 화살표의 꺾인 각이 벽의 것과 같았다. 짧은 선의 깊이도 같았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption over the leather scrap; exact text (verified on an enlarged crop)."
},
{
"id": "text-2",
"observedText": "리아의 시선이 그 선에서 멈췄다. 그 손을 알아보는 이유는 입에 올리지 않았다. 말하면 길이 다시 자기 것이 될 것 같았다. 도윤이 그 얼굴을 보았지만, 이번에는 이름을 묻지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 top-left caption over Lia holding the scrap with Doyun watching her face; exact text (verified on an enlarged crop)."
},
{
"id": "text-3",
"observedText": "“리아.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with tail to Maren; exact text; c4 is a placeholder."
},
{
"id": "text-4",
"observedText": "마렌이 가죽 모서리를 문질렀다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-left caption over Maren's gloved fingers on the scrap's corner; exact text."
},
{
"id": "text-5",
"observedText": "“이 조각, 동쪽 다음으로 넘어가는 길입니다. 혼자 가면 또 막혀요. 같이 가겠다면, 짐은 제가 맞출게요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 right balloon with tail to Maren; exact text (verified on an enlarged crop)."
},
{
"id": "text-6",
"observedText": "리아가 손목을 움직여 보았다. 저림이 남아 있었다. 새긴 손은 말하지 않았고, 사슬을 박은 자도 아직 벽에 없었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 top-left caption over Lia flexing her gloved wrist; exact text (verified on an enlarged crop)."
},
{
"id": "text-7",
"observedText": "“같이 가요, 마렌 씨. 다음이 어디로 붙는지만 먼저 봐요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with tail to Lia facing Maren; exact text; c1 is a placeholder consistent with p54-p55."
},
{
"id": "text-8",
"observedText": "도윤이 칼집을 한 번 쓸고 끄덕였다. 가방 속에서 보리가 작게 울었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 top-left caption over Doyun's hand on the scabbard; exact text."
},
{
"id": "text-9",
"observedText": "꾸.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 small balloon with tail into the bag where Bori sits; exact text."
},
{
"id": "text-10",
"observedText": "반대하지 않는 소리였다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 bottom-left caption; exact text."
},
{
"id": "text-11",
"observedText": "거점 뒤편으로 길이 이여져 있었다. 같은 표식이 그 입구 돌에도 희미했다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 bottom-right caption; '이어져' is rendered as '이여져' (verified on an enlarged crop); the rest is exact."
}
],
"evidence": "Opened the actual r1 scene.png and the previous s7 image. Five full-width bordered rows read top to bottom, matching the resolved count. Ten of eleven texts are verbatim; text-11 has one syllable changed. Panel 1 shows the worn leather scrap held in a hand with a forked arrow, a short line and a printed palm; panel 2 Lia's stare at the scrap with Doyun watching; panel 3 Maren rubbing the corner and speaking; panel 4 Lia flexing her wrist as she answers; panel 5 Doyun's hand on the scabbard, Bori in the bag, the rear path with a fence and an entrance stone carrying the forked arrow and line. Same-host visual review by the orchestrating host (Claude Code), not an independent evaluation.",
"observedPanelCount": 5
}
}
]
},
{
"chapter": 4,
"title": "잉크가 장부 위에서 아직 젖어 있었다",
"host": "Grok",
"model": "grok-4.7",
"effort": "high→medium",
"novelHost": "Grok",
"novelModel": "grok-4.7",
"sceneCount": 7,
"panelTotal": 52,
"passCount": 0,
"blockingTotal": 14,
"advisoryTotal": 24,
"blockingByLayer": {
"render": 14
},
"imageCalls": 7,
"imageOk": 7,
"cliCalls": 31,
"cost": {
"novelUsd": 0.82,
"webtoonUsd": 2.23,
"webtoonUsdLow": 2.23,
"estimated": false,
"imageUsd": 0.92,
"imageEstimated": false,
"costsApiUsd": null
},
"note": "소설·아크 2 설계·각색 모두 grok-4.7. 각색은 s1 계획·검증만 reasoning high(계획 ~7분·검증 ~8분), s2부터 medium으로 전환. s1 direction의 일정 문구가 사전 검증을 차단해 발췌 중립 문구로 교체 후 새 워크플로로 시작. 배경 참조 2장 중 1장(ref-outpost)은 3화 참조 재사용, 1장(ref-rear-bend)은 이 run에서 새로 생성(generate, medium).",
"scenes": [
{
"id": "s1",
"n": 1,
"title": "짧은 끈",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-4-p-1",
"n": 1,
"text": "잉크가 장부 위에서 아직 젖어 있었다. 약 상자는 빈 약장 안으로 들어가 봉인째 놓였고, 마렌의 손에는 가죽 조각이 그대로였다. 리아가 방금 한 말, 다음이 어디로 붙는지만 먼저 보자는 그 문장이 마당 공기에 남아 있었다. 거점 뒤편 입구 돌에는 같은 표식이 희미했다."
},
{
"id": "ch-4-p-2",
"n": 2,
"text": "리아가 그쪽으로 한 발을 옮기다 오른손을 펼쳤다. 손가락이 끝까지 열리지 않았다. 방패 끈을 잡으려다 놓쳤고, 저린 손목이 소매 안에서 맥없이 접혔다. 리아는 반대손으로 소매를 끌어내려 그 자리를 가렸다. 턱 아래의 밤색 머리가 귀 뒤로 흘렀다."
},
{
"id": "ch-4-p-3",
"n": 3,
"text": "손목은 세지 않았다."
},
{
"id": "ch-4-p-4",
"n": 4,
"text": "밀가루 자루는 하나, 입구를 접어 마렌의 발치에 서 있었다. 기름통 자리는 젖은 돌 자국뿐이었다. 도윤의 허리춤은 비어 있었다. 줄을 걸던 고리만 남았고, 쇠테가 닿던 가죽은 색이 옅었다. 리아의 가방은 가볍고, 덮개 안 마른 천 위에 보리가 몸을 둥글리고 있었다. 크림색 등만 보였고, 보리는 제 앞발로 덮개 끝을 끌어다 빛 위에 덮었다. 마른 자리를 혼자 지키려는 몸짓이었다."
},
{
"id": "ch-4-p-5",
"n": 5,
"text": "마렌이 조각을 도윤 쪽에 건넸다."
},
{
"id": "ch-4-p-6",
"n": 6,
"text": "“도윤 씨. 돌부터 보세요. 자루는 제가 묶어요.”"
},
{
"id": "ch-4-p-7",
"n": 7,
"text": "장갑을 다시 끼고, 처마 아래 못에 걸린 예비 끈을 빌려 밀가루 자루에 둘렀다. 끈이 짧았다. 당기자 천 모서리가 안으로 패였고, 하얀 먼지가 끈 위로 배어 나왔다."
},
{
"id": "ch-4-p-8",
"n": 8,
"text": "“느슨하면 또 미끄러져요.”"
},
{
"id": "ch-4-p-9",
"n": 9,
"text": "말이 끝나기 전에 한 번 더 당겼다."
}
],
"pFrom": 1,
"pTo": 9,
"panelCount": 10,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep04-s1.webp",
"blocking": 2,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸: 도윤 허리에 둘둘 말린 줄. 원문 p4는 허리춤이 비고 고리만 남음. 3화에서 잃은 줄이 되살아남.",
"en": "Panel 7 shows a full coiled rope hanging from Doyun's belt. ch-4-p-4 states his waist is empty with only the ring that used to hold the rope left, and beat-waist / moment 6 require the empty waist; the lost rope from the previous chapter is drawn back in."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 리아가 표식 돌에 오른손을 활짝 펴 짚음. 원문 p2는 손가락이 끝까지 안 펴지고 방패 끈을 놓치는 장면. 창작 동작.",
"en": "Panel 3 shows Ria crouched with her right hand pressed flat on the marked stone, fingers fully spread. ch-4-p-2 and beat-step have her only moving one foot toward the stone while her right fingers fail to open fully and miss the shield strap; the stone touch is an invented action that contradicts the failed grip the scene is about."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2·3칸: 표식이 선명하게 새겨짐. 원문 p1은 '희미했다'.",
"en": "Panels 2 and 3 carve the forked arrow and short line boldly and clearly on the stone; ch-4-p-1 says the same mark is only faint on the rear-entrance stone."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "8칸: 보리 얼굴이 정면. 원문 p4는 크림색 등만 보이고 앞발로 덮개를 끌어당김.",
"en": "Panel 8 shows Bori's whole face turned to the viewer with the paw on the cover; ch-4-p-4 and moment 7 have only the cream back visible while the paw draws the cover edge over the light."
},
{
"severity": "advisory",
"layer": "adapt",
"layerLabel": "각색 호스트",
"ko": "1·9칸: 가죽 조각이 구멍 뚫린 벨트 끈으로 그려짐. 브리프가 '가죽 조각'만 적고 표식이 있는 지도 조각임을 안 알림.",
"en": "Panels 1 and 9 draw the leather piece as a plain belt strap with punched holes; the source piece is the worn map fragment carrying the same forked mark, so it does not read as the piece Maren hands over."
}
],
"textsTotal": 6,
"textsOk": 6,
"timings": {
"planS": [
325,
413,
556,
351,
677,
381
],
"preflightS": [
493,
655,
424,
424
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 2
},
"imageUsd": 0.1189,
"plan": {
"intent": "A finished full-color fantasy comic with expressive ink lines, an adult cast, and a small cream marten, in damp daylight at the mountain outpost. The reader stays in the quiet hold after the rescue: wet ink, a faint rear mark, Ria's hand missing the shield strap, one flour sack and a wet trace, Bori keeping a dry cloth, and Maren sending Doyun to the stone while she cinches that sack with a strap that is short.",
"staging": "Shared instant: beat-ground and beat-waist, the co-present sack, wet trace, and empty waist in ch-4-p-4, one still whose beats list empty textIds. panelCount 10 places that pair in a single instant and keeps beat-ink, beat-linger, beat-step, beat-fail, beat-hide, beat-bori, beat-pass, beat-wrap, and beat-yank as nine further instants. beat-ink carries only text-ink and already holds the sealed box and the leather in Maren's hand. beat-linger carries only text-linger. beat-step, then beat-fail, then beat-hide stay in that order. beat-bori stays on its own with text-bori. beat-pass carries only the three-clause line text-assign. beat-wrap is the gloved hold after the first pull, and beat-yank is the later pull during text-slip. The leather stays in Maren's hand from beat-ink until beat-pass. Gloves begin at beat-wrap. The spare strap comes from a nail under the eave. Ledger, cabinet, courtyard, and rear-entrance stone are all present, and their distances stay free. The artist chooses framing, panel shapes, and a natural vertical reading order.",
"uncertainties": [
"ch-4-p-1 leaves the distances among the ledger, the medicine cabinet, the courtyard, and the rear-entrance stone unstated. The mark's shape and any design on the leather piece stay unstated.",
"The verb in ch-4-p-3 stays unresolved among strength, severity, and counting. text-wrist is lettered verbatim on beat-hide with that reading left open.",
"ch-4-p-2 establishes the shield strap only through the missed grasp, so its mount stays unstated. The movement is one foot toward the stone. Arrival stays outside the excerpt.",
"ch-4-p-4 leaves unstated whether Ria's bag is worn or set down. The light on the dry cloth is ordinary falling daylight.",
"ch-4-p-5 leaves Doyun's grip unstated. His look toward the stone stays outside the excerpt. beat-pass is the extension together with the spoken assignment.",
"ch-4-p-6 and ch-4-p-8 leave the speaker unnamed. The speaker is c4 because ch-4-p-5 names Maren as she extends the leather, and the tying in ch-4-p-7 through ch-4-p-9 continues that actor.",
"ch-4-p-7 leaves its grammatical subject unnamed. The gloves, the borrowed eave strap, and both pulls continue c4's offer to tie the sack."
],
"texts": [
{
"id": "text-ink",
"sourceId": "ch-4-p-1",
"kind": "caption",
"speaker": "narrator",
"text": "잉크가 장부 위에서 아직 젖어 있었다."
},
{
"id": "text-linger",
"sourceId": "ch-4-p-1",
"kind": "caption",
"speaker": "narrator",
"text": "리아가 방금 한 말, 다음이 어디로 붙는지만 먼저 보자는 그 문장이 마당 공기에 남아 있었다."
},
{
"id": "text-wrist",
"sourceId": "ch-4-p-3",
"kind": "caption",
"speaker": "narrator",
"text": "손목은 세지 않았다."
},
{
"id": "text-bori",
"sourceId": "ch-4-p-4",
"kind": "caption",
"speaker": "narrator",
"text": "마른 자리를 혼자 지키려는 몸짓이었다."
},
{
"id": "text-assign",
"sourceId": "ch-4-p-6",
"kind": "dialogue",
"speaker": "c4",
"text": "도윤 씨. 돌부터 보세요. 자루는 제가 묶어요."
},
{
"id": "text-slip",
"sourceId": "ch-4-p-8",
"kind": "dialogue",
"speaker": "c4",
"text": "느슨하면 또 미끄러져요."
}
],
"beats": [
{
"id": "beat-ink",
"sourceIds": [
"ch-4-p-1"
],
"action": "Wet ink still lies on the ledger while the sealed medicine box rests in the cabinet and the leather piece remains in Maren's hand.",
"textIds": [
"text-ink"
]
},
{
"id": "beat-linger",
"sourceIds": [
"ch-4-p-1"
],
"action": "Ria's just-finished sentence hangs in the courtyard air, and the same mark is faint on the rear-entrance stone.",
"textIds": [
"text-linger"
]
},
{
"id": "beat-step",
"sourceIds": [
"ch-4-p-2"
],
"action": "Ria moves one foot toward the rear-entrance stone while her right fingers stop short of opening fully.",
"textIds": []
},
{
"id": "beat-fail",
"sourceIds": [
"ch-4-p-2"
],
"action": "Her right hand misses the shield strap, and her numb wrist folds limply inside the sleeve.",
"textIds": []
},
{
"id": "beat-hide",
"sourceIds": [
"ch-4-p-2",
"ch-4-p-3"
],
"action": "Her opposite hand draws the sleeve down over the wrist as the dark brown hair under her chin slips behind her ear.",
"textIds": [
"text-wrist"
]
},
{
"id": "beat-ground",
"sourceIds": [
"ch-4-p-4"
],
"action": "One folded-mouth flour sack stands at Maren's feet, and only a wet stone trace remains where the oil container stood.",
"textIds": []
},
{
"id": "beat-waist",
"sourceIds": [
"ch-4-p-4"
],
"action": "Doyun's waist is empty, with the rope ring still there and the leather pale where a metal rim rested.",
"textIds": []
},
{
"id": "beat-bori",
"sourceIds": [
"ch-4-p-4"
],
"action": "Inside Ria's light bag, Bori's cream back stays curled on dry cloth while one front paw draws the cover edge over the falling light.",
"textIds": [
"text-bori"
]
},
{
"id": "beat-pass",
"sourceIds": [
"ch-4-p-5",
"ch-4-p-6"
],
"action": "Maren extends the leather piece toward Doyun as she speaks.",
"textIds": [
"text-assign"
]
},
{
"id": "beat-wrap",
"sourceIds": [
"ch-4-p-7"
],
"action": "Maren's gloved hands hold a short strap around the flour sack, a cloth corner dented inward and white dust on the strap.",
"textIds": []
},
{
"id": "beat-yank",
"sourceIds": [
"ch-4-p-8",
"ch-4-p-9"
],
"action": "Maren pulls that short strap once more while the warning is still unfinished.",
"textIds": [
"text-slip"
]
}
],
"facts": [
{
"id": "fact-ink",
"sourceIds": [
"ch-4-p-1"
],
"statement": "Ink is still wet on the ledger."
},
{
"id": "fact-box",
"sourceIds": [
"ch-4-p-1"
],
"statement": "The medicine box has been set, still sealed, inside the medicine cabinet."
},
{
"id": "fact-leather",
"sourceIds": [
"ch-4-p-1"
],
"statement": "The leather piece remains in Maren's hand until she extends it."
},
{
"id": "fact-linger",
"sourceIds": [
"ch-4-p-1"
],
"statement": "A sentence Ria has just finished still hangs in the courtyard air."
},
{
"id": "fact-mark",
"sourceIds": [
"ch-4-p-1"
],
"statement": "The same mark is faint on the stone at the outpost's rear entrance."
},
{
"id": "fact-step",
"sourceIds": [
"ch-4-p-2"
],
"statement": "Ria moves one foot toward that stone while her right fingers stop short of opening fully."
},
{
"id": "fact-miss",
"sourceIds": [
"ch-4-p-2"
],
"statement": "Her right hand misses the shield strap, and the numb wrist folds limply inside the sleeve."
},
{
"id": "fact-hide",
"sourceIds": [
"ch-4-p-2"
],
"statement": "Her opposite hand draws the sleeve down over that place, and the dark brown hair under her chin slips behind her ear."
},
{
"id": "fact-sack",
"sourceIds": [
"ch-4-p-4"
],
"statement": "One flour sack stands at Maren's feet with its mouth folded."
},
{
"id": "fact-oil",
"sourceIds": [
"ch-4-p-4"
],
"statement": "Where the oil container stood, only a wet trace remains on the stone."
},
{
"id": "fact-waist",
"sourceIds": [
"ch-4-p-4"
],
"statement": "Doyun's waist is empty. The ring that held the rope remains, and the leather where a metal rim rested is pale."
},
{
"id": "fact-bori",
"sourceIds": [
"ch-4-p-4"
],
"statement": "Ria's bag is light. Bori is curled on dry cloth under the cover, cream back visible, and one front paw draws the cover edge over the falling light."
},
{
"id": "fact-pass",
"sourceIds": [
"ch-4-p-5"
],
"statement": "Maren extends the leather piece toward Doyun."
},
{
"id": "fact-strap",
"sourceIds": [
"ch-4-p-7"
],
"statement": "Gloves go back on. A spare strap is borrowed from a nail under the eave and looped around the flour sack. The strap is short. The pull dents a cloth corner inward, and white dust comes through onto the strap."
},
{
"id": "fact-yank",
"sourceIds": [
"ch-4-p-9"
],
"statement": "The strap is pulled once more before that warning finishes."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines, adult cast, small cream marten, damp daylight at a mountain outpost.",
"moments": [
{
"sourceIds": [
"ch-4-p-1"
],
"action": "Wet ink remains on the ledger, a sealed medicine box rests alone in the cabinet, and Maren's bare hand holds a leather piece.",
"textIds": [
"text-ink"
]
},
{
"sourceIds": [
"ch-4-p-1"
],
"action": "A faint mark shows on the stone at the outpost rear entrance.",
"textIds": [
"text-linger"
]
},
{
"sourceIds": [
"ch-4-p-2"
],
"action": "Ria moves one foot toward the rear-entrance stone, her right fingers short of opening fully.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-2"
],
"action": "Ria's right hand is short of the shield strap, her numb wrist folded limply inside the sleeve.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-2",
"ch-4-p-3"
],
"action": "Ria's other hand draws the sleeve down over that wrist as dark brown hair under her chin slips behind her ear.",
"textIds": [
"text-wrist"
]
},
{
"sourceIds": [
"ch-4-p-4"
],
"action": "One folded-mouth flour sack stands at Maren's feet, the oil place is only a wet stone trace, and Doyun's empty waist keeps a rope ring, the leather pale where a metal rim rested.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-4"
],
"action": "In Ria's light bag, Bori's cream back curls on dry cloth while one front paw draws the cover edge over the daylight.",
"textIds": [
"text-bori"
]
},
{
"sourceIds": [
"ch-4-p-5",
"ch-4-p-6"
],
"action": "Ungloved Maren extends the leather piece toward Doyun.",
"textIds": [
"text-assign"
]
},
{
"sourceIds": [
"ch-4-p-7"
],
"action": "Maren's gloved hands hold a short spare strap around the flour sack, a cloth corner dented inward, white dust on the strap.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-8",
"ch-4-p-9"
],
"action": "Maren's gloved hands pull that same short strap once more around the flour sack.",
"textIds": [
"text-slip"
]
}
]
},
"review": {
"continuity": null,
"textObservations": [
{
"id": "text-ink",
"observedText": "잉크가 장부 위에서 아직 젖어 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption box over the open ledger; exact text."
},
{
"id": "text-linger",
"observedText": "리아가 방금 한 말, 다음이 어디로 붙는지만 먼저 보자는 그 문장이 마당 공기에 남아 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 caption box above the rear-entrance stone; exact text."
},
{
"id": "text-wrist",
"observedText": "손목은 세지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption box beside Ria's face; exact text."
},
{
"id": "text-bori",
"observedText": "마른 자리를 혼자 지키려는 몸짓이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 8 caption box above the bag; exact text."
},
{
"id": "text-assign",
"observedText": "도윤 씨. 돌부터 보세요. 자루는 제가 묶어요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 9 balloon with its tail at Maren (red curly hair, brick vest, mouth open) while she holds out the leather piece toward Doyun."
},
{
"id": "text-slip",
"observedText": "느슨하면 또 미끄러져요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 10 balloon over Maren's gloved hands and brick vest pulling the strap; no other character in the panel."
}
],
"evidence": "Ten panels in four rows read left to right, top to bottom. Row 1: wet ledger with Maren's bare hand holding a leather strip and a sealed box in the cabinet; the rear-entrance stone with a carved forked mark beside the rutted path. Row 2: Ria crouched with her right hand spread flat on the marked stone; Ria's right hand curled at the chest strap; Ria drawing her sleeve down with the left hand, chestnut hair behind her ear. Row 3: one folded flour sack beside Doyun's boots on wet stone; Doyun's waist with a coiled rope hanging from the belt; Bori's face and paw at the bag cover. Row 4: Maren extends the leather strip to Doyun; two close-ups of gloved hands cinching a strap around the sack with a dented corner and white dust. Setting, light and costumes stay consistent across panels; Lia (chestnut bob, amber eyes, sand jacket), Doyun (black hair, grey eyes, green coat) and Maren (red-brown curls, brick vest) match the references.",
"observedPanelCount": 10
}
},
{
"id": "s2",
"n": 2,
"title": "한 고리",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-4-p-10",
"n": 10,
"text": "도윤은 매듭에 손을 대지 않았다. 가죽 조각을 쥔 채, 시선만 자기 허리의 빈 고리에 갔다가 돌아왔다. 왼쪽 눈썹의 끊긴 자리가 잠깐 모였다. 리아는 그 손이 매듭으로 가지 않는 것과, 말이 짧은 것을 먼저 보았다."
},
{
"id": "ch-4-p-11",
"n": 11,
"text": "“마렌 씨. 손힘이 버릇이 되셨습니다. 모서리 보세요. 한 고리만 빼요.”"
},
{
"id": "ch-4-p-12",
"n": 12,
"text": "마렌의 당기던 손이 멈췄다. 빈 고리를 보던 눈이 잃은 줄을 세다 멈췄고, 입은 다음 수를 내지 않았다. 매듭을 한 고리 풀자 자루 모서리가 다시 부풀었다. 끈은 그대로 팽팽했다. 천은 버티고 있었다."
},
{
"id": "ch-4-p-13",
"n": 13,
"text": "“한 고리요. 이 끈이 지금 전부라서요.”"
},
{
"id": "ch-4-p-14",
"n": 14,
"text": "“던질 건 없습니다.”"
},
{
"id": "ch-4-p-15",
"n": 15,
"text": "도윤이 빈 고리를 엄지로 누르고 손을 뗐다. 조각의 두 갈래 화살표를 입구 돌 쪽으로 돌렸다."
}
],
"pFrom": 10,
"pTo": 15,
"panelCount": 10,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep04-s2.webp",
"blocking": 2,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 마렌 대사 “한 고리요…”가 보리만 있는 칸에 붙음. 원문 p10~15에 보리 없음. 화자 오귀속 + 창작 등장.",
"en": "Panel 6 puts Maren's line text-oneloop over a panel that shows only Bori in the bag; moment 6 has Maren speaking once the loop is loose, and Bori does not appear anywhere in ch-4-p-10..15. The speaker cannot be read and the marten is an invented subject for this scene."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·8·9칸: 도윤 허리에 줄 뭉치. 원문은 빈 고리를 엄지로 누르는 장면(p10, p15). s1과 같은 결함.",
"en": "Panels 1, 8 and 9 show a coiled rope hanging from Doyun's belt, and the close-ups of his thumb at the belt (panels 8-9) show buckle and rope rather than an empty ring. ch-4-p-10 and p15, beat-to-ring, beat-press and beat-release all depend on the ring being empty; the lost rope is drawn back in, as in s1."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4·5칸: 자루를 꼰 밧줄로 묶음. s1은 납작한 가죽 끈. 장면 간 소품 불일치.",
"en": "Panels 4-5 tie the sack with a twisted rope cord while s1 showed the borrowed strap as a flat leather strap; ch-4-p-7 and p12 describe one short strap (끈) that is loosened by a loop."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸: “던질 건 없습니다” 하는 도윤이 활짝 웃음. 원문 톤(짧은 말, 모인 눈썹)과 안 맞음.",
"en": "Panel 7 gives Doyun a broad smile while saying text-throw; ch-4-p-14 and the surrounding lines (short speech, gathered eyebrow) do not support a smiling delivery."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "10칸: 돌과 조각의 표식이 선명. 원문은 희미(p1)·닳은 조각(3화).",
"en": "Panel 10 carves the forked mark boldly on the entrance stone and on the leather piece; ch-4-p-1 describes the stone mark as faint and ch-3 the piece as worn."
}
],
"textsTotal": 3,
"textsOk": 2,
"timings": {
"planS": [
539,
399
],
"preflightS": [
455,
375,
249
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 1
},
"imageUsd": 0.1311,
"plan": {
"intent": "At the damp mountain outpost, Doyun will not touch the sack knot. He checks the empty ring at his waist, then limits the pull to a single loop. The sack corner recovers while the cord stays taut and the cloth holds. Nothing is thrown. He then turns the leather piece's forked arrow toward the entrance stone.",
"staging": "The knot is on the cord around the sack. The empty ring is on Doyun's waist. The entrance stone is the entrance stone named in ch-4-p-15. Distances among Ria, Doyun, Maren, the sack, and the stone stay free, and he aims from where he already stands. Daylight stays as it is. panelCount 10. beat-to-ring is the first instant and beat-return the second, so the glance finishes before any speech. beat-notice is the next instant and the only carrier of text-habit. beat-stop is the next instant, with no lettering. beat-swell and beat-hold share the next instant, with no lettering and with Doyun's hand off the knot. beat-limit is the next instant and the only carrier of text-oneloop. beat-throw is the next instant and the only carrier of text-throw. beat-press, beat-release, and beat-aim are the last three instants in that order, each with no lettering. The ring stays empty. No rope, throw, spill, or tally appears. The artist chooses framing, panel shapes, and vertical reading order.",
"uncertainties": [
"ch-4-p-11, ch-4-p-13, and ch-4-p-14 do not name a speaker. text-habit is carried as c2 because Ria registers a short speech after his withheld hand and the line addresses Maren; a c1 reading stays possible. text-oneloop is carried as c4 as the cord reply after the stopped pull. text-throw is carried as c2 because it immediately precedes his named thumb in ch-4-p-15.",
"ch-4-p-12 does not name whose eyes were on the empty ring or whose mouth withheld the next count. The stopped hand is Maren's. Doyun also looked at that ring in ch-4-p-10, so the halted eyes may be his. No numeral is lettered, and the lost line is not on the ring.",
"ch-4-p-12 does not name who loosens the one loop. The shared swell instant shows the loose loop and the swollen corner only.",
"ch-4-p-15 does not name which thumb presses the ring or which hand holds the piece. Either a one-hand or a two-hand pose fits. It does not state that the entrance stone is the rear-entrance stone, that any trace is on it, or that anyone approaches it."
],
"texts": [
{
"id": "text-habit",
"sourceId": "ch-4-p-11",
"kind": "dialogue",
"speaker": "c2",
"text": "마렌 씨. 손힘이 버릇이 되셨습니다. 모서리 보세요. 한 고리만 빼요."
},
{
"id": "text-oneloop",
"sourceId": "ch-4-p-13",
"kind": "dialogue",
"speaker": "c4",
"text": "한 고리요. 이 끈이 지금 전부라서요."
},
{
"id": "text-throw",
"sourceId": "ch-4-p-14",
"kind": "dialogue",
"speaker": "c2",
"text": "던질 건 없습니다."
}
],
"beats": [
{
"id": "beat-to-ring",
"sourceIds": [
"ch-4-p-10"
],
"action": "Doyun keeps his hand off the knot, holds the leather piece, and looks to the empty ring at his waist.",
"textIds": []
},
{
"id": "beat-return",
"sourceIds": [
"ch-4-p-10"
],
"action": "His gaze returns from the empty ring, and the break in his left eyebrow gathers briefly. His hand stays off the knot and the piece stays in his grip.",
"textIds": []
},
{
"id": "beat-notice",
"sourceIds": [
"ch-4-p-10",
"ch-4-p-11"
],
"action": "After that glance has finished, Ria registers the hand staying off the knot and the short speech. c2 speaks text-habit to Maren.",
"textIds": [
"text-habit"
]
},
{
"id": "beat-stop",
"sourceIds": [
"ch-4-p-12"
],
"action": "Maren's pulling hand stops. The eyes that were on the empty ring halt while counting the lost line, and the mouth withholds the next count.",
"textIds": []
},
{
"id": "beat-swell",
"sourceIds": [
"ch-4-p-12"
],
"action": "One loop of the knot is loose and the sack corner swells again.",
"textIds": []
},
{
"id": "beat-hold",
"sourceIds": [
"ch-4-p-12"
],
"action": "With that corner already swollen, the cord stays taut and the cloth holds.",
"textIds": []
},
{
"id": "beat-limit",
"sourceIds": [
"ch-4-p-13"
],
"action": "c4 speaks text-oneloop once the single loop is already loose.",
"textIds": [
"text-oneloop"
]
},
{
"id": "beat-throw",
"sourceIds": [
"ch-4-p-14"
],
"action": "c2 speaks text-throw before a thumb meets the ring.",
"textIds": [
"text-throw"
]
},
{
"id": "beat-press",
"sourceIds": [
"ch-4-p-15"
],
"action": "Doyun presses the empty ring with a thumb while the leather piece is still held and not yet turned.",
"textIds": []
},
{
"id": "beat-release",
"sourceIds": [
"ch-4-p-15"
],
"action": "He takes that hand off the ring. The piece is still not turned toward the entrance stone.",
"textIds": []
},
{
"id": "beat-aim",
"sourceIds": [
"ch-4-p-15"
],
"action": "He turns the piece's two-forked arrow toward the entrance stone, with the hand already off the ring.",
"textIds": []
}
],
"facts": [
{
"id": "fact-off",
"sourceIds": [
"ch-4-p-10"
],
"statement": "Doyun does not put his hand on the knot."
},
{
"id": "fact-piece",
"sourceIds": [
"ch-4-p-10"
],
"statement": "He holds the leather piece while that hand stays off the knot."
},
{
"id": "fact-glance",
"sourceIds": [
"ch-4-p-10"
],
"statement": "His gaze goes to the empty ring at his own waist and returns."
},
{
"id": "fact-brow",
"sourceIds": [
"ch-4-p-10"
],
"statement": "The break in his left eyebrow gathers briefly."
},
{
"id": "fact-ria",
"sourceIds": [
"ch-4-p-10"
],
"statement": "Ria first registers that his hand does not go to the knot and that the speech is short."
},
{
"id": "fact-stop",
"sourceIds": [
"ch-4-p-12"
],
"statement": "Maren's pulling hand stops."
},
{
"id": "fact-halt",
"sourceIds": [
"ch-4-p-12"
],
"statement": "Eyes that were on the empty ring stop while counting the lost line, and the mouth withholds the next count."
},
{
"id": "fact-loose",
"sourceIds": [
"ch-4-p-12"
],
"statement": "Once one loop of the knot is loosened, the sack corner swells again."
},
{
"id": "fact-taut",
"sourceIds": [
"ch-4-p-12"
],
"statement": "The cord stays taut."
},
{
"id": "fact-cloth",
"sourceIds": [
"ch-4-p-12"
],
"statement": "The cloth holds."
},
{
"id": "fact-thumb",
"sourceIds": [
"ch-4-p-15"
],
"statement": "Doyun presses the empty ring with a thumb and then takes the hand off."
},
{
"id": "fact-aim",
"sourceIds": [
"ch-4-p-15"
],
"statement": "He turns the leather piece's two-forked arrow toward the entrance stone."
}
]
},
"brief": {
"style": "Full-color fantasy comic with expressive ink lines, adult cast, damp daylight at a mountain outpost after rain.",
"moments": [
{
"sourceIds": [
"ch-4-p-10"
],
"action": "Doyun holds the leather piece, hand kept off the sack knot, and looks at the empty ring on his waist.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-10"
],
"action": "His gaze returns from the empty waist ring as the break in his left eyebrow gathers, and he still grips the piece with that hand off the knot.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-10",
"ch-4-p-11"
],
"action": "Ria watches Doyun's hand stay off the knot as c2 speaks text-habit to Maren.",
"textIds": [
"text-habit"
]
},
{
"sourceIds": [
"ch-4-p-12"
],
"action": "Maren's gloved pulling hand stops, the gaze on the empty ring halts, and the mouth stays closed.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-12"
],
"action": "The sack has one knot loop loose and its corner swollen again, the cord taut and the cloth holding, while Doyun holds the leather piece.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-13"
],
"action": "c4 speaks text-oneloop after that single loop is already loose.",
"textIds": [
"text-oneloop"
]
},
{
"sourceIds": [
"ch-4-p-14"
],
"action": "c2 speaks text-throw over the empty waist ring, clear of Doyun's thumb.",
"textIds": [
"text-throw"
]
},
{
"sourceIds": [
"ch-4-p-15"
],
"action": "Doyun's thumb presses the empty waist ring while the leather piece remains held and unturned.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-15"
],
"action": "His hand comes off the empty ring, the leather piece still held short of a turn toward the entrance stone.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-15"
],
"action": "With his hand off the ring, he turns the piece's two-forked arrow toward the entrance stone.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Compared with the s1 image: Lia keeps the chestnut bob, amber eyes and sand jacket; Doyun the black hair, grey eyes, green hooded coat and sword; Maren the red-brown curls, brick vest and work gloves."
},
"setting": {
"passed": true,
"evidence": "Same outpost yard with stone walls, timber eaves, wet ground and the marked stone at the rear entrance (panel 10) as in s1 panels 2-3 and 6-7; daylight after rain continues."
},
"actionTransition": {
"passed": false,
"evidence": "s1 ended with Maren's gloved hands cinching a leather strap around the flour sack; s2 panels 4-5 show the sack tied with a twisted rope cord instead, so the borrowed strap changed material between scenes. The opening (Doyun holding the piece, hand off the knot) otherwise follows p10."
}
},
"textObservations": [
{
"id": "text-habit",
"observedText": "마렌 씨. 손힘이 버릇이 되셨습니다. 모서리 보세요. 한 고리만 빼요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail toward Doyun at the right edge (black hair, green coat) while Lia and Maren listen; exact text."
},
{
"id": "text-oneloop",
"observedText": "한 고리요. 이 끈이 지금 전부라서요.",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 6 balloon sits over Bori peeking from the bag; Maren is not in the panel, so her line reads as the marten's."
},
{
"id": "text-throw",
"observedText": "던질 건 없습니다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 balloon with its tail toward Doyun (holding the leather piece) beside Lia; exact text."
}
],
"evidence": "Ten panels in four rows, left to right. Row 1: Doyun holding the leather piece and glancing down at his belt; Doyun's face with the piece raised; Lia and Maren with Doyun speaking from the right edge. Row 2: Maren's gloved hand resting on the sack cord; the sack tied with rope beside the gloved hand holding the leather piece; Bori in the bag under Maren's balloon. Row 3: Doyun speaking to Lia with the piece in hand; two close-ups of his gloved hand at the belt. Row 4: the leather piece with the carved forked arrow held up toward the marked entrance stone and the rutted path. Costumes, light and the yard stay consistent.",
"observedPanelCount": 10
}
},
{
"id": "s3",
"n": 3,
"title": "막힌 마당",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-4-p-16",
"n": 16,
"text": "거점 앞길에서 바퀴 소리가 겹쳐 왔다. 사슬이 있던 쪽이었다. 아래만 열어 둔 그 길로 보급 수레가 올라오고 있었다. 첫 수레가 마당 입구를 채우자 옆판의 흠이 해에 떴다. 뿔이 긁은 자리였다. 창백한 속살이 드러나 있고, 가장자리는 아직 축축했다. 긴 자국 하나, 그 아래 짧은 자국 둘, 끝에서 방향을 바꾸다 겹친 자국 하나. 되돌아선 자리가 나무에 그대로였다. 리아는 그 수를 입 안에서만 굴렸다. 넷."
},
{
"id": "ch-4-p-17",
"n": 17,
"text": "둘째 수레가 뒤를 막았고, 셋째가 처마 그늘까지 밀고 들어왔다. 짐 덮개가 서로의 그림자를 덮자 마당의 빈 돌이 사라졌다. 끌리던 짐승이 제자리에서 발을 구르며 먹이 주머니를 흔들었고, 짐승 땀과 젖은 포대 냄새가 코끝에 섞였다. 마당이 수레로 막히자 뒤편으로 나가던 바람이 끊겼다. 수레를 몬 사람들은 일행 대신 장부 탁자만 보았다. 고삐를 잡은 손이 탁자 쪽을 향한 채, 마당은 말없이 그 칸만 기다렸다."
},
{
"id": "ch-4-p-18",
"n": 18,
"text": "가방이 흔들렸다."
},
{
"id": "ch-4-p-19",
"n": 19,
"text": "보리가 덮개를 밀어 올리고 귀부터 내밀었다. 코가 수레가 올라온 길, 사슬이 있던 쪽을 가리켰다. 짧은 앞발이 리아의 소매를 밀쳤다."
},
{
"id": "ch-4-p-20",
"n": 20,
"text": "“키익.”"
},
{
"id": "ch-4-p-21",
"n": 21,
"text": "한 번으로 끝나지 않았다. 꼬리 끝이 제 목으로 말려 올라갔고, 같은 방향을 향해 다시 울었다."
},
{
"id": "ch-4-p-22",
"n": 22,
"text": "“꾸. 키익.”"
},
{
"id": "ch-4-p-23",
"n": 23,
"text": "목덜미의 크림색 털이 곤두서며, 손등을 따끔하게 스치는 잔빛이 한 점 튀었다. 리아는 그 울음을 탁자 쪽으로 가져가지 않았다. 손등으로 보리를 마른 자리에 붙이며 낮게 불렀다."
},
{
"id": "ch-4-p-24",
"n": 24,
"text": "“보리. 있어.”"
},
{
"id": "ch-4-p-25",
"n": 25,
"text": "보리는 들어가지 않았다. 귀 두 개가 덮개 밖에 남았고, 사슬 쪽을 향한 채였다."
}
],
"pFrom": 16,
"pTo": 25,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep04-s3.webp",
"blocking": 1,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "옆판의 뿔 자국(긴 자국 하나, 짧은 둘, 겹친 하나)이 어느 칸에도 없음. 2칸은 리아 뒤 바위에 긁힘. ‘넷’의 근거가 화면에서 빠짐(p16).",
"en": "No panel shows the horn gouge on the first cart's side board: one long mark, two short marks below and one overlapping mark where it turned (p16, beat-gouge, moments 1-2). Panel 1 shows intact cart sides and panel 2 puts Lia against a scratched rock face instead, so the evidence behind the count of four is missing from the page."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 보리 앞발이 소매가 아니라 가방 테두리(p19).",
"en": "Panel 4 has Bori's forepaw on the bag rim rather than pushing Lia's sleeve (p19, moment 4)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 리아가 손바닥으로 누름. 원문은 손등(p23).",
"en": "Panel 6 shows Lia's palm and fingers over Bori; p23 and moment 6 have her pressing with the back of her hand while keeping the cry away from the table."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2·6칸: 리아가 손가락 없는 장갑 착용. s1·s2에서는 맨손.",
"en": "Lia wears dark fingerless gloves in panels 2 and 6 although her hands were bare in the s1 and s2 images."
}
],
"textsTotal": 4,
"textsOk": 4,
"timings": {
"planS": [
267,
572
],
"preflightS": [
297,
263
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 1
},
"imageUsd": 0.1308,
"plan": {
"intent": "In the damp outpost yard, Ria sees a fresh horn gouge on the first supply cart and keeps the count unspoken. More carts close the yard while the drivers watch only the ledger table. Bori comes out of the bag, aims along the road on the side where a chain had been, and cries a second time with the tail curled to the neck. Ria does not carry that cry to the table; she holds Bori to a dry spot, and both ears stay out toward that road.",
"staging": "Daylight in the damp outpost yard. The chain-side road is the road the first cart came up; no chain is present, and that road was left open only at the bottom. The first cart's side board can face the sun while the cart fills the yard entrance. The second cart is behind it, and the third reaches the eaves shade. Overlapping cargo-cover shadows hide the empty yard stone without moving it. The ledger table is where the drivers look, and one rein hand aims toward it. The bag is with Ria. From there, Bori's nose only needs the direction of that road, and one short forepaw can meet her sleeve. The tail tip can curl to Bori's own neck. The dry spot is wherever the back of Ria's hand presses Bori; both ears can stay outside the cover. The led animal stamping and shaking a feed pouch belongs to the same jammed yard, not another picture. Sweat, wet-sack smell, and the stopped rear wind are conditions of that jam, not further pictures. The bag shake is already finished before Bori is ears first. Distances among Ria, the bag, the table, the stone, and the carts stay open. These are ordered events, not frames: the artist chooses shapes, framing, and vertical reading, and may share a frame only when the later event is still visibly after the earlier one.",
"uncertainties": [
"ch-4-p-20 and ch-4-p-22 have no speaker tags. text-kiik and text-kku are carried by c3 because ch-4-p-21 continues the cry of the marten who has just come out; another speaker is not named.",
"ch-4-p-23 does not name whose hand the single light speck touches, and it states no wound and no sustained discharge. The speck is not given a source. The prose places the standing fur and the speck before the press; the press event shows them in one contact.",
"The dry spot is not located. ch-4-p-25 keeps both ears outside the cover and does not say Bori has left the bag.",
"ch-4-p-16 does not show a chain or a gate as present, does not show the animal that made the gouge, and does not tie the gouge to the led animal.",
"ch-4-p-17 does not name the led animal's species, which cart it belongs to, what the second cart blocks, or whose nose meets the smell. The empty yard stone is not identified with any earlier entrance stone.",
"Doyun and Maren are not named in these units, and the drivers are not identified as the party."
],
"texts": [
{
"id": "text-four",
"sourceId": "ch-4-p-16",
"kind": "thought",
"speaker": "c1",
"text": "넷."
},
{
"id": "text-kiik",
"sourceId": "ch-4-p-20",
"kind": "dialogue",
"speaker": "c3",
"text": "키익."
},
{
"id": "text-kku",
"sourceId": "ch-4-p-22",
"kind": "dialogue",
"speaker": "c3",
"text": "꾸. 키익."
},
{
"id": "text-stay",
"sourceId": "ch-4-p-24",
"kind": "dialogue",
"speaker": "c1",
"text": "보리. 있어."
}
],
"beats": [
{
"id": "beat-gouge",
"sourceIds": [
"ch-4-p-16"
],
"action": "The first supply cart fills the yard entrance, sunlight on a damp pale horn gouge in the side board: one long mark, two short marks below, and one overlapping mark at the end where the direction changed.",
"textIds": []
},
{
"id": "beat-four",
"sourceIds": [
"ch-4-p-16"
],
"action": "With those marks already visible, Ria keeps the count unspoken inside her mouth.",
"textIds": [
"text-four"
]
},
{
"id": "beat-jam",
"sourceIds": [
"ch-4-p-17"
],
"action": "The second cart is already behind the first and the third is already under the eaves shade, overlapping cargo-cover shadows hide the empty yard stone, and the drivers look only at the ledger table with one rein hand aimed toward it.",
"textIds": []
},
{
"id": "beat-out",
"sourceIds": [
"ch-4-p-19",
"ch-4-p-20"
],
"action": "Bori is out of the bag ears first, cover pushed up, nose along the chain-side road, one short forepaw on Ria's sleeve, giving the first cry.",
"textIds": [
"text-kiik"
]
},
{
"id": "beat-repeat",
"sourceIds": [
"ch-4-p-21",
"ch-4-p-22"
],
"action": "Bori's tail tip curls up to Bori's own neck as Bori cries again toward that same road.",
"textIds": [
"text-kku"
]
},
{
"id": "beat-press",
"sourceIds": [
"ch-4-p-23",
"ch-4-p-24"
],
"action": "Ria keeps the cry off the ledger table and presses Bori to a dry spot with the back of her hand while cream fur stands on the nape and one light speck touches the back of a hand.",
"textIds": [
"text-stay"
]
},
{
"id": "beat-ears",
"sourceIds": [
"ch-4-p-25"
],
"action": "Bori does not go in, and both ears remain outside the cover, aimed at the chain side.",
"textIds": []
}
],
"facts": [
{
"id": "fact-approach",
"sourceIds": [
"ch-4-p-16"
],
"statement": "Before the first cart fills the yard entrance, overlapping wheel sounds come along the road in front of the outpost on the side where a chain had been, and a supply cart comes up the road that was left open only at the bottom."
},
{
"id": "fact-gouge",
"sourceIds": [
"ch-4-p-16"
],
"statement": "The first supply cart fills the yard entrance. Sunlight catches a horn scrape on the side board: pale inner wood shows, the edges are still damp, the marks are one long mark, two short marks below it, and one overlapping mark at the end where the direction changed, and the place it turned back remains in the wood."
},
{
"id": "fact-count",
"sourceIds": [
"ch-4-p-16"
],
"statement": "Ria turns that count over only inside her mouth."
},
{
"id": "fact-carts",
"sourceIds": [
"ch-4-p-17"
],
"statement": "A second cart is behind and closes the way behind it, and a third pushes in as far as the eaves shade."
},
{
"id": "fact-stone",
"sourceIds": [
"ch-4-p-17"
],
"statement": "When the cargo covers lay their shadows over one another, the empty stone in the yard is no longer visible."
},
{
"id": "fact-animal",
"sourceIds": [
"ch-4-p-17"
],
"statement": "The animal being led stamps in place and shakes a feed pouch."
},
{
"id": "fact-air",
"sourceIds": [
"ch-4-p-17"
],
"statement": "Animal sweat and the smell of wet sacks mix at the tip of a nose. Once the carts block the yard, the wind that was leaving toward the rear stops."
},
{
"id": "fact-drivers",
"sourceIds": [
"ch-4-p-17"
],
"statement": "The people driving the carts look only at the ledger table rather than at the party. A hand holding the reins stays aimed toward the table, and the yard waits in silence for that place alone."
},
{
"id": "fact-shake",
"sourceIds": [
"ch-4-p-18"
],
"statement": "The bag shakes before Bori pushes the cover up."
},
{
"id": "fact-bori",
"sourceIds": [
"ch-4-p-19"
],
"statement": "Bori pushes the cover up and comes out ears first. The nose points along the road the cart came up, the side where a chain had been. One short forepaw pushes Ria's sleeve."
},
{
"id": "fact-again",
"sourceIds": [
"ch-4-p-21"
],
"statement": "The cry does not finish as one sound. The tail tip curls up to Bori's own neck, and Bori cries again toward the same direction."
},
{
"id": "fact-speck",
"sourceIds": [
"ch-4-p-23"
],
"statement": "Cream fur on the nape stands, and one speck of light flicks across the back of a hand with a sting."
},
{
"id": "fact-press",
"sourceIds": [
"ch-4-p-23"
],
"statement": "Ria does not take that cry toward the table. With the back of her hand she presses Bori to a dry spot and calls low."
},
{
"id": "fact-ears",
"sourceIds": [
"ch-4-p-25"
],
"statement": "Bori does not go in. Both ears remain outside the cover, aimed toward the chain side."
}
]
},
"brief": {
"style": "Full-color fantasy comic with expressive ink, adult Ria and a small cute marten, damp daylight in a mountain outpost yard after rain.",
"moments": [
{
"sourceIds": [
"ch-4-p-16"
],
"action": "The first supply cart fills the yard entrance as sunlight catches a damp pale horn scrape: one long mark, two short marks below, and one overlapping mark where it turned.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-16"
],
"action": "Ria keeps that count unspoken inside her mouth, the same scraped board still in sight.",
"textIds": [
"text-four"
]
},
{
"sourceIds": [
"ch-4-p-17"
],
"action": "The second cart sits behind the first and the third rests under the eaves shade; overlapping cover shadows conceal the empty yard stone while drivers watch only the ledger table, one rein hand aimed there.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-19",
"ch-4-p-20"
],
"action": "Bori comes out ears first under the raised cover, nose toward the chain-side road, one short forepaw on Ria's sleeve, and gives the first cry.",
"textIds": [
"text-kiik"
]
},
{
"sourceIds": [
"ch-4-p-21",
"ch-4-p-22"
],
"action": "Bori's tail tip curls up to Bori's own neck as Bori cries again toward that same road.",
"textIds": [
"text-kku"
]
},
{
"sourceIds": [
"ch-4-p-23",
"ch-4-p-24"
],
"action": "Ria presses Bori to a dry spot with the back of her hand and calls low, cream fur standing on the nape, one light speck on a hand's back.",
"textIds": [
"text-stay"
]
},
{
"sourceIds": [
"ch-4-p-25"
],
"action": "Both of Bori's ears stay outside the cover, aimed toward the chain side.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": false,
"evidence": "Lia keeps the chestnut bob, amber eyes and sand jacket from s1-s2, but in panels 2 and 6 she wears dark fingerless gloves on both hands; in the s2 image (panels 3 and 7) and s1 her hands were bare."
},
"setting": {
"passed": true,
"evidence": "Same stone outpost with timber eaves, wet yard and rocky slopes as s1-s2; the carts arrive on the road beside the building and crowd the yard in panel 3, matching p16-p17."
},
"actionTransition": {
"passed": true,
"evidence": "s2 ended with Doyun turning the piece toward the entrance stone; s3 opens with the carts coming up the chain-side road and the yard filling, which is the next event in p16 without contradicting the s2 ending (Doyun and Maren are simply out of frame)."
}
},
"textObservations": [
{
"id": "text-four",
"observedText": "넷.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 thought bubble beside Lia with her knuckle at her lips; exact text."
},
{
"id": "text-kiik",
"observedText": "키익.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon over Bori's head as it comes out of the bag; exact text."
},
{
"id": "text-kku",
"observedText": "꾸. 키익.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon beside Bori with its mouth open; exact text."
},
{
"id": "text-stay",
"observedText": "보리. 있어.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with its tail toward Lia leaning over the bag; exact text."
}
],
"evidence": "Seven panels in four rows. Row 1: a wide shot of covered supply carts drawn by horses arriving at the outpost road under the cliff. Row 2: Lia in profile with her knuckle at her lips and the thought bubble; the yard filled with three covered carts while drivers stand at the ledger counter under the eaves. Row 3: Bori's head out of the bag under Lia's sleeve with the first cry; Bori crying again with the dark-tipped tail curled up behind its neck. Row 4: Lia pressing her gloved hand over Bori in the bag while speaking; Bori's back with both ears up, facing the wet rutted road. Light, yard and cast stay consistent within the scene.",
"observedPanelCount": 7
}
},
{
"id": "s4",
"n": 4,
"title": "삼킨 수",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-4-p-26",
"n": 26,
"text": "탁자 뒤의 사람이 장부를 돌려 빈칸을 보여 주었다. 약이 들어간 줄 아래, 동쪽 칸은 비어 있었다. 손톱이 그 칸의 모서리를 두드렸다."
},
{
"id": "ch-4-p-27",
"n": 27,
"text": "“여기 통행 한 줄이 있어야 대기 수레가 다음 길에 짐을 싣고 나갑니다. 비었다고 적히면 대기 짐까지 실려요. 자국이 있다고 적히면 수레는 이 마당에 붙들어 둡니다.”"
},
{
"id": "ch-4-p-28",
"n": 28,
"text": "셋째 수레의 바퀴가 돌에 걸린 채 삐걱였다. 해는 처마를 넘어 덮개 위로 기울어 있었다. 새벽부터 막혀 있던 행렬이 마당에 겹쳐 선 채 그 칸만 보고 있었다. 뒤에서 또 하나의 굴림이 사슬 쪽 길에 낮게 깔렸다. 줄을 받지 못한 수레가 밤을 세울 자리는 이미 없었다."
},
{
"id": "ch-4-p-29",
"n": 29,
"text": "도윤은 탁자 밖에 있었다. 뒤편 입구 돌 앞에 무릎을 굽히고, 가죽 조각의 짧은 선을 돌의 금에 겹쳐 보고 있었다. 화살표의 꺾인 각은 비슷했다. 짧은 선은 아직 포개지지 않았다. 돌의 금은 닳아 희미해서, 그는 손톱으로 홈을 더듬었다가 조각을 다시 들었다. 무릎 꿇은 그 자리만 바깥빛을 받고 있었다."
},
{
"id": "ch-4-p-30",
"n": 30,
"text": "리아가 펜을 오른손에 쥐었다. 손목이 접히며 펜대가 탁자를 굴렀다. 펜은 왼손으로 옮겨졌고, 오른손은 소매 안으로 들어갔다. 옆판의 흠이 다시 눈에 걸렸다. 축축한 속살은 네 갈래였고, 장부의 칸은 하얗다. 넷이라는 수가 혀 끝에 있다가, 대기 더미의 높이 앞에서 도로 들어갔다. 되돌아선 자리, 보리의 울음, 펴지지 않는 손목, 표식을 새긴 손의 이름도 그 더미 앞에서 갈라졌다. 이름은 입안에 걸렸다가 삼켜졌다."
},
{
"id": "ch-4-p-31",
"n": 31,
"text": "마렌이 자루를 무릎으로 고정한 채 탁자를 보았다."
},
{
"id": "ch-4-p-32",
"n": 32,
"text": "“리아. 수레가 그 칸만 봐요.”"
}
],
"pFrom": 26,
"pTo": 32,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep04-s4.webp",
"blocking": 3,
"advisory": 4,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 장부에 없는 표(순번/출발지/통행/비고)와 이름 ‘리우스’, ‘카렌’ 창작. 계획된 텍스트 3개 외 글자 렌더.",
"en": "Panel 1 letters an invented ledger table (headings 순번/출발지/통행/비고 and the names 리우스, 카렌) that appears nowhere in the source or the plan; the plan limits lettering to the three selected texts and the yard's carts have no named origins."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 펜이 리아 오른손. 원문 p30은 손목이 접혀 왼손으로 옮기고 오른손은 소매 안.",
"en": "Panel 4 shows the pen in Lia's right hand with her left hand at her chin; p30 and moment 4 have the pen passed to her left hand and the right hand hidden in her sleeve after the wrist folds."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 바퀴 옆 계획에 없는 효과음 글자.",
"en": "Panel 2 adds a small sound-effect scrawl beside the front cart wheel; the plan has no sfx text and forbids inventing lettering."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 도윤이 말 옆에 서 있음. 원문 p29는 탁자 밖 입구 돌 앞에 무릎(3칸에만 표현).",
"en": "Panel 2 places Doyun standing beside the horse at the front cart; p29 has him outside the table kneeling at the rear-entrance stone, which only panel 3 shows."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 리아 눈에 걸리는 옆판 네 갈래 자국 없음(p30).",
"en": "Panel 4 does not show the cart side board's four damp branches that catch Lia's eye (p30, moment 4); only the sack pile and the white cell are visible."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 마렌이 자루를 무릎이 아니라 팔뚝으로 누름(p31).",
"en": "Panel 5 has Maren leaning on the sack with her forearms rather than fixing it with her knee (p31)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: ‘리아’ → ‘리야’. 한 글자 변형.",
"en": "Panel 5 balloon reads 리야 instead of 리아; one character altered by the image model."
}
],
"textsTotal": 3,
"textsOk": 3,
"timings": {
"planS": [
328
],
"preflightS": [
282
],
"imageS": 59,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1309,
"plan": {
"intent": "In the crowded outpost yard the blank east cell is the passage line a waiting cart needs. Over the open ledger, that line lets the cart load and leave on the next road; written as empty, the waiting cargo loads too; written as traces, the cart stays held in the yard. The third cart's wheel creaks where it is caught on a stone, the sun has passed the eaves onto the covers, and the line blocked since dawn stands overlapped, watching only that cell, while another low rolling comes on the chain-side road behind and a cart still without the line already has no place to spend the night. Outside the table, Doyun kneels in the one patch of outside light and tests the short line of a leather scrap against the worn crack; the arrow's bent angle is similar, the short line still fails to overlap, and he traces the groove and lifts the scrap. At the table Ria takes the pen in her right hand, the wrist folds, the shaft rolls, the pen passes to her left hand, and the right hand goes into the sleeve. The side board's damp inner wood is four branches against the white cell. Four reaches her tongue and withdraws before the height of the waiting pile; the place that turned back, Bori's cry, the wrist that will not straighten, and the name of the hand that carved the mark come apart there, and the name is swallowed. Maren, a sack fixed with her knee, looks at the table and tells Ria the carts are watching only that cell.",
"staging": "Daylight in the damp outpost yard. The ledger is on the table, turned by the person behind it so the empty east cell shows below the entered medicine line, with a fingernail at that cell's corner. Letter the passage rule as that person's speech and keep that person distinct from Ria, Doyun, Bori, and Maren. Ria is at the table with the pen, right hand then left hand, right hand inside the sleeve, and the side-board flaw is visible again from there; its damp inner wood reads as four branches, matching the gouge already on the supply cart in the yard. The ledger cell stays white. The waiting pile has a height before her. The third cart is in the same yard with a wheel caught on a stone. The overlapped procession looks toward that cell. Sun is past the eaves on the cover. Doyun is outside the table, kneeling at the rear entrance stone with the leather scrap against the crack, and only that kneeling place has the outside light. Maren is by the table with a sack fixed under her knee, looking at the table. A low rolling sound is on the chain-side road behind. Distances among table, carts, rear stone, side board, and pile stay open. These are ordered events: a later event can share a frame when it remains visibly later. The artist chooses shapes, framing, and vertical reading.",
"uncertainties": [
"ch-4-p-27 leaves the speaker unnamed. The words follow the person behind the table, who has no foundation id. text-rule uses narrator so the line is not placed in c1, c2, c3, or c4.",
"ch-4-p-26 brings in a fingernail on the cell corner after that person turns the ledger, and names no separate owner. The person being shown the ledger is also unnamed.",
"ch-4-p-29 gives the leather scrap a short line and says the arrow's bent angle is similar. Which surface carries the arrow stays open.",
"The rear entrance stone, any earlier yard stone, and the stone under the third wheel are separate mentions in the available units.",
"ch-4-p-28 names the chain-side road. A chain as an object is outside this excerpt. The new rolling is sound from behind and is not an arrival into the yard.",
"The swallowed name has no letters in ch-4-p-30. The number four is narrated at the tongue and then withdrawn, so text-four is the unsaid count. Bori's cry is one of the things that come apart before the pile; these units give Bori no new action.",
"Where the waiting pile stands, and whether Ria is physically in front of it, stays open. The entered medicine line has no quoted wording. Which cart cover receives the sun stays open among the covers.",
"ch-4-p-32 has no speaker tag. Attribution to c4 follows the preceding sentence, the vocative to c1, and the polite ending. During this passage c2 is at the rear entrance stone."
],
"texts": [
{
"id": "text-rule",
"sourceId": "ch-4-p-27",
"kind": "dialogue",
"speaker": "narrator",
"text": "여기 통행 한 줄이 있어야 대기 수레가 다음 길에 짐을 싣고 나갑니다. 비었다고 적히면 대기 짐까지 실려요. 자국이 있다고 적히면 수레는 이 마당에 붙들어 둡니다."
},
{
"id": "text-four",
"sourceId": "ch-4-p-30",
"kind": "thought",
"speaker": "c1",
"text": "넷"
},
{
"id": "text-maren",
"sourceId": "ch-4-p-32",
"kind": "dialogue",
"speaker": "c4",
"text": "리아. 수레가 그 칸만 봐요."
}
],
"beats": [
{
"id": "beat-show",
"sourceIds": [
"ch-4-p-26"
],
"action": "The person behind the table turns the ledger to the empty east cell below the entered medicine line, and a fingernail taps that cell's corner.",
"textIds": []
},
{
"id": "beat-rule",
"sourceIds": [
"ch-4-p-27"
],
"action": "With the blank cell shown, the passage rule is spoken: the waiting cart needs that line to load and leave, an empty entry loads the waiting cargo too, and an entry of traces holds the cart in the yard.",
"textIds": [
"text-rule"
]
},
{
"id": "beat-jam",
"sourceIds": [
"ch-4-p-28"
],
"action": "The third cart's wheel creaks while caught on a stone, the sun lies past the eaves on the cover, and the procession blocked since dawn stands overlapped in the yard looking only at that cell.",
"textIds": []
},
{
"id": "beat-roll",
"sourceIds": [
"ch-4-p-28"
],
"action": "Another rolling sound lies low on the chain-side road behind them, and a cart that has not received the line already has no place to spend the night.",
"textIds": []
},
{
"id": "beat-kneel",
"sourceIds": [
"ch-4-p-29"
],
"action": "Outside the table, Doyun kneels at the rear entrance stone in the only outside light, tests the short leather line against the faint crack, finds the arrow's bent angle similar while the short line still fails to overlap, traces the groove with a fingernail, and lifts the scrap again.",
"textIds": []
},
{
"id": "beat-pen",
"sourceIds": [
"ch-4-p-30"
],
"action": "Ria grips the pen in her right hand, the wrist folds, the shaft rolls on the table, the pen passes to her left hand, and the right hand goes into the sleeve.",
"textIds": []
},
{
"id": "beat-swallow",
"sourceIds": [
"ch-4-p-30"
],
"action": "The side board's flaw catches her eye again, its damp inner wood four-branched against the white cell. Four reaches her tongue and withdraws before the height of the waiting pile, and the turned-back place, Bori's cry, the wrist that will not straighten, and the mark-carver's name come apart there as the name is swallowed.",
"textIds": [
"text-four"
]
},
{
"id": "beat-maren",
"sourceIds": [
"ch-4-p-31",
"ch-4-p-32"
],
"action": "Maren, sack fixed with her knee, looks at the table and tells Ria that the carts are looking only at that cell.",
"textIds": [
"text-maren"
]
}
],
"facts": [
{
"id": "fact-blank",
"sourceIds": [
"ch-4-p-26"
],
"statement": "The person behind the table turns the ledger and shows an empty space. Below the line where medicine was entered, the east cell is empty. A fingernail taps the corner of that cell."
},
{
"id": "fact-rule",
"sourceIds": [
"ch-4-p-27"
],
"statement": "The spoken rule says one passage line must be there for the waiting cart to load cargo and leave on the next road. If the cell is written as empty, the waiting cargo is loaded as well. If it is written that there are traces, the cart is held in this yard."
},
{
"id": "fact-wheel",
"sourceIds": [
"ch-4-p-28"
],
"statement": "The third cart's wheel creaks while caught on a stone."
},
{
"id": "fact-sun",
"sourceIds": [
"ch-4-p-28"
],
"statement": "The sun has tilted past the eaves onto the cover."
},
{
"id": "fact-stare",
"sourceIds": [
"ch-4-p-28"
],
"statement": "The procession blocked since dawn stands overlapped in the yard, looking only at that cell."
},
{
"id": "fact-roll",
"sourceIds": [
"ch-4-p-28"
],
"statement": "From behind, another rolling sound lies low on the chain-side road."
},
{
"id": "fact-night",
"sourceIds": [
"ch-4-p-28"
],
"statement": "A cart that has not received the passage line already has no place to spend the night."
},
{
"id": "fact-kneel",
"sourceIds": [
"ch-4-p-29"
],
"statement": "Doyun is outside the table. He kneels in front of the rear entrance stone and holds the short line of a leather scrap against the crack in the stone. The bent angle of the arrow is similar. The short line has not overlapped yet. The crack is worn and faint, so he traces the groove with a fingernail and then lifts the scrap again. Only the place where he kneels receives the outside light."
},
{
"id": "fact-pen",
"sourceIds": [
"ch-4-p-30"
],
"statement": "Ria grips the pen in her right hand. The wrist folds and the pen shaft rolls on the table. The pen is transferred to the left hand, and the right hand goes inside the sleeve."
},
{
"id": "fact-wood",
"sourceIds": [
"ch-4-p-30"
],
"statement": "The flaw on the side board catches her eye again. The damp inner wood is four-branched, and the ledger cell is white."
},
{
"id": "fact-swallow",
"sourceIds": [
"ch-4-p-30"
],
"statement": "The number four sits at the tip of her tongue and then goes back in before the height of the waiting pile. In front of that pile, the place that turned back, Bori's cry, the wrist that will not straighten, and the name of the hand that carved the mark come apart. The name catches in her mouth and is swallowed."
},
{
"id": "fact-sack",
"sourceIds": [
"ch-4-p-31"
],
"statement": "Maren looks at the table while holding a sack fixed with her knee."
},
{
"id": "fact-address",
"sourceIds": [
"ch-4-p-32"
],
"statement": "The line that follows addresses Ria and says the carts are looking only at that cell."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink, adult cast, cute small marten, damp mountain-outpost daylight after rain.",
"moments": [
{
"sourceIds": [
"ch-4-p-26",
"ch-4-p-27"
],
"action": "The person behind the table shows the ledger's empty east cell beneath a filled line, fingernail on that cell's corner, speaking the passage rule.",
"textIds": [
"text-rule"
]
},
{
"sourceIds": [
"ch-4-p-28"
],
"action": "The third cart's wheel creaks caught on a stone, sun past the eaves on a cover, and the overlapped procession stares only at the empty cell, the yard packed tight.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-29"
],
"action": "Doyun kneels at the rear entrance stone in the one lit patch, lifting the leather scrap whose short line still misses the worn crack despite a similar bend.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-30"
],
"action": "Ria holds the pen in her left hand, right hand in her sleeve, seeing the cart board's four damp branches and the still-white cell, the count unsaid before the tall pile.",
"textIds": [
"text-four"
]
},
{
"sourceIds": [
"ch-4-p-31",
"ch-4-p-32"
],
"action": "Maren, a sack fixed under her knee, looks at the table and tells Ria the carts are watching only that cell.",
"textIds": [
"text-maren"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia keeps the chestnut bob, amber eyes, sand jacket and the fingerless gloves seen in s3; Doyun the black hair, green hooded coat and sword; Maren the red curls, brick vest and gloves; the clerk is a new bearded man in a cap, consistent within the scene."
},
"setting": {
"passed": true,
"evidence": "The crowded yard with covered carts, wet ground, stone outpost and counter under the eaves continues from s3 panel 3; the rear-entrance stone with the forked mark matches s1-s2."
},
"actionTransition": {
"passed": true,
"evidence": "s3 ended with Bori's ears aimed at the road; s4 opens at the ledger with the clerk showing the empty cell (p26-27), the next event, and the carts remain jammed as in s3."
}
},
"textObservations": [
{
"id": "text-rule",
"observedText": "여기 통행 한 줄이 있어야 대기 수레가 다음 길에 짐을 싣고 나갑니다. 비었다고 적히면 대기 짐까지 실려요. 자국이 있다고 적히면 수레는 이 마당에 붙들어 둡니다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail at the bearded clerk behind the ledger; exact text."
},
{
"id": "text-four",
"observedText": "넷",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 thought bubble beside Lia at the ledger; exact text."
},
{
"id": "text-maren",
"observedText": "리야. 수레가 그 칸만 봐요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail at Maren leaning over the sack; one syllable differs from the source (리아 → 리야)."
}
],
"evidence": "Five panels in four rows. Row 1: the clerk's finger on an open ledger drawn with a four-column table and entries. Row 2: the jammed yard, Doyun beside a horse at left, a queue of drivers at the counter at right, a small sound-effect scrawl at the front wheel. Row 3: Doyun kneeling at the marked stone holding the scrap; Lia at the ledger with a pen, hand at her chin, beside a tall stack of sacks. Row 4: Maren leaning on a sack speaking to Lia, who holds the pen. Light and setting stay coherent.",
"observedPanelCount": 5
}
},
{
"id": "s5",
"n": 5,
"title": "오늘은 비어 있습니다",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-4-p-33",
"n": 33,
"text": "“마렌 씨. 칸은 제가 적을게요.”"
},
{
"id": "ch-4-p-34",
"n": 34,
"text": "대기 더미가 첫 수레 옆에 쌓여 있었다. 아직 어느 짐칸에도 오르지 않은 자루들이었다. 줄이 무거우면 더미는 마당에 남고, 줄이 가벼우면 확인 전의 굽이로 올라간다. 리아는 더미와, 아직 어긋난 조각과, 덮개 밖의 귀를 한 번에 보았다."
},
{
"id": "ch-4-p-35",
"n": 35,
"text": "펜 끝이 닿기 직전, 보리가 사슬 쪽으로 또 울었다. 리아는 그 소리를 칸에 넣지 않았다."
},
{
"id": "ch-4-p-36",
"n": 36,
"text": "“다음 통행은 뒤편 좁은 굽이입니다. 자국은 낡은 것이고, 오늘은 비어 있습니다.”"
},
{
"id": "ch-4-p-37",
"n": 37,
"text": "왼쪽 손으로 쓴 글씨가 기울어 한 줄을 채웠다. 수는 빠졌고, 울음도 빠졌다. 탁자 뒤의 사람이 그 줄을 소리 내어 읽더니, 같은 문장을 쪽지에 베어 리아에게 내밀고, 대기 더미에 분필 표시를 했다."
},
{
"id": "ch-4-p-38",
"n": 38,
"text": "“통행, 비어 있음. 추가 짐은 아침에 서명한 검 앞에 내리세요. 받는 자리가 거기입니다.”"
}
],
"pFrom": 33,
"pTo": 38,
"panelCount": 4,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep04-s5.webp",
"blocking": 2,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 보리가 마당 바닥에 내려와 울음. 원문 p25·p35는 가방 안에서 귀만 내놓고 욺. 창작 동작.",
"en": "Panel 2 puts Bori on the ground in the yard between the cart wheels, crying; p25 and p35 keep Bori inside the bag with only its ears outside the cover, and beat-cry / moment 2 have it cry from the bag beside Ria's pen. The marten leaving the bag is an invented action."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·3칸: 펜이 리아 오른손, 오른손 맨손. 원문 p37은 왼손 글씨, 오른손은 소매 안. s4와 같은 결함.",
"en": "Panels 1 and 3 show the pen in Lia's right hand with the right hand bare on the page; p37 and moments 1-3 require the left hand writing and the right hand kept in the sleeve."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 표식 깃발이 마당에 걸리고 쪽지에도 표식. 원문의 표식은 입구 돌과 가죽 조각뿐, 쪽지는 문장 베낀 것.",
"en": "Panel 4 hangs a banner with the forked mark over the yard and draws the same mark on the slip the clerk holds; the source has the mark only on the entrance stone and the leather piece, and the slip carries the copied sentence."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 수레 옆에 사슬. ‘사슬 쪽’은 사슬이 있던 길 방향(p35).",
"en": "Panel 2 drapes a chain on the cart's side; ch-4-p-35 says Bori cries toward the chain side (the road where the chains were), not that any cart carries a chain."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 대기 더미의 분필 표시 없음(p37).",
"en": "Panel 4 does not show the chalk mark on the waiting pile (p37, moment 4); the sacks at left are unmarked."
}
],
"textsTotal": 5,
"textsOk": 5,
"timings": {
"planS": [
216
],
"preflightS": [
316
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1309,
"plan": {
"intent": "Ria takes the blank cell in front of Maren while the waiting sacks still sit beside the first cart. A heavy line would leave that pile in the yard, and a light line would send it up to the bend before confirmation, and in one glance she holds the pile, a piece that still fails to match, and an ear outside a cover. Before the pen tip touches, Bori cries again toward the chain side. Ria enters a single slanted left-hand line that calls the rear bend old in its traces and empty today, and she leaves both the count and that cry out of it. The person behind the table reads the line back, copies it onto a slip for her, chalks the pile, and sends the extra cargo to the receiving place in front of the sword that signed in the morning.",
"staging": "Daylight in the damp outpost yard, at the same table where the ledger cell is written. Ria is at the table, pen in the left hand, right hand remaining in the sleeve. Maren is near enough to be addressed. The waiting sacks are piled beside the first cart and remain outside every cargo compartment. From Ria's glance the pile, a still-misaligned piece, and an ear outside a cover can be seen together; distances among table, pile, piece, and cover stay open. Bori's cry is aimed toward the chain side before the pen tip meets the page. The person behind the table is distinct from Ria, Doyun, Bori, and Maren, and stays behind the table while reading the finished slanted line, copying that same sentence onto a slip, offering the slip to Ria, and chalking the waiting pile. The extra-cargo receiving place is the spot in front of the sword that signed in the morning; where that sword stands relative to the table is unspecified. The pile remains in the yard through these actions. The artist chooses framing and the vertical reading order. A later event may share a frame when it stays visibly later.",
"uncertainties": [
"ch-4-p-33 has no speaker tag. text-offer is assigned to c1 from the vocative to Maren, the offer to write the cell, the pen already in Ria's hand, and polite speech toward an older adult.",
"ch-4-p-36 has no speaker tag. It is the sentence the person behind the table afterward reads aloud and copies, so text-line is lettered once as the line Ria enters. The later reading repeats that sentence and is not a second wording.",
"ch-4-p-34 does not name the still-misaligned piece, so it is unresolved whether the piece is the leather scrap, a map fragment, or an object in a particular hand.",
"The cover that leaves an ear outside is not identified as a bag or a cart cover. Bori is the one who cries in ch-4-p-35; these units give no further body position.",
"ch-4-p-35 names the chain side as the direction of the cry. A chain as a visible object is not described, and no arrival comes in from that side.",
"The bend before confirmation in ch-4-p-34 and the narrow rear bend in ch-4-p-36 are not stated to be the same place.",
"ch-4-p-38 does not identify the sword that signed in the morning as Doyun or as a weapon, and it does not locate that sword.",
"The chalk mark's shape and any words inside the mark are unspecified. The omitted count in ch-4-p-37 has no digits in these units.",
"These units give Doyun no new action and give Maren no reply. The heavy-line and light-line outcomes are a standing rule; the pile is not shown traveling."
],
"texts": [
{
"id": "text-offer",
"sourceId": "ch-4-p-33",
"kind": "dialogue",
"speaker": "c1",
"text": "“마렌 씨. 칸은 제가 적을게요.”"
},
{
"id": "text-weight",
"sourceId": "ch-4-p-34",
"kind": "caption",
"speaker": "narrator",
"text": "줄이 무거우면 더미는 마당에 남고, 줄이 가벼우면 확인 전의 굽이로 올라간다."
},
{
"id": "text-line",
"sourceId": "ch-4-p-36",
"kind": "dialogue",
"speaker": "c1",
"text": "“다음 통행은 뒤편 좁은 굽이입니다. 자국은 낡은 것이고, 오늘은 비어 있습니다.”"
},
{
"id": "text-omit",
"sourceId": "ch-4-p-37",
"kind": "caption",
"speaker": "narrator",
"text": "수는 빠졌고, 울음도 빠졌다."
},
{
"id": "text-receive",
"sourceId": "ch-4-p-38",
"kind": "dialogue",
"speaker": "narrator",
"text": "“통행, 비어 있음. 추가 짐은 아침에 서명한 검 앞에 내리세요. 받는 자리가 거기입니다.”"
}
],
"beats": [
{
"id": "beat-offer",
"sourceIds": [
"ch-4-p-33"
],
"action": "Ria tells Maren that she herself will write the cell.",
"textIds": [
"text-offer"
]
},
{
"id": "beat-glance",
"sourceIds": [
"ch-4-p-34"
],
"action": "Ria takes in at one glance the unloaded sacks piled beside the first cart, the piece that is still out of alignment, and the ear outside the cover, with the yard rule that a heavy line keeps the pile there and a light line sends it up to the bend before confirmation.",
"textIds": [
"text-weight"
]
},
{
"id": "beat-cry",
"sourceIds": [
"ch-4-p-35"
],
"action": "Just before the pen tip touches, Bori cries again toward the chain side, and Ria keeps that sound out of the cell.",
"textIds": []
},
{
"id": "beat-line",
"sourceIds": [
"ch-4-p-36"
],
"action": "She gives the passage line that the next passage is the narrow bend at the rear, the traces are old, and today it is empty.",
"textIds": [
"text-line"
]
},
{
"id": "beat-omit",
"sourceIds": [
"ch-4-p-37"
],
"action": "Her left hand fills one slanted line, and both the count and the cry stay out of that line.",
"textIds": [
"text-omit"
]
},
{
"id": "beat-clerk",
"sourceIds": [
"ch-4-p-37",
"ch-4-p-38"
],
"action": "The person behind the table reads that line aloud, copies the same sentence onto a slip, holds the slip out to Ria, chalks the waiting pile, and directs the extra cargo to the receiving place in front of the sword that signed in the morning.",
"textIds": [
"text-receive"
]
}
],
"facts": [
{
"id": "fact-offer",
"sourceIds": [
"ch-4-p-33"
],
"statement": "Maren is addressed by name and told that the speaker will write the cell."
},
{
"id": "fact-pile",
"sourceIds": [
"ch-4-p-34"
],
"statement": "The waiting pile is stacked beside the first cart. Its sacks have not yet gone up into any cargo compartment."
},
{
"id": "fact-weight",
"sourceIds": [
"ch-4-p-34"
],
"statement": "If the line is heavy, the pile stays in the yard. If the line is light, the pile goes up to the bend that precedes confirmation."
},
{
"id": "fact-glance",
"sourceIds": [
"ch-4-p-34"
],
"statement": "Ria sees, in one glance, the pile, a piece that is still out of alignment, and an ear outside a cover."
},
{
"id": "fact-cry",
"sourceIds": [
"ch-4-p-35"
],
"statement": "Just before the pen tip touches, Bori cries again toward the chain side. Ria does not enter that sound in the cell."
},
{
"id": "fact-passage",
"sourceIds": [
"ch-4-p-36"
],
"statement": "The passage line given here says the next passage is the narrow bend at the rear, the traces are old, and today it is empty."
},
{
"id": "fact-hand",
"sourceIds": [
"ch-4-p-37"
],
"statement": "The line written with the left hand slants and fills one line. The count is absent from it, and the cry is absent from it."
},
{
"id": "fact-clerk",
"sourceIds": [
"ch-4-p-37"
],
"statement": "The person behind the table reads that line aloud, copies the same sentence onto a slip, holds the slip out to Ria, and puts a chalk mark on the waiting pile."
},
{
"id": "fact-receive",
"sourceIds": [
"ch-4-p-38"
],
"statement": "The speech that follows calls the passage empty, directs the extra cargo to be set down in front of the sword that signed in the morning, and calls that spot the receiving place."
}
]
},
"brief": {
"style": "Full-color fantasy comic with expressive ink lines, adult cast, and a small marten, in wet daylight at a mountain outpost yard.",
"moments": [
{
"sourceIds": [
"ch-4-p-33",
"ch-4-p-34"
],
"action": "Ria, left hand on the pen and right hand sleeved, tells Maren she will write the cell as sacks beside the first cart, a misaligned piece, and an ear outside a cover share one glance.",
"textIds": [
"text-offer",
"text-weight"
]
},
{
"sourceIds": [
"ch-4-p-35"
],
"action": "Bori cries toward the chain side while Ria's left-hand pen hovers short of the page and her right hand stays sleeved.",
"textIds": []
},
{
"sourceIds": [
"ch-4-p-36",
"ch-4-p-37"
],
"action": "The finished slanted line in Ria's left-hand writing fills the ledger cell, her right hand sleeved.",
"textIds": [
"text-line",
"text-omit"
]
},
{
"sourceIds": [
"ch-4-p-37",
"ch-4-p-38"
],
"action": "The clerk behind the table holds a slip out to Ria and speaks, the waiting pile already chalked beside the first cart.",
"textIds": [
"text-receive"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia (chestnut bob, amber eyes, sand jacket, fingerless gloves), Maren (red curls, brick vest, work gloves) and the bearded clerk in a cap match the s4 image."
},
"setting": {
"passed": true,
"evidence": "The ledger counter under the eaves, the jammed covered carts, wet ground and the rear-entrance stone with the forked mark continue from s4."
},
"actionTransition": {
"passed": true,
"evidence": "s4 ended with Maren telling Lia the carts watch only that cell; s5 opens with Lia answering her across the ledger (p33), the next line."
}
},
"textObservations": [
{
"id": "text-offer",
"observedText": "“마렌 씨. 칸은 제가 적을게요.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail toward Lia facing Maren across the ledger; exact text with quotation marks."
},
{
"id": "text-weight",
"observedText": "줄이 무거우면 더미는 마당에 남고, 줄이 가벼우면 확인 전의 굽이로 올라간다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top-left caption box; exact text."
},
{
"id": "text-line",
"observedText": "“다음 통행은 뒤편 좁은 굽이입니다. 자국은 낡은 것이고, 오늘은 비어 있습니다.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail toward Lia writing; exact text."
},
{
"id": "text-omit",
"observedText": "수는 빠졌고, 울음도 빠졌다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 top-left caption box; exact text."
},
{
"id": "text-receive",
"observedText": "통행, 비어 있음. 추가 짐은 아침에 서명한 검 앞에 내리세요. 받는 자리가 거기입니다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail at the clerk holding out the slip; exact text without the quotation marks."
}
],
"evidence": "Four full-width panels. 1: Lia and Maren at the ledger, Bori's head out of the bag at left, carts and drivers behind. 2: Bori standing on the wet yard ground crying toward a cart with a chain on its side, Lia's back at left. 3: Lia writing at the ledger with the marked stone and rutted gully behind the counter. 4: the clerk holding out a slip toward Lia, a banner with the forked mark hanging above the yard, rope and sacks at left. Light and setting stay coherent.",
"observedPanelCount": 4
}
},
{
"id": "s6",
"n": 6,
"title": "지금 이 줄로",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-4-p-39",
"n": 39,
"text": "쪽지가 가벼웠다. 리아가 그것을 쥐고 자루 뒤를 따라 걸었다. 자루가 마당을 가로지르는 동안 마렌이 한 발 나섰다가 장갑 낀 손을 접었다. 자기 발치에는 밀가루 하나와 빌린 끈만 남았다."
},
{
"id": "ch-4-p-40",
"n": 40,
"text": "“그건 제가 맞추는 짐이 아니에요. 수레가 가져갈 거예요.”"
},
{
"id": "ch-4-p-41",
"n": 41,
"text": "자루를 든 사람은 그 말을 지나 뒤편으로 갔다. 도윤의 발치, 입구 돌 옆에 자루가 내려졌고 먼지가 부츠 위로 튀었다. 그는 조각을 돌에서 떼지 못한 채 먼지를 보았다. 짧은 선은 여전히 어긋나 있었다. 수레 쪽을 보고 도윤이 말했다."
},
{
"id": "ch-4-p-42",
"n": 42,
"text": "“아직입니다. 선이 안 맞아요.”"
},
{
"id": "ch-4-p-43",
"n": 43,
"text": "앞 수레의 사람은 장부 쪽만 보았다."
},
{
"id": "ch-4-p-44",
"n": 44,
"text": "“지금 이 줄로 나갑니다. 새벽부터 기다린 칸이에요.”"
},
{
"id": "ch-4-p-45",
"n": 45,
"text": "추가 자루가 그 수레의 짐칸으로 올라갔다. 칸이 높아지자, 짐 위에 앉아 있던 두 사람이 발판으로 밀려 내렸다. 한 사람은 모자를 바로잡고 바퀴 옆으로 걸어 내려갔고, 다른 사람은 고삐 밖으로 물러났다. 빈 자리에 자루가 들어찼다. 수레는 내려선 사람들을 마당에 두고 뒤편 입구로 굴러갔다."
}
],
"pFrom": 39,
"pTo": 45,
"panelCount": 4,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep04-s6.webp",
"blocking": 2,
"advisory": 4,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: “지금 이 줄로 나갑니다”가 장부 담당(s4·s5의 같은 인물)에게 붙음. 원문 p43~44는 앞 수레 사람의 말.",
"en": "Panel 3 gives text-leave to the ledger clerk (bearded man in a cap over the open book, the same figure as s4-s5) instead of the front cart's driver; p43-44 have the driver looking only toward the ledger and speaking, so the reader hears the push to leave from the wrong person."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 도윤이 왼손에 줄 뭉치. 허리춤은 비어 있음(p4). s1·s2와 같은 결함.",
"en": "Panel 2 shows Doyun holding a coiled rope in his left hand; ch-4-p-4 fixed his waist as empty after the rope was lost, and no line in p39-45 gives him a rope. Same defect as s1-s2."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 돌에 댄 가죽 조각과 부츠에 튀는 먼지 없음(p41).",
"en": "Panel 2 does not show the leather piece held against the stone or the dust jumping onto Doyun's boots (p41, moment 2); his hand rests on the sack instead."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 모자 바로잡는 사람이 도윤 옷(초록 코트·검)으로 그려져 도윤으로 읽힘(p45).",
"en": "Panel 4 draws the rider who straightens his hat in Doyun's green hooded coat with a sword on his back, so he reads as Doyun rather than one of the two people pushed off the cargo (p45)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 빌린 끈이 큰 밧줄 뭉치. s1은 짧은 가죽 끈.",
"en": "Panel 1 shows the borrowed cord at Maren's feet as a large rope coil; s1 drew it as a short flat leather strap and p39 calls it the borrowed 끈."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 표식 깃발 재등장. 원문엔 없음.",
"en": "Panel 3 hangs the forked-mark banner over the yard again; the source has the mark only on the stone and the leather piece."
}
],
"textsTotal": 7,
"textsOk": 6,
"timings": {
"planS": [
286
],
"preflightS": [
439
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1309,
"plan": {
"intent": "Ria follows a light slip behind one sack as it crosses the yard. Maren takes a single step after it and stops, folding a gloved hand, with one flour and a borrowed cord left at her feet, and lets the cart take the cargo. The sack is set in the dust at Doyun's feet beside the entrance stone, the piece still held to the stone and the short line still misaligned, and he tells the cart side that it is not yet. The person of the front cart looks only toward the ledger and declares that this line leaves now, a cell waited for since dawn. The extra sack goes up into that cart, the two people who had been sitting on the cargo are pushed down to the footboard and left in the yard, and the cart rolls on toward the rear entrance.",
"staging": "Daylight in the damp outpost yard. Ria walks behind the sack with the light slip in her hand while the sack crosses the yard ahead of her. Maren is on the yard ground, one step forward and then her gloved hand folded, with one flour and a borrowed cord at her feet. An unnamed bearer, distinct from Ria, Maren, and Doyun, carries the sack past the speech and sets it down at Doyun's feet beside the entrance stone. Dust lands on the boots at that spot. The piece remains on the entrance stone where Doyun has failed to detach it. Doyun's look then goes toward the cart. The front cart's person looks only toward the ledger. After that declaration, the extra sack is up in that front cart's cargo compartment and the compartment is higher. Two unnamed people who had been sitting on the cargo are on the footboard, then one is beside the wheel and walking down, the other is outside the reins, and the sack occupies the place they left. Those who stepped down stay in the yard as the cart rolls toward the rear entrance. Distances among the ledger, the entrance stone, and the cart stay open. The artist chooses framing and the vertical reading order. A later event may share a frame when it stays visibly later.",
"uncertainties": [
"ch-4-p-40 has no speaker tag. The line is assigned to Maren from her step-and-stop just before it, the cargo wording, and the polite register. Ria is also present behind the sack and also speaks politely to an older adult, so the speaker stays uncertain. The bearer is out of the assignment because ch-4-p-41 sends that person past the speech.",
"The thing refused in ch-4-p-40 is unspecified. It may be the slip, the sack being carried, or the flour left at Maren's feet.",
"ch-4-p-39 names one flour and gives no container, so a sack, a loose measure, or another unit all remain open.",
"ch-4-p-41 puts dust on boots where the sack is set at Doyun's feet. The owner of the boots is unnamed.",
"The piece remains attached to the entrance stone, and the short line is still misaligned. These units do not say the short line is on that piece.",
"ch-4-p-45 calls the loaded object the extra sack and names no lifter. It does not state that this is the same sack just set at Doyun's feet.",
"ch-4-p-44 has no speaker tag. It is lettered as dialogue of the front-cart person because that person has just looked only toward the ledger. That person is unnamed and is distinct from Ria, Doyun, Maren, and the bearer, so the speaker field has no character id.",
"The cell named in ch-4-p-44 may be a ledger cell or the cargo compartment that becomes higher in ch-4-p-45. The line they leave on may be a written passage line, a queue, or a rope. These units do not define it.",
"The two people who sat on the cargo are unnamed. These units give Ria, Doyun, and Maren no place on the cart.",
"These units give Bori no position and no action.",
"The rear entrance is not identified with any bend named before this excerpt. Where the ledger sits relative to the cart and the entrance stone is unspecified.",
"ch-4-p-39 shows a gloved hand being folded. Whether the glove is on one hand or both, and the exact shape of the fold, are unspecified.",
"The compartment becomes higher as the extra sack goes up, and the two sitters are pushed down onto the footboard. No further lifting mechanism is stated."
],
"texts": [
{
"id": "text-light",
"sourceId": "ch-4-p-39",
"kind": "caption",
"speaker": "narrator",
"text": "쪽지가 가벼웠다."
},
{
"id": "text-remains",
"sourceId": "ch-4-p-39",
"kind": "caption",
"speaker": "narrator",
"text": "자기 발치에는 밀가루 하나와 빌린 끈만 남았다."
},
{
"id": "text-not-mine",
"sourceId": "ch-4-p-40",
"kind": "dialogue",
"speaker": "c4",
"text": "“그건 제가 맞추는 짐이 아니에요. 수레가 가져갈 거예요.”"
},
{
"id": "text-misalign",
"sourceId": "ch-4-p-41",
"kind": "caption",
"speaker": "narrator",
"text": "짧은 선은 여전히 어긋나 있었다."
},
{
"id": "text-not-yet",
"sourceId": "ch-4-p-42",
"kind": "dialogue",
"speaker": "c2",
"text": "“아직입니다. 선이 안 맞아요.”"
},
{
"id": "text-leave",
"sourceId": "ch-4-p-44",
"kind": "dialogue",
"speaker": "narrator",
"text": "“지금 이 줄로 나갑니다. 새벽부터 기다린 칸이에요.”"
},
{
"id": "text-depart",
"sourceId": "ch-4-p-45",
"kind": "caption",
"speaker": "narrator",
"text": "수레는 내려선 사람들을 마당에 두고 뒤편 입구로 굴러갔다."
}
],
"beats": [
{
"id": "beat-follow",
"sourceIds": [
"ch-4-p-39"
],
"action": "Ria holds the light slip and follows behind the sack as it crosses the yard.",
"textIds": [
"text-light"
]
},
{
"id": "beat-yield",
"sourceIds": [
"ch-4-p-39",
"ch-4-p-40"
],
"action": "Maren takes one step, folds her gloved hand, and stands with one flour and a borrowed cord at her feet while saying that this is not cargo she matches and that the cart will take it.",
"textIds": [
"text-remains",
"text-not-mine"
]
},
{
"id": "beat-stone",
"sourceIds": [
"ch-4-p-41"
],
"action": "The sack-bearer passes that speech, goes toward the rear, and sets the sack at Doyun's feet beside the entrance stone, where dust jumps onto the boots. Still unable to detach the piece from the stone, he looks at the dust, and the short line remains misaligned.",
"textIds": [
"text-misalign"
]
},
{
"id": "beat-refuse",
"sourceIds": [
"ch-4-p-41",
"ch-4-p-42"
],
"action": "Doyun looks toward the cart and says that it is not yet and that the line does not match.",
"textIds": [
"text-not-yet"
]
},
{
"id": "beat-ledger",
"sourceIds": [
"ch-4-p-43",
"ch-4-p-44"
],
"action": "The person of the front cart looks only toward the ledger and says they are leaving on this line now, a cell waited for since dawn.",
"textIds": [
"text-leave"
]
},
{
"id": "beat-roll",
"sourceIds": [
"ch-4-p-45"
],
"action": "The extra sack goes up into that cart's cargo compartment. As the compartment becomes higher, the two people who were sitting on the cargo are pushed down onto the footboard. One straightens a hat and walks down beside the wheel, the other draws back outside the reins, and the sack fills the emptied place. The cart leaves those who stepped down in the yard and rolls toward the rear entrance.",
"textIds": [
"text-depart"
]
}
],
"facts": [
{
"id": "fact-slip",
"sourceIds": [
"ch-4-p-39"
],
"statement": "The slip was light. Ria held it and walked along behind the sack."
},
{
"id": "fact-step",
"sourceIds": [
"ch-4-p-39"
],
"statement": "While the sack crossed the yard, Maren took one step forward and then folded her gloved hand."
},
{
"id": "fact-feet",
"sourceIds": [
"ch-4-p-39"
],
"statement": "At Maren's own feet only one flour and a borrowed cord remained."
},
{
"id": "fact-yield",
"sourceIds": [
"ch-4-p-40"
],
"statement": "The spoken line says that the thing in question is not cargo the speaker matches, and that the cart will take it."
},
{
"id": "fact-pass",
"sourceIds": [
"ch-4-p-41"
],
"statement": "The person holding the sack went past that speech and on toward the rear."
},
{
"id": "fact-down",
"sourceIds": [
"ch-4-p-41"
],
"statement": "The sack was set down at Doyun's feet, beside the entrance stone, and dust jumped onto the boots."
},
{
"id": "fact-piece",
"sourceIds": [
"ch-4-p-41"
],
"statement": "Doyun looked at the dust while still unable to detach the piece from the stone. The short line was still misaligned."
},
{
"id": "fact-turn",
"sourceIds": [
"ch-4-p-41"
],
"statement": "Doyun looked toward the cart and spoke."
},
{
"id": "fact-not-yet",
"sourceIds": [
"ch-4-p-42"
],
"statement": "Doyun's spoken line says that it is not yet and that the line does not match."
},
{
"id": "fact-ledger",
"sourceIds": [
"ch-4-p-43"
],
"statement": "The person of the front cart looked only toward the ledger."
},
{
"id": "fact-dawn",
"sourceIds": [
"ch-4-p-44"
],
"statement": "The spoken line says they are going out on this line now, and that it is a cell waited for since dawn."
},
{
"id": "fact-rise",
"sourceIds": [
"ch-4-p-43",
"ch-4-p-45"
],
"statement": "The extra sack went up into that front cart's cargo compartment. When the compartment became higher, two people who had been sitting on the cargo were pushed down onto the footboard."
},
{
"id": "fact-pair",
"sourceIds": [
"ch-4-p-45"
],
"statement": "One of the two straightened a hat and walked down beside the wheel. The other drew back outside the reins. The sack filled the place they had emptied."
},
{
"id": "fact-roll",
"sourceIds": [
"ch-4-p-45"
],
"statement": "The cart left the people who had stepped down in the yard and rolled toward the rear entrance."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines, adult cast, daylight in a damp mountain-outpost yard after rain.",
"moments": [
{
"sourceIds": [
"ch-4-p-39",
"ch-4-p-40"
],
"action": "A bearer carries a sack across the yard; Ria follows with the slip. Maren speaks, gloved hand folded, one flour and a borrowed cord at her feet.",
"textIds": [
"text-light",
"text-remains",
"text-not-mine"
]
},
{
"sourceIds": [
"ch-4-p-41",
"ch-4-p-42"
],
"action": "The sack rests at Doyun's feet beside the entrance stone, dust on the boots. Piece still on the stone, he faces the cart and speaks.",
"textIds": [
"text-misalign",
"text-not-yet"
]
},
{
"sourceIds": [
"ch-4-p-43",
"ch-4-p-44"
],
"action": "The front cart's person looks only toward the ledger and speaks.",
"textIds": [
"text-leave"
]
},
{
"sourceIds": [
"ch-4-p-45"
],
"action": "The cart rolls toward the rear entrance with the extra sack in its higher cargo, leaving in the yard one person with a straightened hat and one clear of the reins.",
"textIds": [
"text-depart"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia (chestnut bob, amber eyes, sand jacket, fingerless gloves, brown bag with Bori), Maren (red curls, brick vest, gloves), Doyun (black hair, green hooded coat, sword) and the bearded capped clerk match the s5 image."
},
"setting": {
"passed": true,
"evidence": "Outpost yard with covered carts, wet ground, the ledger counter and the rear-entrance stone with the forked mark continue from s5; the forked-mark banner from s5 panel 4 reappears in panel 3."
},
"actionTransition": {
"passed": true,
"evidence": "s5 ended with the clerk handing Lia the slip; s6 opens with Lia holding the slip and following the sack-bearer across the yard (p39)."
}
},
"textObservations": [
{
"id": "text-light",
"observedText": "쪽지가 가벼웠다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 first caption box; exact text."
},
{
"id": "text-remains",
"observedText": "자기 발치에는 밀가루 하나와 빌린 끈만 남았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 second caption box; exact text."
},
{
"id": "text-not-mine",
"observedText": "그건 제가 맞추는 짐이 아니에요. 수레가 가져갈 거예요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail toward Maren, hands folded; exact words, quotation marks dropped."
},
{
"id": "text-misalign",
"observedText": "짧은 선은 여전히 어긋나 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 caption box; exact text."
},
{
"id": "text-not-yet",
"observedText": "아직입니다. 선이 안 맞아요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail toward Doyun facing the cart; exact words, quotation marks dropped."
},
{
"id": "text-leave",
"observedText": "지금 이 줄로 나갑니다. 새벽부터 기다린 칸이에요.",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 3 balloon is attached to the bearded capped clerk bent over the open ledger, the same figure who kept the ledger in s4-s5; p43-44 give the line to the front cart's driver looking toward the ledger."
},
{
"id": "text-depart",
"observedText": "수레는 내려선 사람들을 마당에 두고 뒤편 입구로 굴러갔다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption box; exact text."
}
],
"evidence": "Four full-width panels. 1: a bearer shoulders a sack across the yard, Lia follows holding the slip with Bori's head out of her bag, Maren stands by a bench with a flour sack and a rope coil at her feet. 2: Doyun beside the marked stone with a sack at his hand and a coiled rope in his left hand, a horse cart at right. 3: the capped clerk at the ledger speaking, drivers queued behind, a forked-mark banner above, Lia's back and Bori at right. 4: the cart rolling into the rutted rear path past the stone while Maren, Lia and a capped figure in a green coat stand in the yard.",
"observedPanelCount": 4
}
},
{
"id": "s7",
"n": 7,
"title": "구겨진 쪽지",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-4-p-46",
"n": 46,
"text": "도윤의 손이 허리로 갔다가 빈 고리만 쥐었다. 손바닥 안에는 고리의 차가운 테두리뿐이었다. 리아가 내민 쪽지를 그가 붙잡았다. 아침에 적은 자기 이름 옆에, 리아의 한 줄이 적혀 있었다. 종이가 주먹 안에서 구겨졌다. 리아의 왼손은 비었다."
},
{
"id": "ch-4-p-47",
"n": 47,
"text": "바퀴가 표식 돌을 넘었다. 도윤이 조각을 들어 올려도 수레 옆판이 돌의 금과 가죽의 짧은 선 사이를 가렸다. 옆판의 뿔 자국이 햇빛을 스치고 입구 너머 그늘로 들어갔다. 굽이 안쪽에서 바퀴가 벽을 스치는 소리가 한 번 울리고, 이내 짐칸에 가려 낮아졌다."
},
{
"id": "ch-4-p-48",
"n": 48,
"text": "“리아.”"
},
{
"id": "ch-4-p-49",
"n": 49,
"text": "그가 리아를 보았다. 새긴 손의 이름은 묻지 않았다. 먼저 들어간 수레 쪽이었다."
},
{
"id": "ch-4-p-50",
"n": 50,
"text": "굽이는 입구 안에서 한 번 꺾인 뒤에 있었다. 조각이 가리키는 좁은 자리와 실제 흙이 포개지는지, 마당에서는 알 수 없었다. 수레는 이미 앞바퀴를 넘긴 채 그늘을 밀고 있었다. 짐칸의 추가 자루가 모서리에 걸릴지, 더 안쪽까지 들어갈지, 보이는 것은 어긋난 조각과 입구를 지나는 옆판뿐이었다."
},
{
"id": "ch-4-p-51",
"n": 51,
"text": "보리가 사슬 쪽을 보고 작게 울었다. 그 울음은 장부의 어느 칸에도 없었다. 리아의 오른손목이 소매 안에서 접힌 채 펴지지 않았다. 가벼운 문장 위의 잉크가 탁자에서 마르고 있었다."
},
{
"id": "ch-4-p-52",
"n": 52,
"text": "도윤은 구겨진 쪽지를 펴지 않은 채, 먼저 들어간 수레만 보고 있었다."
}
],
"pFrom": 46,
"pTo": 52,
"panelCount": 12,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep04-s7.webp",
"blocking": 2,
"advisory": 4,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "11칸: 장부에 창작 문장 “언젠가 다시 이 길에서…” 렌더. 계획은 리아의 한 줄 글자를 안 줌(p46·p51). 내용 날조.",
"en": "Panel 11 letters an invented sentence (언젠가 다시 이 길에서…) on the ledger page; the plan's fact-slip states the glyphs of Lia's line are not supplied, so the image fabricates the content of the 가벼운 문장 (p46, p51)."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 도윤이 든 가죽 조각이 흰 종이 쪽지로 그려짐. 짧은 선 없음 → 돌 금과 어긋난 간격(p47)이 안 보이고 쪽지로 읽힘.",
"en": "Panel 4 draws the leather piece Doyun lifts as a blank white paper scrap identical to the slip, with no short line on it, so the misaligned interval between the stone's mark and the leather's line (p47, beat-hide) is not shown and the piece reads as the crumpled slip."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 옆판 뿔 자국이 큰 갈래 문양. 원문 p16은 긁힌 자국(긴 하나·짧은 둘·겹친 하나). s3·s4와 같은 치환.",
"en": "Panel 5 renders the horn mark on the side panel as a large stylized forked emblem; p16 describes scratches (one long, two short, one overlapping). Same substitution as s3-s4."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 손바닥에 떨어져 나온 고리. 원문 p46은 허리 고리의 테두리를 쥔 것.",
"en": "Panel 1 shows a loose metal ring lying in the palm; p46 has the empty ring still at his waist and only its rim in the palm."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 쪽지에 ‘도윤 | 리아’ 두 이름. 원문은 이름 옆 리아의 한 줄, 글자는 계획에 없음.",
"en": "Panel 2 letters the slip as two names 도윤 | 리아 side by side; p46 has his name beside one line of hers, and the plan says those glyphs are not supplied."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1~3칸: 도윤이 검은 가죽 장갑. s1~s6은 맨손.",
"en": "Panels 1-3 put black leather gloves on Doyun; s1-s6 drew his hands bare."
}
],
"textsTotal": 13,
"textsOk": 13,
"timings": {
"planS": [
366,
636
],
"preflightS": [
655,
308
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 1
},
"imageUsd": 0.1324,
"plan": {
"intent": "Doyun's hand finds an empty ring, then closes on the slip Ria offers and crumples it once her line shows beside the name he wrote that morning. The cart crosses the marker stone, hides the gap he is checking, and passes into the entrance shade with one fading brush. He speaks her name and leaves the carved hand's name unasked, while her empty hand, folded wrist, Bori's soft cry, and drying ink stay in the yard, and he watches only the cart that entered first.",
"staging": "Damp daylight in the outpost yard, with sunlight on the cart side panel before that panel enters the shade beyond the entrance. Doyun and Ria are in the yard: his waist carries an empty ring, she offers the slip, then her left hand is empty while the slip is crumpled in his fist. The marker stone and the entrance stay separate. A wheel meets the marker stone while he holds the lifted piece and the side panel stands between the viewer and the interval from the stone's mark to the short line on the leather. The horn mark is on that side panel. The bend is inside the entrance after one turn, and the single wall-brush belongs there, masked by the cargo bed and outside the yard view that can see the misaligned piece and the passing side panel. The cart that entered first is already pushing that shade with its front wheel across an unnamed threshold. The extra sack stays in the cargo bed with its corner contact unresolved. Bori faces the chain side. Ria's right wrist remains folded in the sleeve. A table holds a light sentence whose ink is drying. The chain, the table, the ledger, and the carved hand have no fixed positions. The artist chooses framing and the vertical reading order. A later event may share a frame when it stays visibly later.",
"uncertainties": [
"The spoken name has no speaker tag. It is assigned to Doyun because he catches the slip and the next unit has him look at Ria. The speaker remains inferred.",
"Which of his hands meets the ring, and whether that hand later crumples the slip, is unstated. The rim in the open palm and the crumpling fist are successive states.",
"The morning name and Ria's line have no source glyphs, so the slip carries no invented wording.",
"The short line on the leather is one end of the hidden interval. These units do not place that short line on the piece he lifts.",
"The marker stone and the entrance are separate terms. The rear entrance from earlier is not identified here with the bend.",
"What the front wheel has already crossed is unnamed, and these units do not say it is the same wheel that crosses the marker stone.",
"Whether the extra sack in the cargo bed catches a corner or goes farther in stays unresolved, so neither outcome is shown.",
"The subjectless sentence that points toward the cart that entered first has no named subject. It precedes the later moment in which he looks only at that cart, and the two stay sequential. The carved hand is unlocated.",
"The wall-brush is one sound inside the bend and then lowers behind the cargo bed. The yard view does not show that contact, because the overlap of the piece's narrow place and the soil cannot be known from the yard.",
"Bori's cry is aimed at an unlocated chain side, and no ledger cell contains it. The ledger's place is unspecified. The cry has no quoted sound.",
"The cause of the folded right wrist is unstated.",
"The drying ink belongs to a light sentence on a table. These units do not identify that sentence with the slip. The table is unlocated.",
"These units give Maren no action and name no driver.",
"These units do not say whether the address, the cry, the wrist, and the drying ink happen after the brush or while the cart is still passing the entrance. Narration order is kept without adding a cause between them."
],
"texts": [
{
"id": "text-rim",
"sourceId": "ch-4-p-46",
"kind": "caption",
"speaker": "narrator",
"text": "손바닥 안에는 고리의 차가운 테두리뿐이었다."
},
{
"id": "text-written",
"sourceId": "ch-4-p-46",
"kind": "caption",
"speaker": "narrator",
"text": "아침에 적은 자기 이름 옆에, 리아의 한 줄이 적혀 있었다."
},
{
"id": "text-empty",
"sourceId": "ch-4-p-46",
"kind": "caption",
"speaker": "narrator",
"text": "리아의 왼손은 비었다."
},
{
"id": "text-hide",
"sourceId": "ch-4-p-47",
"kind": "caption",
"speaker": "narrator",
"text": "도윤이 조각을 들어 올려도 수레 옆판이 돌의 금과 가죽의 짧은 선 사이를 가렸다."
},
{
"id": "text-shade",
"sourceId": "ch-4-p-47",
"kind": "caption",
"speaker": "narrator",
"text": "옆판의 뿔 자국이 햇빛을 스치고 입구 너머 그늘로 들어갔다."
},
{
"id": "text-scrape",
"sourceId": "ch-4-p-47",
"kind": "caption",
"speaker": "narrator",
"text": "굽이 안쪽에서 바퀴가 벽을 스치는 소리가 한 번 울리고, 이내 짐칸에 가려 낮아졌다."
},
{
"id": "text-ria",
"sourceId": "ch-4-p-48",
"kind": "dialogue",
"speaker": "c2",
"text": "“리아.”"
},
{
"id": "text-unasked",
"sourceId": "ch-4-p-49",
"kind": "caption",
"speaker": "narrator",
"text": "새긴 손의 이름은 묻지 않았다."
},
{
"id": "text-yard",
"sourceId": "ch-4-p-50",
"kind": "caption",
"speaker": "narrator",
"text": "조각이 가리키는 좁은 자리와 실제 흙이 포개지는지, 마당에서는 알 수 없었다."
},
{
"id": "text-cry",
"sourceId": "ch-4-p-51",
"kind": "caption",
"speaker": "narrator",
"text": "보리가 사슬 쪽을 보고 작게 울었다."
},
{
"id": "text-wrist",
"sourceId": "ch-4-p-51",
"kind": "caption",
"speaker": "narrator",
"text": "리아의 오른손목이 소매 안에서 접힌 채 펴지지 않았다."
},
{
"id": "text-ink",
"sourceId": "ch-4-p-51",
"kind": "caption",
"speaker": "narrator",
"text": "가벼운 문장 위의 잉크가 탁자에서 마르고 있었다."
},
{
"id": "text-watch",
"sourceId": "ch-4-p-52",
"kind": "caption",
"speaker": "narrator",
"text": "도윤은 구겨진 쪽지를 펴지 않은 채, 먼저 들어간 수레만 보고 있었다."
}
],
"beats": [
{
"id": "beat-rim",
"sourceIds": [
"ch-4-p-46"
],
"action": "Doyun's hand reaches his waist and his open palm holds only the cold rim of an empty ring.",
"textIds": [
"text-rim"
]
},
{
"id": "beat-slip",
"sourceIds": [
"ch-4-p-46"
],
"action": "He catches the slip Ria holds out, and the slip shows his own morning name beside one line of hers.",
"textIds": [
"text-written"
]
},
{
"id": "beat-crumple",
"sourceIds": [
"ch-4-p-46"
],
"action": "The paper crumples inside his fist and Ria's left hand is empty.",
"textIds": [
"text-empty"
]
},
{
"id": "beat-hide",
"sourceIds": [
"ch-4-p-47"
],
"action": "With a wheel across the marker stone, he lifts the piece and the cart side panel hides the interval between the stone's mark and the short line on the leather.",
"textIds": [
"text-hide"
]
},
{
"id": "beat-shade",
"sourceIds": [
"ch-4-p-47"
],
"action": "The horn mark on the side panel grazes the sunlight and enters the shade beyond the entrance.",
"textIds": [
"text-shade"
]
},
{
"id": "beat-scrape",
"sourceIds": [
"ch-4-p-47"
],
"action": "Inside the bend, a wheel brushes the wall once and the sound then lowers behind the cargo bed.",
"textIds": [
"text-scrape"
]
},
{
"id": "beat-call",
"sourceIds": [
"ch-4-p-48",
"ch-4-p-49"
],
"action": "He looks at Ria, says her name, and leaves the carved hand's name unasked.",
"textIds": [
"text-ria",
"text-unasked"
]
},
{
"id": "beat-yard",
"sourceIds": [
"ch-4-p-50"
],
"action": "From the yard the misaligned piece and the side panel passing the entrance are what can be seen, while the cart pushes the shade with its front wheel already across.",
"textIds": [
"text-yard"
]
},
{
"id": "beat-bori",
"sourceIds": [
"ch-4-p-51"
],
"action": "Bori looks toward the chain side and cries softly.",
"textIds": [
"text-cry"
]
},
{
"id": "beat-wrist",
"sourceIds": [
"ch-4-p-51"
],
"action": "Ria's right wrist stays folded inside the sleeve and does not unfold.",
"textIds": [
"text-wrist"
]
},
{
"id": "beat-ink",
"sourceIds": [
"ch-4-p-51"
],
"action": "Ink on a light sentence dries on the table.",
"textIds": [
"text-ink"
]
},
{
"id": "beat-watch",
"sourceIds": [
"ch-4-p-52"
],
"action": "The crumpled slip stays unopened in his hand as he looks only at the cart that entered first.",
"textIds": [
"text-watch"
]
}
],
"facts": [
{
"id": "fact-ring",
"sourceIds": [
"ch-4-p-46"
],
"statement": "Doyun's hand goes to his waist and the palm holds only the cold rim of an empty ring."
},
{
"id": "fact-slip",
"sourceIds": [
"ch-4-p-46"
],
"statement": "He catches the slip Ria holds out. Beside his own name written that morning, one line of hers is written. The glyphs of that name and of her line are not supplied."
},
{
"id": "fact-crumple",
"sourceIds": [
"ch-4-p-46"
],
"statement": "The paper crumples inside a fist and Ria's left hand is empty. Which hand held the ring, and whether that same hand crumples the slip, is unspecified."
},
{
"id": "fact-wheel",
"sourceIds": [
"ch-4-p-47"
],
"statement": "A wheel crosses the marker stone."
},
{
"id": "fact-hide",
"sourceIds": [
"ch-4-p-47"
],
"statement": "Doyun lifts the piece, and the cart side panel hides the interval between the mark on the marker stone and the short line on the leather."
},
{
"id": "fact-shade",
"sourceIds": [
"ch-4-p-47"
],
"statement": "The horn mark on the side panel grazes the sunlight and enters the shade beyond the entrance."
},
{
"id": "fact-scrape",
"sourceIds": [
"ch-4-p-47"
],
"statement": "Inside the bend, a wheel brushes the wall once, and the sound then lowers behind the cargo bed."
},
{
"id": "fact-address",
"sourceIds": [
"ch-4-p-49"
],
"statement": "He looks at Ria and leaves the carved hand's name unasked."
},
{
"id": "fact-toward",
"sourceIds": [
"ch-4-p-49"
],
"statement": "A subjectless sentence points toward the cart that entered first, before the later look that stays on that cart alone."
},
{
"id": "fact-bend",
"sourceIds": [
"ch-4-p-50"
],
"statement": "The bend lies after one turn inside the entrance."
},
{
"id": "fact-overlap",
"sourceIds": [
"ch-4-p-50"
],
"statement": "From the yard it cannot be known whether the narrow place the piece indicates overlaps the actual soil."
},
{
"id": "fact-push",
"sourceIds": [
"ch-4-p-50"
],
"statement": "The cart pushes the shade with its front wheel already across. What that front wheel has crossed is unnamed."
},
{
"id": "fact-visible",
"sourceIds": [
"ch-4-p-50"
],
"statement": "What is visible is the misaligned piece and the side panel passing the entrance."
},
{
"id": "fact-bori",
"sourceIds": [
"ch-4-p-51"
],
"statement": "Bori looks toward the chain side and cries softly. That cry is in none of the ledger cells."
},
{
"id": "fact-wrist",
"sourceIds": [
"ch-4-p-51"
],
"statement": "Ria's right wrist stays folded inside the sleeve and does not unfold. Her right wrist and her empty left hand are different arms."
},
{
"id": "fact-ink",
"sourceIds": [
"ch-4-p-51"
],
"statement": "Ink on a light sentence is drying on the table."
},
{
"id": "fact-watch",
"sourceIds": [
"ch-4-p-52"
],
"statement": "The slip stays crumpled and unopened while Doyun looks only at the cart that entered first."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink lines, damp post-rain daylight, adult cast, small marten, costumes held consistent.",
"moments": [
{
"sourceIds": [
"ch-4-p-46"
],
"action": "Doyun's open palm holds only the cold rim of an empty ring at his waist.",
"textIds": [
"text-rim"
]
},
{
"sourceIds": [
"ch-4-p-46"
],
"action": "Doyun catches the open slip Ria offers, with two side-by-side lines of handwriting.",
"textIds": [
"text-written"
]
},
{
"sourceIds": [
"ch-4-p-46"
],
"action": "The slip crumples in Doyun's fist and Ria's left hand is empty.",
"textIds": [
"text-empty"
]
},
{
"sourceIds": [
"ch-4-p-47"
],
"action": "Doyun holds the piece raised beside the marker stone, a wheel already over it, the side panel blocking that gap.",
"textIds": [
"text-hide"
]
},
{
"sourceIds": [
"ch-4-p-47"
],
"action": "The horn mark on the side panel passes from sunlight into the shade beyond the entrance.",
"textIds": [
"text-shade"
]
},
{
"sourceIds": [
"ch-4-p-47"
],
"action": "The cargo bed fills the bend inside the entrance as the single brush sound falls away behind it.",
"textIds": [
"text-scrape"
]
},
{
"sourceIds": [
"ch-4-p-48",
"ch-4-p-49"
],
"action": "Doyun faces Ria and speaks her name.",
"textIds": [
"text-ria",
"text-unasked"
]
},
{
"sourceIds": [
"ch-4-p-50"
],
"action": "The misaligned piece is visible in the yard while the side panel passes the entrance, front wheel already in the shade.",
"textIds": [
"text-yard"
]
},
{
"sourceIds": [
"ch-4-p-51"
],
"action": "Bori the small marten looks toward the chain side and cries softly.",
"textIds": [
"text-cry"
]
},
{
"sourceIds": [
"ch-4-p-51"
],
"action": "Ria's right wrist remains folded inside her sleeve.",
"textIds": [
"text-wrist"
]
},
{
"sourceIds": [
"ch-4-p-51"
],
"action": "Wet ink dries across a slight sentence on the table.",
"textIds": [
"text-ink"
]
},
{
"sourceIds": [
"ch-4-p-52"
],
"action": "Doyun looks only at the cart that entered first, the crumpled slip still unopened in his hand.",
"textIds": [
"text-watch"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Doyun (black hair, green hooded coat, sword on the back), Lia (chestnut bob, sand jacket, fingerless gloves, brown shoulder bag) and Bori (cream marten) match the s6 image."
},
"setting": {
"passed": true,
"evidence": "Wet outpost yard, the rear-entrance stone with the forked mark, the rock bend behind it and the covered horse cart continue from s6 panel 4; the ledger table returns in panel 11."
},
"actionTransition": {
"passed": true,
"evidence": "s6 ended with the cart rolling toward the rear entrance; s7 opens on Doyun's hand at his waist and the slip exchange (p46) while the same cart crosses the stone in panels 4-8."
}
},
"textObservations": [
{
"id": "text-rim",
"observedText": "손바닥 안에는 고리의 차가운 테두리뿐이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 caption box; exact text."
},
{
"id": "text-written",
"observedText": "아침에 적은 자기 이름 옆에, 리아의 한 줄이 적혀 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 caption box; exact text."
},
{
"id": "text-empty",
"observedText": "리아의 왼손은 비었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 caption box; exact text."
},
{
"id": "text-hide",
"observedText": "도윤이 조각을 들어 올려도 수레 옆판이 돌의 금과 가죽의 짧은 선 사이를 가렸다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption box; exact text."
},
{
"id": "text-shade",
"observedText": "옆판의 뿔 자국이 햇빛을 스치고 입구 너머 그늘로 들어갔다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption box; exact text."
},
{
"id": "text-scrape",
"observedText": "굽이 안쪽에서 바퀴가 벽을 스치는 소리가 한 번 울리고, 이내 짐칸에 가려 낮아졌다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 caption box; exact text."
},
{
"id": "text-ria",
"observedText": "리아.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 balloon with its tail toward Doyun facing Lia; quotation marks dropped."
},
{
"id": "text-unasked",
"observedText": "새긴 손의 이름은 묻지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 lower caption box; exact text."
},
{
"id": "text-yard",
"observedText": "조각이 가리키는 좁은 자리와 실제 흙이 포개지는지, 마당에서는 알 수 없었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 8 caption box; exact text."
},
{
"id": "text-cry",
"observedText": "보리가 사슬 쪽을 보고 작게 울었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 9 caption box; exact text."
},
{
"id": "text-wrist",
"observedText": "리아의 오른손목이 소매 안에서 접힌 채 펴지지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 10 caption box; exact text."
},
{
"id": "text-ink",
"observedText": "가벼운 문장 위의 잉크가 탁자에서 마르고 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 11 caption box; exact text."
},
{
"id": "text-watch",
"observedText": "도윤은 구겨진 쪽지를 펴지 않은 채, 먼저 들어간 수레만 보고 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 12 caption box; exact text."
}
],
"evidence": "Twelve panels in rows of 3/2/3/4. Row 1: Doyun's open gloved palm with a small metal ring, a bare hand offering a slip lettered 도윤 | 리아 to a gloved hand, the slip crumpled in a gloved fist beside Lia's right arm. Row 2: Doyun from behind before the marked stone holding a white piece as a cart with a large forked emblem on its side panel passes; the panel and wheel entering the shaded entrance. Row 3: the cart deep in the rock bend; Doyun facing Lia with the balloon 리아.; the cart's rear wheel past the stone in the yard. Row 4: Bori in the bag crying, Lia with arms folded and right sleeve down, an open ledger with an ink bottle and a handwritten sentence, Doyun from behind watching the cart disappear.",
"observedPanelCount": 12
}
}
]
},
{
"chapter": 5,
"title": "뒤를 채운 굽이",
"host": "Claude",
"model": "claude-opus-5-5",
"effort": "high",
"novelHost": "Claude",
"novelModel": "claude-opus-5-5",
"sceneCount": 7,
"panelTotal": 48,
"passCount": 2,
"blockingTotal": 9,
"advisoryTotal": 22,
"blockingByLayer": {
"render": 9
},
"imageCalls": 7,
"imageOk": 7,
"cliCalls": 21,
"cost": {
"novelUsd": 2.51,
"webtoonUsd": 7.04,
"webtoonUsdLow": 7.04,
"estimated": false,
"imageUsd": 0.92,
"imageEstimated": false,
"costsApiUsd": null
},
"note": "소설(아크 2의 5화)·장면 분할·각색 모두 claude-opus-5-5(Claude Code CLI 2.1.280, effort high, 도구 없음, 요청마다 새 프로세스). 소설은 5패스 12호출, 검증 거절 0회로 자동 커밋. 각색은 사전 검증 차단 3회(s1·s2·s3, 각 1회 자동 재설계 후 통과). 배경 참조 3장 중 ref-outpost·ref-rear-bend는 4화 재사용, ref-bend-ledge(굽이 안쪽)는 이 run에서 새로 생성(generate, medium). 그림 검토도 claude-opus-5-5(오케스트레이터)라 독립 평가가 아님. 5화 소설 워크플로(wf-8998b534)는 9/22 Gemini 시도에서 만들어져 첫 모델 요청(화별 계획)에서 멈춰 있었고(Gemini 답변 반영 0건), 9/23 lore_write 재호출로 같은 워크플로를 이어 모든 답변을 claude-opus-5-5가 냈음. 이때 MCP 서버는 Gemini provider가 추가된 미릴리스 0.3.8 작업 트리였으나 호스트 릴레이 경로는 0.3.7과 같음.",
"reviewer": {
"host": "claude-code",
"model": "claude-opus-5-5",
"note": "5화 호스트와 같은 모델(별도 세션)의 시각 검토. 독립 평가 아님."
},
"scenes": [
{
"id": "s1",
"n": 1,
"title": "멈춘 수레와 마지막 자루",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-5-p-1",
"n": 1,
"text": "수레는 굽이를 넘지 못했다. 벽을 스치는 소리가 낮아진 뒤로 바퀴는 다시 구르지 않았다. 해가 산등성이 뒤로 떨어질 때까지 입구 너머 그늘에는 옆판 모서리만 보였다. 이윽고 수레꾼이 걸어 나와 앞바퀴가 벽 턱에 물렸다고 했다. 어두울 때 뒤로 빼다가는 골짜기 쪽으로 미끄러진다고 했다. 사람들은 고개를 끄덕이고 마당의 불가로 흩어졌다. 장부의 줄은 아무도 고치지 않았다."
},
{
"id": "ch-5-p-2",
"n": 2,
"text": "새벽은 차가웠다. 입구 돌에 이슬이 앉아 금이 더 흐려져 있었다."
},
{
"id": "ch-5-p-3",
"n": 3,
"text": "도윤의 발 앞에 자루 하나가 내려졌다. 대기 더미의 마지막 자루였고, 겉에 그은 분필 표시가 이슬에 번져 있었다."
},
{
"id": "ch-5-p-4",
"n": 4,
"text": "\"받는 자리가 여기라서요. 서명 부탁합니다.\""
},
{
"id": "ch-5-p-5",
"n": 5,
"text": "도윤은 주머니에서 쪽지를 꺼냈다. 밤새 펴지 않은 종이는 주먹 모양대로 접혀 있었다. 그가 무릎 위에서 쪽지를 폈다. 아침에 쓴 그의 이름이 있었고, 그 옆에 리아가 쓴 기울어진 한 줄이 있었다. 오늘은 비어 있음. 도윤은 그 줄 아래에 이름을 한 번 더 적었다. 연필심이 주름에 걸려 획이 끊겼다."
},
{
"id": "ch-5-p-6",
"n": 6,
"text": "리아는 그 끊긴 획을 보았다."
},
{
"id": "ch-5-p-7",
"n": 7,
"text": "도윤은 쪽지를 겉옷 안쪽에 넣고 자루를 어깨에 올렸다. 입구를 지나 멈춰 선 수레까지 걸어가 자루를 짐칸 맨 뒤에 얹었다. 그러고는 몰이 자리에 올라앉았다. 수레꾼이 고삐를 쥔 채 그를 올려다보았다. 한쪽 어깨에 흙이 묻어 있었다. 밤새 벽에 기대 잔 모양이었다."
},
{
"id": "ch-5-p-8",
"n": 8,
"text": "\"제가 몰겠습니다. 바퀴 옆에 붙어 주세요.\""
},
{
"id": "ch-5-p-9",
"n": 9,
"text": "수레꾼은 말없이 고삐를 넘겼다."
}
],
"pFrom": 1,
"pTo": 9,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep05-s1.webp",
"blocking": 3,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 도윤 허리에 둘둘 말린 밧줄. 3화에서 잃은 줄이 되살아남(원문은 빈 고리).",
"en": "Panel 2: Doyun carries a coiled rope at his hip. The source has his rope lost (p38-p40 later rely on the empty belt loop), so the image restores a lost prop."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 쪽지가 '이름·서명' 표 양식으로 그려지고 도윤·리아·마렌 이름이 적힘. 원문 쪽지는 도윤 이름과 리아의 기울어진 한 줄뿐. 창작 글자.",
"en": "Panel 3: the slip is drawn as a printed form with invented lettering 이름, 서명, 도윤, 리아, 마렌. The source slip holds only Doyun's name and Lia's slanted line (beat-3); Maren's name and the table are invented, and Lia's line appears only as a caption."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5·6칸: 이름 없는 수레꾼 자리에 마렌(곱슬 적갈색 머리·벽돌색 조끼)을 그림. 도윤 대사 말풍선 꼬리도 마렌을 가리킴. 인물 대체.",
"en": "Panels 5-6: the unnamed wagon driver is drawn as Maren (curly red-brown tied hair, brick vest), and the text-6 balloon tail points to her. Readers see Maren taking and handing over the reins, which is a character misattribution."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 수레가 굽이 그늘 속 옆판 모서리만이 아니라 마당 옆에 통째로 보임.",
"en": "Panel 1: the wagon stands fully visible beside the path in the yard rather than showing only a side-board corner in the bend's shade (beat-1)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 쪽지는 도윤 무릎 위인데 리아가 종이를 들고 있음. 소매 속 오른손목 표현 없음.",
"en": "Panel 4: Lia holds a paper at the bottom edge although the slip is on Doyun's knee; her right wrist is not shown tucked in the sleeve."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 불가의 사람들이 투구 비슷한 모자를 써 병사처럼 보임. 원문에 없는 설정.",
"en": "Panel 1: the people at the fire wear helmet-like caps that read as soldiers, which the source does not establish."
}
],
"textsTotal": 6,
"textsOk": 4,
"timings": {
"planS": [
56,
51
],
"preflightS": [
72,
65
],
"imageS": 43,
"imageCalls": 1,
"preflightRevisions": 1
},
"imageUsd": 0.1187,
"plan": {
"intent": "A quiet, cold turn from a stalled night to a morning decision. The wagon failed the bend at dusk and the camp let it sit. At dawn the last waiting sack lands in front of Doyun with a request to sign. He signs a second time beneath Lia's line saying the day is empty, and the pencil breaks on a crease. Lia sees the break. Doyun speaks few words and makes no speech: he loads the sack, takes the driver's seat and asks for the reins. The reader should feel that his choice comes from the physical facts of the stuck wagon and the empty day. The driver's silent handover confirms the choice. The scene closes on hands and reins before the wagon moves.",
"staging": "Two lighting states only: dim dusk for beat-1, then cold dewy dawn for everything else. Place and time stay within what the excerpt reaches, and nothing moves forward in time past the rein handover.\n\nThe outpost's rear entrance separates two areas. The receiving side, where the sack drop and the signing happen, is on the outpost side of the entrance. The wagon sits beyond the entrance, stopped inside a narrow bend with a rock wall on one side and the valley side on the other. From outside, at dusk, only the corner of its side board is readable in the shade. Doyun passes through the entrance to reach the wagon's rear and then its driver's seat. The driver stands on the ground below the seat, close enough to hand the reins up.\n\nAt signing, Doyun is low enough to use his knee as a desk; whether he sits or crouches is open. Lia is close enough to see the pencil stroke. Only text-5 must be legible on the slip. The two name entries may read as short handwritten marks without specific lettering.\n\nThe requester of text-4 stays off-panel: render text-4 as a voice balloon with a tail to the panel edge, not as a narration caption, and do not attribute it to a visible character.\n\nContinuity: Lia keeps her right wrist folded inside her sleeve and uses only her left hand. Doyun has an empty belt loop with no rope. The driver is a neutral, unnamed figure. Maren, the marten and the deer do not appear, because the excerpt does not place them here.\n\nDo not depict the jammed-wheel mechanism, the ledger's content or a draft animal. The reins may be shown without revealing what they connect to. Panel count, sizes, cameras and composition are the artist's choice. Favor fewer, larger, legible panels, and a single panel may hold more than one beat.",
"uncertainties": [
"The speaker of text-4 (ch-5-p-4) is unidentified. The schema forces the placeholder speaker 'narrator', but this is a spoken line from an unseen person, not narration. It must not be assigned to Lia, Maren or the driver.",
"The speaker of text-6 (ch-5-p-8) is not named in the source. Doyun (c2) is inferred because he has just taken the driver's seat and the driver responds by handing him the reins.",
"Which wheel 'beside the wheel' means, and whether the wagon will go forward or back, are unstated. Show no wheel position or maneuver.",
"The source mentions reins, which imply a draft animal, but none is named. Do not introduce one, including the deer from the direction.",
"The mark on the entrance stone (ch-5-p-2) may be a crack, a scored line or a guide mark. Treat it only as a faint mark under dew.",
"The content of the uncorrected ledger line (ch-5-p-1) is not given. Do not letter it.",
"When Doyun's first name entry was written is unspecified. The source calls it written 'in the morning', and it is not clear which morning. Present it only as an earlier entry.",
"The link between the signature request and the slip is implied, not stated. Show the signing without explaining it.",
"That the driver slept against the wall overnight is the narrator's inference from the soil on the shoulder (ch-5-p-7). Show only the soil.",
"Who physically set the sack down is unknown. Keep the hands unseen or neutral.",
"Whether Lia is standing or seated while she watches is unspecified.",
"The previous preflight review ran on the same host and is not an independent review."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-5-p-1",
"kind": "caption",
"speaker": "narrator",
"text": "수레는 굽이를 넘지 못했다."
},
{
"id": "text-2",
"sourceId": "ch-5-p-1",
"kind": "caption",
"speaker": "narrator",
"text": "장부의 줄은 아무도 고치지 않았다."
},
{
"id": "text-3",
"sourceId": "ch-5-p-2",
"kind": "caption",
"speaker": "narrator",
"text": "새벽은 차가웠다."
},
{
"id": "text-4",
"sourceId": "ch-5-p-4",
"kind": "dialogue",
"speaker": "narrator",
"text": "받는 자리가 여기라서요. 서명 부탁합니다."
},
{
"id": "text-5",
"sourceId": "ch-5-p-5",
"kind": "physical",
"speaker": "c1",
"text": "오늘은 비어 있음."
},
{
"id": "text-6",
"sourceId": "ch-5-p-8",
"kind": "dialogue",
"speaker": "c2",
"text": "제가 몰겠습니다. 바퀴 옆에 붙어 주세요."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-5-p-1"
],
"action": "Dusk recap: the wagon is stuck past the entrance, and only its side-board corner shows in the shade. The camp gives up for the night and drifts toward the yard fire. The captions carry the stall and the uncorrected ledger. The driver's spoken report is not drawn.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-5-p-2",
"ch-5-p-3",
"ch-5-p-4"
],
"action": "Time cut to cold dawn. The dew-dimmed mark on the entrance stone establishes the morning. The last waiting sack, its chalk smeared, is set down at Doyun's feet, and an unseen person asks for his signature.",
"textIds": [
"text-3",
"text-4"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-5-p-5"
],
"action": "Doyun unfolds the fist-creased slip on his knee. Lia's slanted line is legible beside his earlier name, and he signs again beneath it. The pencil catches on a crease and the stroke breaks.",
"textIds": [
"text-5"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-5-p-6"
],
"action": "Lia registers the broken stroke. It is a silent reaction, and no words are exchanged.",
"textIds": []
},
{
"id": "beat-5",
"sourceIds": [
"ch-5-p-7"
],
"action": "Doyun commits by acting. The slip goes away and the sack goes onto his shoulder. He goes through the entrance into the bend and loads the sack at the rear of the stopped wagon, then takes the driver's seat. The artist should show the result, not every step.",
"textIds": []
},
{
"id": "beat-6",
"sourceIds": [
"ch-5-p-7",
"ch-5-p-8"
],
"action": "The driver, reins in hand and soil on one shoulder, looks up at Doyun on the seat. Doyun asks to drive and asks the driver to stay beside the wheel.",
"textIds": [
"text-6"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-5-p-9"
],
"action": "The driver passes the reins up without a word. The scene ends on the handover, and the wagon has not moved yet.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-5-p-1"
],
"statement": "The wagon could not get past the bend. After a low scraping sound against the wall, its wheels stopped and did not turn again."
},
{
"id": "fact-2",
"sourceIds": [
"ch-5-p-1"
],
"statement": "Until the sun dropped behind the ridge, only the corner of the wagon's side board was visible in the shade beyond the entrance."
},
{
"id": "fact-3",
"sourceIds": [
"ch-5-p-1"
],
"statement": "The wagon driver walked out and reported two things. The front wheel was caught on a ledge of the wall. Backing out in the dark would slide the wagon toward the valley side."
},
{
"id": "fact-4",
"sourceIds": [
"ch-5-p-1"
],
"statement": "The people nodded and scattered to the fire in the yard. No one corrected the line in the ledger. The ledger line's content is not given."
},
{
"id": "fact-5",
"sourceIds": [
"ch-5-p-2"
],
"statement": "The dawn was cold. Dew sat on the entrance stone, and the mark on it looked fainter."
},
{
"id": "fact-6",
"sourceIds": [
"ch-5-p-3",
"ch-5-p-4"
],
"statement": "Someone set a sack down in front of Doyun's feet. It was the last sack of the waiting pile, and the chalk marking on it had smeared in the dew. An unnamed person said this was the receiving spot and asked for a signature."
},
{
"id": "fact-7",
"sourceIds": [
"ch-5-p-5"
],
"statement": "Doyun took a paper slip from his pocket. He had not opened it all night, so it was still creased into the shape of a fist. He unfolded it on his knee."
},
{
"id": "fact-8",
"sourceIds": [
"ch-5-p-5"
],
"statement": "The slip held Doyun's name, written earlier, and beside it a slanted line in Lia's hand (text-5). Doyun wrote his name once more below that line. The pencil lead caught on a crease, and a stroke broke."
},
{
"id": "fact-9",
"sourceIds": [
"ch-5-p-6"
],
"statement": "Lia saw the broken stroke."
},
{
"id": "fact-10",
"sourceIds": [
"ch-5-p-7"
],
"statement": "Doyun put the slip inside his outer garment and shouldered the sack. He walked through the entrance to the stopped wagon, placed the sack at the very back of the cargo bed and then sat in the driver's seat."
},
{
"id": "fact-11",
"sourceIds": [
"ch-5-p-7"
],
"statement": "The wagon driver was holding the reins and looked up at Doyun. One of the driver's shoulders had soil on it."
},
{
"id": "fact-12",
"sourceIds": [
"ch-5-p-8",
"ch-5-p-9"
],
"statement": "The line text-6 was said: an offer to drive and a request for the driver to stay beside the wheel. The driver handed over the reins without a word."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines, adult cast; dim dusk opening, then cold dewy dawn at a mountain outpost's rear entrance and narrow bend; Korean lettering verbatim.",
"moments": [
{
"sourceIds": [
"ch-5-p-1"
],
"action": "Dusk at the outpost's rear entrance: beyond it, only a stuck wagon's side-board corner shows in the bend's shade, while people drift away toward the yard fire.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-5-p-2",
"ch-5-p-3",
"ch-5-p-4"
],
"action": "Cold dawn: dew dims a faint mark on the entrance stone; the last sack, its chalk marking smeared, lies at Doyun's feet while an off-panel voice speaks.",
"textIds": [
"text-3",
"text-4"
]
},
{
"sourceIds": [
"ch-5-p-5"
],
"action": "The fist-creased slip open on Doyun's knee: his earlier name, Lia's slanted line beside it, and below it his pencil where the new name's stroke breaks on a crease.",
"textIds": [
"text-5"
]
},
{
"sourceIds": [
"ch-5-p-6"
],
"action": "Lia, right wrist tucked in her sleeve, looks silently down at the broken stroke on Doyun's slip.",
"textIds": []
},
{
"sourceIds": [
"ch-5-p-7",
"ch-5-p-8"
],
"action": "Doyun sits on the stopped wagon's driver's seat in the narrow bend, the sack at the cargo bed's rear; below, the driver, soil on one shoulder, holds the reins and looks up.",
"textIds": [
"text-6"
]
},
{
"sourceIds": [
"ch-5-p-9"
],
"action": "Close on hands: the driver silently passes the reins up into Doyun's hand; the wagon still stands.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": false,
"identity": {
"passed": false,
"evidence": "No previous scene image was supplied; compared against the character references. Doyun matches (black hair, green coat, sword) but in panel 2 a coiled rope hangs at his hip, although his rope was lost and the direction asks for an empty belt loop. The unnamed wagon driver in panels 5-6 is drawn with Maren's identity (red-brown curly tied hair, brick vest), so Maren replaces the driver."
},
"setting": {
"passed": true,
"evidence": "Panel 1 uses the rear entrance boulder with the forked arrow and the outpost eaves at dusk; panel 5 uses the narrow bend with the carved handholds on the rock wall and the misty valley, matching the references."
},
"actionTransition": {
"passed": true,
"evidence": "First scene of the episode; the dusk recap (panel 1) moves to cold dawn (panel 2) and ends on the reins handover (panel 6) with the wagon still standing, as the source orders."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "수레는 굽이를 넘지 못했다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 top caption box; exact text."
},
{
"id": "text-2",
"observedText": "장부의 줄은 아무도 고치지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 second caption box; exact text."
},
{
"id": "text-3",
"observedText": "새벽은 차가웠다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 caption box; exact text."
},
{
"id": "text-4",
"observedText": "받는 자리가 여기라서요. 서명 부탁합니다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail running off-panel to the right, an unseen speaker; exact text."
},
{
"id": "text-5",
"observedText": "오늘은 비어 있음.",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 3 shows the line as a narration caption box above the slip, not as Lia's slanted handwriting on the slip; the slip itself carries other writing."
},
{
"id": "text-6",
"observedText": "제가 몰겠습니다. 바퀴 옆에 붙어 주세요.",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 5 balloon text is exact, but the tail points down-left toward the red-haired driver's head rather than toward Doyun on the seat."
}
],
"evidence": "Six panels in a 2-column grid of three rows. Row 1: dusk yard with people at a fire, the entrance boulder and a wagon beside the path; Doyun crouching at dawn beside a sack marked with a chalk X. Row 2: close-up of a lined form on his knee with a pencil; Lia looking down with a paper at the bottom edge. Row 3: Doyun on the wagon seat with the X sack behind him in the bend, a red-haired woman in a brick vest below holding the reins; close-up of a muddy gloved hand passing reins to Doyun's gloved hand. Light moves from dusk to dawn and stays coherent.",
"observedPanelCount": 6
}
},
{
"id": "s2",
"n": 2,
"title": "뒤에서 걸어",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-5-p-10",
"n": 10,
"text": "리아가 발판 옆으로 다가갔다."
},
{
"id": "ch-5-p-11",
"n": 11,
"text": "\"앞은 내가 볼게. 꺾이는 데서 바닥 먼저 짚고—\""
},
{
"id": "ch-5-p-12",
"n": 12,
"text": "\"뒤에서 걸어.\""
},
{
"id": "ch-5-p-13",
"n": 13,
"text": "도윤은 리아를 보지 않았다. 고삐를 손에 두 번 감고 말의 귀가 어느 쪽으로 돌아가는지만 보았다."
},
{
"id": "ch-5-p-14",
"n": 14,
"text": "\"줄은 네가 적었어. 짐은 내가 받았고.\""
},
{
"id": "ch-5-p-15",
"n": 15,
"text": "리아는 입을 열었다가 다물었다. 소매 안의 오른손목은 밤사이 조금도 펴지지 않았다. 앞을 맡으면 왼손 하나로 방패를 세워야 한다. 그 말은 하지 않고 수레 뒤로 물러섰다."
},
{
"id": "ch-5-p-16",
"n": 16,
"text": "마렌이 벽 쪽인 짐칸 왼편에 붙었다. 수레꾼은 오른편, 골짜기 쪽 바퀴 옆에 섰다. 마렌이 새로 올라온 자루를 손바닥으로 눌러 보고 끈을 한 번 당겼다."
},
{
"id": "ch-5-p-17",
"n": 17,
"text": "\"한 번은 하죠. 이 자루까지는.\""
},
{
"id": "ch-5-p-18",
"n": 18,
"text": "두 번은, 이라는 말은 붙이지 않았다."
},
{
"id": "ch-5-p-19",
"n": 19,
"text": "리아의 허리에서 가방이 들썩였다. 보리가 코로 덮개를 밀고 나오더니 리아의 마른 식량 주머니에 머리를 박았다. 다시 나왔을 때는 말린 고기 한 조각을 물고 있었다. 리아가 손을 내밀자 보리는 몸을 틀어 고기를 등 뒤로 감췄다. 그러고는 가방 가장자리에 앉아 거점 너머, 사슬이 열려 있는 쪽에서 불어오는 바람에 코를 댄 채 혼자 씹었다. 꼬리는 아직 목에 감겨 있지 않았다."
},
{
"id": "ch-5-p-20",
"n": 20,
"text": "\"갑니다.\""
},
{
"id": "ch-5-p-21",
"n": 21,
"text": "고삐가 느슨해졌다."
}
],
"pFrom": 10,
"pTo": 21,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep05-s2.webp",
"blocking": 1,
"advisory": 4,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 도윤의 “뒤에서 걸어.” 말풍선 꼬리가 리아를 가리킴. 앞자리를 누가 맡는지가 이 장면의 핵심인데 화자가 뒤바뀜.",
"en": "Panel 1: the balloon for text-2 (뒤에서 걸어.) has its tail on Lia, so Doyun's order to walk behind reads as Lia's line. The scene turns on who takes the front."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: “볼게.”의 마침표가 쉼표로 바뀜(단어는 그대로).",
"en": "Panel 1: text-1 renders the period after 볼게 as a comma; the words are unchanged."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 리아의 오른손목이 소매 안에 접혀 있는지 드러나지 않음.",
"en": "Panel 3: Lia's right wrist is not clearly shown folded inside the sleeve; both forearms rest at her waist with a gloved hand visible."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 보리가 고기를 등 뒤로 감추지 않고 가슴 앞에 들고 있음.",
"en": "Panel 5: Bori holds the meat in front of its chest instead of twisting away to hide it behind its back (beat-5)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸: 짐칸에 밧줄 같은 뭉치. 원문 수레엔 줄이 없음.",
"en": "Panel 7: a coil that reads like rope lies on the cargo; the source has no rope on this wagon."
}
],
"textsTotal": 8,
"textsOk": 7,
"timings": {
"planS": [
87,
69
],
"preflightS": [
85,
66
],
"imageS": 49,
"imageCalls": 1,
"preflightRevisions": 1
},
"imageUsd": 0.1316,
"plan": {
"intent": "A short, cold standoff over who goes in front, resolved without an argument. Lia offers to lead through the bend. Doyun cuts her off without looking at her and gives a reason built from what each of them signed for: she wrote the line, he received the cargo. The reader learns what Lia does not say. Her right wrist has not straightened overnight, and leading would mean raising a shield with her left hand alone. She swallows it and falls back behind the wagon. The reader should feel that her silence is her familiar error of shielding others by hiding a limit, and that Doyun's refusal is his habit of taking the risky position himself. Maren sets a limit of her own, one attempt, and stops short of saying 'twice'. The marten Bori ignores all of it: it steals dried meat, refuses to hand it back and chews alone into the wind, its tail not yet around its neck. The scene ends on one word and slackened reins, before the wagon moves.",
"staging": "Place and time: cold dawn, continuous with the previous scene's rein handover. The whole scene happens around the stopped wagon inside the narrow bend beyond the outpost's rear entrance. A rock wall is on one side, and a steep drop to a misty valley is on the other. A grassy mound may sit above the wall as background. Nothing advances past the slack reins, so no wagon motion and no wheel turning is shown.\n\nNecessary spatial facts. Doyun sits on the driver's seat, and the horse stands ahead of him close enough that its ears can be read. Lia starts beside the footboard, low relative to Doyun, and ends behind the wagon. Maren stands at the wall side of the cargo bed, near the newly loaded sack. The unnamed driver stands at the wheel on the valley side. The source calls the wall side the left side. Keep wall-side and valley-side placement consistent in every panel, and do not reverse the wall and the drop between panels. Bori's bag hangs at Lia's waist, so Bori's moments happen wherever Lia stands at that point, most naturally behind the wagon. The wind comes from beyond the outpost, the side where the chain stands open. Only Bori's nose direction needs to show this, and the chain itself need not appear.\n\nVisual load. Several beats contain more than one physical step. Show the payoff state and let transit steps be implied. The reader needs to see the cut-off offer with Doyun's averted gaze, Lia's closed mouth and hidden right wrist, Maren's palm on the sack, Bori's refusal, Bori chewing alone, and the slack reins. Keep at most two text items in any one panel. text-1 should read as cut off, with text-2 following it immediately. text-2, text-3 and text-7 are Doyun's balloons. text-5 is Maren's balloon. text-4, text-6 and text-8 are narration captions without tails. Bori has no lettering.\n\nContinuity and identity. Lia keeps her right wrist folded inside her sleeve and uses only her left hand, including when she reaches toward Bori. Doyun has an empty belt loop and must not carry any rope. Maren is visibly herself: dark red-brown curly hair, a round face and gloves. The wagon driver is a separate, plain, unnamed adult with soil on one shoulder. The driver must not share Maren's hair, face or clothing. The previous image wrongly drew the driver as Maren, so follow the character references here, not that image. Do not show the paper slip, the ledger or any written form. Do not draw soldiers, deer or chain mechanics.\n\nThe horse is confirmed by the source and appears for the first time. The previous scene excluded a draft animal only because its source did not confirm one. The horse's number, color and harness details are the artist's choice, but keep them minimal. Panel count, panel sizes, cameras and composition are the artist's choice. Prefer fewer, larger, legible panels in a vertical reading order.",
"uncertainties": [
"The speakers of text-2, text-3 and text-7 (ch-5-p-12, ch-5-p-14, ch-5-p-20) are not named. Doyun (c2) is inferred from the adjacent ch-5-p-13 and from his role holding the reins. For text-7, the driver is a plausible alternative speaker.",
"The speaker of text-1 (ch-5-p-11) is inferred to be Lia (c1), from ch-5-p-10 and from its informal register toward a peer.",
"The speaker of text-5 (ch-5-p-17) is inferred to be Maren (c4), because she has just tested the sack in ch-5-p-16. The source does not tag the line.",
"It is not stated which step 'footboard' in ch-5-p-10 means. It could be the driver's step or another step on the wagon. The only requirement is that Lia stands at the wagon, below Doyun.",
"Whether 'left' in ch-5-p-16 is relative to the wagon's facing or to the viewer is unstated. The confirmed facts are that Maren is on the wall side and the driver is on the valley side.",
"That Lia offers her left hand to Bori comes from the continuity direction. Source ch-5-p-19 says only 'hand'. It is consistent with the unstraightened right wrist in ch-5-p-15.",
"The cause and nature of Lia's wrist injury are not given in this excerpt. Show only a wrist that stays folded under the sleeve, with no bandage, wound or other detail invented.",
"Source ch-5-p-19 states only that the tail is 'not yet' around the neck. That implies no fear signal now. Do not draw a tail pose that implies fear, and do not add a signal that foreshadows danger.",
"The chain and its open side in ch-5-p-19 are given no mechanics or exact location. Do not depict how the chain works.",
"The antlered deer mentioned in the direction are not placed in this excerpt, and the animal named in ch-5-p-13 is a horse. Do not replace the horse with a deer, and do not add deer.",
"Source ch-5-p-21 says only that the reins went slack. Whether the wagon then starts forward, or in which direction it would move, is not shown and must not be implied by motion.",
"The newly loaded sack in ch-5-p-16 is most likely the sack Doyun loaded in the previous scene (ch-5-p-7), but the source does not confirm this.",
"This brief was reviewed only on the same host that generated it, so the review is not independent."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-5-p-11",
"kind": "dialogue",
"speaker": "c1",
"text": "앞은 내가 볼게. 꺾이는 데서 바닥 먼저 짚고—"
},
{
"id": "text-2",
"sourceId": "ch-5-p-12",
"kind": "dialogue",
"speaker": "c2",
"text": "뒤에서 걸어."
},
{
"id": "text-3",
"sourceId": "ch-5-p-14",
"kind": "dialogue",
"speaker": "c2",
"text": "줄은 네가 적었어. 짐은 내가 받았고."
},
{
"id": "text-4",
"sourceId": "ch-5-p-15",
"kind": "caption",
"speaker": "narrator",
"text": "앞을 맡으면 왼손 하나로 방패를 세워야 한다."
},
{
"id": "text-5",
"sourceId": "ch-5-p-17",
"kind": "dialogue",
"speaker": "c4",
"text": "한 번은 하죠. 이 자루까지는."
},
{
"id": "text-6",
"sourceId": "ch-5-p-18",
"kind": "caption",
"speaker": "narrator",
"text": "두 번은, 이라는 말은 붙이지 않았다."
},
{
"id": "text-7",
"sourceId": "ch-5-p-20",
"kind": "dialogue",
"speaker": "c2",
"text": "갑니다."
},
{
"id": "text-8",
"sourceId": "ch-5-p-21",
"kind": "caption",
"speaker": "narrator",
"text": "고삐가 느슨해졌다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-5-p-10",
"ch-5-p-11",
"ch-5-p-12",
"ch-5-p-13"
],
"action": "Lia at the footboard offers to lead and is cut off mid-sentence. From the driver's seat, Doyun tells her to walk behind without turning his head. His attention stays on the reins wrapped around his hand and on the horse's ears. The change is the interruption and the averted gaze.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-5-p-14"
],
"action": "Doyun gives his reason in one flat line, still not looking at her. The decision is closed. This is a spoken statement, not a gesture.",
"textIds": [
"text-3"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-5-p-15"
],
"action": "Lia starts to answer, stops, and ends up behind the wagon, silent. The caption gives the reader the reason she keeps to herself. Her right sleeve hangs over a wrist that stays folded. The payoff is her closed mouth and the hidden wrist, not the walk to the rear.",
"textIds": [
"text-4"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-5-p-16",
"ch-5-p-17",
"ch-5-p-18"
],
"action": "The people take their sides of the wagon. Maren is at the wall side of the cargo bed and the driver is at the valley-side wheel. Maren tests the new sack with her gloved palm and sets her limit of one attempt. A caption notes what she did not add. Her line should read as a practical condition, not bravado.",
"textIds": [
"text-5",
"text-6"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-5-p-19"
],
"action": "Bori's small counter-plot. Bori comes up out of the bag at Lia's waist with stolen dried meat and twists away to hide it from Lia's outstretched hand. It then settles on the bag's edge and chews alone with its nose in the wind. Show two instants, the refusal and the solitary chewing. The raid on the pouch can be implied. Bori makes no sound. The tail is not around its neck, and nothing signals fear.",
"textIds": []
},
{
"id": "beat-6",
"sourceIds": [
"ch-5-p-20",
"ch-5-p-21"
],
"action": "The word to go is spoken, and the reins in Doyun's hand go slack. The scene stops on that slack, before any wheel turns.",
"textIds": [
"text-7",
"text-8"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-5-p-10",
"ch-5-p-11"
],
"statement": "Lia came up beside the footboard of the wagon and started to offer to watch the front and to test the ground first at the turn. Her sentence is cut off mid-way (text-1 ends in a dash)."
},
{
"id": "fact-2",
"sourceIds": [
"ch-5-p-12",
"ch-5-p-13"
],
"statement": "A line tells her to walk behind (text-2). Doyun did not look at Lia. He had the reins wrapped twice around his hand and watched only which way the horse's ears turned."
},
{
"id": "fact-3",
"sourceIds": [
"ch-5-p-14"
],
"statement": "A line gives the reason: she wrote the line and he received the cargo (text-3). The written line and the receipt connect to the slip in the previous scene, but no paperwork is shown here."
},
{
"id": "fact-4",
"sourceIds": [
"ch-5-p-15"
],
"statement": "Lia opened her mouth and then closed it. Her right wrist inside her sleeve had not straightened at all overnight. Leading would mean raising a shield with her left hand alone. She did not say this and stepped back behind the wagon."
},
{
"id": "fact-5",
"sourceIds": [
"ch-5-p-16"
],
"statement": "Maren moved close against the left side of the cargo bed, which is the wall side. The wagon driver stood on the right, beside the wheel on the valley side. Maren pressed the newly loaded sack with her palm and pulled its cord once."
},
{
"id": "fact-6",
"sourceIds": [
"ch-5-p-17",
"ch-5-p-18"
],
"statement": "A line agrees to one attempt, as far as this sack goes (text-5). The word 'twice' was deliberately left unsaid (text-6)."
},
{
"id": "fact-7",
"sourceIds": [
"ch-5-p-19"
],
"statement": "The bag at Lia's waist jolted. Bori nosed the flap open, pushed its head into Lia's dry-food pouch and came back out holding a piece of dried meat. When Lia held out her hand, Bori twisted its body and hid the meat behind its back."
},
{
"id": "fact-8",
"sourceIds": [
"ch-5-p-19"
],
"statement": "Bori then sat on the edge of the bag and chewed alone, nose into the wind blowing from beyond the outpost, from the side where the chain stands open. Its tail was not yet wrapped around its neck."
},
{
"id": "fact-9",
"sourceIds": [
"ch-5-p-20",
"ch-5-p-21"
],
"statement": "A single word announces departure (text-7). The reins went slack (text-8). The source does not say the wagon has moved yet."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink lines, adult cast and cute small marten; cold misty dawn in a narrow mountain bend, rock wall one side, valley drop the other.",
"moments": [
{
"sourceIds": [
"ch-5-p-10",
"ch-5-p-11",
"ch-5-p-12",
"ch-5-p-13"
],
"action": "Lia stands at the wagon's footboard mid-offer, looking up. Doyun on the driver's seat watches only the horse's ears, reins wrapped twice around his hand.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-5-p-14"
],
"action": "Doyun, profile unmoved and eyes still on the horse, states his flat reason over the twice-wrapped reins; Lia below at the footboard.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-5-p-15"
],
"action": "Behind the wagon, Lia stands silent, lips pressed shut, her right sleeve hanging over a wrist that stays folded inside it.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-5-p-16",
"ch-5-p-17",
"ch-5-p-18"
],
"action": "Gloved Maren, pressed against the wall side of the cargo bed, rests her palm on the newly loaded sack; the plain driver, soil on one shoulder, stands at the valley-side wheel.",
"textIds": [
"text-5",
"text-6"
]
},
{
"sourceIds": [
"ch-5-p-19"
],
"action": "At Lia's waist, Bori sits half out of the bag, twisting its body to hide a scrap of dried meat behind its back from Lia's outstretched left hand.",
"textIds": []
},
{
"sourceIds": [
"ch-5-p-19"
],
"action": "Bori sits alone on the bag's edge chewing the dried meat, nose lifted into the wind from beyond the outpost, tail hanging loose.",
"textIds": []
},
{
"sourceIds": [
"ch-5-p-20",
"ch-5-p-21"
],
"action": "Doyun on the driver's seat, the reins in his hand gone slack, the horse standing ahead, the wagon still stopped in the bend.",
"textIds": [
"text-7",
"text-8"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Doyun keeps the black hair, grey eyes, dark green hooded coat and sword from s1; Lia keeps the chestnut bob, amber eyes and sand jacket; Maren appears in her brick vest with gloves. The driver is now a plain man in a cap with soil on the shoulder, so this scene does not repeat the s1 swap of Maren into the driver's role."
},
"setting": {
"passed": true,
"evidence": "Same narrow bend as s1 panel 5: wet rock wall with carved handholds on the left, drop to the misty valley on the right, dawn light."
},
"actionTransition": {
"passed": true,
"evidence": "s1 ended on the reins handover with Doyun seated; s2 opens with Doyun on the seat holding the reins and Lia at the footboard, the next event in the source."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "앞은 내가 볼게, 꺾이는 데서 바닥 먼저 짚고—",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 upper balloon with its tail to Lia; the period after 볼게 is rendered as a comma."
},
{
"id": "text-2",
"observedText": "뒤에서 걸어.",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 1 lower balloon text is exact, but its tail points down-left to Lia's head, not to Doyun on the seat."
},
{
"id": "text-3",
"observedText": "줄은 네가 적었어. 짐은 내가 받았고.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Doyun in profile; exact text."
},
{
"id": "text-4",
"observedText": "앞을 맡으면 왼손 하나로 방패를 세워야 한다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 caption box beside Lia; exact text."
},
{
"id": "text-5",
"observedText": "한 번은 하죠. 이 자루까지는.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Maren pressing the sack; exact text."
},
{
"id": "text-6",
"observedText": "두 번은, 이라는 말은 붙이지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 bottom-right caption box; exact text."
},
{
"id": "text-7",
"observedText": "갑니다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 balloon with its tail to Doyun on the seat; exact text."
},
{
"id": "text-8",
"observedText": "고삐가 느슨해졌다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 bottom-right caption box; exact text."
}
],
"evidence": "Seven panels: row 1 Lia at the footboard looking up at Doyun on the seat with the horse's ears in front; Doyun in profile over the wrapped reins with Lia's back in the foreground. Row 2 Lia alone by the wall with the path behind; Maren with gloves pressing the sack while the capped driver stands at the wheel. Row 3 Bori half out of the bag with a strip of dried meat as a fingerless-gloved hand reaches in; Bori on the bag edge chewing with eyes closed against the dawn valley. Row 4 wide shot from behind Doyun on the wagon in the bend, handholds on the wall and the valley on the right. The wagon has not moved.",
"observedPanelCount": 7
}
},
{
"id": "s3",
"n": 3,
"title": "굽이를 넘자 몰려든 사슴",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-5-p-22",
"n": 22,
"text": "굽이는 입구 안에서 한 번 꺾인 뒤 벽을 따라 둥글게 휘었다. 왼쪽은 젖은 바위벽이었다. 오른쪽은 풀 몇 포기를 지나면 골짜기로 떨어지는 비탈이었다. 폭은 수레 하나 옆에 사람 하나가 겨우 붙을 만했다. 벽 위로는 흙이 둥글게 솟은 둔덕이 있었지만, 거기까지는 사람 키의 두 배가 넘었다."
},
{
"id": "ch-5-p-23",
"n": 23,
"text": "도윤이 말을 달래 반 바퀴 뒤로 물렸다. 그러고는 바퀴를 바깥으로 틀었다. 오른쪽 바퀴가 가장자리 흙을 밟자 흙덩이가 떨어져 나가 비탈을 굴렀다. 수레꾼이 숨을 들이켰다. 바퀴가 턱을 넘었다."
},
{
"id": "ch-5-p-24",
"n": 24,
"text": "앞은 비어 있었다. 다음 꺾임까지 발자국 하나 없는 젖은 흙이 이어졌다. 도윤의 어깨가 조금 내려갔고, 리아도 숨을 뱉었다. 장부의 줄이 맞았던 것처럼."
},
{
"id": "ch-5-p-25",
"n": 25,
"text": "보리가 고기를 떨어뜨렸다."
},
{
"id": "ch-5-p-26",
"n": 26,
"text": "뒤에서 돌 구르는 소리가 났다. 리아가 돌아보았다. 입구 쪽 꺾임에 사슴 한 마리가 서 있었다. 등이 수레 옆판만큼 높았고, 가지가 사방으로 벌어진 뿔이 벽을 긁고 있었다. 사슴은 사람을 보지 않았다. 코를 벽에 대고 이끼를 뜯었다. 그 뒤로 한 마리가 더 들어왔다. 그 뒤로 또 한 마리."
},
{
"id": "ch-5-p-27",
"n": 27,
"text": "사슴들은 사슬이 있던 쪽에서 왔다. 거점과 수레 사이의 좁은 흙을 한 마리씩 메우며 앞으로 밀려들었다."
},
{
"id": "ch-5-p-28",
"n": 28,
"text": "넷. 옆판의 축축한 자국이 떠올랐다. 리아는 그 수를 혀 밑에 눌렀다."
}
],
"pFrom": 22,
"pTo": 28,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep05-s3.webp",
"blocking": 0,
"advisory": 3,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 수레꾼 위에 느낌표만 든 말풍선. 계획에 없는 글자지만 숨을 들이켜는 원문과는 맞음.",
"en": "Panel 1: a spiky balloon with only an exclamation mark is drawn over the driver; the plan has no text there, though it matches his gasp."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 나중에 오를 벽 위 둔덕이 보이지 않음.",
"en": "Panel 1: the earth mound above the wall that sets up the later climb is not visible (beat-1)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6·7칸: 리아 뒤 사슴이 넷보다 많음. 원문이 마릿수를 정하지 않아 모순은 아님.",
"en": "Panels 6-7: the file behind Lia shows more than four deer; the source never gives the deer count, so this is not a contradiction."
}
],
"textsTotal": 7,
"textsOk": 7,
"timings": {
"planS": [
71,
81
],
"preflightS": [
108,
90
],
"imageS": 43,
"imageCalls": 1,
"preflightRevisions": 1
},
"imageUsd": 0.1316,
"plan": {
"intent": "The scene should give the reader a short, false sense of success, then take it away without anyone speaking. First the reader must understand how tight the bend is: a wet rock wall on the left, a crumbling edge and a drop on the right, and room for barely one person beside the wagon. Doyun eases the wagon through by putting its right wheel on the failing edge soil. A clod rolls down the slope and the wagoner gasps. The wheel gets over. The way ahead is empty and unmarked, and Doyun's shoulders drop. Lia breathes out as if her ledger line had been proven right. The reader should feel that relief is earned. Then, with no stated cause, the small marten drops its meat. A stone rolls behind them. Lia turns and sees huge antlered deer calmly grazing moss off the wall. They are coming one after another from the entrance side, where the chain was, and filling the narrow strip between the outpost and the wagon. That strip is the way back. The deer are not hostile; they ignore the people. Lia counts them and recalls a damp mark on the sideboard. Then she keeps the number to herself. The reader should see her familiar error begin again, silence used as protection, while the others do not yet know. The scene stops on her closed mouth, before anyone else reacts.",
"staging": "Place and time: cold dawn, continuous with the previous scene's slackened reins. The action stays inside the narrow bend just past the outpost's rear entrance and ends in ch-5-p-28. Do not show the next turn being reached, and do not advance time.\n\nFixed geography. The wet rock wall is on the wagon's left. On the right, a few grass tufts, then crumbling edge soil, then a slope into the misty valley. Keep this orientation in every panel and never mirror it. The earth mound above the wall is rounded, mostly earth rather than grass, and clearly more than twice a person's height up, out of reach. The entrance-side turn, where the chain was, lies behind the wagon. The next turn lies ahead.\n\nWidth rule, the fix for the blocking finding. At the pinch the passage fits the wagon plus at most one person beside it. That one person can only be on the left, in the wall-side gap. Once the right wheel is on the edge soil, nobody can stand outboard of the right wheel, because there is no ground there. The source does not say where the wagoner is when he gasps. Place him behind the wagon, as an inference. The source does not place Maren in this excerpt; if she is shown, she stands behind the wagon, or she is the single person in the wall-side gap. Never show two people flanking the wagon at the pinch. Lia walks behind the wagon, as set in the previous scene. Doyun sits on the driver's seat with the horse ahead of him.\n\nDeer. They come from behind the wagon, from the entrance side, and fill the strip between the outpost and the wagon in single file, because the strip is too narrow for them to go abreast. Their backs are as high as the wagon sideboard, and their antlers are tall and branch in every direction, scraping the wall. They graze wall moss and do not look at the people. Nothing in the source says the deer touch the wagon, charge, or corner anyone. Lia is between the deer and the wagon, facing back toward them. Her exact distance from the nearest deer is not stated; keep a readable gap and no contact.\n\nVisual load. Beat-1 and beat-4 each contain several physical steps. Show the payoff state of each and let the transit steps be implied. The reader needs to see: the wheel on the crumbling lip with the falling clod; the empty, unmarked ground ahead with Doyun's lowered shoulders and Lia's exhale; Bori's dropped meat; Lia looking back at the first grazing deer; the file of deer filling the way back; and Lia's closed mouth. No panel should carry more than two text items. Beat-6 has three texts, so it may be spread across two moments. text-5 is Lia's unspoken thought and should be lettered as a thought or inner-voice element, never as a speech balloon, because she says nothing aloud. All other texts are tail-less narration captions. Bori has no lettering. The wagoner's gasp is facial only. No sound-effect lettering is requested, because the source contains no onomatopoeia.\n\nContinuity and identity. Lia keeps her right wrist folded inside her sleeve and uses only her left hand. Doyun has an empty belt loop, and no rope appears anywhere on him or on the wagon. If Maren appears, she keeps her dark red-brown curly hair, round face and gloves. The wagoner is a separate, plain, unnamed adult who does not resemble Maren. Bori is small, cream-furred, with round ears and a dark brown tail tip. The horse from the previous scene remains. Panel count, sizes, cameras and composition are the artist's choice. Prefer fewer, larger, legible panels in a vertical reading order.",
"uncertainties": [
"The wagoner's position when he gasps (ch-5-p-23) is not stated. Placing him behind the wagon is an inference forced by the width in ch-5-p-22 and by the right wheel resting on the edge soil. It is not a source fact.",
"Maren is not mentioned anywhere in ch-5-p-22 to ch-5-p-28. Whether and where she appears is open, within the width rule in the staging.",
"Lia being behind the wagon is carried over from the previous scene (ch-5-p-15). The excerpt itself does not restate her position.",
"The lip that the wheel gets over in ch-5-p-23 is not described. It may be a ridge of rock, a step in the soil or the edge itself. Do not invent its shape beyond a small raised edge.",
"Why Doyun turned the wheels outward (ch-5-p-23) is not stated. Do not add a wall bulge, a rock or other reason that the source does not give.",
"Bori drops the meat in ch-5-p-25 before the stone sound in ch-5-p-26, and the source gives no cause. Do not show sparks, raised fur, a tail around the neck or any other sensing cue that would explain it.",
"The count in ch-5-p-28 is four, but ch-5-p-26 names only three deer arriving. ch-5-p-27 says the deer keep filling the strip one by one, which allows a fourth. The count most likely refers to the deer, but that is an inference.",
"The damp mark on the sideboard in ch-5-p-28 is a recollection. Its origin, number and exact location are not given in this excerpt. Its link to the deer's back height (ch-5-p-26) is implied by juxtaposition, not stated. If it is drawn at all, show only a plain damp smudge, with no count and no cause.",
"The chain side in ch-5-p-27 is not given any mechanics or exact position. Do not draw the chain or how it works; show only that the deer come from the entrance side.",
"The cause of the rolling stones in ch-5-p-26 is not stated. Do not draw a deer dislodging them.",
"The direction describes the mound as grassy, but ch-5-p-22 says it is a rounded earth mound, and places the grass tufts on the valley side. Follow the source.",
"The source does not say how the others react to the deer after ch-5-p-28, or whether they have noticed. Do not show them turning, reacting or being told. Whether they are shown at all in the last moment is the artist's choice.",
"This brief was reviewed only on the same host that generated it, so the review is not independent."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-5-p-24",
"kind": "caption",
"speaker": "narrator",
"text": "장부의 줄이 맞았던 것처럼."
},
{
"id": "text-2",
"sourceId": "ch-5-p-25",
"kind": "caption",
"speaker": "narrator",
"text": "보리가 고기를 떨어뜨렸다."
},
{
"id": "text-3",
"sourceId": "ch-5-p-26",
"kind": "caption",
"speaker": "narrator",
"text": "뒤에서 돌 구르는 소리가 났다."
},
{
"id": "text-4",
"sourceId": "ch-5-p-26",
"kind": "caption",
"speaker": "narrator",
"text": "그 뒤로 한 마리가 더 들어왔다. 그 뒤로 또 한 마리."
},
{
"id": "text-5",
"sourceId": "ch-5-p-28",
"kind": "thought",
"speaker": "c1",
"text": "넷."
},
{
"id": "text-6",
"sourceId": "ch-5-p-28",
"kind": "caption",
"speaker": "narrator",
"text": "옆판의 축축한 자국이 떠올랐다."
},
{
"id": "text-7",
"sourceId": "ch-5-p-28",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 그 수를 혀 밑에 눌렀다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-5-p-22",
"ch-5-p-23"
],
"action": "The pinch and how it is solved. The reader must see the geography that makes the move dangerous: the wall on the left, the drop on the right, room for barely one person beside the wagon, and the earth mound out of reach above. The payoff instant is the right wheel riding the crumbling edge while a clod tumbles down the slope, and the wheel getting over. The wagoner's gasp is shown on his face, not lettered. Calming the horse, backing and turning the wheels are setup and may be implied.",
"textIds": []
},
{
"id": "beat-2",
"sourceIds": [
"ch-5-p-24"
],
"action": "Relief. Past the pinch, empty wet soil with no footprints runs to the next turn. On the seat, Doyun's shoulders drop slightly. Behind the wagon, Lia exhales. The caption ties her relief to the ledger line she wrote. This is the scene's high point, and it should read as quiet, not as celebration.",
"textIds": [
"text-1"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-5-p-25"
],
"action": "A small break in the relief. Bori, on the bag at Lia's waist, lets the dried meat fall. The cause is not shown or implied. There is no sound yet, no sparks and no fear pose. It is simply the first thing out of place.",
"textIds": [
"text-2"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-5-p-26"
],
"action": "The stones roll behind them. The payoff instant is Lia looking back at the entrance-side turn, where a huge deer, as tall at the back as the sideboard, grazes moss off the wet wall. Its many-branched antlers scrape the stone and it ignores the people. Do not draw the deer kicking stones; the source gives no cause for the sound.",
"textIds": [
"text-3"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-5-p-26",
"ch-5-p-27"
],
"action": "The file of deer. More deer come in single file from the chain side and fill the narrow strip between the outpost and the wagon, noses to the wall. The change is that the way back is now occupied. The deer are calm, and the threat lies in their mass and their position, not in aggression.",
"textIds": [
"text-4"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-5-p-28"
],
"action": "Lia counts, remembers the damp mark on the sideboard, and keeps the number to herself. The payoff is her closed mouth with the deer behind her, while nobody else is told. The scene ends here, before any other character reacts.",
"textIds": [
"text-5",
"text-6",
"text-7"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-5-p-22"
],
"statement": "Inside the entrance, the bend turns once and then curves around along the wall. The left side is a wet rock wall. On the right side, past a few tufts of grass, a slope drops into the valley."
},
{
"id": "fact-2",
"sourceIds": [
"ch-5-p-22"
],
"statement": "The passage is barely wide enough for one wagon with one person squeezed beside it. Above the wall is a rounded earth mound, but it is more than twice a person's height up."
},
{
"id": "fact-3",
"sourceIds": [
"ch-5-p-23"
],
"statement": "Doyun calmed the horse, backed the wagon half a wheel-turn, and then turned the wheels outward. When the right wheel pressed the edge soil, a clod broke away and rolled down the slope. The wagoner drew in a breath. The wheel got over the lip."
},
{
"id": "fact-4",
"sourceIds": [
"ch-5-p-24"
],
"statement": "The way ahead was empty. Wet soil without a single footprint ran on to the next turn. Doyun's shoulders lowered slightly, and Lia also let out her breath, as if the line in the ledger had been right (text-1)."
},
{
"id": "fact-5",
"sourceIds": [
"ch-5-p-25"
],
"statement": "Bori dropped the meat (text-2). The source gives no cause, and this happens before the sound of the stones."
},
{
"id": "fact-6",
"sourceIds": [
"ch-5-p-26"
],
"statement": "A sound of rolling stones came from behind (text-3). Lia looked back. A deer stood at the entrance-side turn. Its back was as high as the wagon's sideboard, and its antlers, branching in every direction, scraped the wall."
},
{
"id": "fact-7",
"sourceIds": [
"ch-5-p-26"
],
"statement": "The deer did not look at the people. It put its nose to the wall and tore off moss. Another deer came in behind it, and then another behind that one (text-4)."
},
{
"id": "fact-8",
"sourceIds": [
"ch-5-p-27"
],
"statement": "The deer came from the side where the chain had been. One by one they filled the narrow strip of soil between the outpost and the wagon, pressing forward."
},
{
"id": "fact-9",
"sourceIds": [
"ch-5-p-28"
],
"statement": "The count is four (text-5). The damp mark on the sideboard came back to Lia's mind (text-6). She pressed the number under her tongue and did not say it aloud (text-7)."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink, cold misty dawn; wet rock wall on wagon's left, valley drop right; Lia's right wrist stays folded in sleeve; Korean lettering verbatim.",
"moments": [
{
"sourceIds": [
"ch-5-p-22",
"ch-5-p-23"
],
"action": "Narrow bend, earth mound high above the wall: with Doyun driving, the wagon's right wheel crests the crumbling edge soil, a clod tumbling down the slope; the wagoner behind the wagon gasps.",
"textIds": []
},
{
"sourceIds": [
"ch-5-p-24"
],
"action": "Past the pinch, empty wet soil without a single footprint runs to the next turn; on the seat Doyun's shoulders ease down, and Lia, walking behind the wagon, lets out her breath.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-5-p-25"
],
"action": "Bori, perched on the bag at Lia's waist, lets its piece of dried meat fall toward the wet ground.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-5-p-26"
],
"action": "Lia looks back toward the entrance-side turn, where a huge deer, back level with the wagon's sideboard, grazes moss off the wet wall, its many-branched antlers scraping stone, ignoring the people.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-5-p-26",
"ch-5-p-27"
],
"action": "A second and third antlered deer calmly file in behind the first from the entrance side, single file along the wall, filling the narrow strip of ground between the outpost and the wagon.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-5-p-27",
"ch-5-p-28"
],
"action": "A fourth deer joins the grazing file; Lia, standing between the deer and the wagon, watches them with a fixed, counting gaze.",
"textIds": [
"text-5",
"text-6"
]
},
{
"sourceIds": [
"ch-5-p-28"
],
"action": "Lia keeps her lips pressed shut, the calm file of grazing deer filling the way back behind her.",
"textIds": [
"text-7"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Doyun keeps the dark green hooded coat and black hair from s2, Lia the chestnut bob and sand jacket with brown bag, the driver the cap and dark soiled coat, Bori the cream fur and dark-tipped tail."
},
"setting": {
"passed": true,
"evidence": "Same narrow bend as s2 panel 7: rock wall on the left, drop to the misty valley on the right, dawn sky; the wagon and horse are the same."
},
"actionTransition": {
"passed": true,
"evidence": "s2 ended with the reins going slack before the wheels turned; s3 opens on the wagon moving through the pinch with the right wheel on the crumbling edge, the next event."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "장부의 줄이 맞았던 것처럼.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 caption box; exact text."
},
{
"id": "text-2",
"observedText": "보리가 고기를 떨어뜨렸다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 caption box; exact text."
},
{
"id": "text-3",
"observedText": "뒤에서 돌 구르는 소리가 났다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption box; exact text."
},
{
"id": "text-4",
"observedText": "그 뒤로 한 마리가 더 들어왔다. 그 뒤로 또 한 마리.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption box; exact text."
},
{
"id": "text-5",
"observedText": "넷.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 thought bubble with trailing circles toward Lia's head; exact text."
},
{
"id": "text-6",
"observedText": "옆판의 축축한 자국이 떠올랐다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 caption box; exact text."
},
{
"id": "text-7",
"observedText": "리아는 그 수를 혀 밑에 눌렀다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 caption box beside Lia's closed mouth; exact text."
}
],
"evidence": "Seven panels. Row 1 wide: the driver bracing on the cargo, Doyun driving, the right wheel on the edge with a clod tumbling down the slope. Row 2 wide: Lia exhaling behind the wagon, the empty wet track ahead to the next turn. Row 3: Bori at the bag with the meat falling; Lia looking back as an antlered deer grazes moss on the wall. Row 4 wide: deer filing in along the wall behind the wagon's tailboard. Row 5: Lia beside the file of deer with the thought bubble; close-up of her pressed lips with deer filling the way back. Wall and drop sides stay consistent.",
"observedPanelCount": 7
}
},
{
"id": "s4",
"n": 4,
"title": "기우는 수레, 청록빛 방패",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-5-p-29",
"n": 29,
"text": "\"뒤가 찼어요.\""
},
{
"id": "ch-5-p-30",
"n": 30,
"text": "수레꾼의 목소리가 갈라졌다. 도윤이 고개를 돌렸다. 회색 눈이 사슴들의 머리 수를 세다가 멈췄다. 뒤로 뺄 길이 없었다. 앞으로 가려면 다음 꺾임을 돌아야 하는데, 그곳은 여기보다 더 좁았다."
},
{
"id": "ch-5-p-31",
"n": 31,
"text": "맨 앞의 사슴이 짐칸 꽁무니에 옆구리를 비볐다. 밀려는 게 아니라 지나가려는 것처럼. 수레가 기울었다. 오른쪽 뒷바퀴가 가장자리를 벗어나 허공을 반쯤 밟았다. 짐칸 맨 뒤의 자루가 미끄러졌다. 도윤이 새벽에 얹은 그 자루였다."
},
{
"id": "ch-5-p-32",
"n": 32,
"text": "마렌이 손을 뻗었지만 끈 끝만 스쳤다. 자루는 비탈을 두 번 튀고 바위에 부딪혀 터졌다. 흰 곡식이 부채꼴로 흩어지며 아래로 흘러내렸다."
},
{
"id": "ch-5-p-33",
"n": 33,
"text": "\"하나……\""
},
{
"id": "ch-5-p-34",
"n": 34,
"text": "마렌의 입술이 다음 수를 세다 멈췄다."
},
{
"id": "ch-5-p-35",
"n": 35,
"text": "수레가 한 뼘 더 기울었다. 수레꾼의 다리가 바퀴와 비탈 가장자리 사이에 끼어 있었다. 둘째 사슴이 앞으로 밀리며 머리를 틀었다. 벌어진 뿔끝이 수레꾼의 무릎 쪽으로 내려왔다."
},
{
"id": "ch-5-p-36",
"n": 36,
"text": "리아의 왼손이 먼저 나갔다. 손바닥 앞에 청록빛이 접시만 하게 열렸다. 비스듬히 세운 방패를 뿔끝이 긁고 지나 벽 쪽으로 꺾였다. 바위 가루가 떨어졌다. 왼손목이 뒤로 젖혀졌다. 소매 속 오른손목까지 저릿하게 울렸다."
},
{
"id": "ch-5-p-37",
"n": 37,
"text": "사슴이 놀라 한 걸음 물러섰다. 뒤쪽에 틈이 났다. 수레 꽁무니와 사슴 가슴 사이, 바퀴 하나가 겨우 지나갈 만한 틈이었다."
},
{
"id": "ch-5-p-38",
"n": 38,
"text": "리아는 그 틈을 보았다. 방패를 바퀴 밑에 기울여 넣고 수레를 뒤로 밀면 짐칸 하나쯤은 입구 쪽으로 돌려낼 수 있을지도 몰랐다. 짐의 순서가 머릿속에서 저절로 다시 섰다. 저 자루를 먼저, 그다음은—"
}
],
"pFrom": 29,
"pTo": 38,
"panelCount": 8,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep05-s4.webp",
"blocking": 2,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸 자막: “얹은”이 “없은”으로 한 글자 변형. ‘도윤이 새벽에 얹은 자루’라는 뜻이 사라짐.",
"en": "Panel 2 caption (text-4) renders 얹은 as 없은. The line identifies the lost sack as the one Doyun loaded at dawn, and the typo removes that meaning."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 사슴 떼가 말 앞, 앞으로 갈 길 위에 서 있음. 원문은 뒤가 막히고 앞은 비었지만 더 좁은 길. 함정의 공간 관계가 뒤집힘.",
"en": "Panel 1 puts the deer file ahead of the horse on the road the wagon still has to take. The source and beat-1 have the rear filled and the way forward empty but narrower, so the trap's geography is reversed."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: “하나……” 뒤에 마침표가 하나 더 붙음.",
"en": "Panel 4: text-5 has an extra period after the ellipsis (하나…….)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 방패가 접시만 한 원형이 아니라 큰 부채꼴. 왼손으로 펼친 것인지, 오른손목이 소매 안인지 불분명.",
"en": "Panel 6: the shield is a large fan-shaped sheet, not a plate-sized disc, and the image does not clearly show the left hand as the casting hand with the right wrist inside the sleeve; the extended forearm's sleeve is rolled up."
}
],
"textsTotal": 8,
"textsOk": 8,
"timings": {
"planS": [
104
],
"preflightS": [
78
],
"imageS": 43,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1318,
"plan": {
"intent": "The reader should feel the space close in. The last scene ended on Lia's silence. This scene makes the cost of that silence physical, and no one gets to discuss it first. The rear is full of deer, and Doyun's count stops. There is no way back, and the only way forward is narrower. Then a calm animal just trying to squeeze past tips the wagon. The sack Doyun loaded at dawn goes over the edge and bursts into a fan of white grain. Maren's hand misses it by a cord's end, and her habit of counting losses stops at one. The danger then shifts from cargo to a person: the unnamed wagoner's leg is pinned at the edge while a second deer's antler tips come down toward his knee. Lia acts first, with her left hand only. The small teal shield turns the antler into the wall, and the reader should feel the strain run up both wrists, including the one hidden in her sleeve that nobody else can see. Her action opens a gap the width of one wheel. Lia sees it before anyone else and starts building a plan alone, ordering the cargo in her head. The scene cuts off mid-thought, before she speaks, acts or tells anyone. Relief should never arrive. The deer are never villains; they are a mass in a narrow place.",
"staging": "Place and time. The scene continues directly from the previous one in the same narrow bend at cold dawn. The next turn ahead is referred to only in a caption. It is never reached or shown up close, and time does not move forward.\n\nFixed orientation. From the wagon's direction of travel, the wet rock wall is on the left. On the right are a few grass tufts, then crumbling edge soil, then the slope into the misty valley. Keep this orientation in every panel and never mirror it. The entrance side, where the deer come from, is behind the wagon. Doyun sits on the driver's seat with the horse ahead of him.\n\nWidth rule, carried over from the previous scene. The passage fits the wagon plus at most one person beside it, and only on the wall side. Once the right rear wheel is half over air, no one can stand outboard of it. Maren, the wagoner and Lia must be placed behind the wagon or in the wall-side gap. Never place them on air or on the valley side of the right wheels.\n\nNecessary contacts and reach. The lead deer's flank touches the rear of the cargo bed. The falling sack leaves from the rear of the cargo bed and goes down the valley slope. Maren is close enough to the rear of the cargo bed that her fingers brush the sack's cord. The wagoner's leg is between a wheel and the slope edge. The second deer's antler tips come down toward his knee. Lia is within arm's reach of that antler, because the shield forms directly in front of her left palm and is plate-sized, not a wall. The deflection carries the antler toward the rock wall, not toward the valley. After the deer steps back, the gap is between the wagon's rear and the deer's chest, about the width of one wheel.\n\nShield. It is teal, small, angled and held in front of the left palm. It turns the antler; it does not push the deer back or strike it. The deer's step back comes from being startled. Keep the glow restrained.\n\nLettering. Captions have no tails. text-5 is a quiet dialogue balloon for Maren, trailing off. text-8 is Lia's unspoken thought and must be lettered as a thought element, not a speech balloon. Keep the trailing dash, and place it last, with nothing after it. No panel carries more than two text items. No sound-effect lettering, because the source contains no onomatopoeia. Do not letter the line from ch-5-p-29, and do not add any placeholder balloon or exclamation mark for the wagoner. The previous scene's review flagged exactly that kind of invented balloon.\n\nContinuity and identity. Lia has dark chestnut hair, amber eyes and faint freckles. Her right wrist stays folded inside her sleeve, and only her left hand acts. Doyun has black hair, grey eyes and a small break in his left eyebrow. His belt loop is empty, and there is no rope on him or on the wagon. Maren has dark red-brown curly hair, a round face and gloves. The wagoner is a separate, plain, unnamed adult who does not resemble Maren. The deer have backs as high as the wagon's sideboard and tall antlers branching in every direction. They look calm and crowded, not aggressive. The horse is still present. Bori does not appear in the source; if the marten is visible, it stays passive, with no new reaction or sensing cue.\n\nThe artist chooses panel count, sizes, cameras and a natural vertical reading layout. Prefer fewer, larger, clearly legible panels.",
"uncertainties": [
"The line in ch-5-p-29 is attributed to the wagoner only by juxtaposition with ch-5-p-30. The wagoner has no foundation id, and the host's speaker rule allows only foundation ids or narrator. Assigning the line to Maren (c4) or to the narrator would falsify who spoke, so it is left unlettered. Beat-1 carries the same information through text-1 and the image.",
"The wagoner is treated as a person separate from Maren, carrying over the previous scene's reading. The excerpt names both a wagoner and Maren in different units, but it does not explicitly say they are different people.",
"The exact positions of Maren, the wagoner and Lia are not stated. Only the reach relations in the staging follow from the source. Everything else is an inference constrained by the width rule.",
"The source does not say which wheel pins the wagoner's leg in ch-5-p-35. The right rear wheel at the edge is plausible, but it is not confirmed.",
"The source says the wagon tilted, and that the right rear wheel left the edge (ch-5-p-31). It gives no tilt angle and does not say the wagon will fall. Do not show the wagon going over.",
"The number Doyun counts in ch-5-p-30 is not given. The previous scene's thought of four belongs to Lia. It is not Doyun's count, and the source does not confirm it as the current number.",
"Where the lead deer goes after it rubs the wagon (ch-5-p-31) is not stated. Do not show it passing the wagon or reaching the front.",
"The deer that steps back in ch-5-p-37 is most likely the second deer from ch-5-p-35, whose antler was deflected. That is an inference.",
"Doyun has no action after counting in ch-5-p-30. Do not show him drawing his sword, climbing down or speaking.",
"In ch-5-p-38 it is not clear which sack Lia means by the sack she would move first. The sack that fell has already burst, so she means some other sack still on the wagon. It is also unclear whether 'one cargo bed' implies the wagon has more than one bed. Do not draw a second cargo bed or single out a specific sack.",
"Lia's idea of setting the shield under a wheel (ch-5-p-38) is her own tentative guess, and the text marks it with 'might'. Nothing in the world facts confirms that a shield can bear a wagon's weight. Do not depict it as working or as happening.",
"How the others react to the shield, and whether anyone notices Lia's wrist, is not stated. Do not show the others reacting.",
"Bori is not mentioned in ch-5-p-29 to ch-5-p-38. Whether the marten appears at all is the artist's choice. It has no action.",
"This brief was produced and checked only on the same host that will review it, so that review is not independent."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-5-p-30",
"kind": "caption",
"speaker": "narrator",
"text": "뒤로 뺄 길이 없었다."
},
{
"id": "text-2",
"sourceId": "ch-5-p-30",
"kind": "caption",
"speaker": "narrator",
"text": "앞으로 가려면 다음 꺾임을 돌아야 하는데, 그곳은 여기보다 더 좁았다."
},
{
"id": "text-3",
"sourceId": "ch-5-p-31",
"kind": "caption",
"speaker": "narrator",
"text": "밀려는 게 아니라 지나가려는 것처럼."
},
{
"id": "text-4",
"sourceId": "ch-5-p-31",
"kind": "caption",
"speaker": "narrator",
"text": "도윤이 새벽에 얹은 그 자루였다."
},
{
"id": "text-5",
"sourceId": "ch-5-p-33",
"kind": "dialogue",
"speaker": "c4",
"text": "하나……"
},
{
"id": "text-6",
"sourceId": "ch-5-p-36",
"kind": "caption",
"speaker": "narrator",
"text": "소매 속 오른손목까지 저릿하게 울렸다."
},
{
"id": "text-7",
"sourceId": "ch-5-p-37",
"kind": "caption",
"speaker": "narrator",
"text": "바퀴 하나가 겨우 지나갈 만한 틈이었다."
},
{
"id": "text-8",
"sourceId": "ch-5-p-38",
"kind": "thought",
"speaker": "c1",
"text": "저 자루를 먼저, 그다음은—"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-5-p-29",
"ch-5-p-30"
],
"action": "The trap closes. A warning comes from the rear, and Doyun turns on the driver's seat. His count of the deer stops. The change is that both directions are now closed: the rear is filled with deer, and the only way forward is a turn narrower than this one. The warning line from ch-5-p-29 is not lettered (see uncertainties). Do not add any balloon, exclamation mark or invented word in its place.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-5-p-31"
],
"action": "The lead deer squeezes along the rear of the cargo bed. The rub reads as an animal trying to get past, not a shove. The wagon tilts, the right rear wheel is left half over air, and the rearmost sack starts to slide. The caption names whose sack it is.",
"textIds": [
"text-3",
"text-4"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-5-p-32"
],
"action": "The loss. Maren's gloved hand reaches out, but her fingers only graze the end of the cord. The sack bounces twice down the slope, strikes a rock and bursts. White grain fans out and streams toward the misty valley. The key moment is the fan of grain.",
"textIds": []
},
{
"id": "beat-4",
"sourceIds": [
"ch-5-p-33",
"ch-5-p-34"
],
"action": "Maren starts counting what is lost. She says one, and her lips freeze on the next number. Her counting stops because the danger is still moving, not because she runs out of things to count.",
"textIds": [
"text-5"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-5-p-35"
],
"action": "The danger moves from cargo to a person. The wagon sinks another hand-span. The wagoner's leg is pinned between a wheel and the edge of the slope. The second deer, pushed from behind, twists its head, and its spread antler tips come down toward his knee. The deer is being crowded, not attacking.",
"textIds": []
},
{
"id": "beat-6",
"sourceIds": [
"ch-5-p-36"
],
"action": "Lia acts before anyone else, using only her left hand. A small, angled teal shield about the size of a plate appears in front of her palm. The antler tip scrapes across it and is turned into the rock wall, knocking loose rock dust. The cost is shown on her body: her left wrist bends back, and her right wrist, hidden in her sleeve, takes the jolt. The glow stays small, because it only redirects the antler.",
"textIds": [
"text-6"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-5-p-37"
],
"action": "The startled deer takes one step back. A narrow gap opens between the wagon's rear and the deer's chest. It is barely the width of one wheel, and it is the only new space in the scene.",
"textIds": [
"text-7"
]
},
{
"id": "beat-8",
"sourceIds": [
"ch-5-p-38"
],
"action": "Lia sees the gap before anyone else does, and she starts planning without telling anyone. She imagines angling the shield under a wheel, pushing the wagon back and turning a cargo bed out toward the entrance. She is already reordering the cargo in her head. Her thought breaks off with a dash. The scene ends here, before she speaks, moves, or anyone else reacts. Do not show the plan being carried out.",
"textIds": [
"text-8"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-5-p-29",
"ch-5-p-30"
],
"statement": "A short spoken line reports that the rear is full. The next unit says the wagoner's voice cracked, which makes the wagoner the most likely speaker. The wagoner is unnamed and has no foundation id."
},
{
"id": "fact-2",
"sourceIds": [
"ch-5-p-30"
],
"statement": "Doyun turned his head. His grey eyes counted the deer's heads and then stopped. The source does not give the number."
},
{
"id": "fact-3",
"sourceIds": [
"ch-5-p-30"
],
"statement": "There was no way to back out (text-1). Going forward meant rounding the next turn, which is narrower than the current spot (text-2)."
},
{
"id": "fact-4",
"sourceIds": [
"ch-5-p-31"
],
"statement": "The lead deer rubbed its flank against the rear end of the cargo bed. It looked as if it was trying to pass, not to push (text-3)."
},
{
"id": "fact-5",
"sourceIds": [
"ch-5-p-31"
],
"statement": "The wagon tilted. Its right rear wheel left the edge and half of it stood over empty air."
},
{
"id": "fact-6",
"sourceIds": [
"ch-5-p-31"
],
"statement": "The rearmost sack on the cargo bed slid. It was the sack Doyun had loaded at dawn (text-4)."
},
{
"id": "fact-7",
"sourceIds": [
"ch-5-p-32"
],
"statement": "Maren reached for the sack, but her hand only brushed the end of its cord."
},
{
"id": "fact-8",
"sourceIds": [
"ch-5-p-32"
],
"statement": "The sack bounced twice on the slope, hit a rock and burst. White grain scattered in a fan shape and flowed down the slope."
},
{
"id": "fact-9",
"sourceIds": [
"ch-5-p-33",
"ch-5-p-34"
],
"statement": "Maren's lips said one (text-5) and stopped before the next number."
},
{
"id": "fact-10",
"sourceIds": [
"ch-5-p-35"
],
"statement": "The wagon tilted one more hand-span. The wagoner's leg was caught between a wheel and the edge of the slope. The source does not say which wheel."
},
{
"id": "fact-11",
"sourceIds": [
"ch-5-p-35"
],
"statement": "The second deer was pushed forward and twisted its head. Its spread antler tips came down toward the wagoner's knee."
},
{
"id": "fact-12",
"sourceIds": [
"ch-5-p-36"
],
"statement": "Lia's left hand moved first. A teal light, about the size of a plate, opened in front of her palm as an angled shield."
},
{
"id": "fact-13",
"sourceIds": [
"ch-5-p-36"
],
"statement": "The antler tip scraped across the shield and was turned toward the wall. Rock dust fell. Lia's left wrist was bent back, and the jolt reached her right wrist inside her sleeve (text-6)."
},
{
"id": "fact-14",
"sourceIds": [
"ch-5-p-37"
],
"statement": "The deer was startled and took one step back. This opened a gap between the rear of the wagon and the deer's chest, barely wide enough for one wheel to pass (text-7)."
},
{
"id": "fact-15",
"sourceIds": [
"ch-5-p-38"
],
"statement": "Lia saw the gap. She thought that if she angled the shield under a wheel and pushed the wagon back, she might be able to turn out one cargo bed toward the entrance. This is her uncertain idea, not an action taken."
},
{
"id": "fact-16",
"sourceIds": [
"ch-5-p-38"
],
"statement": "The order of the cargo rearranged itself in Lia's head. Her thought breaks off partway (text-8)."
}
]
},
"brief": {
"style": "Finished full-color fantasy webtoon, expressive ink lines, cold misty dawn light in a narrow mountain bend; adult cast, calm massive antlered deer; Korean lettering verbatim inside panels.",
"moments": [
{
"sourceIds": [
"ch-5-p-29",
"ch-5-p-30"
],
"action": "Doyun on the driver's seat turns his head back, grey eyes fixed on calm antlered deer filling the narrow way behind the wagon; wet rock wall on the wagon's left, misty drop right.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-5-p-31"
],
"action": "The lead deer rubs its flank along the rear of the cargo bed; the wagon tilts, right rear wheel half over the drop, and the rearmost sack slides from the back.",
"textIds": [
"text-3",
"text-4"
]
},
{
"sourceIds": [
"ch-5-p-32"
],
"action": "Below the wagon, the burst sack lies against a rock as white grain fans out and streams down the slope; above, Maren's gloved hand is still outstretched, empty.",
"textIds": []
},
{
"sourceIds": [
"ch-5-p-33",
"ch-5-p-34"
],
"action": "Maren at the wagon's rear stares down the slope, lips parted and frozen mid-count.",
"textIds": [
"text-5"
]
},
{
"sourceIds": [
"ch-5-p-35"
],
"action": "The wagon sinks lower; the wagoner's leg is caught between a wheel and the slope edge as the crowded second deer twists its head, spread antler tips lowering toward his knee.",
"textIds": []
},
{
"sourceIds": [
"ch-5-p-36"
],
"action": "A small, plate-sized teal shield angled in front of Lia's left palm turns the antler tip toward the rock wall; rock dust falls, her left wrist bent back, right wrist hidden in sleeve.",
"textIds": [
"text-6"
]
},
{
"sourceIds": [
"ch-5-p-37"
],
"action": "The startled deer has stepped back one pace, leaving a narrow gap, barely one wheel wide, between the wagon's rear and its chest.",
"textIds": [
"text-7"
]
},
{
"sourceIds": [
"ch-5-p-38"
],
"action": "Lia's eyes fix on the narrow one-wheel gap behind the wagon, lips closed, already calculating.",
"textIds": [
"text-8"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Doyun keeps the green hooded coat and black hair, Lia the chestnut bob and sand jacket, Maren the curly red-brown hair, brick vest and gloves; the antlered deer match the s3 deer."
},
"setting": {
"passed": true,
"evidence": "Same wet rock wall, misty valley drop and rocky slope as s3; dawn light is unchanged."
},
"actionTransition": {
"passed": false,
"evidence": "s3 ended with the deer filing in behind the wagon from the entrance side while the way ahead was empty. Panel 1 here shows the file of deer beyond the horse's head, on the road ahead of the wagon, so the image reverses where the deer are."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "뒤로 뺄 길이 없었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 upper caption box; exact text."
},
{
"id": "text-2",
"observedText": "앞으로 가려면 다음 꺾임을 돌아야 하는데, 그곳은 여기보다 더 좁았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 lower caption box; exact text."
},
{
"id": "text-3",
"observedText": "밀려는 게 아니라 지나가려는 것처럼.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 upper caption box; exact text."
},
{
"id": "text-4",
"observedText": "도윤이 새벽에 없은 그 자루였다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 lower caption box; 얹은 is rendered as 없은, which changes 'the sack Doyun loaded' into a non-word that reads as 'did not have'."
},
{
"id": "text-5",
"observedText": "하나…….",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Maren; an extra period follows the ellipsis."
},
{
"id": "text-6",
"observedText": "소매 속 오른손목까지 저릿하게 울렸다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 caption box; exact text."
},
{
"id": "text-7",
"observedText": "바퀴 하나가 겨우 지나갈 만한 틈이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 caption box; exact text."
},
{
"id": "text-8",
"observedText": "저 자루를 먼저, 그다음은—",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 8 thought bubble with circles to Lia; exact text."
}
],
"evidence": "Eight panels. Row 1 wide: Doyun looking back from the seat while a file of antlered deer stands on the road beyond the horse. Row 2: a deer's head at the tilted cargo bed as a sack slides out spilling grain; the burst sack on the rocks with grain streaming and an empty gloved hand above. Row 3: Maren reaching out with the balloon; a boot pinned beside the wheel as a deer lowers its antlers. Row 4: Lia with a fan-shaped teal shield turning an antler into the wall and rock chips flying; a deer one pace back leaving a narrow gap beside the wheel; close-up of Lia calculating with the thought bubble.",
"observedPanelCount": 8
}
},
{
"id": "s5",
"n": 5,
"title": "짐은 두고 사람만",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-5-p-39",
"n": 39,
"text": "도윤이 고삐를 놓았다."
},
{
"id": "ch-5-p-40",
"n": 40,
"text": "감겨 있던 가죽이 손에서 풀려 몰이 자리 위에 떨어졌다. 그는 뒤로 뛰어내려 짐칸 뒤판을 들어 올렸다. 쇠고리가 걸리는 소리가 짧게 났다. 기울어진 짐칸 안에서 자루들이 판에 막혀 멈췄다. 그는 어느 자루도 고르지 않았다."
},
{
"id": "ch-5-p-41",
"n": 41,
"text": "\"판 걸었어. 짐은 두고, 사람만 위로 가.\""
},
{
"id": "ch-5-p-42",
"n": 42,
"text": "리아의 눈에 그의 손이 보였다. 판을 건 손이 허리의 빈 고리 쪽으로 가다가 멈췄다. 던질 줄이 없었다."
},
{
"id": "ch-5-p-43",
"n": 43,
"text": "\"위로요? 저 높이를 어떻게—\""
},
{
"id": "ch-5-p-44",
"n": 44,
"text": "마렌이 말하는 사이 수레꾼이 벽을 더듬었다. 흙 묻은 손바닥이 바위를 쓸다가 한 자리에 멈췄다."
},
{
"id": "ch-5-p-45",
"n": 45,
"text": "\"여기 홈이 있어요. 밤에 기대 있다가 손에 걸렸어요. 위로 몇 개 더 있고요.\""
},
{
"id": "ch-5-p-46",
"n": 46,
"text": "바위에 손바닥 폭만 한 홈이 비스듬히 줄지어 파여 있었다. 오래전 누군가 짐을 지고 오르내리던 자리였다. 도윤이 그것을 한 번 보고 수레꾼의 팔을 잡았다."
},
{
"id": "ch-5-p-47",
"n": 47,
"text": "\"먼저 올라가세요. 다리부터 빼고.\""
},
{
"id": "ch-5-p-48",
"n": 48,
"text": "수레꾼이 바퀴 사이에서 다리를 빼내 첫 홈에 발을 걸었다. 마렌은 아직 기운 짐칸의 자루 하나를 두 팔로 받치고 있었다. 벽 쪽으로 쓸려 오는 밀가루 자루였다."
},
{
"id": "ch-5-p-49",
"n": 49,
"text": "\"마렌 씨.\""
},
{
"id": "ch-5-p-50",
"n": 50,
"text": "도윤이 이름만 불렀다. 마렌은 자루를 보았다. 장갑 낀 손가락이 끈에서 하나씩 떨어졌다. 자루는 판에 기대어 그대로 멈췄다."
},
{
"id": "ch-5-p-51",
"n": 51,
"text": "\"……손부터 쓸게요.\""
},
{
"id": "ch-5-p-52",
"n": 52,
"text": "마렌이 벽에 붙었다. 튼튼한 어깨가 홈을 따라 올라갔다."
}
],
"pFrom": 39,
"pTo": 52,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep05-s5.webp",
"blocking": 2,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: “던질 줄이 없었다” 자막이 붙은 바로 그 칸에서 도윤 허리에 밧줄 뭉치가 걸려 있음. 그림이 자막과 정면으로 충돌.",
"en": "Panel 2 shows coiled rope hanging from Doyun's belt in the very panel captioned 던질 줄이 없었다 (text-3). The beat is that his hand finds an empty loop, so the image contradicts its own caption and the source's lost-rope fact."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸: 도윤의 “마렌 씨.” 말풍선 꼬리가 마렌을 가리켜, 마렌이 자기 이름을 부르는 것처럼 읽힘.",
"en": "Panel 7: the tail of the 마렌 씨. balloon points to Maren, so Doyun's one-word call reads as Maren saying her own name."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: “걸었어.”의 마침표가 쉼표로 바뀜.",
"en": "Panel 1: text-2 renders the period after 걸었어 as a comma."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 리아가 팔짱을 껴 장갑 낀 손이 보임. 오른손목이 소매 안에 있는지 불분명.",
"en": "Panel 2: Lia's arms are folded with a gloved hand visible; the right wrist inside the sleeve is not clearly shown."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 장갑 낀 손가락이 끈 위에 얹혀 있을 뿐 하나씩 떨어지는 동작이 아님.",
"en": "Panel 6: the gloved fingers rest on the cord rather than visibly lifting off it one by one."
}
],
"textsTotal": 9,
"textsOk": 8,
"timings": {
"planS": [
89
],
"preflightS": [
124
],
"imageS": 44,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.132,
"plan": {
"intent": "The previous scene ended inside Lia's head. She was already ordering the cargo and planning to use her shield under a wheel, and she told no one. This scene overrides that unspoken plan without anyone knowing it existed. Doyun lets go of the reins, jumps down, hooks the tailgate so the sacks stop sliding, and deliberately picks none of them. His decision is people up, cargo stays. Lia is the only one who sees the cost behind it: his hand goes to the empty loop on his belt and stops, because there is no rope to throw. His habit of securing a line first has nothing to grab. Maren objects to the height. At the same moment, the wagoner, the person being rescued, supplies what none of the guides expected. His dirty palm finds a groove he felt during the night, and a diagonal row of old hand-width grooves shows that people once climbed here carrying loads. Doyun looks once and acts. He sends the wagoner up first, and the wagoner frees his own leg and sets his own foot in the first groove. The last beat belongs to Maren. She is still holding a flour sack with both arms, her livelihood and her delivery promise. Doyun says only her name, and she releases the cord finger by finger. The sack stays where it is, resting against the board; it is not lost. She answers, and her strong shoulders start up the wall. The payoff is quiet and physical: one person after another chooses their hands over the cargo. Lia does nothing in this scene except see. Her plan is never spoken or used. The scene ends with Maren partway up the grooves. No one reaches the top, the deer do not move, and no one discusses what happened.",
"staging": "Place and time. This continues directly from the previous scene. It is the same narrow bend, at the same cold dawn, with no time skip. The wagon has not moved. Only the rock wall and the ground beside the wagon are used. The grassy mound above the wall may be glimpsed as the destination, but no one reaches it in this scene.\n\nFixed orientation, carried over and never mirrored. Facing the wagon's direction of travel, the wet rock wall is on the LEFT. On the RIGHT are grass tufts, the crumbling edge and the drop into the misty valley. The horse is AHEAD of the driver's seat, and the way forward is empty but narrower. The deer are BEHIND the wagon, on the entrance side. The previous review flagged a panel that put the deer ahead of the horse; do not repeat that. The deer stay where the previous scene left them: one step back from the wagon's rear, leaving a gap about one wheel wide. They do not advance, retreat or act in this scene. They are calm and crowded, with backs as high as the wagon's sideboard and tall antlers branching in every direction.\n\nWidth rule, carried over. The passage fits the wagon plus at most one person, and only on the wall side. No one stands on the valley side of the right wheels, which are still partly over air. All climbing happens on the LEFT rock wall.\n\nNecessary contacts and reach. The reins fall onto the driver's seat. Doyun ends up at the rear of the cargo bed, close enough to lift and hook the tailgate; the only rear space is the narrow gap, so keep him close to the wagon. The sacks rest against the hooked tailgate. The wagoner is within arm's reach of the rock wall, with his palm on it, and his leg is still between the wheels until he frees it. The grooves are palm-width and run diagonally upward in a row on the wall. Doyun is close enough to grip the wagoner's arm. Maren is close enough to the cargo bed to hold a sack with both arms. Afterward she moves to the wall and climbs the same grooves. Lia is placed where she can see Doyun's hand and belt, on the wall side or behind, not on air.\n\nProps and identity. Doyun has black hair, grey eyes and a small break in his left eyebrow. His belt loop is visibly EMPTY, and there is no rope anywhere, on him or on the wagon. Maren has dark red-brown curly hair, a round face and GLOVES; her sturdy shoulders matter in the climb. The wagoner is a plain, unnamed adult who does not resemble Maren, with earth-stained hands. Lia has dark chestnut hair, amber eyes and faint freckles. Her right wrist stays folded inside her sleeve, and she does not cast or climb here. There is NO shield light in this scene, because the source has none. Bori is not in the source; if visible, the marten stays passive, with no reaction or sensing cue.\n\nLettering. Copy every Hangul string character for character. The previous scene's review found a one-syllable typo that changed the meaning, and an extra period after an ellipsis. Letter text-4 with its trailing dash and nothing after it. Letter text-9 with its leading ellipsis exactly as given, and no added punctuation. Captions have no tails. text-2, text-7 and text-8 are Doyun's balloons. text-4 and text-9 are Maren's balloons. The wagoner gets NO balloon, placeholder or exclamation mark. No sound-effect lettering, because the source contains no onomatopoeia, including for the iron hook. No panel carries more than two text items.\n\nThe artist chooses panel count, sizes, cameras and a natural vertical reading layout. Prefer fewer, larger, legible panels.",
"uncertainties": [
"The wagoner's line in ch-5-p-45 has no valid speaker id. He is not in the foundation, and the host allows only c1 to c4 or narrator. Assigning it to Maren or the narrator would falsify who is speaking, so it is left unlettered. His discovery is carried by his gesture and the captions from ch-5-p-46. This is a loss: the rescued person's own words are the writer-skill payoff, and a future host rule for unnamed speakers would restore it.",
"The speaker of ch-5-p-41 is inferred as Doyun from adjacency to his action. Its casual register suggests he is addressing peers, possibly Lia, but the addressee is not stated.",
"The speaker of ch-5-p-51 is inferred as Maren from adjacency to her releasing the sack (ch-5-p-50) and going to the wall (ch-5-p-52). The source does not name her.",
"The source for ch-5-p-48 says the flour sack was sliding toward the wall, while the previous scene had the right rear wheel over the valley side and the sacks now stop against the rear board. The source does not reconcile these directions. Do not invent a tilt direction or dramatize the slide; just show Maren supporting the sack in the tilted bed.",
"In ch-5-p-48 the wagoner frees his leg from between the wheels, while the previous scene (ch-5-p-35) had it between a wheel and the slope edge. The exact pin point stays unconfirmed. Show him freeing it at the wagon, near the wall side, without specifying which wheel.",
"It is not stated whether the tailgate is a new safety measure that fully holds the cargo, or how securely it holds. Show only that the sacks stop against it. Do not show the wagon stabilizing or falling.",
"Jumping down backward in ch-5-p-40 could mean jumping off the seat facing backward or jumping toward the rear. Either way he ends up able to reach the tailgate. The exact route is open, but it must avoid the valley side.",
"Why Doyun has no rope is not explained in this excerpt, and it is likely from earlier events. Do not invent a reason or show a lost rope.",
"The height of the wall and where the grooves end are not stated. The grassy mound above comes from the production direction, not this excerpt. Do not show anyone arriving there.",
"Lia's reaction to her unspoken plan being overridden is not stated. She only sees Doyun's hand. Do not give her an expression of protest, relief or speech, and do not show her climbing or her turn to climb.",
"The horse's and the deer's reactions are not mentioned. Keep them static.",
"Bori is not mentioned in ch-5-p-39 to ch-5-p-52. Whether the marten appears is the artist's choice, and it has no action.",
"This brief was produced on the same host that will review it, so that review is not independent."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-5-p-40",
"kind": "caption",
"speaker": "narrator",
"text": "그는 어느 자루도 고르지 않았다."
},
{
"id": "text-2",
"sourceId": "ch-5-p-41",
"kind": "dialogue",
"speaker": "c2",
"text": "판 걸었어. 짐은 두고, 사람만 위로 가."
},
{
"id": "text-3",
"sourceId": "ch-5-p-42",
"kind": "caption",
"speaker": "narrator",
"text": "던질 줄이 없었다."
},
{
"id": "text-4",
"sourceId": "ch-5-p-43",
"kind": "dialogue",
"speaker": "c4",
"text": "위로요? 저 높이를 어떻게—"
},
{
"id": "text-5",
"sourceId": "ch-5-p-46",
"kind": "caption",
"speaker": "narrator",
"text": "바위에 손바닥 폭만 한 홈이 비스듬히 줄지어 파여 있었다."
},
{
"id": "text-6",
"sourceId": "ch-5-p-46",
"kind": "caption",
"speaker": "narrator",
"text": "오래전 누군가 짐을 지고 오르내리던 자리였다."
},
{
"id": "text-7",
"sourceId": "ch-5-p-47",
"kind": "dialogue",
"speaker": "c2",
"text": "먼저 올라가세요. 다리부터 빼고."
},
{
"id": "text-8",
"sourceId": "ch-5-p-49",
"kind": "dialogue",
"speaker": "c2",
"text": "마렌 씨."
},
{
"id": "text-9",
"sourceId": "ch-5-p-51",
"kind": "dialogue",
"speaker": "c4",
"text": "……손부터 쓸게요."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-5-p-39",
"ch-5-p-40"
],
"action": "Doyun makes his choice with his body. He releases the reins, and the leather drops onto the seat. He jumps down to the rear, lifts the tailgate and hooks it shut. The sliding sacks stop against the board. He has now stopped the loss without saving any particular sack. He takes nothing, and the caption states it. No sound effect for the hook; the source gives no onomatopoeia.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-5-p-41"
],
"action": "Doyun states the decision aloud: the board is hooked, the cargo stays, and only the people go up. This openly replaces the cargo-first plan Lia had been forming silently in the previous scene. She never voiced that plan, so no one reacts to it.",
"textIds": [
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-5-p-42"
],
"action": "Filtered through what Lia sees: Doyun's hand, fresh from the hook, goes by habit to the empty belt loop and stops there. His usual first move, securing a line, has nothing to hold. Only Lia notices it, and she does not act on it.",
"textIds": [
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-5-p-43",
"ch-5-p-44"
],
"action": "Two things happen at the same time. Maren's objection to the height is cut off by its dash. While she is still speaking, the wagoner runs his earth-stained palm along the rock wall, and the palm stops at one spot. The change is that the answer comes from the person being rescued, not from the guides.",
"textIds": [
"text-4"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-5-p-45",
"ch-5-p-46"
],
"action": "The wagoner's discovery. His hand on the first groove, and a gesture upward toward the others, carry his information (see uncertainties: his spoken line in ch-5-p-45 is not lettered). The row of old diagonal grooves becomes visible, worn by people who climbed with loads long ago. Doyun looks once, does not deliberate, and grips the wagoner's arm.",
"textIds": [
"text-5",
"text-6"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-5-p-47",
"ch-5-p-48"
],
"action": "Doyun sends the wagoner first and tells him to free his leg. The wagoner pulls his own leg out from between the wheels and sets his own foot in the first groove. This is the concrete completion of the rescue: a rescued person stepping onto new ground himself. In the same stretch of time, Maren is still in the tilted bed area, holding a flour sack with both arms.",
"textIds": [
"text-7"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-5-p-49",
"ch-5-p-50",
"ch-5-p-51"
],
"action": "Maren releases the cargo. Doyun says only her name, with no argument or explanation. She looks at the sack, and her gloved fingers leave the cord one at a time. The sack rests against the hooked board and stays still; it does not fall. After a pause she answers that she will use her hands first. Her body chooses before her words do, and the words confirm the choice.",
"textIds": [
"text-8",
"text-9"
]
},
{
"id": "beat-8",
"sourceIds": [
"ch-5-p-52"
],
"action": "Maren presses to the wall, and her sturdy shoulders start climbing along the grooves. The scene ends with her on the wall. Do not show her or the wagoner reaching the top, do not show anyone else climbing, and do not show what happens next.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-5-p-39",
"ch-5-p-40"
],
"statement": "Doyun let go of the reins. The leather that had been wound around his hand came loose and fell onto the driver's seat."
},
{
"id": "fact-2",
"sourceIds": [
"ch-5-p-40"
],
"statement": "Doyun jumped down backward and lifted the rear board (tailgate) of the cargo bed. An iron hook caught with a short sound. Inside the tilted bed, the sacks were stopped by the board."
},
{
"id": "fact-3",
"sourceIds": [
"ch-5-p-40"
],
"statement": "Doyun did not pick out any of the sacks (text-1)."
},
{
"id": "fact-4",
"sourceIds": [
"ch-5-p-41"
],
"statement": "A spoken line reports that the board is hooked and says to leave the cargo and send only the people up (text-2). It follows directly after Doyun's action, so the speaker is Doyun."
},
{
"id": "fact-5",
"sourceIds": [
"ch-5-p-42"
],
"statement": "Lia saw Doyun's hand. The hand that had hooked the board moved toward the empty loop at his waist and stopped. There was no rope to throw (text-3)."
},
{
"id": "fact-6",
"sourceIds": [
"ch-5-p-43",
"ch-5-p-44"
],
"statement": "Maren questions going up and asks how anyone could manage that height. Her line breaks off with a dash (text-4)."
},
{
"id": "fact-7",
"sourceIds": [
"ch-5-p-44"
],
"statement": "While Maren was speaking, the wagoner felt along the wall. His earth-stained palm swept across the rock and stopped at one spot. This confirms the wagoner and Maren are two different people."
},
{
"id": "fact-8",
"sourceIds": [
"ch-5-p-45"
],
"statement": "The wagoner says there is a groove here. His hand caught on it while he was leaning against the wall during the night, and there are several more going up."
},
{
"id": "fact-9",
"sourceIds": [
"ch-5-p-46"
],
"statement": "Palm-width grooves were cut into the rock in a diagonal row (text-5). Long ago, someone had climbed up and down here carrying loads (text-6)."
},
{
"id": "fact-10",
"sourceIds": [
"ch-5-p-46"
],
"statement": "Doyun looked at the grooves once and took hold of the wagoner's arm."
},
{
"id": "fact-11",
"sourceIds": [
"ch-5-p-47"
],
"statement": "Doyun tells the wagoner, in polite speech, to go up first and to free his leg first (text-7)."
},
{
"id": "fact-12",
"sourceIds": [
"ch-5-p-48"
],
"statement": "The wagoner pulled his leg out from between the wheels and set his foot in the first groove."
},
{
"id": "fact-13",
"sourceIds": [
"ch-5-p-48"
],
"statement": "Maren was still supporting one sack in the tilted cargo bed with both arms. It was a flour sack, and the source says it was sliding toward the wall."
},
{
"id": "fact-14",
"sourceIds": [
"ch-5-p-49",
"ch-5-p-50"
],
"statement": "Doyun called only Maren's name (text-8) and said nothing else."
},
{
"id": "fact-15",
"sourceIds": [
"ch-5-p-50"
],
"statement": "Maren looked at the sack. Her gloved fingers came off the cord one at a time. The sack leaned against the board and stayed where it was."
},
{
"id": "fact-16",
"sourceIds": [
"ch-5-p-51"
],
"statement": "A line opening with an ellipsis says she will use her hands first (text-9). Its placement between Maren releasing the sack and Maren going to the wall makes Maren the speaker."
},
{
"id": "fact-17",
"sourceIds": [
"ch-5-p-52"
],
"statement": "Maren pressed herself to the wall. Her sturdy shoulders moved up along the grooves."
}
]
},
"brief": {
"style": "Full-color fantasy webtoon, expressive ink lines, cold misty dawn on a narrow ledge road between wet rock wall and valley drop; adult cast; Korean lettering drawn in-image.",
"moments": [
{
"sourceIds": [
"ch-5-p-40",
"ch-5-p-41"
],
"action": "At the wagon's rear, Doyun stands empty-handed beside the lifted, hooked tailgate; sacks rest stopped against it, calm antlered deer one step behind the wagon. He says text-2; caption text-1.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-5-p-42"
],
"action": "Doyun's hand, just off the tailgate hook, stops short of the empty loop on his belt. Lia, on the wall side, right hand hidden in her sleeve, watches it. Caption text-3.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-5-p-43",
"ch-5-p-44"
],
"action": "Maren, both arms around a flour sack in the tilted wagon bed, looks up at the high rock wall, saying text-4; nearby, the wagoner's earth-stained palm stops on one spot of the rock.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-5-p-45",
"ch-5-p-46"
],
"action": "Old palm-width grooves run diagonally up the rock wall; the wagoner's hand rests in the first one. Doyun, eyes on the grooves, grips the wagoner's arm. Captions text-5 and text-6.",
"textIds": [
"text-5",
"text-6"
]
},
{
"sourceIds": [
"ch-5-p-47",
"ch-5-p-48"
],
"action": "Holding the wagoner's arm, Doyun says text-7; the wagoner, leg drawn free from between the wheels, sets his own boot in the first groove.",
"textIds": [
"text-7"
]
},
{
"sourceIds": [
"ch-5-p-49",
"ch-5-p-50",
"ch-5-p-51"
],
"action": "In the tilted bed, Maren's gloved fingers lift off the flour sack's cord one by one; the sack rests still against the hooked tailgate. Doyun says text-8; Maren answers text-9.",
"textIds": [
"text-8",
"text-9"
]
},
{
"sourceIds": [
"ch-5-p-52"
],
"action": "Maren, pressed flat to the rock wall, climbs the diagonal grooves, her sturdy shoulders rising; she is partway up.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": false,
"evidence": "Faces and clothing match s4 (Doyun green hooded coat, Lia sand jacket, Maren brick vest and gloves, the capped driver). But panel 2 again gives Doyun coiled rope on his belt, which s4 did not show and the source rules out."
},
"setting": {
"passed": true,
"evidence": "Same wet rock wall and misty valley as s4; the antlered deer stand behind the wagon and the wall carries the diagonal grooves."
},
"actionTransition": {
"passed": true,
"evidence": "s4 ended with Lia eyeing the gap while planning the cargo; s5 opens with Doyun at the rear board having stopped the sacks, the next event."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "그는 어느 자루도 고르지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 caption box; exact text."
},
{
"id": "text-2",
"observedText": "판 걸었어, 짐은 두고, 사람만 위로 가.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail to Doyun; the period after 걸었어 is rendered as a comma."
},
{
"id": "text-3",
"observedText": "던질 줄이 없었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 caption box; exact text."
},
{
"id": "text-4",
"observedText": "위로요? 저 높이를 어떻게—",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Maren; exact text."
},
{
"id": "text-5",
"observedText": "바위에 손바닥 폭만 한 홈이 비스듬히 줄지어 파여 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption box; exact text."
},
{
"id": "text-6",
"observedText": "오래전 누군가 짐을 지고 오르내리던 자리였다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 second caption box; exact text."
},
{
"id": "text-7",
"observedText": "먼저 올라가세요. 다리부터 빼고.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail to Doyun; exact text."
},
{
"id": "text-8",
"observedText": "마렌 씨.",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 7 balloon text is exact, but its tail points down-left toward Maren rather than to Doyun at the right."
},
{
"id": "text-9",
"observedText": "……손부터 쓸게요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 lower balloon with its tail to Maren; exact text."
}
],
"evidence": "Eight panels. Row 1 wide: Maren from behind at left, Doyun at the wagon's rear board with the sacks, antlered deer standing behind. Row 2: close-up of Doyun's gloved hand by his belt, where coiled rope hangs, with Lia watching; Maren hugging a sack while the driver's palm presses the wall. Row 3 wide: diagonal grooves in the rock, Doyun gripping the driver's shoulder. Row 4: a boot set in a groove below Doyun speaking; a tall right-hand panel of Maren climbing the grooves partway up. Row 5: gloved hands on the sack's cord; Doyun and Maren exchanging lines.",
"observedPanelCount": 8
}
},
{
"id": "s6",
"n": 6,
"title": "둔덕 위, 하나 둘 셋 넷",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-5-p-53",
"n": 53,
"text": "사슴이 다시 앞으로 들어왔다. 틈이 닫히고 있었다. 리아는 청록빛을 거두었다. 방패는 수레 쪽으로 한 번도 돌아가지 않았다. 왼손이 조금 떨렸다."
},
{
"id": "ch-5-p-54",
"n": 54,
"text": "\"뒤에 붙을게.\""
},
{
"id": "ch-5-p-55",
"n": 55,
"text": "도윤이 고개만 끄덕였다. 리아가 홈에 발을 걸자 보리가 가방에서 뛰어나와 어깨로 올라왔다. 꼬리가 목을 한 바퀴 감았다. 오른손을 쓸 수 없어서 리아는 왼손과 무릎으로 올라갔다. 두 번째 홈에서 발이 미끄러졌다. 아래에서 도윤의 손바닥이 부츠 뒤축을 받쳤다. 다시 밀어 올렸다."
},
{
"id": "ch-5-p-56",
"n": 56,
"text": "둔덕 위의 풀은 이슬에 젖어 있었다. 수레꾼이 무릎을 감싸고 주저앉았고, 마렌은 손을 털며 숨을 골랐다. 리아가 올라서고, 마지막으로 도윤이 벽 끝을 넘어왔다."
},
{
"id": "ch-5-p-57",
"n": 57,
"text": "그가 사람들을 세었다. 손가락을 들지 않고 눈으로만."
},
{
"id": "ch-5-p-58",
"n": 58,
"text": "\"하나, 둘, 셋, 넷.\""
},
{
"id": "ch-5-p-59",
"n": 59,
"text": "리아의 어깨에서 보리가 꾸, 하고 울었다. 도윤의 눈이 거기서 잠깐 멎었다."
},
{
"id": "ch-5-p-60",
"n": 60,
"text": "\"보리까지.\""
}
],
"pFrom": 53,
"pTo": 60,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep05-s6.webp",
"blocking": 1,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 보리가 리아가 아니라 마렌(곱슬 적갈색 머리·흰 셔츠·적갈색 조끼) 어깨에 앉아 있음. 바로 앞 칸에선 리아 어깨. ‘보리까지’ 세는 마지막 비트의 대상이 뒤바뀜.",
"en": "Panel 6: Bori sits on Maren's shoulder (curly auburn hair, white shirt, red-brown vest) instead of Lia's. The closing beat is Doyun counting Bori on Lia's shoulder, and panel 5 had Bori with Lia."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 리아의 두 손이 모두 보여 오른손목이 소매 안에 접힌 상태가 드러나지 않음.",
"en": "Panel 2: both of Lia's gloved hands are visible, so the right wrist is not shown folded inside the sleeve."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 보리 꼬리가 목을 감지 않고 등 뒤로 늘어짐.",
"en": "Panel 3: Bori's tail hangs down her back instead of looping once around her neck (beat-3)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 도윤이 보리를 보며 활짝 웃음. 원문은 시선이 잠깐 멎는 정도.",
"en": "Panel 6: Doyun smiles warmly at Bori; the source gives only a brief stop of his eyes."
}
],
"textsTotal": 6,
"textsOk": 6,
"timings": {
"planS": [
87
],
"preflightS": [
75
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1312,
"plan": {
"intent": "This scene resolves the climb that the previous scene started. The deer press forward again and the one-wheel gap behind the wagon begins to close. Lia lets her teal light go. The key payoff is text-2: the shield never once turned toward the wagon. The silent cargo-saving plan she formed two scenes ago dies unspoken and unused. Her left hand trembles, and the cost stays in her body rather than in words. For once she tells Doyun her move before making it, and he answers only with a nod. The climb is hard and plain. Bori leaves the safe bag by choice and wraps its tail around Lia's neck in fear. Lia climbs with one hand and her knees, slips at the second groove, and is pushed back up by Doyun's palm from below. Doyun takes the last position, as he always does. At the top everyone is on the wet grass on their own feet: the wagoner, Maren, Lia, and finally Doyun. The reward is his count. He says the numbers aloud without lifting a finger, pauses when Bori chirps, and adds the marten to the tally. The scene ends on that small, exact act of care. There is no speech about what was lost below, and nothing happens after it.",
"staging": "Place and time. This continues directly from the previous scene: the same narrow bend at the same cold dawn, with no time skip. The scene uses two places only: the base of the LEFT rock wall beside the stopped wagon, and the dew-wet grassy mound at the top of that wall. It never goes farther.\n\nOrientation carried over, never mirrored. Facing the wagon's direction of travel, the wet rock wall is on the LEFT and the crumbling edge and misty drop are on the RIGHT. The horse is ahead of the driver's seat. The deer are BEHIND the wagon on the entrance side. In this scene the deer move forward again and the gap behind the wagon narrows. Show only that narrowing. Do not show the deer touching the wagon, reaching anyone or following up the wall. Deer have backs as high as the wagon sideboard and tall, many-branched antlers.\n\nClimb. The diagonal row of palm-width grooves established in the previous scene is on the left wall. Lia climbs using her left hand and her knees. Her right wrist stays folded inside her sleeve and never grips the rock. Her foot slips at the second groove, which is low enough that Doyun's palm reaches her boot heel from below. Doyun is below her, beneath her boot, whether he is on the ground or on the lowest groove. Bori rides on Lia's shoulder with its tail looped once around her neck. Bori does not climb on its own and does not discharge anything.\n\nTop. The mound's grass is visibly wet with dew. The wagoner sits hugging his knee. Maren, in gloves, dusts off her hands and breathes hard. Lia stands with Bori on her shoulder. Doyun arrives last over the wall's top edge. Their exact positions on the mound are open, but all four must be readable in the counting moment. Doyun counts with his eyes only, and his hands stay down. When Bori chirps, his gaze rests on the marten on Lia's shoulder. He does not reach toward it.\n\nShield light. Teal light appears only in the first beat, and only as it is being withdrawn or fading within arm's reach of Lia's left hand. It must not point at, touch or rest under the wagon. There is no shield light during the climb or on the mound.\n\nIdentity and props. Doyun: black hair, grey eyes, small break in his left eyebrow, and an EMPTY belt loop. There is no rope anywhere in the scene; the previous render wrongly drew one. Maren: dark red-brown curly hair, round face, gloves. The wagoner is an unnamed plain adult who does not resemble Maren. Lia: dark chestnut hair, amber eyes, faint freckles. Bori: cream fur, dark brown tail tip, round ears, short forelegs.\n\nLettering. Copy every Hangul string character for character, including every comma and period. text-4 keeps the comma after each number and a single final period. text-5 is a small cry balloon from Bori, with no added punctuation. Captions have no tails. text-4 and text-6 are Doyun's balloons, and their tails must point to Doyun, not to Lia or Bori; the previous render misdirected a tail. text-3 is Lia's balloon. text-1 and text-2 are captions. Add no other sound effects: the source has none for the slip, the jump or the deer. No panel may carry more than two text items.\n\nThe artist chooses panel sizes, cameras and a natural vertical reading layout. Prefer fewer, larger, legible panels.",
"uncertainties": [
"The excerpt does not state where the shield was placed, what it was facing, or when it was raised. It states only that the shield was withdrawn and never turned toward the wagon. Do not depict it blocking the deer, and do not imply that withdrawing it caused the deer to advance; the source only gives the order of the deer advancing first and the withdrawal after.",
"Why Lia withdrew the light is not stated. Freeing her one usable hand for the climb is plausible but unconfirmed.",
"The cause of the tremble in her left hand is not stated. It may be strain from holding the shield, but show only the tremble.",
"The speaker of ch-5-p-54 is inferred as Lia from Doyun's nod and her climbing next, with Doyun as the addressee. Whether she means right behind Maren or ahead of Doyun is not stated. The staging only requires that she climbs before Doyun.",
"In ch-5-p-55, the subject of 'pushed up again' is omitted. It is read as Doyun's palm pushing her boot heel, but it could mean Lia pushing herself up. Show his palm under her heel and her regaining the groove.",
"Whether Doyun is standing on the ground or already on a groove when he supports her is not stated.",
"Whether the count of four includes Doyun himself is not stated. There are exactly four humans on the mound, so it most likely does. Do not show him counting on his fingers.",
"What Bori's cry means is not stated. Do not give it a sensing cue or a warning motion.",
"The fate of the wagon, the horse and the cargo after everyone climbs is not mentioned. Do not show the wagon falling or the deer reaching it. Keep them out of view or static below.",
"The height of the wall is not stated.",
"The order in which the wagoner and Maren reached the top is not narrated in this excerpt; both are already on the mound in ch-5-p-56.",
"Lia's reaction to being counted, and to her plan never being used, is not stated. Do not add a reply, a smile or tears.",
"This brief was produced on the same host that will review it, so that review is not independent."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-5-p-53",
"kind": "caption",
"speaker": "narrator",
"text": "틈이 닫히고 있었다."
},
{
"id": "text-2",
"sourceId": "ch-5-p-53",
"kind": "caption",
"speaker": "narrator",
"text": "방패는 수레 쪽으로 한 번도 돌아가지 않았다."
},
{
"id": "text-3",
"sourceId": "ch-5-p-54",
"kind": "dialogue",
"speaker": "c1",
"text": "뒤에 붙을게."
},
{
"id": "text-4",
"sourceId": "ch-5-p-58",
"kind": "dialogue",
"speaker": "c2",
"text": "하나, 둘, 셋, 넷."
},
{
"id": "text-5",
"sourceId": "ch-5-p-59",
"kind": "dialogue",
"speaker": "c3",
"text": "꾸"
},
{
"id": "text-6",
"sourceId": "ch-5-p-60",
"kind": "dialogue",
"speaker": "c2",
"text": "보리까지."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-5-p-53"
],
"action": "At the base of the wall, the pressure returns. The deer shift forward again behind the wagon and the narrow gap starts to close. Only after that does Lia let the teal light go. The caption confirms that the shield was never aimed at the wagon, so her unspoken plan is abandoned without anyone learning it existed. Her left hand trembles slightly. The tremble is the only sign of strain; she says nothing about it.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-5-p-54",
"ch-5-p-55"
],
"action": "Lia states her move before taking it: she will go up close behind. Doyun gives only a nod. The order is now shared: Lia climbs next, and Doyun stays last. There is no debate.",
"textIds": [
"text-3"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-5-p-55"
],
"action": "Lia sets her foot in the first groove. Bori comes out of the bag on its own, runs up onto her shoulder and loops its tail once around her neck, which is its fear habit. Lia climbs with her left hand and her knees against the wet rock, and her right wrist stays folded in her sleeve.",
"textIds": []
},
{
"id": "beat-4",
"sourceIds": [
"ch-5-p-55"
],
"action": "At the second groove her foot slips. Doyun's open palm catches her boot heel from below and pushes her back up. His habit of taking the last position is what saves her here. No words are exchanged.",
"textIds": []
},
{
"id": "beat-5",
"sourceIds": [
"ch-5-p-56"
],
"action": "The top of the mound has dew-wet grass. The wagoner is already sitting down, hugging his knee. Maren is dusting off her gloved hands and catching her breath. Lia gets to her feet with Bori still on her shoulder. Doyun comes over the top edge of the wall last. Everyone who was rescued is standing or sitting on new ground by their own effort.",
"textIds": []
},
{
"id": "beat-6",
"sourceIds": [
"ch-5-p-57",
"ch-5-p-58"
],
"action": "Doyun counts. His hands stay down, with no pointing or raised finger, and only his eyes move from person to person as he says the numbers aloud.",
"textIds": [
"text-4"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-5-p-59",
"ch-5-p-60"
],
"action": "Bori chirps on Lia's shoulder. Doyun's eyes stop on the marten for a beat, and he amends the count to include Bori. The scene ends on that line. Do not show anyone responding to it, and do not show anyone looking back down or talking about what happens next.",
"textIds": [
"text-5",
"text-6"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-5-p-53"
],
"statement": "The deer moved forward again. The gap was closing (text-1)."
},
{
"id": "fact-2",
"sourceIds": [
"ch-5-p-53"
],
"statement": "After that, Lia withdrew the teal light. The source states that the shield never once turned toward the wagon (text-2)."
},
{
"id": "fact-3",
"sourceIds": [
"ch-5-p-53"
],
"statement": "Lia's left hand trembled slightly."
},
{
"id": "fact-4",
"sourceIds": [
"ch-5-p-54",
"ch-5-p-55"
],
"statement": "A casual line says the speaker will stick close behind (text-3). Doyun's nod follows immediately and Lia is the next to act, so the speaker is inferred as Lia, addressing Doyun."
},
{
"id": "fact-5",
"sourceIds": [
"ch-5-p-55"
],
"statement": "Doyun only nodded and said nothing."
},
{
"id": "fact-6",
"sourceIds": [
"ch-5-p-55"
],
"statement": "When Lia set her foot in a groove, Bori jumped out of the bag and climbed onto her shoulder. Its tail wrapped once around her neck."
},
{
"id": "fact-7",
"sourceIds": [
"ch-5-p-55"
],
"statement": "Lia could not use her right hand, so she climbed with her left hand and her knees."
},
{
"id": "fact-8",
"sourceIds": [
"ch-5-p-55"
],
"statement": "Her foot slipped at the second groove. From below, Doyun's palm supported the heel of her boot and pushed her up again."
},
{
"id": "fact-9",
"sourceIds": [
"ch-5-p-56"
],
"statement": "The grass on top of the mound was wet with dew. The wagoner sat down hugging his knee, and Maren dusted off her hands and caught her breath."
},
{
"id": "fact-10",
"sourceIds": [
"ch-5-p-56"
],
"statement": "Lia got up onto the mound. Doyun came over the top edge of the wall last."
},
{
"id": "fact-11",
"sourceIds": [
"ch-5-p-57",
"ch-5-p-58"
],
"statement": "Doyun counted the people with his eyes only, without raising a finger, and said the count aloud up to four (text-4)."
},
{
"id": "fact-12",
"sourceIds": [
"ch-5-p-59"
],
"statement": "Bori, on Lia's shoulder, gave a short cry (text-5). Doyun's gaze stopped there for a moment."
},
{
"id": "fact-13",
"sourceIds": [
"ch-5-p-60"
],
"statement": "A final line adds Bori to the count (text-6). It follows directly from Doyun's pause, so the speaker is Doyun."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink lines, cold misty dawn, adult cast, cute cream marten; Korean lettering copied verbatim inside the image.",
"moments": [
{
"sourceIds": [
"ch-5-p-53"
],
"action": "At the base of the left rock wall, antlered deer press forward behind the wagon, narrowing the gap, while teal light fades from Lia's left hand.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-5-p-53",
"ch-5-p-54",
"ch-5-p-55"
],
"action": "Lia, her left hand trembling slightly and her right wrist folded in her sleeve, says text-3 to Doyun. Doyun, whose belt loop is empty, answers with a silent nod.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-5-p-55"
],
"action": "On the wall grooves, Lia climbs with her left hand and knees, her right wrist tucked in her sleeve. Bori clings to her shoulder, tail looped once around her neck.",
"textIds": []
},
{
"sourceIds": [
"ch-5-p-55"
],
"action": "At the second groove Lia's foot slips; from below, Doyun's open palm pushes up under her boot heel.",
"textIds": []
},
{
"sourceIds": [
"ch-5-p-56",
"ch-5-p-57",
"ch-5-p-58"
],
"action": "On the dew-wet grassy mound, the wagoner sits hugging his knee, gloved Maren breathes hard and Lia stands with Bori. Doyun, last over the edge, counts them with his eyes, hands down.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-5-p-59",
"ch-5-p-60"
],
"action": "Bori cries text-5 on Lia's shoulder. Doyun's gaze rests on the marten as he says text-6.",
"textIds": [
"text-5",
"text-6"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": false,
"evidence": "Panels 1-5 keep the s5 designs (Doyun green hooded coat without rope, Lia sand jacket and brown bag, Maren brick vest and gloves, the capped driver). In panel 6 the woman carrying Bori has Maren's curly auburn hair, white shirt and red-brown vest, although panel 5 had Bori on Lia's shoulder."
},
"setting": {
"passed": true,
"evidence": "Base of the same grooved rock wall with the deer behind the wagon, then the grassy mound above the bend with the misty valley, as in s5."
},
"actionTransition": {
"passed": true,
"evidence": "s5 ended with Maren climbing the grooves; s6 opens with Lia still below at the closing gap and follows the climb to the mound in order."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "틈이 닫히고 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 upper caption box; exact text."
},
{
"id": "text-2",
"observedText": "방패는 수레 쪽으로 한 번도 돌아가지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 lower caption box; exact text."
},
{
"id": "text-3",
"observedText": "뒤에 붙을게.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Lia, whose raised hand trembles; exact text."
},
{
"id": "text-4",
"observedText": "하나, 둘, 셋, 넷.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail down to Doyun kneeling at the edge; exact text."
},
{
"id": "text-5",
"observedText": "꾸",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 small balloon with its tail to Bori's open mouth; exact text."
},
{
"id": "text-6",
"observedText": "보리까지.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with its tail up to Doyun looking at Bori; exact text."
}
],
"evidence": "Six panels. Row 1 wide: deer massed behind the wagon, Lia at the wall with teal light fading from her raised hand, Doyun and the driver behind her. Row 2 wide: Lia with a trembling fingerless-gloved hand speaking, Doyun nodding. Row 3: Lia climbing the grooves with Bori on her shoulder; a boot slipping as Doyun's gloved palm catches the heel. Row 4: on the grassy mound the driver sits hugging his knee, Maren sits catching her breath, Lia stands with Bori, and Doyun kneels at the edge counting with his hands down; close-up of Bori crying on a woman's shoulder while Doyun smiles at it.",
"observedPanelCount": 6
}
},
{
"id": "s7",
"n": 7,
"title": "운행은 여기서 끊습니다",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-5-p-61",
"n": 61,
"text": "그러고는 거점 쪽으로 몸을 돌렸다. 두 손을 입가에 모았다."
},
{
"id": "ch-5-p-62",
"n": 62,
"text": "\"이 운행은 여기서 끊습니다! 오늘 뒤 수레는 들이지 마세요! 굽이가 막혔습니다!\""
},
{
"id": "ch-5-p-63",
"n": 63,
"text": "목소리가 벽을 타고 입구 쪽으로 퍼져 나갔다. 잠시 뒤 마당에서 누군가 알았다고 외쳤다. 바퀴 굴러가던 소리 하나가 멈췄다."
},
{
"id": "ch-5-p-64",
"n": 64,
"text": "리아는 아무 말도 덧붙이지 않았다. 적은 줄을 고치겠다는 말도, 다른 길을 짜 보겠다는 말도 하지 않았다. 소매 속에서 오른손목이 저릿하게 뛰었다. 이름 하나와 넷이라는 수가 목 안에 걸려 있었지만, 그녀는 그것들을 거기 둔 채 도윤이 보는 쪽을 따라 보았다."
},
{
"id": "ch-5-p-65",
"n": 65,
"text": "아래 굽이에는 사슴들이 수레를 둘러싸고 서 있었다. 한 마리가 판에 걸린 자루 냄새를 맡았고, 한 마리는 여전히 벽의 이끼를 뜯었다. 수레는 기운 채 멈춰 있었다. 쏟아지지도, 굴러가지도 않았다."
},
{
"id": "ch-5-p-66",
"n": 66,
"text": "그 너머 비탈에는 터진 자루의 곡식이 흰 줄을 그리고 있었다. 바위를 넘고 풀 사이를 지나, 줄은 골짜기 바닥까지 끊기지 않고 이어져 있었다. 끝자락은 새벽 안개에 잠겨 보이지 않았다."
},
{
"id": "ch-5-p-67",
"n": 67,
"text": "보리의 꼬리가 리아의 목을 조였다. 보리는 사슬 쪽을 보고 있지 않았다. 검은 눈이 곡식 줄의 끝, 안개가 고인 골짜기 바닥에 박혀 있었다."
},
{
"id": "ch-5-p-68",
"n": 68,
"text": "맨 앞의 사슴이 이끼에서 고개를 들었다. 그리고 곡식 줄이 시작되는 비탈 가장자리로 한 발을 내디뎠다."
}
],
"pFrom": 61,
"pTo": 68,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep05-s7.webp",
"blocking": 0,
"advisory": 4,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 보리가 곡식 줄 끝(안개 낀 골짜기 바닥)이 아니라 독자를 정면으로 봄. 마지막 훅이 약해짐.",
"en": "Panel 6: Bori looks straight out at the reader instead of staring at the misted end of the grain line (beat-6), which weakens the closing hook."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4·5칸: 쏟아진 곡식이 흰색이 아니라 금색이고, 수레 주변 길에도 깔려 있음.",
"en": "Panels 4-5: the spilled grain is golden rather than the white grain line the source describes, and grain also covers the track around the wagon."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 수레가 거의 수평으로 서 있어 기운 상태가 잘 안 보임.",
"en": "Panel 4: the wagon stands nearly level rather than visibly tilted (beat-4)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 리아 턱 근처에 장갑 낀 손이 보여 오른손목 상태가 불분명.",
"en": "Panel 3: a gloved hand is raised near Lia's chin; the right wrist inside the sleeve is not clearly shown."
}
],
"textsTotal": 7,
"textsOk": 7,
"timings": {
"planS": [
75
],
"preflightS": [
66
],
"imageS": 42,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1317,
"plan": {
"intent": "This scene follows directly from Doyun's count on the mound, with no time skip. First the human decision closes. Doyun turns toward the outpost and shouts that this run ends here and that no more wagons should enter today. The outpost hears him: someone answers from the yard, and one rolling wheel goes quiet. This is his independent halt of the operation, and it lands before Lia has said anything. Her silence is the second movement. She does not offer to fix the list she wrote or to plan another route. Her right wrist throbs inside her sleeve, and a name and the number four catch in her throat unspoken. Instead of defending her plan, she looks where Doyun is looking. The third movement leaves the humans behind. Below, the deer surround the tilted wagon, calm and occupied. One sniffs a sack, one still grazes moss, and the wagon neither spills nor rolls. Beyond the wagon, grain from a burst sack draws an unbroken white line down the slope into the dawn mist. Bori tightens its tail around Lia's neck and stares at where that line disappears. The scene ends when the lead deer lifts its head from the moss and puts one foot toward the top of the grain line. The reader should feel that the loss below has become a trail and that the animals, not the people, are about to choose where it leads. Nothing after that single step is shown.",
"staging": "Place and time. This continues the previous scene at the same cold dawn with no time skip. The scene has two vantage zones only. The first is the dew-wet grassy mound on top of the left rock wall, where the rescued group stands. The second is the view down into the narrow bend and the slope beyond it. The outpost yard is never shown; it is only heard.\n\nOrientation carried over, never mirrored. Facing the wagon's direction of travel, the rock wall and the mound above it are on the LEFT, and the crumbling edge and the misty drop to the valley are on the RIGHT. The outpost and its entrance lie back along the bend, on the side the group came from. When Doyun shouts, he faces that way, and his voice travels along the wall toward the entrance. The exact distance to the outpost is not stated.\n\nMound. Doyun turns toward the outpost and cups BOTH hands around his mouth. His belt loop is empty, and there is no rope anywhere. Lia stands near him. Her right wrist stays folded inside her sleeve at all times, and her left hand is her only visible working hand. Bori is on LIA's shoulder, never on Maren's, and its tail is looped around Lia's neck. In the tightening moment the loop visibly cinches. Bori's black eyes point down and outward toward the far misted end of the grain line. Maren, in gloves, and the unnamed wagoner may appear on the mound but are not required. If shown, they are quiet background figures and do not react with words. Lia's eyes follow the direction Doyun faces after the shout, toward the bend below. She does not look at her wrist and does not speak.\n\nBend below. The wagon stands tilted and stopped in the same place as before. Its load has not spilled out, and the wagon has not rolled. Several large deer stand around it. Their backs are as high as the wagon's side, and they have tall, many-branched antlers. One deer has its nose at a sack hanging on a board of the wagon. One deer is pulling moss off the rock wall. The mood is calm grazing, not aggression.\n\nGrain line. Beyond the wagon, on the RIGHT-hand drop side, a thin, continuous white line of spilled grain runs down the slope. It crosses rocks and passes through grass and must not break anywhere. It fades into pooled dawn mist on the valley floor, where its end is not visible. The upper end of the line, where it begins at the slope's edge, must be readable. The final action is the lead deer lifting its head from the moss and placing ONE hoof toward that starting edge. Stop there. Do not show deer on the slope, following the line or descending.\n\nLight. Use cold, low dawn light with mist collecting in the valley, consistent with the previous scene. Show no teal shield light anywhere in this scene.\n\nLettering. Copy every Hangul string character for character, including every exclamation mark, comma and period. text-1 and text-2 are Doyun's shout balloons, with a shouting balloon style allowed. Their tails must point to Doyun, not to Lia, Bori or anyone else. The acknowledgement from the yard is NOT lettered as dialogue: no quoted words exist in the source, so it appears only through caption text-3. Add no sound effects for the wheel, the deer or the shout; the source gives none. text-3 through text-7 are tailless captions. Draw no thought balloon for Lia; the name and the number held in her throat stay unwritten. Put no more than two text items in any panel.\n\nThe artist chooses panel sizes, cameras and a natural vertical reading layout. Prefer fewer, larger, legible panels. A tall vertical panel suits the grain line running down into the mist.",
"uncertainties": [
"The subject of ch-5-p-61 and the speaker of ch-5-p-62 are omitted in the source. Doyun is inferred from continuity with his final line in the previous scene, from ch-5-p-64 naming Lia as the silent one, and from the story spine describing Doyun's independent halt of the run. This is an inference, not a stated fact.",
"Who answered from the yard, and whose wagon wheel stopped, is not stated. Keep both offscreen. Do not draw the yard or a second wagon.",
"The distance and exact direction from the bend to the outpost yard are not stated beyond the voice traveling along the wall toward the entrance.",
"The name caught in Lia's throat is not identified in ch-5-p-64. It could relate to the earlier count, to Bori, or to someone else, possibly her mother. The number four likely echoes Doyun's count, but this is not confirmed. Do not visualize either one.",
"The list Lia wrote, mentioned in ch-5-p-64, is not described here. Do not show a paper or a list unless it is established in references.",
"The chain that Bori is not looking at in ch-5-p-67 is not described. Its location and what it belongs to are unknown. Do not invent or emphasize a chain; leave it out or keep it incidental.",
"Why Bori stares at the misted end of the grain line is not stated. Do not add a sensing effect, sparks or a warning gesture.",
"Whether the deer eating moss in ch-5-p-65 is the same animal as the lead deer that lifts its head from the moss in ch-5-p-68 is not stated. Showing them as the same animal is allowed but not required.",
"The exact number of deer is not stated, only that there are several.",
"How and when the sack burst and how the grain reached the slope are not narrated in this excerpt. Show only the result.",
"The horse is not mentioned in this excerpt. Its state and position are unknown. Keep it out of focus and do not change its condition.",
"What the lead deer's step means and where it leads are not stated. Do not show the next step or the deer following the line.",
"The cause of the throb in Lia's right wrist is not stated here. Show no injury detail; the wrist stays hidden in her sleeve.",
"This brief was produced on the same host that will review it, so that review is not independent."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-5-p-62",
"kind": "dialogue",
"speaker": "c2",
"text": "이 운행은 여기서 끊습니다! 오늘 뒤 수레는 들이지 마세요!"
},
{
"id": "text-2",
"sourceId": "ch-5-p-62",
"kind": "dialogue",
"speaker": "c2",
"text": "굽이가 막혔습니다!"
},
{
"id": "text-3",
"sourceId": "ch-5-p-63",
"kind": "caption",
"speaker": "narrator",
"text": "잠시 뒤 마당에서 누군가 알았다고 외쳤다."
},
{
"id": "text-4",
"sourceId": "ch-5-p-63",
"kind": "caption",
"speaker": "narrator",
"text": "바퀴 굴러가던 소리 하나가 멈췄다."
},
{
"id": "text-5",
"sourceId": "ch-5-p-64",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 아무 말도 덧붙이지 않았다."
},
{
"id": "text-6",
"sourceId": "ch-5-p-65",
"kind": "caption",
"speaker": "narrator",
"text": "쏟아지지도, 굴러가지도 않았다."
},
{
"id": "text-7",
"sourceId": "ch-5-p-66",
"kind": "caption",
"speaker": "narrator",
"text": "끝자락은 새벽 안개에 잠겨 보이지 않았다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-5-p-61",
"ch-5-p-62"
],
"action": "Right after counting, Doyun turns away from the group toward the outpost, cups both hands at his mouth and calls the halt. He does not consult anyone first. This is his decision to stop the run and to keep later wagons out.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-5-p-63"
],
"action": "The call carries along the wall toward the entrance and is obeyed. The answer from the yard and the stopping wheel arrive as distant, offscreen consequences. The outside flow of wagons has stopped because of his words.",
"textIds": [
"text-3",
"text-4"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-5-p-64"
],
"action": "Lia stays silent. Her plan is not defended, corrected or replaced. Her right wrist throbs inside her sleeve and remains hidden, and nothing she holds back becomes speech or a thought balloon. Her gaze turns to follow Doyun's gaze, not down to her wrist.",
"textIds": [
"text-5"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-5-p-65"
],
"action": "The view drops to the bend below. The deer have closed around the tilted wagon, but they are not attacking it. One noses at a sack on the wagon's board, and another keeps grazing moss off the wall. The wagon holds, tilted and still.",
"textIds": [
"text-6"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-5-p-66"
],
"action": "The view goes past the wagon to the slope on the drop side. A continuous white line of spilled grain runs over rocks and through grass all the way down, and it vanishes into the mist on the valley floor. What was lost now reads as a trail.",
"textIds": [
"text-7"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-5-p-67"
],
"action": "Back on the mound, Bori's tail cinches tighter around Lia's neck in fear. The marten ignores what the humans might watch and stares fixedly at the misted end of the grain line.",
"textIds": []
},
{
"id": "beat-7",
"sourceIds": [
"ch-5-p-68"
],
"action": "The lead deer raises its head from the moss and sets one hoof toward the slope edge where the grain line starts. The scene ends on that single step. Nothing further is shown: no descent, no reaction from the watchers and no line of dialogue.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-5-p-61"
],
"statement": "The subject of ch-5-p-61 is omitted. It continues directly from Doyun's closing line in the previous scene, and ch-5-p-64 separates Lia from the speaker. The subject is therefore inferred as Doyun. He turns his body toward the outpost and cups both hands around his mouth."
},
{
"id": "fact-2",
"sourceIds": [
"ch-5-p-62"
],
"statement": "A shouted announcement says three things: this run is cut off here, no following wagons should be let in today, and the bend is blocked (text-1, text-2). The speaker is inferred as Doyun from ch-5-p-61 and ch-5-p-64."
},
{
"id": "fact-3",
"sourceIds": [
"ch-5-p-63"
],
"statement": "The voice spreads along the wall toward the entrance. After a moment someone in the yard shouts back that they understood. One sound of a rolling wheel stops. The yard speaker and the wheel are heard, not seen."
},
{
"id": "fact-4",
"sourceIds": [
"ch-5-p-64"
],
"statement": "Lia adds nothing. She does not say she will correct the list she wrote, and she does not offer to plan another route."
},
{
"id": "fact-5",
"sourceIds": [
"ch-5-p-64"
],
"statement": "Her right wrist throbs with a tingling ache inside her sleeve. A name and the number four are caught in her throat, but she leaves them there. She looks in the direction Doyun is looking."
},
{
"id": "fact-6",
"sourceIds": [
"ch-5-p-65"
],
"statement": "In the bend below, deer stand surrounding the wagon. One sniffs a sack hanging on a board of the wagon, and one is still tearing moss off the wall. The wagon stands stopped and tilted. It has neither spilled nor rolled."
},
{
"id": "fact-7",
"sourceIds": [
"ch-5-p-66"
],
"statement": "Beyond the wagon, on the slope, grain from a burst sack draws a white line. The line passes over rocks and between grasses and runs unbroken to the valley floor. Its far end is hidden in the dawn mist."
},
{
"id": "fact-8",
"sourceIds": [
"ch-5-p-67"
],
"statement": "Bori's tail tightens around Lia's neck. Bori is not looking toward the chain named in ch-5-p-67. Its black eyes are fixed on the end of the grain line, on the valley floor where the mist has pooled."
},
{
"id": "fact-9",
"sourceIds": [
"ch-5-p-68"
],
"statement": "The foremost deer lifts its head from the moss. It then takes one step toward the edge of the slope where the grain line begins."
}
]
},
"brief": {
"style": "Full-color fantasy webtoon, expressive ink lines, cold low dawn light, pooled valley mist; adult cast, cute cream marten; rock wall and mound left, misty drop right.",
"moments": [
{
"sourceIds": [
"ch-5-p-61",
"ch-5-p-62"
],
"action": "On the dew-wet mound, Doyun faces back toward the outpost, both hands cupped at his mouth mid-shout, belt loop empty. Lia stands nearby with Bori on her shoulder.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-5-p-63"
],
"action": "Quiet dawn view along the left rock wall toward the unseen outpost. The small group on the mound stands still, Doyun still facing back the way they came.",
"textIds": [
"text-3",
"text-4"
]
},
{
"sourceIds": [
"ch-5-p-64"
],
"action": "Lia on the mound, lips closed, right wrist folded inside her sleeve, Bori on her shoulder. She turns her gaze to follow Doyun's look down toward the bend.",
"textIds": [
"text-5"
]
},
{
"sourceIds": [
"ch-5-p-65"
],
"action": "Below in the narrow bend, several large antlered deer calmly surround the tilted, stopped wagon. One noses a sack hanging on its board; another pulls moss off the left rock wall.",
"textIds": [
"text-6"
]
},
{
"sourceIds": [
"ch-5-p-66"
],
"action": "Beyond the wagon, an unbroken thin white line of spilled grain runs down the right-hand slope over rocks and through grass. It vanishes into pooled dawn mist on the valley floor.",
"textIds": [
"text-7"
]
},
{
"sourceIds": [
"ch-5-p-67"
],
"action": "On the mound, Bori on Lia's shoulder cinches its tail tighter around her neck. Its black eyes are fixed on the misted far end of the grain line below.",
"textIds": []
},
{
"sourceIds": [
"ch-5-p-68"
],
"action": "In the bend, the lead deer, head raised from the moss, sets one hoof toward the slope edge where the grain line begins.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Doyun keeps the green hooded coat and sword with no rope on the belt; Lia has the chestnut bob, sand jacket and Bori on her shoulder; Maren has curly auburn hair and the brick vest. Bori is back on Lia, unlike s6 panel 6."
},
"setting": {
"passed": true,
"evidence": "Same grassy mound above the grooved wall, the bend below with the wagon and the deer, and the misty valley at dawn, as in s6."
},
"actionTransition": {
"passed": true,
"evidence": "s6 ended on 보리까지 on the mound; s7 opens with Doyun turning to shout toward the outpost, the next event."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "이 운행은 여기서 끊습니다! 오늘 뒤 수레는 들이지 마세요!",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 left balloon with its tail to Doyun's cupped hands; exact text."
},
{
"id": "text-2",
"observedText": "굽이가 막혔습니다!",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 right balloon with its tail to Doyun; exact text."
},
{
"id": "text-3",
"observedText": "잠시 뒤 마당에서 누군가 알았다고 외쳤다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 upper caption box; exact text."
},
{
"id": "text-4",
"observedText": "바퀴 굴러가던 소리 하나가 멈췄다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 lower caption box; exact text."
},
{
"id": "text-5",
"observedText": "리아는 아무 말도 덧붙이지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 caption box below Lia's closed mouth; exact text."
},
{
"id": "text-6",
"observedText": "쏟아지지도, 굴러가지도 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption box over the wagon in the bend; exact text."
},
{
"id": "text-7",
"observedText": "끝자락은 새벽 안개에 잠겨 보이지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption box over the misty valley; exact text."
}
],
"evidence": "Seven panels. Row 1 wide: Doyun shouting with cupped hands, Lia with Bori and Maren beside him on the mound. Row 2 wide: the grooved wall at left and the group standing on the mound. Row 3: Lia close-up with Bori; the wagon in the bend surrounded by deer, one nosing a hanging sack. Row 4 wide: a line of spilled grain running down the rocky slope into valley mist. Row 5: Bori close-up on Lia's shoulder; the lead deer lowering its head and stepping toward the slope edge where the grain line starts.",
"observedPanelCount": 7
}
}
]
},
{
"chapter": 6,
"title": "골짜기의 방향",
"host": "GPT-6 Luna",
"model": "gpt-6-luna",
"effort": "high",
"novelHost": "GPT-6 Luna",
"novelModel": "gpt-6-luna",
"sceneCount": 8,
"panelTotal": 47,
"passCount": 1,
"blockingTotal": 5,
"advisoryTotal": 19,
"blockingByLayer": {
"render": 5
},
"imageCalls": 8,
"imageOk": 8,
"cliCalls": 43,
"arc": null,
"cost": {
"novelUsd": 0.0,
"webtoonUsd": 0.0,
"webtoonUsdLow": 0.0,
"estimated": false,
"imageUsd": 0.9,
"imageEstimated": false,
"costsApiUsd": 0.0
},
"tokens": {
"novel": {
"calls": 13,
"in": 94353,
"cached": 0,
"out": 47009,
"reasoning": 37645
},
"arc": {},
"webtoon": {
"calls": 30,
"in": 277212,
"cached": 4848,
"out": 249480,
"reasoning": 210851
}
},
"note": "소설(아크 2의 마지막 6화)·장면 분할·각색 모두 gpt-6-luna(OpenAI Responses API 직접 호출, reasoning effort high, store=false, 도구 없음, MCP 요청마다 독립 요청). 소설은 6패스 13호출, 검증 거절 0회로 자동 커밋. 각색: s7이 사전 검증에서 3회 차단(회차 방향 문구의 둔덕·뒤판 걸림·사슴을 수레 장면에 없는 장소·구조·등장물로 읽음, 7화 s3와 같은 유형) → 방향 문구를 발췌 중립형으로 바꾸고(인물 규칙 유지) s7을 새 워크플로로 다시 시작, 차단된 워크플로는 보관. gpt-6-luna가 사전 검증 답의 subjectHash를 두 글자 빠뜨려 적어 STALE_SCENE_PREFLIGHT가 난 뒤, 하네스가 유사도 0.9 이상인 해시 오기만 스키마 값으로 바로잡도록 고침(answer-normalizations.jsonl). 오케스트레이터의 s7 첫 검토 답은 coveredBeatIds에 그림에 보인 beat만 적어 MCP가 INCOMPLETE_SCENE_IMAGE_REVIEW로 거절 → MCP retry로 같은 이미지의 검토 요청을 다시 받아 모든 beat를 적어 제출(판정 내용 동일). 배경 참조 ref-bend-ledge는 5화 재사용.",
"reviewer": {
"host": "claude-code",
"model": "claude-opus-5-5",
"note": "오케스트레이터(claude-opus-5-5)의 시각 검토. gpt-6-luna와 다른 회사 모델이지만 오케스트레이터 자기검토라 독립 평가 아님."
},
"scenes": [
{
"id": "s1",
"n": 1,
"title": "막힌 굽이",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-6-p-1",
"n": 1,
"text": "“굽이가 막혔습니다!”"
},
{
"id": "ch-6-p-2",
"n": 2,
"text": "도윤의 외침은 골짜기 벽을 타고 되돌아왔다. 위쪽에서 누군가 알았다고 답했고, 바퀴 소리는 다시 들리지 않았다."
},
{
"id": "ch-6-p-3",
"n": 3,
"text": "둔덕의 풀은 젖어 있었다. 수레꾼은 무릎을 감싼 채 그 위에 남았다. 마렌이 장갑을 다시 끼우는 동안, 도윤은 아래 굽이를 내려다봤다. 사슴들은 기운 수레를 둘러싼 채였다. 흰 곡식 줄은 그들 사이를 지나 골짜기 안개로 이어졌다."
},
{
"id": "ch-6-p-4",
"n": 4,
"text": "도윤의 손이 허리춤의 빈 고리에 닿았다가 떨어졌다."
},
{
"id": "ch-6-p-5",
"n": 5,
"text": "“내려가서 짐이 어디까지 흘렀는지 봐. 수레는 다시 매지 않을 거야.”"
},
{
"id": "ch-6-p-6",
"n": 6,
"text": "“짐은 살펴도, 다시 지진 않는 거죠?”"
},
{
"id": "ch-6-p-7",
"n": 7,
"text": "마렌이 물었다."
},
{
"id": "ch-6-p-8",
"n": 8,
"text": "“그래. 걸어서 간다. 고삐에는 손대지 마.”"
},
{
"id": "ch-6-p-9",
"n": 9,
"text": "마렌은 잠시 수레를 보았다. 짐칸에 가로 걸린 판이 자루들을 붙들고 있었다. 판이 풀리면 기울어진 수레가 다시 움직일 수도 있었다."
},
{
"id": "ch-6-p-10",
"n": 10,
"text": "“한 번은 지죠. 두 번은 못 져요.”"
},
{
"id": "ch-6-p-11",
"n": 11,
"text": "“이번엔 안 지게 할게.”"
}
],
"pFrom": 1,
"pTo": 11,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep06-s1.webp",
"blocking": 3,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: '굽이가 막혔습니다!'를 '막혔습니다?'로 씀. 도윤의 경고가 질문으로 바뀜.",
"en": "Panel 1: text-1 renders the exclamation mark as a question mark (굽이가 막혔습니다?), turning Doyun's warning shout into a question."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 도윤 옆구리에 둘둘 말린 밧줄. 잃은 줄이 되살아남(원문은 빈 고리를 만질 뿐).",
"en": "Panel 2: a coiled rope hangs at Doyun's side although his rope is lost and he only touches an empty loop in beat-2."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 일행이 기운 수레 옆 사슴들 사이 아래에 서 있음. 원문(p2-p3)은 젖은 둔덕 위에서 수레 주변 사슴을 내려다보고, 내려가는 건 나중.",
"en": "Panel 2: the group stands down beside the leaning wagon among the deer. In the source (p2-p3) they are on the wet mound above and Doyun looks down at the deer around the wagon; they only climb down later."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3~6칸: 계획 문구의 따옴표가 빠짐. 글자 자체는 정확.",
"en": "Panels 3-6 drop the quotation marks that the plan's text entries carry; the words are exact."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 마렌 손이 곡식 옆 수레 판에 얹혀 수레를 만지는 것처럼 보임. 원문은 바라보기만 함.",
"en": "Panel 5: Maren's hands rest on the wagon board next to the grain, which reads as touching the wagon the source has her only looking at."
}
],
"textsTotal": 8,
"textsOk": 8,
"timings": {
"planS": [
49
],
"preflightS": [
358,
152,
132
],
"imageS": 48,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1061,
"plan": {
"intent": "Make the quiet after the blocked bend feel precarious: the party has stopped the wagon, but the cargo and the leaning vehicle remain a threat. Let the exchange reveal Doyun’s caution and Maren’s determination not to accept another loss.",
"staging": "Keep the wet mound above the lower bend and the leaning wagon below, surrounded by deer. The driver remains on the mound; Doyun looks toward the wagon while Maren puts on her gloves and later studies it. Show the board across the wagon bed holding the sacks, and the white grain trail continuing between the deer into the valley fog. Leave the composition and transitions to the artist.",
"uncertainties": [
"The person above who acknowledges Doyun is unidentified, and the exact words of that acknowledgment are not given; do not assign the reply to a known character or add lettering for it.",
"The extent of the cargo’s spread is not yet known; do not depict its inspection as completed.",
"The wagon moving again is only a possibility if the board comes loose; do not show it moving."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-6-p-1",
"kind": "dialogue",
"speaker": "c2",
"text": "“굽이가 막혔습니다!”"
},
{
"id": "text-2",
"sourceId": "ch-6-p-2",
"kind": "caption",
"speaker": "narrator",
"text": "도윤의 외침은 골짜기 벽을 타고 되돌아왔다."
},
{
"id": "text-3",
"sourceId": "ch-6-p-2",
"kind": "caption",
"speaker": "narrator",
"text": "위쪽에서 누군가 알았다고 답했고, 바퀴 소리는 다시 들리지 않았다."
},
{
"id": "text-4",
"sourceId": "ch-6-p-5",
"kind": "dialogue",
"speaker": "c2",
"text": "“내려가서 짐이 어디까지 흘렀는지 봐. 수레는 다시 매지 않을 거야.”"
},
{
"id": "text-5",
"sourceId": "ch-6-p-6",
"kind": "dialogue",
"speaker": "c4",
"text": "“짐은 살펴도, 다시 지진 않는 거죠?”"
},
{
"id": "text-6",
"sourceId": "ch-6-p-8",
"kind": "dialogue",
"speaker": "c2",
"text": "“그래. 걸어서 간다. 고삐에는 손대지 마.”"
},
{
"id": "text-7",
"sourceId": "ch-6-p-10",
"kind": "dialogue",
"speaker": "c4",
"text": "“한 번은 지죠. 두 번은 못 져요.”"
},
{
"id": "text-8",
"sourceId": "ch-6-p-11",
"kind": "dialogue",
"speaker": "c2",
"text": "“이번엔 안 지게 할게.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-6-p-1",
"ch-6-p-2"
],
"action": "Doyun calls out that the bend is blocked. His voice returns from the valley walls; someone above acknowledges him, and the wheel sound ceases.",
"textIds": [
"text-1",
"text-2",
"text-3"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-6-p-3",
"ch-6-p-4"
],
"action": "The group takes in the aftermath: the driver stays on the wet mound, Maren puts her gloves back on, and Doyun looks down at the deer around the leaning wagon and the grain trail fading into fog. His hand touches the empty loop at his waist and drops away.",
"textIds": []
},
{
"id": "beat-3",
"sourceIds": [
"ch-6-p-5",
"ch-6-p-6",
"ch-6-p-7",
"ch-6-p-8"
],
"action": "Doyun assigns Maren to check how far the cargo has gone, but rules out hitching the wagon again. Maren checks that the cargo will not be carried back; Doyun confirms they will proceed on foot and cautions her away from the reins.",
"textIds": [
"text-4",
"text-5",
"text-6"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-6-p-9",
"ch-6-p-10"
],
"action": "Maren studies the board holding the sacks and the wagon’s precarious lean. The possibility that the wagon could move again sharpens her refusal to accept a second loss.",
"textIds": [
"text-7"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-6-p-11"
],
"action": "Doyun answers Maren’s concern with a promise to keep this loss from happening again.",
"textIds": [
"text-8"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-6-p-1",
"ch-6-p-2"
],
"statement": "Doyun calls that the bend is blocked. His shout echoes off the valley walls, an unidentified person above acknowledges it, and the wheel sound does not return."
},
{
"id": "fact-2",
"sourceIds": [
"ch-6-p-3"
],
"statement": "The grass on the mound is wet. The wagon driver remains there holding their knees. Maren puts her gloves back on while Doyun looks down toward the bend, where deer surround a leaning wagon. A white trail of grain passes between the deer and continues into the valley fog."
},
{
"id": "fact-3",
"sourceIds": [
"ch-6-p-4"
],
"statement": "Doyun touches the empty loop at his waist, then lets his hand fall."
},
{
"id": "fact-4",
"sourceIds": [
"ch-6-p-5",
"ch-6-p-6",
"ch-6-p-7",
"ch-6-p-8"
],
"statement": "Doyun tells Maren to inspect how far the cargo has gone and says they will not hitch the wagon again. Maren confirms that they are not to carry the cargo back; Doyun says they will walk and warns her not to touch the reins."
},
{
"id": "fact-5",
"sourceIds": [
"ch-6-p-9"
],
"statement": "A board across the wagon bed is holding the sacks. If it comes loose, the leaning wagon might move again."
},
{
"id": "fact-6",
"sourceIds": [
"ch-6-p-10",
"ch-6-p-11"
],
"statement": "Maren says they cannot afford to lose the cargo twice. Doyun promises to prevent another loss this time."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink lines, restrained post-rain palette, clear adult character designs.",
"moments": [
{
"sourceIds": [
"ch-6-p-1",
"ch-6-p-2"
],
"action": "Doyun calls toward the blocked bend as his shout echoes through the valley.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-6-p-2",
"ch-6-p-3",
"ch-6-p-4"
],
"action": "Mound tableau: driver clutches their knees; Maren pulls on gloves. Doyun looks down, hand at his empty loop, toward tall branching-antlered deer around the leaning wagon; white grain fades into fog, cute small marten nearby.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-6-p-5",
"ch-6-p-6",
"ch-6-p-7"
],
"action": "Doyun gives Maren the task of checking how far the cargo has gone as they face each other.",
"textIds": [
"text-4",
"text-5"
]
},
{
"sourceIds": [
"ch-6-p-8"
],
"action": "Doyun answers Maren, directing them to continue on foot and warning her not to touch the reins.",
"textIds": [
"text-6"
]
},
{
"sourceIds": [
"ch-6-p-9",
"ch-6-p-10"
],
"action": "Maren studies the board across the leaning wagon bed, which holds the sacks, as she refuses another loss.",
"textIds": [
"text-7"
]
},
{
"sourceIds": [
"ch-6-p-11"
],
"action": "Doyun faces Maren as he promises to prevent another loss.",
"textIds": [
"text-8"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": false,
"identity": {
"passed": false,
"evidence": "No previous scene image; compared against the references. Doyun, Maren (gloves, brick vest) and Bori match, but panel 2 shows a coiled rope at Doyun's side, which the lost-rope fact and the direction rule out."
},
"setting": {
"passed": false,
"evidence": "Panel 1 uses the bend track with the carved wall from the reference, but panel 2 puts the driver, Doyun, Maren and Bori down beside the leaning wagon among the deer instead of on the mound above looking down."
},
"actionTransition": {
"passed": true,
"evidence": "First scene of the episode; it opens on the shout and moves through the exchange with Maren in source order."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "굽이가 막혔습니다?",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 spiky balloon with its tail to Doyun's cupped hand; the exclamation mark is rendered as a question mark and the quotation marks are dropped."
},
{
"id": "text-2",
"observedText": "도윤의 외침은 골짜기 벽을 타고 되돌아왔다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 caption box; exact text."
},
{
"id": "text-3",
"observedText": "위쪽에서 누군가 알았다고 답했고, 바퀴 소리는 다시 들리지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 caption box; exact text."
},
{
"id": "text-4",
"observedText": "내려가서 짐이 어디까지 흘렀는지 봐. 수레는 다시 매지 않을 거야.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 upper balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-5",
"observedText": "짐은 살펴도, 다시 지진 않는 거죠?",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 lower balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-6",
"observedText": "그래. 걸어서 간다. 고삐에는 손대지 마.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-7",
"observedText": "한 번은 지죠. 두 번은 못 져요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail to Maren at the wagon board; exact text without quotation marks."
},
{
"id": "text-8",
"observedText": "이번엔 안 지게 할게.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with its tail to Doyun; exact text without quotation marks."
}
],
"evidence": "Six panels. Row 1 wide: Doyun from behind shouting with a cupped hand down the bend track beside the carved wall, caption at right. Row 2 wide: the driver hunched beside the leaning wagon and sacks, white grain on the ground, Bori in front, antlered deer close by, Doyun and Maren (pulling on gloves) standing at the same level. Rows 3-4: Doyun and Maren exchange lines face to face; Maren's gloved hand on the wagon board beside spilled grain with Bori; Doyun's promise.",
"observedPanelCount": 6
}
},
{
"id": "s2",
"n": 2,
"title": "젖은 발판",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-6-p-12",
"n": 12,
"text": "도윤이 먼저 홈을 따라 내려갔다. 벽에 비스듬히 파인 발판은 젖어 미끄러웠다. 그는 아래로 내려설 때마다 다음 홈을 확인했고, 리아가 뒤따르자 몸을 틀어 발 디딜 자리를 비워 주었다."
},
{
"id": "ch-6-p-13",
"n": 13,
"text": "리아는 왼손으로 바위를 짚었다. 오른손은 소매 안에 붙인 채였다. 손목 안쪽에서 저릿한 맥박이 뛰었지만, 발을 놓칠 정도는 아니었다."
},
{
"id": "ch-6-p-14",
"n": 14,
"text": "보리가 가방에서 빠져나와 리아의 어깨에 올라탔다. 둥근 코를 바람 쪽으로 들이밀더니, 곡식이 흐른 비탈이 아니라 골짜기 안쪽을 향해 꾸, 하고 울었다."
},
{
"id": "ch-6-p-15",
"n": 15,
"text": "“저 아래를 보고 있네.”"
},
{
"id": "ch-6-p-16",
"n": 16,
"text": "리아가 말하자 도윤은 고개를 돌렸다."
},
{
"id": "ch-6-p-17",
"n": 17,
"text": "“뭘 봤어?”"
},
{
"id": "ch-6-p-18",
"n": 18,
"text": "“아직은 몰라. 가까이 가면 보여.”"
},
{
"id": "ch-6-p-19",
"n": 19,
"text": "그는 한 번 그녀의 손을 봤다. 리아는 왼손으로 홈을 더듬었다. 도윤은 아무 말 없이 아래를 확인하고 계속 내려갔다."
}
],
"pFrom": 12,
"pTo": 19,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep06-s2.webp",
"blocking": 0,
"advisory": 2,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 리아가 오른쪽 손으로 바위를 짚음. 오른손은 소매 안, 왼손만 쓰는 설정과 어긋남.",
"en": "Panel 1: Lia braces on the rock with the hand on her right side; beat-1 keeps the right hand inside the sleeve and uses only the left."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 도윤이 새긴 손잡이 홈을 딛지 않고 벽 옆 길로 걸어 내려감.",
"en": "Panel 5: Doyun walks down a path beside the wall rather than stepping down the carved holds."
}
],
"textsTotal": 4,
"textsOk": 4,
"timings": {
"planS": [
37
],
"preflightS": [
174
],
"imageS": 43,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1181,
"plan": {
"intent": "Let careful, slippery descent give way to a new question when Bori directs attention farther into the valley. Keep Lia's uncertainty intact: Bori has indicated a direction, but neither companion knows what lies below.",
"staging": "Keep the carved holds on the wall, with Doyun ahead of Lia on the descent. Preserve the distinction between the grain-spilled slope and the valley interior Bori faces, without fixing their precise layout. Lia uses only her left hand and keeps her right hand inside her sleeve. Doyun's belt loop remains empty; he carries no rope. Leave composition and transitions to the artist.",
"uncertainties": [
"The exact shape and distance of the valley interior relative to the grain-spilled slope are not specified; show only that they are different directions.",
"Bori's call indicates a direction, but the source does not identify what Bori senses or what, if anything, is below.",
"Lia does not yet know what Bori is looking toward; do not reveal or imply a specific object or creature."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-6-p-14",
"kind": "sfx",
"speaker": "c3",
"text": "꾸,"
},
{
"id": "text-2",
"sourceId": "ch-6-p-15",
"kind": "dialogue",
"speaker": "c1",
"text": "“저 아래를 보고 있네.”"
},
{
"id": "text-3",
"sourceId": "ch-6-p-17",
"kind": "dialogue",
"speaker": "c2",
"text": "“뭘 봤어?”"
},
{
"id": "text-4",
"sourceId": "ch-6-p-18",
"kind": "dialogue",
"speaker": "c1",
"text": "“아직은 몰라. 가까이 가면 보여.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-6-p-12",
"ch-6-p-13"
],
"action": "Doyun leads down the slick, slanted holds, checking each next step and making room as Lia follows. She uses her left hand against the rock while keeping her right hand tucked inside her sleeve; the tingling pulse in her wrist does not cost her footing.",
"textIds": []
},
{
"id": "beat-2",
"sourceIds": [
"ch-6-p-14",
"ch-6-p-15"
],
"action": "Bori leaves the bag for Lia's shoulder, lifts its nose toward the wind, and calls toward the valley interior instead of the grain-spilled slope. Lia notices the direction and says Bori is looking below.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-6-p-16",
"ch-6-p-17",
"ch-6-p-18"
],
"action": "Doyun turns to Lia and asks what Bori saw. She admits she does not know yet; getting closer is the only way to find out.",
"textIds": [
"text-3",
"text-4"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-6-p-19"
],
"action": "Doyun glances once at Lia's hand. She tests the next hold with her left hand; he checks below in silence and resumes the descent.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-6-p-12"
],
"statement": "Doyun descends first along slanted footholds cut into the wall. They are wet and slippery; he checks the next hold each time before stepping."
},
{
"id": "fact-2",
"sourceIds": [
"ch-6-p-12",
"ch-6-p-13"
],
"statement": "As Lia follows, Doyun turns aside to leave her room to place her feet. Lia braces with her left hand and keeps her right hand inside her sleeve. Her wrist pulses with a tingling sensation, but it does not make her lose a foothold."
},
{
"id": "fact-3",
"sourceIds": [
"ch-6-p-14"
],
"statement": "Bori gets out of the bag and climbs onto Lia's shoulder, raises its rounded nose toward the wind, and calls toward the valley interior rather than the slope where grain has spilled."
},
{
"id": "fact-4",
"sourceIds": [
"ch-6-p-15",
"ch-6-p-16",
"ch-6-p-17",
"ch-6-p-18"
],
"statement": "Lia remarks that Bori is looking below. Doyun turns and asks what it saw. Lia says she does not know yet and that they will see when they get closer."
},
{
"id": "fact-5",
"sourceIds": [
"ch-6-p-19"
],
"statement": "Doyun looks once at Lia's hand. She feels along a foothold with her left hand; he checks below without speaking and continues descending."
}
]
},
"brief": {
"style": "Full-color fantasy comic with expressive ink lines, adult cast, a cute small marten, and coherent post-rain light.",
"moments": [
{
"sourceIds": [
"ch-6-p-12",
"ch-6-p-13"
],
"action": "Wet, slick, slanted holds cut into the wall; Doyun checks the next, turned aside for Lia. She follows, left hand braced, right hand inside her sleeve; his belt loop is empty.",
"textIds": []
},
{
"sourceIds": [
"ch-6-p-14",
"ch-6-p-15"
],
"action": "Bori perches on Lia's shoulder, rounded nose lifted toward the valley interior, away from the grain-spilled slope, calling as Lia looks below.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-6-p-16",
"ch-6-p-17",
"ch-6-p-18"
],
"action": "Doyun faces Lia, asking what Bori saw; she answers that she does not know yet and will see when they get closer.",
"textIds": [
"text-3",
"text-4"
]
},
{
"sourceIds": [
"ch-6-p-19",
"ch-6-p-13"
],
"action": "Doyun glances once at Lia's left hand as she feels along a foothold; her right hand remains inside her sleeve.",
"textIds": []
},
{
"sourceIds": [
"ch-6-p-19",
"ch-6-p-12"
],
"action": "Doyun resumes descending, eyes on the next carved hold below, with Lia following higher on the wall.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Doyun keeps the green hooded coat and sword, this time with no rope on the belt; Lia has the chestnut bob, sand jacket and brown bag; Bori matches s1."
},
"setting": {
"passed": true,
"evidence": "The same wet carved wall and misty valley as the s1 bend; the group now climbs down the holds."
},
"actionTransition": {
"passed": true,
"evidence": "s1 ended with Doyun's promise to Maren; s2 opens with Doyun leading the climb down, which is the next event (p12)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "꾸,",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 sound lettering beside Bori's raised nose; exact text."
},
{
"id": "text-2",
"observedText": "저 아래를 보고 있네.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-3",
"observedText": "뭘 봤어?",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-4",
"observedText": "아직은 몰라. 가까이 가면 보여.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Lia; exact text without quotation marks."
}
],
"evidence": "Five panels. Row 1 wide: Doyun on the wall looking back at Lia, who follows with a gloved hand on the rock. Row 2: Bori on Lia's shoulder with its nose up, calling, while Lia speaks; Doyun asks and Lia answers. Row 3: split close-up of Doyun's glance and Lia's gloved hand on a hold. Row 4 wide: Doyun descending in front, Lia above with Bori on her shoulder, the valley mist at right.",
"observedPanelCount": 5
}
},
{
"id": "s3",
"n": 3,
"title": "기울어진 수레",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-6-p-20",
"n": 20,
"text": "굽이에 닿자 사슴 두 마리가 수레에서 고개를 들었다. 한 마리는 곡식 냄새를 맡다가 귀를 세웠다. 일행이 벽에 붙어 다가가자 잠시 몸을 굳혔지만, 뿔을 들이밀지는 않았다. 앞선 사슴이 골짜기 안쪽으로 걸음을 옮기자 뒤의 사슴도 따라갔다."
},
{
"id": "ch-6-p-21",
"n": 21,
"text": "수레는 여전히 기울어진 채 멈춰 있었다. 뒤판에 걸린 쇠고리 아래로 자루 몇 개가 보였다. 그중 하나에는 검을 넣는 긴 나무 상자가 끈으로 묶여 있었다. 받는 곳을 적은 종이가 상자 귀퉁이에 붙어 있었지만, 잉크가 흙물에 번져 글씨는 반쯤 지워졌다."
},
{
"id": "ch-6-p-22",
"n": 22,
"text": "마렌이 다가서려다 멈췄다. 바퀴 옆의 흙이 무너져 얇은 턱만 남아 있었다."
},
{
"id": "ch-6-p-23",
"n": 23,
"text": "“저 끈만 잡으면 닿을 것 같은데요.”"
},
{
"id": "ch-6-p-24",
"n": 24,
"text": "“당기면 수레가 움직여.”"
},
{
"id": "ch-6-p-25",
"n": 25,
"text": "도윤이 말했다."
},
{
"id": "ch-6-p-26",
"n": 26,
"text": "“판을 풀지 않아도, 바퀴가 돌아가면 짐이 따라와.”"
},
{
"id": "ch-6-p-27",
"n": 27,
"text": "마렌은 장갑 낀 손을 내리지 않았다. 손끝이 끈까지 한 뼘 남은 데서 굳었다."
},
{
"id": "ch-6-p-28",
"n": 28,
"text": "“그럼 여기서 봐야겠네요.”"
}
],
"pFrom": 20,
"pTo": 28,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep06-s3.webp",
"blocking": 0,
"advisory": 3,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 떠나는 사슴 두 마리 중 한 마리만 작은 뿔. 앞서 나온 사슴은 가지 많은 큰 뿔.",
"en": "Panel 1: only one of the two departing deer has antlers, and they are small; the earlier deer had tall many-branched antlers."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2~5칸: 수레가 수평으로 보여 끈을 당기면 위험한 기울기가 드러나지 않음.",
"en": "Panels 2-5: the wagon looks level, so the lean that makes pulling the strap dangerous is not visible."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 마렌 장갑 손이 5칸보다 먼저 끈 가까이에 놓임(5칸은 한 뼘 떨어져 멈춤).",
"en": "Panel 3: Maren's gloved hand already rests near the cords before panel 5 shows it held a handspan away."
}
],
"textsTotal": 4,
"textsOk": 4,
"timings": {
"planS": [
44
],
"preflightS": [
95
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.118,
"plan": {
"intent": "Let the deer move on while the party remains caught at the wagon: Maren sees a way to reach the strap, but Doyun's warning makes the risk of disturbing the stopped load clear. End on her choice to watch rather than pull.",
"staging": "Keep the stopped, tilted wagon at the bend, the party close to the wall, and the deer moving toward the valley interior. Place the thin remnant of soil beside a wheel where Maren stops; her gloved hand remains a handspan short of the strap. Show the sacks below the iron loop on the rear board and keep the destination paper unreadable. Do not depict the wagon moving or a pull taking place. Leave composition and transitions to the artist.",
"uncertainties": [
"The deer’s exact position relative to the wagon is not specified; do not establish whether they are on it, inside it, or beside it.",
"The source does not specify exactly which strap Maren intends to grab or how it is attached; do not invent that connection.",
"Doyun warns that pulling could move the wagon, but no movement occurs in this excerpt.",
"The shape of the bend, the extent of the collapsed soil, and the precise layout of the valley interior are not specified."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-6-p-23",
"kind": "dialogue",
"speaker": "c4",
"text": "“저 끈만 잡으면 닿을 것 같은데요.”"
},
{
"id": "text-2",
"sourceId": "ch-6-p-24",
"kind": "dialogue",
"speaker": "c2",
"text": "“당기면 수레가 움직여.”"
},
{
"id": "text-3",
"sourceId": "ch-6-p-26",
"kind": "dialogue",
"speaker": "c2",
"text": "“판을 풀지 않아도, 바퀴가 돌아가면 짐이 따라와.”"
},
{
"id": "text-4",
"sourceId": "ch-6-p-28",
"kind": "dialogue",
"speaker": "c4",
"text": "“그럼 여기서 봐야겠네요.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-6-p-20"
],
"action": "The deer react to the party's careful approach, then the lead animal walks toward the valley interior and the second follows. Their departure does not resolve the danger around the wagon.",
"textIds": []
},
{
"id": "beat-2",
"sourceIds": [
"ch-6-p-21",
"ch-6-p-22"
],
"action": "The stopped, tilted wagon and its sacks come into view, including the tied sword case with its unreadable destination paper. Maren moves toward it, then halts at the thin ledge beside a wheel.",
"textIds": []
},
{
"id": "beat-3",
"sourceIds": [
"ch-6-p-23",
"ch-6-p-24",
"ch-6-p-25",
"ch-6-p-26"
],
"action": "Maren judges that she can reach the strap. Doyun answers with the specific risk: pulling could move the wagon, and a turning wheel would carry the load along even if the board stays fastened.",
"textIds": [
"text-1",
"text-2",
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-6-p-27",
"ch-6-p-28"
],
"action": "Maren's gloved hand remains suspended a handspan short of the strap. She does not pull; instead, she decides they will watch from there.",
"textIds": [
"text-4"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-6-p-20"
],
"statement": "At the bend, two deer raise their heads in relation to the wagon. One sniffs grain and raises its ears. As the party approaches close to the wall, the deer briefly stiffen but do not thrust their antlers; the leading deer walks toward the valley interior, followed by the other."
},
{
"id": "fact-2",
"sourceIds": [
"ch-6-p-21"
],
"statement": "The wagon remains stopped and tilted. Sacks are visible below an iron loop on the rear board. A long wooden sword case is tied to one sack. A paper indicating the destination is attached to a corner of the case, but muddy water has blurred the ink and half-erased the writing."
},
{
"id": "fact-3",
"sourceIds": [
"ch-6-p-22"
],
"statement": "Maren starts toward the wagon, then stops because the soil beside a wheel has collapsed, leaving only a thin ledge."
},
{
"id": "fact-4",
"sourceIds": [
"ch-6-p-23",
"ch-6-p-24",
"ch-6-p-25",
"ch-6-p-26"
],
"statement": "Maren says she thinks she could reach the strap. Doyun warns that pulling will move the wagon and explains that if a wheel turns, the load will follow even without unfastening the board."
},
{
"id": "fact-5",
"sourceIds": [
"ch-6-p-27",
"ch-6-p-28"
],
"statement": "Maren keeps her gloved hand raised, stopping a handspan short of the strap. She says they should watch from where they are."
}
]
},
"brief": {
"style": "Full-color fantasy comic with expressive ink lines and a restrained, rain-cleared morning palette.",
"moments": [
{
"sourceIds": [
"ch-6-p-20"
],
"action": "Two deer walk toward the valley interior, the leader followed by the second.",
"textIds": []
},
{
"sourceIds": [
"ch-6-p-21",
"ch-6-p-22"
],
"action": "The stopped wagon tilts; sacks show below the rear-board iron loop, and a long sword case tied to one sack bears a paper with indistinct writing. Maren stops at the thin ledge beside a wheel.",
"textIds": []
},
{
"sourceIds": [
"ch-6-p-23"
],
"action": "Maren stands at the ledge, looking toward the strap.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-6-p-24",
"ch-6-p-25",
"ch-6-p-26"
],
"action": "Doyun faces Maren beside the still wagon, his belt loop empty.",
"textIds": [
"text-2",
"text-3"
]
},
{
"sourceIds": [
"ch-6-p-27",
"ch-6-p-28"
],
"action": "Maren's gloved hand hovers a handspan short of the strap as she watches instead of pulling.",
"textIds": [
"text-4"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Maren keeps the curly red hair, brick vest and gloves; Doyun the green hooded coat with no rope; Lia the sand jacket, as in s2."
},
"setting": {
"passed": true,
"evidence": "The same bend track with the wet wall on one side and the misty valley on the other, now at the stopped wagon."
},
"actionTransition": {
"passed": true,
"evidence": "s2 ended with the descent continuing; s3 opens as they reach the bend and the deer walk off (p20)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "저 끈만 잡으면 닿을 것 같은데요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-2",
"observedText": "당기면 수레가 움직여.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 upper balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-3",
"observedText": "판을 풀지 않아도, 바퀴가 돌아가면 짐이 따라와.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 lower balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-4",
"observedText": "그럼 여기서 봐야겠네요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail to Maren; exact text without quotation marks."
}
],
"evidence": "Five full-width panels. 1: two deer walking away along the track toward the valley. 2: the wagon's rear with an iron loop, sacks and a long dark sword case tied on with a paper tag of illegible marks, Maren crouched at the edge by the wheel. 3: Maren speaking with the case beside her. 4: Doyun answering with an open gloved hand, Lia behind him, Maren in the foreground. 5: Maren's gloved hand held short of the cords as she speaks.",
"observedPanelCount": 5
}
},
{
"id": "s4",
"n": 4,
"title": "오래된 발굽길",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-6-p-29",
"n": 29,
"text": "리아는 곡식이 흘러내린 자리를 살폈다. 흰 알갱이 아래, 진흙에는 사슴 발굽 자국이 겹쳐 있었다. 몇 개는 곡식에 덮여 가장자리가 무뎠다. 터진 자루에서 곡식이 쏟아지기 전부터 찍힌 흔적이었다."
},
{
"id": "ch-6-p-30",
"n": 30,
"text": "보리가 어깨에서 뛰어내렸다. 짧은 앞발로 땅을 건드릴 듯 말 듯 멈췄다가, 리아의 부츠 앞을 밀었다. 코끝은 곡식이 아니라 벽 아래의 좁은 틈을 향했다."
},
{
"id": "ch-6-p-31",
"n": 31,
"text": "리아가 따라가자 거기에는 이끼 낀 돌이 반쯤 묻혀 있었다. 돌을 가로지르는 얕은 홈 옆으로 털이 몇 올 걸려 있었다. 진흙에 붙은 털은 새것과 오래된 것이 뒤섞여 색이 바랬고, 바위 틈에는 마른 배설물이 층처럼 눌어붙어 있었다."
},
{
"id": "ch-6-p-32",
"n": 32,
"text": "도윤이 발굽 자국 앞에 쪼그려 앉았다. 그는 손대지 않고 흔적을 따라 시선을 옮겼다. 곡식 위에 새로 찍힌 자국은 있었지만, 그 아래의 진흙에도 같은 방향으로 눌린 흔적이 이어졌다. 골짜기 안쪽으로 들어가 굽이를 돌고, 다시 바위 뒤로 사라졌다."
},
{
"id": "ch-6-p-33",
"n": 33,
"text": "“곡식 때문에 잠깐 내려온 게 아니야.”"
},
{
"id": "ch-6-p-34",
"n": 34,
"text": "마렌이 발밑의 자국을 내려다봤다."
},
{
"id": "ch-6-p-35",
"n": 35,
"text": "“쏟아지기 전부터 지나가던 길이군요.”"
},
{
"id": "ch-6-p-36",
"n": 36,
"text": "“한 번 지나간 흔적도 아니야.”"
},
{
"id": "ch-6-p-37",
"n": 37,
"text": "도윤이 말했다."
},
{
"id": "ch-6-p-38",
"n": 38,
"text": "“털하고 오래된 흔적이 겹쳐 있어.”"
},
{
"id": "ch-6-p-39",
"n": 39,
"text": "그때 보리가 다시 울었다. 이번에는 짧고 날카로웠다. 몸을 낮춘 채 꼬리가 뻣뻣하게 섰다. 리아는 보리가 가리키는 쪽으로 고개를 들었다. 바위의 꺾인 면에, 흙에 가려진 홈 하나가 더 있었다."
}
],
"pFrom": 29,
"pTo": 39,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep06-s4.webp",
"blocking": 0,
"advisory": 4,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 쏟아진 곡식이 금빛. 5화와 원문은 흰 곡식.",
"en": "Panel 1: the spilled grain is golden, while chapter 5 and the source call it white."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 손이 돌을 땅에서 들어 올림. 원문은 반쯤 묻힌 돌을 찾기만 함.",
"en": "Panel 3: a hand lifts the stone off the ground, although the source says it is half-buried and only found."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 보리 울음에 느낌표 가시 말풍선을 추가. 계획에는 글자 없음.",
"en": "Panel 6: a spiky balloon with an exclamation mark is drawn for Bori's cry; the plan has no text there."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 리아가 장갑 낀 양손을 모두 내밀어 오른 손목을 소매 안에 두지 않음.",
"en": "Panel 1: both of Lia's gloved hands are out, so the right wrist is not kept inside the sleeve."
}
],
"textsTotal": 4,
"textsOk": 4,
"timings": {
"planS": [
55
],
"preflightS": [
148
],
"imageS": 55,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1253,
"plan": {
"intent": "Shift the party’s understanding from a brief visit for spilled grain to evidence of a repeated route. Let Bori’s attention lead Lia to a second, still-unexplained clue, ending the scene with the route’s destination and meaning unresolved.",
"staging": "Keep the grain spill and hoofprints in the mud as the scene’s point of reference. The narrow gap beneath the wall leads Lia to the half-buried mossy stone; keep its shallow groove, the hairs, and the layered dried droppings distinct. Doyun examines the prints without touching them, following their direction into the valley and around the bend until they disappear behind a rock. Bori’s final indication draws Lia’s attention to another groove on a bent rock face. Preserve the spatial links stated in the source without establishing that the hairs, droppings, tracks, or grooves share an origin. Leave composition and transitions to the artist.",
"uncertainties": [
"The source does not identify what animal left the hairs or droppings; do not assign them to the deer or to each other.",
"The number and timing of the passages are not specified, and the source does not explain who made either groove.",
"The tracks disappear behind a rock; what lies beyond it and how the grooves relate to the route remain unknown."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-6-p-33",
"kind": "dialogue",
"speaker": "c2",
"text": "“곡식 때문에 잠깐 내려온 게 아니야.”"
},
{
"id": "text-2",
"sourceId": "ch-6-p-35",
"kind": "dialogue",
"speaker": "c4",
"text": "“쏟아지기 전부터 지나가던 길이군요.”"
},
{
"id": "text-3",
"sourceId": "ch-6-p-36",
"kind": "dialogue",
"speaker": "c2",
"text": "“한 번 지나간 흔적도 아니야.”"
},
{
"id": "text-4",
"sourceId": "ch-6-p-38",
"kind": "dialogue",
"speaker": "c2",
"text": "“털하고 오래된 흔적이 겹쳐 있어.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-6-p-29"
],
"action": "Lia studies the overlapping hoofprints and notices that some were already in the mud before the grain spilled.",
"textIds": []
},
{
"id": "beat-2",
"sourceIds": [
"ch-6-p-30",
"ch-6-p-31"
],
"action": "Bori directs Lia to the narrow gap beneath the wall. She follows and finds the half-buried grooved stone, the hairs, and the layered dried traces in the crevice.",
"textIds": []
},
{
"id": "beat-3",
"sourceIds": [
"ch-6-p-32",
"ch-6-p-33",
"ch-6-p-34",
"ch-6-p-35",
"ch-6-p-36",
"ch-6-p-37",
"ch-6-p-38"
],
"action": "Doyun traces the prints with his gaze and concludes that the deer did not come down only for grain. Maren recognizes that the route predates the spill. Doyun adds that the evidence indicates more than one passage, with hairs and older traces layered together.",
"textIds": [
"text-1",
"text-2",
"text-3",
"text-4"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-6-p-39"
],
"action": "Bori gives a sharper warning. Lia follows its indication and finds another partly hidden groove on a bent rock face, leaving the group with a new clue but no explanation for it.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-6-p-29"
],
"statement": "Lia examines deer hoofprints in mud beneath spilled grain. Some prints are partly covered and their edges softened by grain, showing they were made before the sack split."
},
{
"id": "fact-2",
"sourceIds": [
"ch-6-p-30"
],
"statement": "Bori jumps down from Lia’s shoulder, pauses with a short forepaw hovering near the ground, nudges Lia’s boot, and points its nose toward a narrow gap beneath the wall."
},
{
"id": "fact-3",
"sourceIds": [
"ch-6-p-31"
],
"statement": "Following Bori, Lia finds a moss-covered stone half-buried near the gap. A shallow groove crosses it; several hairs cling beside the groove, and dried droppings form layers in a crevice."
},
{
"id": "fact-4",
"sourceIds": [
"ch-6-p-32"
],
"statement": "Doyun crouches before the hoofprints without touching them. New prints on the grain and prints in the mud beneath it continue in the same direction into the valley, around a bend, and out of sight behind a rock."
},
{
"id": "fact-5",
"sourceIds": [
"ch-6-p-39"
],
"statement": "Bori cries sharply, lowers its body, and stiffens its tail. Lia looks toward the indicated area and spots another groove on a bent rock face, partly obscured by soil."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink, adult cast, cute marten. Keep designs: Lia's folded right wrist stays sleeved; Doyun's belt loop empty, no rope; Maren wears gloves.",
"moments": [
{
"sourceIds": [
"ch-6-p-29"
],
"action": "Lia, with her folded right wrist sleeved, studies softened deer hoofprints beneath spilled grain beside the stopped, tilted wagon.",
"textIds": []
},
{
"sourceIds": [
"ch-6-p-30"
],
"action": "Bori pauses beside Lia's boot, nose aimed at the narrow gap beneath the wall.",
"textIds": []
},
{
"sourceIds": [
"ch-6-p-31"
],
"action": "At the gap, Lia finds a half-buried mossy stone with a shallow groove, caught hairs, and layered dried droppings in its crevice.",
"textIds": []
},
{
"sourceIds": [
"ch-6-p-32",
"ch-6-p-33",
"ch-6-p-34",
"ch-6-p-35"
],
"action": "Doyun crouches without touching as prints lead toward the valley bend behind a rock; Maren looks down.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-6-p-36",
"ch-6-p-37",
"ch-6-p-38"
],
"action": "Doyun speaks of repeated passage and hair and older traces layered together, still crouched before the prints.",
"textIds": [
"text-3",
"text-4"
]
},
{
"sourceIds": [
"ch-6-p-39"
],
"action": "Bori cries sharply, body low and tail stiff, as Lia looks toward another soil-obscured groove on a bent rock face.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia, Doyun (no rope), Maren (gloves) and Bori keep their s3 designs."
},
"setting": {
"passed": true,
"evidence": "The same bend track beside the stopped wagon, wet wall on one side and misty valley on the other, as in s3."
},
"actionTransition": {
"passed": true,
"evidence": "s3 ended with Maren deciding to watch from where she stood; s4 moves to Lia studying the prints by the wagon (p29)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "곡식 때문에 잠깐 내려온 게 아니야.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 left balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-2",
"observedText": "쏟아지기 전부터 지나가던 길이군요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 right balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-3",
"observedText": "한 번 지나간 흔적도 아니야.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 upper balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-4",
"observedText": "털하고 오래된 흔적이 겹쳐 있어.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 lower balloon with its tail to Doyun; exact text without quotation marks."
}
],
"evidence": "Six panels. Row 1 wide: Lia crouching over hoofprints beside the wagon wheel and spilled grain. Row 2: Bori sniffing at the gap under the wall by Lia's boot; a hand holding a mossy stone with hairs and dried droppings. Row 3 wide: Doyun and Lia crouched over the prints, Maren bent over them, speaking. Row 4: Doyun close-up over the prints; Bori crying with a raised tail as Lia turns toward a groove in the rock.",
"observedPanelCount": 6
}
},
{
"id": "s5",
"n": 5,
"title": "돌의 표식",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-6-p-40",
"n": 40,
"text": "그녀는 가방 안쪽 주머니에서 얇은 가죽 조각을 꺼냈다. 조각의 가장자리에는 비스듬한 금과 짧은 선이 새겨져 있었다. 리아는 그것을 돌에 대어 보았다."
},
{
"id": "ch-6-p-41",
"n": 41,
"text": "비스듬한 금의 각이 바위 홈과 맞았다. 짧은 선도, 이번에는 가려지지 않은 채 제자리에 포개졌다."
},
{
"id": "ch-6-p-42",
"n": 42,
"text": "도윤의 눈이 돌에서 리아의 손으로 옮겨왔다."
},
{
"id": "ch-6-p-43",
"n": 43,
"text": "“첫 다리 입구에 있던 표식과 같은 모양이네.”"
},
{
"id": "ch-6-p-44",
"n": 44,
"text": "리아가 고개를 끄덕였다. 첫 다리의 돌에도 긴 금과 짧은 선이 있었다. 그때는 수레 옆판이 표식의 아래를 가리고 있었다. 이제는 긴 홈이 사슴 발자국이 향하는 골짜기 안쪽을 가리켰다. 짧은 선은 그 길에서 비껴나, 발굽 자국이 드문 높은 둔덕 쪽으로 뻗어 있었다."
},
{
"id": "ch-6-p-45",
"n": 45,
"text": "리아가 손가락으로 긴 홈을 따라갔다. 그 선 끝에서 사슴의 오래된 흔적이 이어졌다. 짧은 선 끝에는 눌린 자국이 없었다. 길이 나 있는 게 아니라, 방향만 남겨져 있었다."
},
{
"id": "ch-6-p-46",
"n": 46,
"text": "“표식은 안전한 사람 길이라는 약속이 아니야.”"
},
{
"id": "ch-6-p-47",
"n": 47,
"text": "도윤이 말했다."
},
{
"id": "ch-6-p-48",
"n": 48,
"text": "“지나가는 것들이 어느 쪽으로 움직이는지 남긴 걸 수도 있어.”"
},
{
"id": "ch-6-p-49",
"n": 49,
"text": "“여기는 마수들이 오가는 길이야.”"
},
{
"id": "ch-6-p-50",
"n": 50,
"text": "리아가 말했다."
},
{
"id": "ch-6-p-51",
"n": 51,
"text": "“첫 다리 표식도 같은 뜻이었어.”"
},
{
"id": "ch-6-p-52",
"n": 52,
"text": "마렌은 돌과 골짜기 양쪽을 번갈아 보았다."
},
{
"id": "ch-6-p-53",
"n": 53,
"text": "“그럼 이쪽으로 사람을 보내면 안 되겠네요.”"
},
{
"id": "ch-6-p-54",
"n": 54,
"text": "“응. 적어도 지금은.”"
},
{
"id": "ch-6-p-55",
"n": 55,
"text": "리아는 가죽 조각을 돌에 댄 채, 짧은 선이 가리키는 둔덕을 바라봤다. 높이는 조금 더 높아도 바위와 풀숲이 이어져 있었다. 그 선은 마수들의 흔적과 겹치지 않았다. 그렇다고 사람 발길이 안전하게 이어진다는 뜻은 아니었다."
}
],
"pFrom": 40,
"pTo": 55,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep06-s5.webp",
"blocking": 1,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: '첫 다리 입구에 있던 표식과 같은 모양이네.' 말풍선 꼬리가 리아를 가리킴. 도윤의 알아봄이 리아 대사로 읽힘.",
"en": "Panel 1: the tail of the text-1 balloon (첫 다리 입구에 있던 표식과 같은 모양이네.) points to Lia, so Doyun's recognition of the bridge mark reads as Lia's line."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: 사슴 발자국을 수직 바위면에 그림. 원문의 자국은 아래 진흙.",
"en": "Panel 2: deer hoofprints are drawn on the vertical rock face; the source's tracks are in the mud below."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "7칸: 둔덕을 가리키는 화살표를 바위에 덧그림. 원문의 짧은 선은 새긴 표식의 일부.",
"en": "Panel 7: an arrow is drawn onto the rock pointing at the mound; the source's short line is part of the carved mark, not an added arrow."
}
],
"textsTotal": 7,
"textsOk": 6,
"timings": {
"planS": [
56,
56
],
"preflightS": [
157,
198
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 1
},
"imageUsd": 0.1186,
"plan": {
"intent": "Turn the matching marks from a recognition into a route warning: the long groove follows old deer traces into the valley, while the short line points elsewhere without promising a safe human passage.",
"staging": "Keep the rock and its marks central to the exchange. The long groove relates to the valley and continuing deer traces; the short line diverges toward the higher mound, where rock and grass continue. Preserve these directions without fixing distances, angles, or an exact route. Lia uses her left hand for the leather and for tracing, with her folded right wrist kept inside her sleeve. Keep Bori present as a small, unobtrusive companion, but give Bori no new action or dialogue. Use expressive ink lines, full color, and clear lettering for the source dialogue only; leave composition and transitions to the artist.",
"uncertainties": [
"The excerpt does not establish the mound's exact distance or orientation beyond being higher and in the direction of the short line.",
"The short line indicates direction but does not establish a traversable path or human safety; the reason it avoids monster traces is not stated.",
"Bori has no stated action in this excerpt; keep the presence incidental and do not add behavior or dialogue."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-6-p-43",
"kind": "dialogue",
"speaker": "c2",
"text": "“첫 다리 입구에 있던 표식과 같은 모양이네.”"
},
{
"id": "text-2",
"sourceId": "ch-6-p-46",
"kind": "dialogue",
"speaker": "c2",
"text": "“표식은 안전한 사람 길이라는 약속이 아니야.”"
},
{
"id": "text-3",
"sourceId": "ch-6-p-48",
"kind": "dialogue",
"speaker": "c2",
"text": "“지나가는 것들이 어느 쪽으로 움직이는지 남긴 걸 수도 있어.”"
},
{
"id": "text-4",
"sourceId": "ch-6-p-49",
"kind": "dialogue",
"speaker": "c1",
"text": "“여기는 마수들이 오가는 길이야.”"
},
{
"id": "text-5",
"sourceId": "ch-6-p-51",
"kind": "dialogue",
"speaker": "c1",
"text": "“첫 다리 표식도 같은 뜻이었어.”"
},
{
"id": "text-6",
"sourceId": "ch-6-p-53",
"kind": "dialogue",
"speaker": "c4",
"text": "“그럼 이쪽으로 사람을 보내면 안 되겠네요.”"
},
{
"id": "text-7",
"sourceId": "ch-6-p-54",
"kind": "dialogue",
"speaker": "c1",
"text": "“응. 적어도 지금은.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-6-p-40",
"ch-6-p-41",
"ch-6-p-42",
"ch-6-p-43"
],
"action": "Lia retrieves the leather fragment and fits its marks to the rock. Doyun's attention shifts from the stone to her hand as he recognizes the resemblance to the first bridge marker.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-6-p-44",
"ch-6-p-45"
],
"action": "Lia confirms the comparison and traces the long groove toward the continuing old deer traces. She distinguishes it from the short line toward the higher mound, where no track continues from the mark.",
"textIds": []
},
{
"id": "beat-3",
"sourceIds": [
"ch-6-p-46",
"ch-6-p-47",
"ch-6-p-48"
],
"action": "Doyun reframes the marker: it is no assurance of a safe human route and may instead record the direction passing creatures move.",
"textIds": [
"text-2",
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-6-p-49",
"ch-6-p-50",
"ch-6-p-51"
],
"action": "Lia identifies the valley as a monster route and connects that meaning to the marker at the first bridge.",
"textIds": [
"text-4",
"text-5"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-6-p-52",
"ch-6-p-53",
"ch-6-p-54"
],
"action": "Maren weighs the marker against the valley and asks whether people should be sent that way. Lia advises against it for now.",
"textIds": [
"text-6",
"text-7"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-6-p-55"
],
"action": "Still holding the leather against the rock, Lia looks toward the higher mound. Its direction avoids the monster traces, but she does not treat that as proof of a safe human route.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-6-p-40"
],
"statement": "Lia takes a thin piece of leather from an inner pocket of her bag. Its edge bears a slanted groove and a short line; she places it against a rock."
},
{
"id": "fact-2",
"sourceIds": [
"ch-6-p-41",
"ch-6-p-42",
"ch-6-p-43"
],
"statement": "The slanted groove and short line align with marks in the rock. Doyun looks from the rock to Lia's hand and recognizes the shape as like the marker at the first bridge entrance."
},
{
"id": "fact-3",
"sourceIds": [
"ch-6-p-44",
"ch-6-p-45"
],
"statement": "The long groove points into the valley, in the direction of deer tracks, and old deer traces continue from its end. The short line points away toward a higher mound, where hoofprints are sparse; no pressed tracks continue at its end. Lia says the short line leaves a direction, not an established path."
},
{
"id": "fact-4",
"sourceIds": [
"ch-6-p-46",
"ch-6-p-47",
"ch-6-p-48",
"ch-6-p-49",
"ch-6-p-50",
"ch-6-p-51"
],
"statement": "Doyun cautions that the marker does not promise a safe route for people and may instead record the directions passing creatures travel. Lia identifies this place as a route used by monsters and says the first bridge marker had the same meaning."
},
{
"id": "fact-5",
"sourceIds": [
"ch-6-p-52",
"ch-6-p-53",
"ch-6-p-54",
"ch-6-p-55"
],
"statement": "Maren looks between the rock and the valley and asks whether people should be sent that way. Lia answers that they should not, at least for now. Keeping the leather against the rock, Lia looks toward the slightly higher mound, where rock and grass continue and the short line does not overlap monster traces; this does not establish that people can safely travel there."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink lines, adult cast, restrained detail, clear Korean lettering.",
"moments": [
{
"sourceIds": [
"ch-6-p-40",
"ch-6-p-41",
"ch-6-p-42",
"ch-6-p-43"
],
"action": "Lia presses the thin leather fragment to the rock with her left hand, its marks aligned; her folded right wrist stays inside her sleeve. Doyun watches; Bori, a small marten, remains unobtrusive.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-6-p-44",
"ch-6-p-45"
],
"action": "Lia's left index finger rests along the long groove toward old deer traces entering the valley; the short line points toward the higher mound, with no tracks continuing from its end.",
"textIds": []
},
{
"sourceIds": [
"ch-6-p-46",
"ch-6-p-47",
"ch-6-p-48"
],
"action": "Doyun speaks beside the marked rock; his belt loop is empty.",
"textIds": [
"text-2",
"text-3"
]
},
{
"sourceIds": [
"ch-6-p-49",
"ch-6-p-50",
"ch-6-p-51"
],
"action": "Lia speaks beside the marked rock, with the valley beyond.",
"textIds": [
"text-4",
"text-5"
]
},
{
"sourceIds": [
"ch-6-p-52",
"ch-6-p-53"
],
"action": "Gloved Maren speaks beside the rock, questioning whether people should be sent toward the valley.",
"textIds": [
"text-6"
]
},
{
"sourceIds": [
"ch-6-p-54"
],
"action": "Lia answers Maren beside the rock.",
"textIds": [
"text-7"
]
},
{
"sourceIds": [
"ch-6-p-55"
],
"action": "The short line points toward the slightly higher rocky, grassy mound, apart from monster traces; Lia holds the leather to the rock with her left hand and looks that way.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia, Doyun (no rope), Maren (gloves) and Bori match s4."
},
"setting": {
"passed": true,
"evidence": "The same wet rock wall at the bend with the misty valley beyond, as in s4."
},
"actionTransition": {
"passed": true,
"evidence": "s4 ended with Lia turning toward another groove after Bori's cry; s5 opens with her holding the leather piece to that rock (p40)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "첫 다리 입구에 있던 표식과 같은 모양이네.",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 1 balloon text is exact, but its tail points down to Lia at the rock instead of Doyun behind her."
},
{
"id": "text-2",
"observedText": "표식은 안전한 사람 길이라는 약속이 아니야.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-3",
"observedText": "지나가는 것들이 어느 쪽으로 움직이는지 남긴 걸 수도 있어.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-4",
"observedText": "여기는 마수들이 오가는 길이야.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-5",
"observedText": "첫 다리 표식도 같은 뜻이었어.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-6",
"observedText": "그럼 이쪽으로 사람을 보내면 안 되겠네요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-7",
"observedText": "응. 적어도 지금은.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with its tail to Lia; exact text without quotation marks."
}
],
"evidence": "Seven panels. Row 1 wide: Lia holding the leather piece to the rock, Doyun and Maren crouched behind, Bori beside them. Row 2: close-up of the leather against the carved groove with Lia's finger tracing it and hoofprints drawn on the rock; Doyun speaking. Row 3 wide: Lia speaking with the valley behind. Row 4: Maren asking; Lia answering; Lia from behind holding the leather to the rock as an arrow line points up toward the grassy mound.",
"observedPanelCount": 7
}
},
{
"id": "s6",
"n": 6,
"title": "겹치지 않는 길",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-6-p-56",
"n": 56,
"text": "“어머니가 찾던 건 이 길을 건너는 방법이 아니야.”"
},
{
"id": "ch-6-p-57",
"n": 57,
"text": "리아가 말했다."
},
{
"id": "ch-6-p-58",
"n": 58,
"text": "“이 흐름하고 겹치지 않는 길이었어.”"
},
{
"id": "ch-6-p-59",
"n": 59,
"text": "도윤은 돌의 홈을 다시 확인했다."
},
{
"id": "ch-6-p-60",
"n": 60,
"text": "“그쪽에 길이 있다는 근거는 아직 없어.”"
},
{
"id": "ch-6-p-61",
"n": 61,
"text": "“알아.”"
},
{
"id": "ch-6-p-62",
"n": 62,
"text": "리아는 가죽 조각을 접어 주머니에 넣었다. 이름은 꺼내지 않았다. 대신 손가락으로 둔덕의 방향을 짚었다."
}
],
"pFrom": 56,
"pTo": 62,
"panelCount": 4,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep06-s6.webp",
"blocking": 0,
"advisory": 2,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 뒷모습의 리아가 오른팔로 둔덕 대신 안개 골짜기를 가리킴. 계획은 왼손으로 둔덕.",
"en": "Panel 4: seen from behind, Lia points with her right arm and toward the misty valley rather than up at the mound; the plan has her left hand pointing at the mound."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 가죽 조각을 접어 넣는 동작(beat-3)이 없음.",
"en": "Panel 4: the leather being folded and pocketed (beat-3) is not shown."
}
],
"textsTotal": 4,
"textsOk": 4,
"timings": {
"planS": [
43
],
"preflightS": [
125
],
"imageS": 42,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1178,
"plan": {
"intent": "Make Lia’s interpretation of her mother’s search feel like a meaningful lead, while Doyun’s check and her quiet acknowledgment keep it from becoming proof of a traversable route.",
"staging": "Keep the carved stone grooves and the mound Lia indicates as the necessary spatial anchors, without fixing their distance or exact orientation. Lia handles and folds the leather with her left hand; keep her folded right wrist inside her sleeve. Make Doyun unmistakably the speaker of his warning. Keep Bori unobtrusive and give Bori no new action or dialogue. Use only the quoted dialogue as visible lettering; add no writing to the leather or stone. Leave composition and transitions to the artist.",
"uncertainties": [
"The excerpt does not establish that the mound direction contains a usable or safe path.",
"The referent of the name Lia does not say is not explicitly identified."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-6-p-56",
"kind": "dialogue",
"speaker": "c1",
"text": "“어머니가 찾던 건 이 길을 건너는 방법이 아니야.”"
},
{
"id": "text-2",
"sourceId": "ch-6-p-58",
"kind": "dialogue",
"speaker": "c1",
"text": "“이 흐름하고 겹치지 않는 길이었어.”"
},
{
"id": "text-3",
"sourceId": "ch-6-p-60",
"kind": "dialogue",
"speaker": "c2",
"text": "“그쪽에 길이 있다는 근거는 아직 없어.”"
},
{
"id": "text-4",
"sourceId": "ch-6-p-61",
"kind": "dialogue",
"speaker": "c1",
"text": "“알아.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-6-p-56",
"ch-6-p-57",
"ch-6-p-58"
],
"action": "Lia reframes what her mother was seeking: not a way across the route, but a way apart from the movement flow.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-6-p-59",
"ch-6-p-60",
"ch-6-p-61"
],
"action": "Doyun checks the stone grooves again and voices the lack of evidence for a path that way. Lia accepts the uncertainty.",
"textIds": [
"text-3",
"text-4"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-6-p-62"
],
"action": "Lia folds and pockets the leather without saying the name, then points toward the mound. Her gesture indicates a direction to consider, not a confirmed path.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-6-p-56",
"ch-6-p-57",
"ch-6-p-58"
],
"statement": "Lia says her mother was not looking for a way to cross this route, but for a way that does not overlap the movement flow."
},
{
"id": "fact-2",
"sourceIds": [
"ch-6-p-59",
"ch-6-p-60",
"ch-6-p-61"
],
"statement": "Doyun checks the grooves in the stone again and says there is no evidence that a path exists in that direction. Lia says she knows."
},
{
"id": "fact-3",
"sourceIds": [
"ch-6-p-62"
],
"statement": "Lia folds the leather piece and puts it in her pocket. She does not say the name, and points toward the mound."
}
]
},
"brief": {
"style": "Full-color fantasy comic with expressive ink, restrained acting, clear lettering, consistent adult designs, and a cute, unobtrusive small marten.",
"moments": [
{
"sourceIds": [
"ch-6-p-56",
"ch-6-p-57"
],
"action": "Lia speaks her first correction, distinguishing her mother's search from crossing the route.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-6-p-58"
],
"action": "Lia explains that her mother sought a way outside the movement flow.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-6-p-59",
"ch-6-p-60"
],
"action": "Doyun rechecks the stone grooves while stating that no evidence supports a path in that direction.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-6-p-61",
"ch-6-p-62"
],
"action": "Lia acknowledges the uncertainty and points toward the mound with her left hand; the folded leather is pocketed, and her right wrist stays inside her sleeve.",
"textIds": [
"text-4"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia, Doyun (no rope), Maren (gloves, brick vest) and Bori match s5."
},
"setting": {
"passed": true,
"evidence": "The same carved wall and misty valley at the bend as s5."
},
"actionTransition": {
"passed": true,
"evidence": "s5 ended with Lia holding the leather to the rock and looking toward the mound; s6 continues with her reinterpretation (p56)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "어머니가 찾던 건 이 길을 건너는 방법이 아니야.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-2",
"observedText": "이 흐름하고 겹치지 않는 길이었어.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-3",
"observedText": "그쪽에 길이 있다는 근거는 아직 없어.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-4",
"observedText": "알아.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Lia; exact text without quotation marks."
}
],
"evidence": "Four full-width panels. 1: Lia speaking in the foreground, Doyun and Maren crouched behind with Bori. 2: close-up of Lia speaking against the valley. 3: Doyun's gloved hand on the carved grooves as he speaks. 4: from behind, Lia pointing out past the bend with Bori at her feet, Maren and Doyun watching.",
"observedPanelCount": 4
}
},
{
"id": "s7",
"n": 7,
"title": "남겨 둔 검",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-6-p-63",
"n": 63,
"text": "마렌은 수레의 나무 상자를 다시 보았다. 받는 곳의 글씨는 알아볼 수 없을 만큼 번져 있었다. 그녀의 손이 허리춤의 장부로 갔다가 멈췄다."
},
{
"id": "ch-6-p-64",
"n": 64,
"text": "“검을 기다리는 사람이 있겠네요.”"
},
{
"id": "ch-6-p-65",
"n": 65,
"text": "“있겠지.”"
},
{
"id": "ch-6-p-66",
"n": 66,
"text": "도윤은 판에 걸린 쇠고리를 보았다."
},
{
"id": "ch-6-p-67",
"n": 67,
"text": "“그래도 꺼내지 않아. 지금 움직이면 수레가 더 기울 수 있어.”"
},
{
"id": "ch-6-p-68",
"n": 68,
"text": "마렌은 짧게 숨을 내쉬었다. 빈손을 장갑에 문질렀다."
},
{
"id": "ch-6-p-69",
"n": 69,
"text": "“그럼 상자도 여기 남기는 거군요.”"
},
{
"id": "ch-6-p-70",
"n": 70,
"text": "“그래. 짐을 되찾는 일은 다시 길을 열 수 있을 때 해.”"
},
{
"id": "ch-6-p-71",
"n": 71,
"text": "그는 좁은 굽이에서 한 걸음 물러났다. 고삐도, 판도 건드리지 않았다. 기운 수레와 자루들, 배달될 검 상자가 그대로 남았다."
}
],
"pFrom": 63,
"pTo": 71,
"panelCount": 4,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep06-s7.webp",
"blocking": 1,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: 도윤 허리에 둘둘 말린 밧줄. 잃은 줄이 되살아남.",
"en": "Panel 4: a coiled rope hangs at Doyun's hip. His rope was lost in chapter 3 and he only has an empty loop."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "마렌 손이 허리 장부로 갔다 멈추는 동작이 없고(1칸은 턱에 손), 3칸은 빈손을 장갑에 문지르는 대신 두 장갑 손을 비빔.",
"en": "Beats 1 and 5: Maren's hand moving to the waist ledger and stopping is not shown (panel 1 has her gloved hand at her chin); panel 3 shows both gloved hands rubbed together rather than an empty hand rubbed against a glove."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·3·4칸: 계획 문구의 따옴표가 빠짐. 글자 자체는 정확.",
"en": "Panels 1, 3 and 4 drop the quotation marks that the plan's text entries carry; the words are exact."
}
],
"textsTotal": 5,
"textsOk": 5,
"timings": {
"planS": [
45,
50,
42,
54,
26
],
"preflightS": [
149,
131,
104,
111
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1181,
"plan": {
"intent": "Let Maren’s concern for the person awaiting the sword weigh against the risk of shifting the already tilted wagon. Doyun chooses not to retrieve the cargo, and the scene ends with the delivery still left behind and recovery deferred.",
"staging": "Keep the tilted wagon, its sacks, the wooden sword crate, the board with its iron hook, and the narrow bend as the necessary spatial facts. Maren wears gloves; show her hand move toward the ledger at her waist and stop, then show her rubbing her empty hand against a glove. Keep the destination writing blurred and unreadable; add no other visible writing. Doyun is the speaker of the decision lines and the one who steps back. Show him touching neither the reins nor the board. Maintain the post-rain morning setting without specifying unestablished terrain or mechanics. Leave composition and transitions to the artist.",
"uncertainties": [
"The person waiting for the sword is not identified, and the destination writing cannot be read.",
"The excerpt does not explain the hook’s purpose or establish that it can be used to remove the cargo.",
"The precise mechanics of how movement could worsen the wagon’s tilt are not specified."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-6-p-64",
"kind": "dialogue",
"speaker": "c4",
"text": "“검을 기다리는 사람이 있겠네요.”"
},
{
"id": "text-2",
"sourceId": "ch-6-p-65",
"kind": "dialogue",
"speaker": "c2",
"text": "“있겠지.”"
},
{
"id": "text-3",
"sourceId": "ch-6-p-67",
"kind": "dialogue",
"speaker": "c2",
"text": "“그래도 꺼내지 않아. 지금 움직이면 수레가 더 기울 수 있어.”"
},
{
"id": "text-4",
"sourceId": "ch-6-p-69",
"kind": "dialogue",
"speaker": "c4",
"text": "“그럼 상자도 여기 남기는 거군요.”"
},
{
"id": "text-5",
"sourceId": "ch-6-p-70",
"kind": "dialogue",
"speaker": "c2",
"text": "“그래. 짐을 되찾는 일은 다시 길을 열 수 있을 때 해.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-6-p-63"
],
"action": "Maren’s attention returns to the sword crate and its unreadable destination. Her hand moves toward her ledger, then stops without using it.",
"textIds": []
},
{
"id": "beat-2",
"sourceIds": [
"ch-6-p-64"
],
"action": "Maren voices the human cost of leaving the sword behind: someone is waiting for it.",
"textIds": [
"text-1"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-6-p-65"
],
"action": "Doyun acknowledges that someone is waiting.",
"textIds": [
"text-2"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-6-p-66",
"ch-6-p-67"
],
"action": "Doyun looks at the iron hook on the board and refuses to remove the cargo now, citing the risk that movement could worsen the wagon’s tilt.",
"textIds": [
"text-3"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-6-p-68"
],
"action": "Maren exhales and rubs her empty hand against a glove.",
"textIds": []
},
{
"id": "beat-6",
"sourceIds": [
"ch-6-p-69"
],
"action": "Maren confirms that the crate will be left behind too.",
"textIds": [
"text-4"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-6-p-70",
"ch-6-p-71"
],
"action": "Doyun says they will recover the cargo once the road can be opened again, then steps back without touching the reins or board. The tilted wagon and its cargo remain.",
"textIds": [
"text-5"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-6-p-63"
],
"statement": "Maren looks again at the wooden crate on the wagon. Its destination writing is too blurred to read. Her hand moves toward the ledger at her waist, then stops."
},
{
"id": "fact-2",
"sourceIds": [
"ch-6-p-64",
"ch-6-p-65"
],
"statement": "Maren says someone must be waiting for the sword, and Doyun agrees."
},
{
"id": "fact-3",
"sourceIds": [
"ch-6-p-66",
"ch-6-p-67"
],
"statement": "Doyun looks at the iron hook on the board and says they will not take the cargo out now, because moving could make the wagon tilt further."
},
{
"id": "fact-4",
"sourceIds": [
"ch-6-p-68",
"ch-6-p-69",
"ch-6-p-70"
],
"statement": "Maren exhales, rubs her empty hand against a glove, and asks whether the crate will stay too. Doyun says they will recover the cargo when they can open the road again."
},
{
"id": "fact-5",
"sourceIds": [
"ch-6-p-71"
],
"statement": "Doyun steps back from the narrow bend without touching the reins or the board. The tilted wagon, sacks, and delivery crate of swords remain."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink linework, adult cast, cute small marten, consistent clothing and props, coherent post-rain morning light.",
"moments": [
{
"sourceIds": [
"ch-6-p-63",
"ch-6-p-64",
"ch-6-p-65"
],
"action": "Maren pauses with her gloved hand beside her waist ledger, looking at the sword crate’s blurred, unreadable destination; Doyun answers nearby.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-6-p-66",
"ch-6-p-67"
],
"action": "Doyun looks at the iron hook on the board beside the tilted wagon, explaining why the cargo stays in place.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-6-p-68",
"ch-6-p-69"
],
"action": "Maren exhales, rubbing her empty hand against a glove as she asks whether the sword crate stays too.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-6-p-70",
"ch-6-p-71"
],
"action": "Doyun stands a step back from the narrow bend while the tilted wagon, sacks, and sword crate remain; a small marten is unobtrusive in the scene.",
"textIds": [
"text-5"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": false,
"evidence": "Maren (curly red hair, brick vest, gloves), Lia and Bori match s6, but Doyun again carries a coiled rope at his hip in panel 4 although his rope is lost."
},
"setting": {
"passed": true,
"evidence": "The same wet rock wall, misty valley and narrow bend with the stopped wagon as s6."
},
"actionTransition": {
"passed": true,
"evidence": "s6 ended with the group deciding at the bend; s7 returns to the wagon's sword crate (p63) and ends with Doyun stepping back (p71)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "검을 기다리는 사람이 있겠네요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-2",
"observedText": "있겠지.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 small balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-3",
"observedText": "그래도 꺼내지 않아. 지금 움직이면 수레가 더 기울 수 있어.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Doyun as he looks at the iron hook; exact text without quotation marks."
},
{
"id": "text-4",
"observedText": "그럼 상자도 여기 남기는 거군요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-5",
"observedText": "그래. 짐을 되찾는 일은 다시 길을 열 수 있을 때 해.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Doyun seen from behind; exact text without quotation marks."
}
],
"evidence": "Four full-width panels. 1: Maren in the foreground beside the sword crate whose destination lettering is blurred, Doyun behind the wagon answering. 2: Doyun close-up pointing at the iron hook on the board without touching it. 3: Maren exhaling (visible breath) and rubbing her gloved hands. 4: Doyun from behind stepping away from the tilted wagon, sacks and crate; Bori by the wheel, Maren and Lia watching.",
"observedPanelCount": 4
}
},
{
"id": "s8",
"n": 8,
"title": "장부의 빈칸",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-6-p-72",
"n": 72,
"text": "돌아갈 때 보리는 바위 틈을 다시 돌아봤다. 리아가 손을 내밀자 보리는 한 번 망설이고 어깨로 올라왔다. 꼬리가 목에 감겼다가, 위쪽 홈에 닿자 조금 느슨해졌다."
},
{
"id": "ch-6-p-73",
"n": 73,
"text": "도윤은 둔덕에 올라서자 길드 장부를 폈다. 닫힌 굽이 아래로 짧은 선을 긋고, 그 옆에 사슴 발자국과 오래된 흔적이 이어진 방향을 적었다. 사람 통행 가능 여부를 적는 칸에는 아무것도 쓰지 않았다."
},
{
"id": "ch-6-p-74",
"n": 74,
"text": "“방향은 기록하겠어. 하지만 다음 사람을 보내려면, 어디까지 확인했는지도 같이 있어야 해.”"
},
{
"id": "ch-6-p-75",
"n": 75,
"text": "리아는 장부의 빈칸을 보았다. 가죽 조각을 그릴 수는 있었다. 둔덕 너머의 길까지 적으려면 더 가야 했다. 지도에 어디까지 남길지, 누구에게 보여 줄지는 아직 정해지지 않았다."
},
{
"id": "ch-6-p-76",
"n": 76,
"text": "마렌이 장부를 덮어 주었다. 그녀의 시선은 번진 배달표가 붙은 상자에 한 번 더 머물렀다."
},
{
"id": "ch-6-p-77",
"n": 77,
"text": "아래에서는 사슴들이 바위 뒤로 사라지고 있었다. 골짜기의 굽이는 사람에게 열린 길이 아니라, 그들이 지나가는 방향을 드러낸 표식으로 남았다."
}
],
"pFrom": 72,
"pTo": 77,
"panelCount": 10,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep06-s8.webp",
"blocking": 0,
"advisory": 2,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 빈칸 위에 '사람 통행 가능 여부' 인쇄 머리글을 그림. 캡션의 칸 이름을 되풀이할 뿐 새 주장은 없지만 계획에 없는 글자.",
"en": "Panel 5: the blank field carries a printed header 사람 통행 가능 여부 in the ledger. It restates the caption's field name and adds no claim, but it is lettering the plan did not ask for."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "10칸: 사슴이 바위 뒤로 사라지지 않고 길 위 바위 곁에 드러나 서 있음.",
"en": "Panel 10: the deer stand in the open on the path by the rocks rather than disappearing behind them."
}
],
"textsTotal": 13,
"textsOk": 13,
"timings": {
"planS": [
62,
69
],
"preflightS": [
206,
230
],
"imageS": 48,
"imageCalls": 1,
"preflightRevisions": 1
},
"imageUsd": 0.0787,
"plan": {
"intent": "Make the difference between recording an animal route and authorizing a human one legible. Bori’s chosen return to Lia, Doyun’s careful but limited record, and Lia’s unresolved decision about what to share leave the bend as evidence of direction—not proof of a road for people.",
"staging": "Full-color fantasy comic with expressive ink lines, an adult cast, and a small, cute marten; maintain coherent post-rain morning light and terrain. Keep the necessary spatial relations only: Doyun is on the rise, the deer are below and disappear behind rocks, and Bori climbs onto Lia’s shoulder. Leave the location and referent of the upper groove unspecified; the image need only show Bori’s tail loosening. Lia uses only her left hand; keep her folded right wrist inside her sleeve. Maren wears gloves. Doyun’s belt loop is empty and he carries no rope. The ledger may show the source-described line and direction as non-legible marks, with the human-passage field blank; add no other legible writing. Keep the delivery slip smeared and unreadable. Use generous, uncluttered lettering space and preserve the caption sequence, broken only at source sentence boundaries. Let the artist choose composition, transitions, and the arrangement of the ten panels.",
"uncertainties": [
"The source does not establish what the upper groove refers to or where it is; do not locate it on Bori or in the terrain.",
"The source does not specify the exact geography of the closed bend or how far the recorded traces continue.",
"Whether people can pass is explicitly left unrecorded; do not turn the deer’s direction into a confirmed human route.",
"Lia’s eventual map scope and intended audience remain undecided.",
"The delivery slip is smeared; its writing and the box’s destination are not legible."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-6-p-72",
"kind": "caption",
"speaker": "narrator",
"text": "돌아갈 때 보리는 바위 틈을 다시 돌아봤다."
},
{
"id": "text-2",
"sourceId": "ch-6-p-72",
"kind": "caption",
"speaker": "narrator",
"text": "리아가 손을 내밀자 보리는 한 번 망설이고 어깨로 올라왔다."
},
{
"id": "text-3",
"sourceId": "ch-6-p-72",
"kind": "caption",
"speaker": "narrator",
"text": "꼬리가 목에 감겼다가, 위쪽 홈에 닿자 조금 느슨해졌다."
},
{
"id": "text-4",
"sourceId": "ch-6-p-73",
"kind": "caption",
"speaker": "narrator",
"text": "도윤은 둔덕에 올라서자 길드 장부를 폈다."
},
{
"id": "text-5",
"sourceId": "ch-6-p-73",
"kind": "caption",
"speaker": "narrator",
"text": "닫힌 굽이 아래로 짧은 선을 긋고, 그 옆에 사슴 발자국과 오래된 흔적이 이어진 방향을 적었다."
},
{
"id": "text-6",
"sourceId": "ch-6-p-73",
"kind": "caption",
"speaker": "narrator",
"text": "사람 통행 가능 여부를 적는 칸에는 아무것도 쓰지 않았다."
},
{
"id": "text-7",
"sourceId": "ch-6-p-74",
"kind": "dialogue",
"speaker": "c2",
"text": "“방향은 기록하겠어. 하지만 다음 사람을 보내려면, 어디까지 확인했는지도 같이 있어야 해.”"
},
{
"id": "text-8",
"sourceId": "ch-6-p-75",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 장부의 빈칸을 보았다."
},
{
"id": "text-9",
"sourceId": "ch-6-p-75",
"kind": "caption",
"speaker": "narrator",
"text": "가죽 조각을 그릴 수는 있었다."
},
{
"id": "text-10",
"sourceId": "ch-6-p-75",
"kind": "caption",
"speaker": "narrator",
"text": "둔덕 너머의 길까지 적으려면 더 가야 했다. 지도에 어디까지 남길지, 누구에게 보여 줄지는 아직 정해지지 않았다."
},
{
"id": "text-11",
"sourceId": "ch-6-p-76",
"kind": "caption",
"speaker": "narrator",
"text": "마렌이 장부를 덮어 주었다. 그녀의 시선은 번진 배달표가 붙은 상자에 한 번 더 머물렀다."
},
{
"id": "text-12",
"sourceId": "ch-6-p-77",
"kind": "caption",
"speaker": "narrator",
"text": "아래에서는 사슴들이 바위 뒤로 사라지고 있었다."
},
{
"id": "text-13",
"sourceId": "ch-6-p-77",
"kind": "caption",
"speaker": "narrator",
"text": "골짜기의 굽이는 사람에게 열린 길이 아니라, 그들이 지나가는 방향을 드러낸 표식으로 남았다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-6-p-72"
],
"action": "While returning, Bori turns to look back toward the crevice.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-6-p-72"
],
"action": "Lia offers her left hand. After a hesitation, Bori climbs onto her shoulder.",
"textIds": [
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-6-p-72"
],
"action": "Bori’s tail, wrapped around the neck, loosens slightly. Do not assign the unspecified upper groove to a body part or a feature of the terrain.",
"textIds": [
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-6-p-73"
],
"action": "On the rise, Doyun opens the guild ledger and records the short line and the direction of the deer tracks and older traces below the closed bend. Keep the human-passage field visibly blank; show no added legible writing.",
"textIds": [
"text-4",
"text-5",
"text-6"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-6-p-74"
],
"action": "Doyun explains why the ledger must state how much of the route has actually been checked, not only its direction.",
"textIds": [
"text-7"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-6-p-75"
],
"action": "Lia studies the blank field and considers what can be recorded now. The route beyond the rise has not been checked, and she has not decided how much to put on the map or who should see it.",
"textIds": [
"text-8",
"text-9",
"text-10"
]
},
{
"id": "beat-7",
"sourceIds": [
"ch-6-p-76"
],
"action": "Maren closes the ledger; her attention returns to the box with the smeared delivery slip.",
"textIds": [
"text-11"
]
},
{
"id": "beat-8",
"sourceIds": [
"ch-6-p-77"
],
"action": "The deer below disappear behind rocks. The bend reads as a sign of their direction, not as a confirmed route for people.",
"textIds": [
"text-12",
"text-13"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-6-p-72"
],
"statement": "As they return, Bori looks back toward a crevice. Bori hesitates before climbing onto Lia’s shoulder after she offers a hand. Bori’s tail, which had wrapped around the neck, loosens slightly when it reaches an unspecified upper groove."
},
{
"id": "fact-2",
"sourceIds": [
"ch-6-p-73"
],
"statement": "Doyun opens the guild ledger after reaching a rise. He draws a short line below a closed bend and records the direction of deer tracks and older traces. The field for whether people can pass is left blank."
},
{
"id": "fact-3",
"sourceIds": [
"ch-6-p-74"
],
"statement": "Doyun says that recording a direction is not enough for sending someone after it; the extent actually checked must also be recorded."
},
{
"id": "fact-4",
"sourceIds": [
"ch-6-p-75"
],
"statement": "Lia looks at the blank field. She could draw a piece of leather, but recording the path beyond the rise would require going farther. The extent to show on the map and who should see it are undecided."
},
{
"id": "fact-5",
"sourceIds": [
"ch-6-p-76"
],
"statement": "Maren closes the ledger and looks again at a box bearing a smeared delivery slip."
},
{
"id": "fact-6",
"sourceIds": [
"ch-6-p-77"
],
"statement": "Below, deer are disappearing behind rocks. The valley bend remains an indication of the direction they travel, not a path open to people."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink lines, adult cast, small marten, coherent post-rain morning light.",
"moments": [
{
"sourceIds": [
"ch-6-p-72"
],
"action": "On the return, Bori looks back toward a crevice in the rocks.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-6-p-72"
],
"action": "Bori settles on Lia's shoulder beside her offered left hand; Lia's folded right wrist stays inside her sleeve.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-6-p-72"
],
"action": "Bori's tail loosens slightly from its coil.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-6-p-73"
],
"action": "On the rise, Doyun's open ledger shows a short line beneath a closed bend and non-legible direction marks for deer tracks and older traces.",
"textIds": [
"text-4",
"text-5"
]
},
{
"sourceIds": [
"ch-6-p-73"
],
"action": "The ledger's human-passage field stays blank beside the recorded animal direction.",
"textIds": [
"text-6"
]
},
{
"sourceIds": [
"ch-6-p-74"
],
"action": "Doyun speaks beside the ledger, his belt loop empty.",
"textIds": [
"text-7"
]
},
{
"sourceIds": [
"ch-6-p-75"
],
"action": "Lia studies the blank field, considering what can be recorded now.",
"textIds": [
"text-8",
"text-9"
]
},
{
"sourceIds": [
"ch-6-p-75"
],
"action": "Lia weighs how far a map should extend and who should see it, still beside the ledger.",
"textIds": [
"text-10"
]
},
{
"sourceIds": [
"ch-6-p-76"
],
"action": "Maren, gloved hands on the closed ledger, looks toward a box with a smeared delivery slip.",
"textIds": [
"text-11"
]
},
{
"sourceIds": [
"ch-6-p-77"
],
"action": "Below the rise, deer disappear behind rocks at the valley bend.",
"textIds": [
"text-12",
"text-13"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia (brown bob, sand jacket, fingerless gloves), Doyun (dark green hooded coat, no rope visible), Maren (curly red hair, brick vest, gloves) and Bori match s7."
},
"setting": {
"passed": true,
"evidence": "The same wet rock wall, misty valley and pines after rain; Doyun now on the rise above the bend as p73 states."
},
"actionTransition": {
"passed": true,
"evidence": "s7 ended with Doyun stepping back from the stopped wagon; s8 is the return (p72) and the ledger entry on the rise (p73-p77), with the sword crate still in view."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "돌아갈 때 보리는 바위 틈을 다시 돌아봤다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 caption over Bori at the rock crevice; exact text."
},
{
"id": "text-2",
"observedText": "리아가 손을 내밀자 보리는 한 번 망설이고 어깨로 올라왔다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 caption as Bori sits on Lia's shoulder; exact text."
},
{
"id": "text-3",
"observedText": "꼬리가 목에 감겼다가, 위쪽 홈에 닿자 조금 느슨해졌다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 caption as the tail around Lia's neck loosens; exact text."
},
{
"id": "text-4",
"observedText": "도윤은 둔덕에 올라서자 길드 장부를 폈다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 upper caption over Doyun opening the ledger on the rise; exact text."
},
{
"id": "text-5",
"observedText": "닫힌 굽이 아래로 짧은 선을 긋고, 그 옆에 사슴 발자국과 오래된 흔적이 이어진 방향을 적었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 second caption beside the open ledger; exact text."
},
{
"id": "text-6",
"observedText": "사람 통행 가능 여부를 적는 칸에는 아무것도 쓰지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption over the ledger close-up; exact text."
},
{
"id": "text-7",
"observedText": "“방향은 기록하겠어. 하지만 다음 사람을 보내려면, 어디까지 확인했는지도 같이 있어야 해.”",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with its tail to Doyun; quotation marks kept; exact text."
},
{
"id": "text-8",
"observedText": "리아는 장부의 빈칸을 보았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 caption, first line, over Lia looking at the ledger; exact text."
},
{
"id": "text-9",
"observedText": "가죽 조각을 그릴 수는 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 caption, second line; exact text."
},
{
"id": "text-10",
"observedText": "둔덕 너머의 길까지 적으려면 더 가야 했다. 지도에 어디까지 남길지, 누구에게 보여 줄지는 아직 정해지지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 8 caption over Lia looking out beyond the rise; exact text."
},
{
"id": "text-11",
"observedText": "마렌이 장부를 덮어 주었다. 그녀의 시선은 번진 배달표가 붙은 상자에 한 번 더 머물렀다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 9 caption over Maren closing the ledger beside the crate; exact text."
},
{
"id": "text-12",
"observedText": "아래에서는 사슴들이 바위 뒤로 사라지고 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 10 upper caption over the deer below; exact text."
},
{
"id": "text-13",
"observedText": "골짜기의 굽이는 사람에게 열린 길이 아니라, 그들이 지나가는 방향을 드러낸 표식으로 남았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 10 lower caption; exact text."
}
],
"evidence": "Ten panels in four rows (3, 2, 3, 2), read left to right, top to bottom. Row 1: Bori looking back at the crevice; Bori on Lia's shoulder; Lia with eyes closed as the tail loosens around her neck. Row 2: Doyun on the rise drawing in the open ledger (sketches and marks, nothing legible); ledger close-up with hoofprint marks and a blank field. Row 3: Doyun speaking; Lia looking at the ledger with Bori; Lia from behind looking over the valley. Row 4: Maren pressing the closed ledger beside the crate with its smeared slip; deer below among the rocks.",
"observedPanelCount": 10
}
}
]
},
{
"chapter": 7,
"title": "고쳐 적는 길",
"host": "GPT-6 Sol",
"model": "gpt-6-sol",
"effort": "high",
"novelHost": "GPT-6 Sol",
"novelModel": "gpt-6-sol",
"sceneCount": 8,
"panelTotal": 50,
"passCount": 1,
"blockingTotal": 10,
"advisoryTotal": 18,
"blockingByLayer": {
"render": 9,
"pipeline": 1
},
"imageCalls": 8,
"imageOk": 8,
"cliCalls": 37,
"arc": {
"number": 3,
"title": "사람이 지날 길",
"designedBy": "gpt-6-sol",
"staleDirection": true
},
"cost": {
"novelUsd": 0.0,
"webtoonUsd": 0.0,
"webtoonUsdLow": 0.0,
"estimated": false,
"imageUsd": 1.02,
"imageEstimated": false,
"costsApiUsd": 0.0
},
"tokens": {
"novel": {
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"cached": 0,
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}
},
"note": "아크 3「사람이 지날 길」(7~9화)은 gpt-6-sol이 lore_arc_plan auto로 설계. 이때 하네스 패치 오류(오케스트레이터 실수)로 4화용 옛 방향 문구가 전달되었고, 결과를 유지하고 공개하기로 함. 소설 7화는 gpt-6-sol 5패스 12호출, 검증 거절 0회 자동 커밋. 편집 점수가 8로 기록됨(다른 항목은 100점 척도라 10점 척도로 답한 것으로 보이나 그대로 둠). 각색: s3가 사전 검증 3회 차단(방향 문구의 둔덕·판자길을 마당 발췌의 필수 장소로 읽음) → 방향 문구 중립화 후 새 워크플로. s3 이미지에 판자길 참조가 새어 들어가 s5부터 ref-broken-planks를 s8에만 붙임. ref-broken-planks는 이 run에서 생성(첫 장에 성이 그려져 “건물 없음”으로 1회 재생성). OpenAI usage API는 9/23 gpt-6-sol 요청을 39건으로 집계했으나 하네스 기록은 37건(소설 12·아크 2·각색 23)이며, 2건 차이는 원인을 확인하지 못함(Costs API 금액은 $0).",
"reviewer": {
"host": "claude-code",
"model": "claude-opus-5-5",
"note": "오케스트레이터(claude-opus-5-5)의 시각 검토. gpt-6-sol와 다른 회사 모델이지만 오케스트레이터 자기검토라 독립 평가 아님."
},
"scenes": [
{
"id": "s1",
"n": 1,
"title": "출발 직전의 수레",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-7-p-1",
"n": 1,
"text": "마렌이 덮어 준 장부는 골짜기를 벗어날 때까지 리아의 손에 있었다. 내리막에서 책등이 오른손목에 스치자 손가락이 움찔했다. 리아는 장부를 왼팔에 끼고 걸음을 늦추지 않았다."
},
{
"id": "ch-7-p-2",
"n": 2,
"text": "앞서 가던 도윤이 둔덕 아래를 살폈다. 사슴들이 지나간 굽이는 바위에 가려 보이지 않았지만, 거점 쪽에서는 마차 바퀴 소리가 올라왔다. 마렌도 그 소리를 듣고 발을 재촉했다."
},
{
"id": "ch-7-p-3",
"n": 3,
"text": "“벌써 다음 수레를 붙였나 봅니다.”"
},
{
"id": "ch-7-p-4",
"n": 4,
"text": "거점 마당에 닿자 말 두 마리가 고삐를 당기며 출발할 채비를 하고 있었다. 수레 옆에는 물자 자루가 높이 묶여 있었고, 장부대에는 리아가 앞서 적은 통행 기록이 펼쳐져 있었다. 굽이 쪽에 붙은 ‘통행 가능’이라는 글씨가 멀리서도 눈에 들어왔다."
},
{
"id": "ch-7-p-5",
"n": 5,
"text": "리아가 골짜기에 들어가기 전 남긴 한 줄이었다. 그 아래 마수 흔적은 적다고 쓰여 있었다."
},
{
"id": "ch-7-p-6",
"n": 6,
"text": "“수레 세워!”"
},
{
"id": "ch-7-p-7",
"n": 7,
"text": "도윤이 말 앞으로 돌아 들어갔다. 고삐를 잡은 손이 멈추자 말이 콧김을 뿜으며 제자리에서 발을 굴렀다. 마렌은 바퀴 앞에 세워 두었던 받침목을 도로 밀어 넣었다. 나무가 바퀴에 맞물리는 소리가 났다."
}
],
"pFrom": 1,
"pTo": 7,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep07-s1.webp",
"blocking": 3,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 도윤 허리에 둘둘 말린 밧줄. 3화에서 잃은 줄이 되살아남(원문은 빈 고리).",
"en": "Panel 1: a coiled rope hangs at Doyun's hip. His rope was lost in chapter 3 and the source keeps only an empty loop."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸 캡션: '리아가'를 '리야가'로 씀. 주인공 이름 오기.",
"en": "Panel 3 caption (text-3) renders 리아가 as 리야가, misspelling the protagonist's name."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 장부를 '통행 기록부·날짜·이름·인원·목적지·비고' 인쇄 양식과 붉은 '통행 가능' 도장으로 그림. 원문은 리아의 '통행 가능' 한 줄과 짐승 흔적이 적었다는 메모뿐. 창작 글자.",
"en": "Panel 3: the ledger is drawn as a printed form with invented lettering 통행 기록부, 날짜, 이름, 인원, 목적지, 비고, 5/14, 리아, 1, 북쪽 골짜기 and a red 통행 가능 stamp. The source gives only Lia's one line 통행 가능 with a note that beast traces were few."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·4칸: 리아가 양손(장갑)으로 장부를 들고 손짓함. 다친 오른 손목을 소매 안에 두지 않음.",
"en": "Panels 1 and 4: Lia holds the ledger and gestures with gloved hands on both arms; the injured right wrist is not kept inside the sleeve."
},
{
"severity": "advisory",
"layer": "adapt",
"layerLabel": "각색 호스트",
"ko": "1칸: 마지막 장면의 부러진 판자길 끝이 골짜기 하산길에 나옴. 계획 첫 순간이 일행을 그곳에 세웠는데 원문(p1-p2)에는 없는 위치.",
"en": "Panel 1: the broken boardwalk end from the chapter's final scene appears on the descent from the valley; the plan's first moment placed the group by it, which the source (p1-p2) does not state."
},
{
"severity": "advisory",
"layer": "adapt",
"layerLabel": "각색 호스트",
"ko": "계획이 '수레 세워!'를 리아 대사로 배정. 원문은 화자 미표기이고 곧바로 도윤이 말 앞을 막아 도윤 대사일 수 있음. 그림은 계획을 따름.",
"en": "Beat-3 assigns 수레 세워! to Lia, but the source line is unattributed and followed at once by Doyun stepping in front of the horses, so it may be Doyun's; the image follows the plan."
}
],
"textsTotal": 4,
"textsOk": 4,
"timings": {
"planS": [
37
],
"preflightS": [
66
],
"imageS": 48,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.118,
"plan": {
"intent": "A routine departure becomes urgent when Lia sees that the wagon is about to rely on the passage record she wrote before entering the valley. Her warning turns immediately into a shared effort to halt it.",
"staging": "Keep the descent and outpost yard in the same daytime, post-rain sequence. Rocks obstruct the view of the bend, not the sound from the outpost. In the yard, the open record is at the ledger stand under the eaves; the two horses, loaded wagon, reins and wheel chock must remain spatially clear enough to follow the stop. Lia carries the covered ledger under her left arm and keeps her injured right wrist inside her sleeve; Maren wears worn gloves, and Doyun carries no rope. A notice board may appear without readable tags. Apart from text-2, add no legible writing to records or props.",
"uncertainties": [
"The excerpt does not explicitly identify the speakers of the two dialogue lines. This adaptation assigns the remark to Maren and the stop command to Lia based on their adjacent actions.",
"The bend is hidden, so its current safety and the deer's present location are not established. The earlier record is shown as Lia's prior assessment, not as proof that the route is safe now.",
"The person holding the reins is not identified. Do not assign that hand to Doyun or invent a mechanism for the wagon's halt."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-7-p-3",
"kind": "dialogue",
"speaker": "c4",
"text": "벌써 다음 수레를 붙였나 봅니다."
},
{
"id": "text-2",
"sourceId": "ch-7-p-4",
"kind": "physical",
"speaker": "narrator",
"text": "통행 가능"
},
{
"id": "text-3",
"sourceId": "ch-7-p-5",
"kind": "caption",
"speaker": "narrator",
"text": "리아가 골짜기에 들어가기 전 남긴 한 줄이었다."
},
{
"id": "text-4",
"sourceId": "ch-7-p-6",
"kind": "dialogue",
"speaker": "c1",
"text": "수레 세워!"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-7-p-1",
"ch-7-p-2",
"ch-7-p-3"
],
"action": "Lia shifts the ledger away from her hurt wrist as the group descends. Doyun cannot see around the rocky bend, but the approaching wheel sound prompts Maren to hurry and remark on another wagon.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-7-p-4",
"ch-7-p-5"
],
"action": "They reach the yard as the loaded wagon prepares to leave. Lia recognizes her own earlier clearance entry on the open record, making the departure an immediate concern.",
"textIds": [
"text-2",
"text-3"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-7-p-6",
"ch-7-p-7"
],
"action": "Lia calls for the wagon to stop. Doyun moves before the horses, the reins cease moving, and Maren restores the wheel chock; the wagon does not depart.",
"textIds": [
"text-4"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-7-p-1"
],
"statement": "Maren covered the ledger, and Lia carried it out of the valley. Its spine brushed Lia's right wrist on the descent, making her fingers flinch; she tucked it under her left arm without slowing."
},
{
"id": "fact-2",
"sourceIds": [
"ch-7-p-2"
],
"statement": "Doyun looks below the mound. Rocks hide the bend the deer passed through, while wagon-wheel sounds rise from the outpost; Maren hears them too and quickens her pace."
},
{
"id": "fact-3",
"sourceIds": [
"ch-7-p-4",
"ch-7-p-5"
],
"statement": "In the outpost yard, two horses are preparing to pull a wagon with supply sacks tied high beside it. Lia's earlier passage record lies open at the ledger stand. She wrote its visible clearance entry before entering the valley, with a lower assessment that monster traces were few."
},
{
"id": "fact-4",
"sourceIds": [
"ch-7-p-7"
],
"statement": "After the warning, Doyun moves in front of the horses. The hand holding the reins stops; the horses snort and stamp in place. Maren pushes the wooden chock back against the wheel."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic with expressive ink lines, adult cast, and coherent post-rain daylight.",
"moments": [
{
"sourceIds": [
"ch-7-p-1",
"ch-7-p-2",
"ch-7-p-3"
],
"action": "On the grassy descent by an old boardwalk's broken end, Lia carries the covered ledger under her left arm, right wrist sleeved; Doyun looks downhill toward rocks as gloved Maren speaks.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-7-p-4"
],
"action": "Lia sees two horses tugging before a sack-laden wagon; her earlier passage record lies open at the stand under the outpost eaves.",
"textIds": []
},
{
"sourceIds": [
"ch-7-p-4",
"ch-7-p-5"
],
"action": "Lia studies the passage record at the stand, its clearance entry visible; the covered ledger remains under her left arm.",
"textIds": [
"text-2",
"text-3"
]
},
{
"sourceIds": [
"ch-7-p-6"
],
"action": "Lia shouts beside the wagon, the covered ledger under her left arm; a small marten sits nearby.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-7-p-7"
],
"action": "Doyun, his belt loop empty, stands before the stamping horses while gloved Maren fits the wooden chock against the wagon wheel.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": false,
"identity": {
"passed": false,
"evidence": "No previous scene image; compared against the character references. Faces and clothing match (Lia sand jacket, Maren brick vest and gloves, Doyun green hooded coat and sword), but panel 1 hangs a coiled rope at Doyun's hip although his rope is lost and the direction requires an empty belt loop."
},
"setting": {
"passed": true,
"evidence": "Panel 1 is a grassy slope above a ravine; panels 2-5 use the outpost with the eaves, counter and fence from the reference."
},
"actionTransition": {
"passed": true,
"evidence": "First scene of the episode: the descent (panel 1) leads to the yard where the wagon is about to leave (panel 2) and ends with the wagon held (panel 5)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "벌써 다음 수레를 붙였나 봅니다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail to Maren pointing downhill; exact text."
},
{
"id": "text-2",
"observedText": "통행 가능",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 ledger shows 통행 가능 in the remarks column and again as a red stamp."
},
{
"id": "text-3",
"observedText": "리야가 골짜기에 들어가기 전 남긴 한 줄이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 caption box; 리아가 is rendered as 리야가."
},
{
"id": "text-4",
"observedText": "수레 세워!",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Lia, as the plan assigns."
}
],
"evidence": "Five panels. Row 1 wide: Lia holding a ledger, Maren pointing and speaking, Doyun looking downhill with a coiled rope at his hip, an old plank end at the slope edge behind him. Row 2: a covered wagon with two horses and a hooded driver; Lia looking at the outpost counter where a man stands. Row 3: close-up of a printed ledger page with columns and a red stamp, Lia's face beside it. Row 4: Lia shouting with an outstretched hand, Bori on a rock, the wagon behind. Row 5: Doyun in front of the horses with a raised palm while Maren fits a chock under the wheel.",
"observedPanelCount": 5
}
},
{
"id": "s2",
"n": 2,
"title": "내가 쓴 기록",
"status": "completed",
"verdict": "pass",
"units": [
{
"id": "ch-7-p-8",
"n": 8,
"text": "장부대 주위로 모여 있던 사람들의 시선이 리아에게 쏠렸다. 묶어 놓은 짐은 당장이라도 떠날 모양새였다. 이 수레가 왜 멈췄는지, 대신 어디로 가야 하는지 누군가는 말해야 했다."
},
{
"id": "ch-7-p-9",
"n": 9,
"text": "마렌이 수레의 짐을 한 번 훑고 리아 쪽을 보았다."
},
{
"id": "ch-7-p-10",
"n": 10,
"text": "“굽이는 안 된다고 말할 수 있어요. 그럼 어디로 돌릴 건지는요?”"
},
{
"id": "ch-7-p-11",
"n": 11,
"text": "리아는 대답하려다 장부의 글씨를 다시 보았다. 저 한 줄을 믿고 먼저 들어간 수레가 아직 골짜기에 기울어 있었다. 검 상자도, 꺼내지 못한 배송품도 그 안에 남았다."
},
{
"id": "ch-7-p-12",
"n": 12,
"text": "“지금은 돌릴 길이 없어요.”"
},
{
"id": "ch-7-p-13",
"n": 13,
"text": "“그럼 그 말부터 해야겠네요.”"
},
{
"id": "ch-7-p-14",
"n": 14,
"text": "마렌은 받침목에서 발을 떼지 않았다. 도윤도 말고삐를 놓지 않은 채 리아를 기다렸다."
},
{
"id": "ch-7-p-15",
"n": 15,
"text": "리아는 장부대 앞으로 가서 오래된 기록을 닫지 않고 그대로 옆으로 밀었다."
},
{
"id": "ch-7-p-16",
"n": 16,
"text": "“도윤, 골짜기에서 적은 거 꺼내 줘. 내 기록이랑 같이 볼 수 있게.”"
},
{
"id": "ch-7-p-17",
"n": 17,
"text": "도윤이 겉옷 안에서 접힌 종이를 꺼냈다. 새벽에 수레를 붙일 때 서명한 쪽지와, 골짜기 아래에서 발굽 자국을 보고 적은 확인 기록이었다. 그는 리아가 펼친 장부 옆에 그것들을 차례로 놓았다. 먼저 들어간 수레의 운행이 어디서 멈췄는지도 종이 끝에 적혀 있었다."
},
{
"id": "ch-7-p-18",
"n": 18,
"text": "리아는 장부의 ‘흔적 적음’에 손가락을 얹었다."
},
{
"id": "ch-7-p-19",
"n": 19,
"text": "“이건 내가 썼어요. 틀렸어요.”"
}
],
"pFrom": 8,
"pTo": 19,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep07-s2.webp",
"blocking": 0,
"advisory": 2,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "5칸: 도윤의 서명 쪽지와 발자국 기록이 글 대신 풍경 스케치 지도 두 장으로 그려짐. 글자는 읽히지 않아 창작 문구는 없음.",
"en": "Panel 5: Doyun's signed slip and hoofprint record are drawn as two sketched landscape maps rather than written notes; their tiny marks are illegible, so no invented text is readable."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4·6칸: 리아가 오른쪽 손으로 기대고 가리킴. 다친 오른 손목을 소매 안에 두는 설정과 어긋남.",
"en": "Panels 4 and 6: Lia rests and points with the hand on her right side instead of keeping the injured right wrist in the sleeve and using the left."
}
],
"textsTotal": 6,
"textsOk": 6,
"timings": {
"planS": [
41
],
"preflightS": [
76
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1311,
"plan": {
"intent": "A stopped departure becomes a public reckoning. Pressed for an alternative route, Lia admits there is none for now, brings the available records together, and identifies her own mistaken assessment.",
"staging": "Keep the scene in the outpost yard at the halted supply wagon and ledger stand, in the same post-rain daylight as the preceding scene. The chock is at the wagon wheel beneath Maren's foot; Doyun waits with the horses' reins before retrieving his papers. The stranded wagon is Lia's knowledge, not a confirmed view from the yard. Lia keeps her injured right wrist inside her sleeve and uses her left hand to move the record and point; Maren wears worn gloves. Doyun's belt loop is empty, with no rope or coil. Show two distinct papers beside the still-open ledger. The only legible writing on any document is text-5; leave notes, tags, and other ledger entries without additional readable lettering. Let the artist choose the composition and pace the exchange across six legible panels.",
"uncertainties": [
"The excerpt does not establish the exact position or visibility of the tilted wagon relative to the yard; do not depict a sightline to it as fact.",
"The excerpt does not specify how Doyun handles the reins while placing the papers. Do not invent a tethering or release mechanism.",
"The excerpt identifies what the two papers record but does not provide their wording, signatures, or the written location where the wagon stopped."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-7-p-10",
"kind": "dialogue",
"speaker": "c4",
"text": "굽이는 안 된다고 말할 수 있어요. 그럼 어디로 돌릴 건지는요?"
},
{
"id": "text-2",
"sourceId": "ch-7-p-12",
"kind": "dialogue",
"speaker": "c1",
"text": "지금은 돌릴 길이 없어요."
},
{
"id": "text-3",
"sourceId": "ch-7-p-13",
"kind": "dialogue",
"speaker": "c4",
"text": "그럼 그 말부터 해야겠네요."
},
{
"id": "text-4",
"sourceId": "ch-7-p-16",
"kind": "dialogue",
"speaker": "c1",
"text": "도윤, 골짜기에서 적은 거 꺼내 줘. 내 기록이랑 같이 볼 수 있게."
},
{
"id": "text-5",
"sourceId": "ch-7-p-18",
"kind": "physical",
"speaker": "narrator",
"text": "흔적 적음"
},
{
"id": "text-6",
"sourceId": "ch-7-p-19",
"kind": "dialogue",
"speaker": "c1",
"text": "이건 내가 썼어요. 틀렸어요."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-7-p-8",
"ch-7-p-9",
"ch-7-p-10"
],
"action": "With the loaded wagon waiting and the gathered people looking to Lia, Maren asks where it should go if the bend cannot be used.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-7-p-11",
"ch-7-p-12"
],
"action": "Lia starts to answer, sees her earlier entry again, and considers the stranded wagon and its cargo. She states that there is no detour available now.",
"textIds": [
"text-2"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-7-p-13",
"ch-7-p-14"
],
"action": "Maren tells Lia to say that first. Neither Maren nor Doyun resumes the wagon's departure; both wait for Lia to address the people.",
"textIds": [
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-7-p-15",
"ch-7-p-16"
],
"action": "Lia moves the old record aside without closing it and asks Doyun to bring out what he recorded in the valley so it can be examined alongside her entry.",
"textIds": [
"text-4"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-7-p-17"
],
"action": "Doyun takes the folded papers from inside his coat and lays the signed note and hoofprint verification record down in sequence beside the open ledger.",
"textIds": []
},
{
"id": "beat-6",
"sourceIds": [
"ch-7-p-18",
"ch-7-p-19"
],
"action": "Lia places a finger on her earlier assessment and tells everyone that she wrote it and that it was wrong.",
"textIds": [
"text-5",
"text-6"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-7-p-8",
"ch-7-p-9"
],
"statement": "People gathered around the ledger stand turn toward Lia. The wagon's cargo is tied for departure, and Maren looks from it to Lia."
},
{
"id": "fact-2",
"sourceIds": [
"ch-7-p-11"
],
"statement": "Lia knows that a wagon sent ahead on the strength of her earlier entry remains tilted in the valley, with a sword box and undelivered goods still aboard."
},
{
"id": "fact-3",
"sourceIds": [
"ch-7-p-14",
"ch-7-p-15"
],
"statement": "Maren keeps her foot on the wheel chock, and Doyun keeps hold of the reins while they wait. Lia leaves the old record open and slides it aside at the ledger stand."
},
{
"id": "fact-4",
"sourceIds": [
"ch-7-p-17",
"ch-7-p-18"
],
"statement": "Doyun produces a note signed when the wagon was attached at dawn and a verification record made after he examined hoofprints below the valley. The end of the latter records where the earlier wagon's journey stopped. Lia points to her own assessment in the ledger."
}
]
},
"brief": {
"style": "Full-color fantasy comic with expressive inks and post-rain daylight; established adult character designs, Lia's sleeved right wrist, Maren's worn gloves, and Doyun's empty belt loop.",
"moments": [
{
"sourceIds": [
"ch-7-p-8",
"ch-7-p-9",
"ch-7-p-10"
],
"action": "People face Lia at the ledger stand as Maren questions her beside the waiting, loaded two-horse wagon. A small marten sits nearby.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-7-p-11",
"ch-7-p-12"
],
"action": "Lia looks down at her open earlier record while answering the waiting crowd, her injured right wrist tucked inside her sleeve.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-7-p-13",
"ch-7-p-14"
],
"action": "Maren keeps her foot on the wagon's wheel chock as she replies; Doyun waits by the horses, holding their reins.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-7-p-15",
"ch-7-p-16"
],
"action": "At the ledger stand, Lia addresses Doyun with her left hand resting on the still-open old record, now shifted aside.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-7-p-17"
],
"action": "Doyun lays his second paper beside the first and Lia's open ledger, leaving all three documents distinct.",
"textIds": []
},
{
"sourceIds": [
"ch-7-p-18",
"ch-7-p-19"
],
"action": "Lia touches her earlier assessment with her left fingertip; Doyun's two papers remain beside the open ledger as she admits her mistake to the gathered people.",
"textIds": [
"text-5",
"text-6"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia keeps the chestnut bob and sand jacket, Maren the curly red hair, brick vest and gloves, Doyun the green hooded coat and sword, now without the rope s1 showed; Bori matches."
},
"setting": {
"passed": true,
"evidence": "Same outpost yard as s1: the covered wagon with two horses, the counter under the eaves with a lantern, mountains behind."
},
"actionTransition": {
"passed": true,
"evidence": "s1 ended with Doyun at the horses and Maren setting the chock; s2 opens with Maren's foot on the chock and Doyun holding the horses as she questions Lia."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "굽이는 안 된다고 말할 수 있어요. 그럼 어디로 돌릴 건지는요?",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail to Maren; exact text."
},
{
"id": "text-2",
"observedText": "지금은 돌릴 길이 없어요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Lia over the ledger; exact text."
},
{
"id": "text-3",
"observedText": "그럼 그 말부터 해야겠네요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Maren; exact text."
},
{
"id": "text-4",
"observedText": "도윤, 골짜기에서 적은 거 꺼내 줘. 내 기록이랑 같이 볼 수 있게.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Lia at the stand; exact text."
},
{
"id": "text-5",
"observedText": "흔적 적음",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 label with a leader line to the ledger entry under Lia's finger; exact text."
},
{
"id": "text-6",
"observedText": "이건 내가 썼어요. 틀렸어요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with its tail to Lia; exact text."
}
],
"evidence": "Six panels. Row 1 wide: Doyun holding the horses, Maren with a foot on the chock speaking, Bori at her feet, Lia seen from behind at the ledger stand. Row 2: Lia looking down at the open ledger; Maren and Doyun waiting by the horses. Row 3 wide: Lia at the stand with her hand on the ledger, Bori on the bag, Doyun in the foreground. Row 4: Doyun's gloved hand laying two papers beside the ledger; Lia pointing at the entry while Maren and Doyun watch.",
"observedPanelCount": 6
}
},
{
"id": "s3",
"n": 3,
"title": "확인한 것까지만",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-7-p-20",
"n": 20,
"text": "마렌이 장갑 끝을 쥐었다."
},
{
"id": "ch-7-p-21",
"n": 21,
"text": "“사슴들이 내려온 뒤에 달라진 겁니까?”"
},
{
"id": "ch-7-p-22",
"n": 22,
"text": "“아니요. 곡식 자루가 터지기 전부터 다니던 흔적이 있었어요. 내가 처음 봤을 때도 여러 마리분으로 보이는 자국이 있었고, 보리가 그쪽을 계속 경고했어요. 그런데 적게 지나간 것처럼 써서 수레를 보냈어요.”"
},
{
"id": "ch-7-p-23",
"n": 23,
"text": "말해 놓고 나니 마당의 바퀴 소리가 유난히 크게 들렸다. 리아는 오른손을 장부 밑으로 넣었다가, 펜을 왼손으로 집었다."
},
{
"id": "ch-7-p-24",
"n": 24,
"text": "“방금 골짜기에서도 확인했어요. 오래된 털과 흔적이 겹쳐 있었고, 발굽 자국이 굽이 안쪽까지 이어져요. 잠깐 먹이를 따라 내려온 게 아니에요.”"
},
{
"id": "ch-7-p-25",
"n": 25,
"text": "도윤이 옆의 확인 기록을 가리켰다."
},
{
"id": "ch-7-p-26",
"n": 26,
"text": "“우리가 직접 본 건 여기까지야. 사슴들이 다니는 굽이에 수레를 다시 넣지 않는다. 둔덕은 방향만 봤고, 사람이 지나갈 수 있는지는 못 봤어.”"
},
{
"id": "ch-7-p-27",
"n": 27,
"text": "누군가 묶어 둔 자루 쪽을 돌아보았다. 마렌이 대신 물었다."
},
{
"id": "ch-7-p-28",
"n": 28,
"text": "“둔덕으로 가면 굽이를 피할 수는 있는 거죠?”"
},
{
"id": "ch-7-p-29",
"n": 29,
"text": "“흔적은 겹치지 않아.”"
},
{
"id": "ch-7-p-30",
"n": 30,
"text": "리아가 고개를 들었다."
},
{
"id": "ch-7-p-31",
"n": 31,
"text": "“하지만 건널 수 있다는 뜻은 아니에요.”"
}
],
"pFrom": 20,
"pTo": 31,
"panelCount": 8,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep07-s3.webp",
"blocking": 1,
"advisory": 2,
"findings": [
{
"severity": "blocking",
"layer": "pipeline",
"layerLabel": "파이프라인(참조·지시)",
"ko": "4칸: 리아가 마당 장부 앞에 선 칸 배경에 풀 언덕 절벽과 부러진 판자길이 나옴. 발췌(p20-31)는 마당을 벗어나지 않고 둔덕은 방향으로만 언급됨. 회차 환경 참조 이미지가 새어 들어간 것으로 판단, s5부터 참조를 장면별로 한정.",
"en": "Panel 4: the background shows a grassy cliff edge with a broken wooden boardwalk while Lia stands at the yard ledger. The excerpt (ch-7-p-20..31) stays in the yard and the mound is only a direction, so the image adds a place; the broken-boardwalk reference image supplied for this chapter drew it in."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3·4칸: 리아가 오른쪽 손으로 씀. 계획은 왼손 펜, 오른 손목은 소매 안(8칸은 올바름).",
"en": "Panels 3-4: Lia writes with the hand on her right side; the plan keeps the pen in her left hand and the right wrist inside the sleeve (panel 8 has it correct)."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 도윤의 확인 기록이 글 대신 스케치 지도로 그려짐. 표시는 읽히지 않음.",
"en": "Panel 6: Doyun's verification record is drawn as a sketched map rather than written notes; the marks are illegible."
}
],
"textsTotal": 12,
"textsOk": 12,
"timings": {
"planS": [
47,
33,
48,
50
],
"preflightS": [
57,
80,
82,
80
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1253,
"plan": {
"intent": "Lia's admission turns a route discussion into an accounting of the risk she understated. The group can rule out another wagon trip through the deer-used bend, but must not mistake a possible detour for a passable route.",
"staging": "Stay at the ledger and verification record in the yard, beside the waiting wagon and tied sacks, in coherent post-rain daylight. Keep the wagon's wheel noise audible without showing it departing. Maren wears worn gloves. Lia's injured right wrist remains inside her sleeve; she takes the pen with her left hand. Doyun has an empty belt loop and no rope. The records may be visible, but give them no legible writing beyond the supplied text. Keep the bend, valley, and rise in the conversation rather than visiting them or depicting an established route. Use eight generously legible panels; let the artist determine their composition and how the longer speeches flow across them.",
"uncertainties": [
"The source does not identify the person who looks toward the tied sacks; do not assign that glance to a named character as fact.",
"The source does not identify which wheel makes the sound or establish that the waiting wagon moves.",
"The line in ch-7-p-29 has no explicit speaker tag. Its informal reply between Maren's question and Lia's response supports attribution to Doyun.",
"Non-overlapping traces do not establish that the rise is passable by a person or wagon. Its precise terrain and route remain unconfirmed."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-7-p-21",
"kind": "dialogue",
"speaker": "c4",
"text": "“사슴들이 내려온 뒤에 달라진 겁니까?”"
},
{
"id": "text-2",
"sourceId": "ch-7-p-22",
"kind": "dialogue",
"speaker": "c1",
"text": "“아니요. 곡식 자루가 터지기 전부터 다니던 흔적이 있었어요."
},
{
"id": "text-3",
"sourceId": "ch-7-p-22",
"kind": "dialogue",
"speaker": "c1",
"text": "내가 처음 봤을 때도 여러 마리분으로 보이는 자국이 있었고, 보리가 그쪽을 계속 경고했어요."
},
{
"id": "text-4",
"sourceId": "ch-7-p-22",
"kind": "dialogue",
"speaker": "c1",
"text": "그런데 적게 지나간 것처럼 써서 수레를 보냈어요.”"
},
{
"id": "text-5",
"sourceId": "ch-7-p-23",
"kind": "caption",
"speaker": "narrator",
"text": "말해 놓고 나니 마당의 바퀴 소리가 유난히 크게 들렸다."
},
{
"id": "text-6",
"sourceId": "ch-7-p-24",
"kind": "dialogue",
"speaker": "c1",
"text": "“방금 골짜기에서도 확인했어요. 오래된 털과 흔적이 겹쳐 있었고, 발굽 자국이 굽이 안쪽까지 이어져요."
},
{
"id": "text-7",
"sourceId": "ch-7-p-24",
"kind": "dialogue",
"speaker": "c1",
"text": "잠깐 먹이를 따라 내려온 게 아니에요.”"
},
{
"id": "text-8",
"sourceId": "ch-7-p-26",
"kind": "dialogue",
"speaker": "c2",
"text": "“우리가 직접 본 건 여기까지야. 사슴들이 다니는 굽이에 수레를 다시 넣지 않는다."
},
{
"id": "text-9",
"sourceId": "ch-7-p-26",
"kind": "dialogue",
"speaker": "c2",
"text": "둔덕은 방향만 봤고, 사람이 지나갈 수 있는지는 못 봤어.”"
},
{
"id": "text-10",
"sourceId": "ch-7-p-28",
"kind": "dialogue",
"speaker": "c4",
"text": "“둔덕으로 가면 굽이를 피할 수는 있는 거죠?”"
},
{
"id": "text-11",
"sourceId": "ch-7-p-29",
"kind": "dialogue",
"speaker": "c2",
"text": "“흔적은 겹치지 않아.”"
},
{
"id": "text-12",
"sourceId": "ch-7-p-31",
"kind": "dialogue",
"speaker": "c1",
"text": "“하지만 건널 수 있다는 뜻은 아니에요.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-7-p-20",
"ch-7-p-21"
],
"action": "Holding her glove, Maren asks whether the situation changed after the deer came down.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-7-p-22"
],
"action": "Lia answers with the earlier evidence, Bori's repeated warnings, and her own understated entry. Her admission connects that entry to the decision to send the wagon.",
"textIds": [
"text-2",
"text-3",
"text-4"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-7-p-23",
"ch-7-p-24"
],
"action": "The wheel noise presses into Lia's pause. She keeps her injured right wrist within its sleeve as her right hand goes beneath the ledger, takes the pen with her left, and gives the group's latest valley findings.",
"textIds": [
"text-5",
"text-6",
"text-7"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-7-p-25",
"ch-7-p-26"
],
"action": "Pointing to the adjacent verification record, Doyun separates the firm prohibition on wagons at the bend from the untested question of passage over the rise.",
"textIds": [
"text-8",
"text-9"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-7-p-27",
"ch-7-p-28"
],
"action": "Someone's attention goes to the tied sacks. Maren voices the practical hope that the rise might let them avoid the bend.",
"textIds": [
"text-10"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-7-p-29",
"ch-7-p-30",
"ch-7-p-31"
],
"action": "Doyun offers only the narrower observation that the traces do not overlap. Lia looks up and refuses to let that observation become a claim that the rise can be crossed.",
"textIds": [
"text-11",
"text-12"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-7-p-20",
"ch-7-p-21",
"ch-7-p-22"
],
"statement": "Maren grips the end of her worn glove and questions Lia. Lia says the tracks predated the burst grain sack; when she first saw them, they appeared to come from several animals, and Bori repeatedly warned toward that area. Lia wrote as though fewer had passed, and a wagon was sent."
},
{
"id": "fact-2",
"sourceIds": [
"ch-7-p-23",
"ch-7-p-24"
],
"statement": "After speaking, Lia finds the yard's wheel noise unusually loud. She puts her right hand beneath the ledger, then takes up the pen with her left. She reports that old hair and tracks overlapped in the valley and hoofprints continued into the inside of the bend; she concludes the deer were not merely following food down briefly."
},
{
"id": "fact-3",
"sourceIds": [
"ch-7-p-25",
"ch-7-p-26"
],
"statement": "Doyun points to the verification record beside the ledger. He limits his conclusion to what they directly observed: no wagon should re-enter the deer-used bend. They saw only the direction of the rise, not whether a person can pass through it."
},
{
"id": "fact-4",
"sourceIds": [
"ch-7-p-27",
"ch-7-p-28",
"ch-7-p-29",
"ch-7-p-30",
"ch-7-p-31"
],
"statement": "An unidentified person looks toward the tied sacks. Maren asks whether the rise avoids the bend. Doyun says the traces do not overlap; Lia raises her head and cautions that this does not establish a crossing."
}
]
},
"brief": {
"style": "Full-color fantasy comic, expressive ink, adult cast and a cute small marten; same post-rain yard and established clothing.",
"moments": [
{
"sourceIds": [
"ch-7-p-20",
"ch-7-p-21"
],
"action": "Maren grips the end of her worn glove beside the open ledger and questions Lia; the waiting wagon and tied sacks remain nearby.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-7-p-22"
],
"action": "A small marten rests nearby as Lia faces Maren across the ledger, recounting the earlier tracks and Bori's past warnings.",
"textIds": [
"text-2",
"text-3"
]
},
{
"sourceIds": [
"ch-7-p-22"
],
"action": "Lia's gaze drops to the open ledger as she admits her understated entry was followed by a wagon's dispatch.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-7-p-23",
"ch-7-p-24"
],
"action": "Lia reports her valley findings, holding the pen in her left hand while her sleeved right hand rests beneath the ledger.",
"textIds": [
"text-5",
"text-6"
]
},
{
"sourceIds": [
"ch-7-p-24"
],
"action": "Lia continues speaking beside the open ledger, pen in her left hand; the tied sacks and waiting wagon remain in the yard.",
"textIds": [
"text-7"
]
},
{
"sourceIds": [
"ch-7-p-25",
"ch-7-p-26"
],
"action": "Doyun, his belt loop empty, points to the verification record beside the ledger while addressing the wagon limit and the untested rise.",
"textIds": [
"text-8",
"text-9"
]
},
{
"sourceIds": [
"ch-7-p-27",
"ch-7-p-28"
],
"action": "An unnamed bystander looks toward the tied sacks as Maren, her worn gloves visible, asks whether the rise avoids the bend.",
"textIds": [
"text-10"
]
},
{
"sourceIds": [
"ch-7-p-29",
"ch-7-p-30",
"ch-7-p-31"
],
"action": "Lia lifts her head to answer Doyun's narrow observation; her left hand holds the pen, and her right wrist stays inside its sleeve.",
"textIds": [
"text-11",
"text-12"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia, Maren (worn gloves, brick vest), Doyun (green hooded coat, no rope) and Bori match s2."
},
"setting": {
"passed": false,
"evidence": "Most panels keep the s2 yard (ledger table, covered wagons, horses, stone wall), but panel 4 shows a grassy cliff edge with a broken wooden boardwalk behind Lia, a place this yard excerpt does not reach."
},
"actionTransition": {
"passed": true,
"evidence": "s2 ended with Lia pointing at her entry and admitting it was wrong; s3 opens with Maren's follow-up question at the same table."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "사슴들이 내려온 뒤에 달라진 겁니까?",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-2",
"observedText": "아니요. 곡식 자루가 터지기 전부터 다니던 흔적이 있었어요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-3",
"observedText": "내가 처음 봤을 때도 여러 마리분으로 보이는 자국이 있었고, 보리가 그쪽을 계속 경고했어요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-4",
"observedText": "그런데 적게 지나간 것처럼 써서 수레를 보냈어요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-5",
"observedText": "말해 놓고 나니 마당의 바퀴 소리가 유난히 크게 들렸다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption box; exact text."
},
{
"id": "text-6",
"observedText": "방금 골짜기에서도 확인했어요. 오래된 털과 흔적이 겹쳐 있었고, 발굽 자국이 굽이 안쪽까지 이어져요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-7",
"observedText": "잠깐 먹이를 따라 내려온 게 아니에요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-8",
"observedText": "우리가 직접 본 건 여기까지야. 사슴들이 다니는 굽이에 수레를 다시 넣지 않는다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-9",
"observedText": "둔덕은 방향만 봤고, 사람이 지나갈 수 있는지는 못 봤어.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-10",
"observedText": "둔덕으로 가면 굽이를 피할 수는 있는 거죠?",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-11",
"observedText": "흔적은 겹치지 않아.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 8 balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-12",
"observedText": "하지만 건널 수 있다는 뜻은 아니에요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 8 balloon with its tail to Lia; exact text without quotation marks."
}
],
"evidence": "Eight panels. Row 1: Maren gripping her glove beside the open ledger with the wagon behind; Lia answering with Bori beside her. Row 2: Lia writing while admitting her entry; Lia reporting the valley findings under the caption, with a grassy cliff and a broken boardwalk in the background. Row 3: Lia with the pen and the tied sacks behind; Doyun pointing at a sketched record beside the ledger. Row 4: Maren with a gloved hand at her chin asking about the mound; Doyun in the foreground and Lia answering with Bori on the bag.",
"observedPanelCount": 8
}
},
{
"id": "s4",
"n": 4,
"title": "짧은 선의 비밀",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-7-p-32",
"n": 32,
"text": "리아는 가방에서 얇은 가죽 조각과 접힌 지도를 꺼냈다. 가죽에는 비스듬한 긴 금과 그 옆의 짧은 선이 새겨져 있었다. 그녀는 지도에서 굽이를 짚고, 긴 금이 향하는 골짜기 안쪽에 발굽 자국을 그렸다. 짧은 선은 높은 둔덕 쪽에 따로 옮겼다. 두 선을 길처럼 이어 그리지 않았다."
},
{
"id": "ch-7-p-33",
"n": 33,
"text": "“길목 바위에 이 표식이 있어요. 긴 홈 쪽으로 마수 흔적이 이어져요. 짧은 선은 그 흐름에서 비껴난 둔덕을 가리키고요.”"
},
{
"id": "ch-7-p-34",
"n": 34,
"text": "도윤이 지도에서 눈을 떼지 않았다."
},
{
"id": "ch-7-p-35",
"n": 35,
"text": "“표식을 어떻게 알아봤어?”"
},
{
"id": "ch-7-p-36",
"n": 36,
"text": "리아의 손끝이 가죽 조각 가장자리에 걸렸다. 골짜기에서는 이름을 꺼내지 않은 채 돌아설 수 있었다. 여기서는 그 조각을 믿고 사람들이 방향을 정하게 될 터였다."
},
{
"id": "ch-7-p-37",
"n": 37,
"text": "“새긴 사람이 내 어머니야. 옆에서 이 모양을 만드는 걸 봤어.”"
},
{
"id": "ch-7-p-38",
"n": 38,
"text": "마렌이 리아를 바라보았다. 리아는 가죽 조각을 감추지 않았다."
},
{
"id": "ch-7-p-39",
"n": 39,
"text": "“어머니가 남긴 표식을 찾고 있었어요. 둔덕 쪽으로 이어지면 다음 흔적도 있을 거라고 생각했어요. 그래서 처음 봤던 마수 자국을 제대로 적지 않았어요. 길을 서두른 건 나예요.”"
},
{
"id": "ch-7-p-40",
"n": 40,
"text": "도윤이 쪽지 위에 올려 둔 손을 거두었다. 그는 잠시 리아를 보더니 지도 아래의 빈칸을 짚었다."
},
{
"id": "ch-7-p-41",
"n": 41,
"text": "“그래서 이 칸은?”"
},
{
"id": "ch-7-p-42",
"n": 42,
"text": "지도에는 ‘사람 통행 가능’이라고 적는 자리가 있었다. 리아는 펜촉을 그 위에 댔다가 옆으로 옮겼다."
},
{
"id": "ch-7-p-43",
"n": 43,
"text": "“비워 둬. 발판도, 건너편에 길이 이어지는지도 확인하지 않았어.”"
},
{
"id": "ch-7-p-44",
"n": 44,
"text": "말고삐를 잡고 있던 도윤의 어깨가 조금 내려갔다. 그렇다고 그는 고삐를 놓지는 않았다."
}
],
"pFrom": 32,
"pTo": 44,
"panelCount": 8,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep07-s4.webp",
"blocking": 1,
"advisory": 3,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: '어머니가 남긴 표식을 찾고 있었어요.' 말풍선 꼬리가 마렌을 가리킴. 리아의 고백 첫 줄이 마렌 대사로 읽힘.",
"en": "Panel 4: the tail of the balloon for text-5 (어머니가 남긴 표식을 찾고 있었어요.) points to Maren, so the start of Lia's confession about her mother's marks is attributed to Maren."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·7칸: 쓰는 손이 맨손에 어두운 소매. 리아의 손가락 장갑·모래색 윗옷과 달라 리아의 왼손인지 불분명.",
"en": "Panels 1 and 7: the writing hand is bare with a dark sleeve, unlike Lia's fingerless gloves and sand jacket, so it is unclear that Lia is drawing with her left hand."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 말풍선 안 '길목' 앞에 쉼표 같은 잡표시.",
"en": "Panel 1: a stray comma-like mark precedes 길목 inside the balloon."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "8칸: 도윤 손의 고삐가 둘둘 감겨 밧줄처럼 보임. 잃은 밧줄이 아니라 말 고삐.",
"en": "Panel 8: the reins in Doyun's hand hang as a coil that reads like rope; it is the horse's lead, not the lost rope."
}
],
"textsTotal": 10,
"textsOk": 9,
"timings": {
"planS": [
63
],
"preflightS": [
98
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1321,
"plan": {
"intent": "Lia makes her evidence usable to the others by separating the beasts’ direction from a possible human route, then admits that her search for her mother distorted her earlier report. Doyun tests whether that honesty extends to leaving an unverified crossing unmarked.",
"staging": "Remain with the group and their map in the same post-rain daytime yard as the preceding scene; do not visit or preview the rock, valley, rise, or far side. The leather’s two engraved marks and Lia’s two separate map annotations need to be distinguishable. Keep the passage field visibly empty, with no added writing on the map, note, or other props. Lia draws and handles the pen with her left hand while her injured right wrist stays inside her sleeve. Maren wears her worn gloves. Doyun has an empty belt loop and no rope; he holds the horse’s reins through the closing response. Keep the dialogue legible and let the artist choose the composition and distribution of the eight panels.",
"uncertainties": [
"Lia hoped the rise might lead to another trace of her mother; neither that connection nor a traversable route is established.",
"The source does not establish whether the passage-field phrase is already printed on the map. The caption identifies its purpose without requiring an inscription in the empty field.",
"Lia identifies her mother as the maker of the carved mark, but the excerpt does not separately establish whether her statement refers to engraving the leather piece or the mark on the roadside rock.",
"Doyun’s lowered shoulders do not amount to an explicit decision to use or approve the rise."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-7-p-33",
"kind": "dialogue",
"speaker": "c1",
"text": "“길목 바위에 이 표식이 있어요. 긴 홈 쪽으로 마수 흔적이 이어져요."
},
{
"id": "text-2",
"sourceId": "ch-7-p-33",
"kind": "dialogue",
"speaker": "c1",
"text": "짧은 선은 그 흐름에서 비껴난 둔덕을 가리키고요.”"
},
{
"id": "text-3",
"sourceId": "ch-7-p-35",
"kind": "dialogue",
"speaker": "c2",
"text": "“표식을 어떻게 알아봤어?”"
},
{
"id": "text-4",
"sourceId": "ch-7-p-37",
"kind": "dialogue",
"speaker": "c1",
"text": "“새긴 사람이 내 어머니야. 옆에서 이 모양을 만드는 걸 봤어.”"
},
{
"id": "text-5",
"sourceId": "ch-7-p-39",
"kind": "dialogue",
"speaker": "c1",
"text": "“어머니가 남긴 표식을 찾고 있었어요."
},
{
"id": "text-6",
"sourceId": "ch-7-p-39",
"kind": "dialogue",
"speaker": "c1",
"text": "둔덕 쪽으로 이어지면 다음 흔적도 있을 거라고 생각했어요."
},
{
"id": "text-7",
"sourceId": "ch-7-p-39",
"kind": "dialogue",
"speaker": "c1",
"text": "그래서 처음 봤던 마수 자국을 제대로 적지 않았어요. 길을 서두른 건 나예요.”"
},
{
"id": "text-8",
"sourceId": "ch-7-p-41",
"kind": "dialogue",
"speaker": "c2",
"text": "“그래서 이 칸은?”"
},
{
"id": "text-9",
"sourceId": "ch-7-p-42",
"kind": "caption",
"speaker": "narrator",
"text": "지도에는 ‘사람 통행 가능’이라고 적는 자리가 있었다."
},
{
"id": "text-10",
"sourceId": "ch-7-p-43",
"kind": "dialogue",
"speaker": "c1",
"text": "“비워 둬. 발판도, 건너편에 길이 이어지는지도 확인하지 않았어.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-7-p-32",
"ch-7-p-33"
],
"action": "Lia compares the leather with the map, draws the hoofprints and the separate rise mark with her left hand, and explains what each mark indicates. Their separation must remain clear rather than suggesting a continuous route.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-7-p-34",
"ch-7-p-35",
"ch-7-p-36",
"ch-7-p-37"
],
"action": "Still studying the map, Doyun asks for the basis of Lia’s recognition. Her fingertip catches on the leather’s edge before she identifies her mother as the person who carved the mark and says she witnessed its making.",
"textIds": [
"text-3",
"text-4"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-7-p-38",
"ch-7-p-39"
],
"action": "Maren turns her attention to Lia. Without concealing the leather, Lia names both her private hope of finding another trace and the inaccurate beast-track report and haste that followed from it.",
"textIds": [
"text-5",
"text-6",
"text-7"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-7-p-40",
"ch-7-p-41"
],
"action": "Doyun takes his hand off the note, gives Lia a brief look, then points out the remaining blank on the map and asks about it.",
"textIds": [
"text-8"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-7-p-42",
"ch-7-p-43"
],
"action": "Lia brings the nib to the passage field but moves it away without filling it. She states the two checks they have not made: the footing and whether a route continues on the far side.",
"textIds": [
"text-9",
"text-10"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-7-p-44"
],
"action": "Doyun’s shoulders ease slightly while his hold on the reins remains. End on that restrained response and the unfilled field, not on an approved crossing.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-7-p-32",
"ch-7-p-33"
],
"statement": "Lia takes a thin piece of leather and a folded map from her bag. The leather bears one long diagonal groove and a separate short line. On the map she places hoofprints inside the valley bend in the long groove’s direction and transfers the short line separately toward a high rise. She does not join the marks into a road."
},
{
"id": "fact-2",
"sourceIds": [
"ch-7-p-33",
"ch-7-p-34",
"ch-7-p-35"
],
"statement": "Lia says the mark is on a rock at the approach, beast traces continue toward the long groove, and the short line points to a rise outside that flow. Doyun keeps his eyes on the map while asking how she recognized the mark."
},
{
"id": "fact-3",
"sourceIds": [
"ch-7-p-36",
"ch-7-p-37",
"ch-7-p-38",
"ch-7-p-39"
],
"statement": "With her fingertip caught on the leather’s edge, Lia faces the consequence of others choosing a direction based on it. She says her mother carved the mark and that she watched its shape being made. Maren looks at her; Lia leaves the leather visible and admits that her search for another trace led her to record the first beast marks inaccurately and hurry the journey."
},
{
"id": "fact-4",
"sourceIds": [
"ch-7-p-40",
"ch-7-p-41",
"ch-7-p-42",
"ch-7-p-43"
],
"statement": "Doyun removes his hand from the note, briefly looks at Lia, and points to an empty area below the map. It is the place for recording whether people can pass. Lia touches her pen nib to that place, moves it aside, and says to leave it blank because neither the footing nor a continuing route on the far side has been checked."
},
{
"id": "fact-5",
"sourceIds": [
"ch-7-p-44"
],
"statement": "Doyun’s shoulders lower a little, but he does not release the horse’s reins."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic with expressive ink, a consistent adult cast, a cute small marten, and coherent post-rain daylight in the yard.",
"moments": [
{
"sourceIds": [
"ch-7-p-32",
"ch-7-p-33"
],
"action": "Lia's left-hand pen hovers over hoofprints inside the map's bend, aligned with the leather's long diagonal groove; its short line corresponds to a separate mark toward the rise.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-7-p-34",
"ch-7-p-35",
"ch-7-p-36"
],
"action": "Doyun studies the map as he questions Lia; her left fingertip catches the leather's edge, her injured right wrist tucked inside her sleeve.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-7-p-36",
"ch-7-p-37"
],
"action": "Lia speaks with her left fingertip still hooked on the leather's edge, both engraved marks visible and her injured right wrist hidden by her sleeve.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-7-p-38",
"ch-7-p-39"
],
"action": "Maren, wearing worn gloves, watches Lia. Lia keeps the marked leather in view while admitting her hope of finding another trace; a small marten sits nearby.",
"textIds": [
"text-5",
"text-6"
]
},
{
"sourceIds": [
"ch-7-p-39"
],
"action": "Lia faces Maren with the leather still plainly visible, owning her inaccurate beast-track report and her haste.",
"textIds": [
"text-7"
]
},
{
"sourceIds": [
"ch-7-p-40",
"ch-7-p-41"
],
"action": "Doyun points to the map's empty lower field with one hand, holding the nearby horse's reins in the other; his released note rests alongside.",
"textIds": [
"text-8"
]
},
{
"sourceIds": [
"ch-7-p-42",
"ch-7-p-43"
],
"action": "Lia holds her pen in her left hand just aside from the still-empty passage field; the separate map annotations remain unchanged.",
"textIds": [
"text-9",
"text-10"
]
},
{
"sourceIds": [
"ch-7-p-43",
"ch-7-p-44"
],
"action": "Doyun's shoulders ease slightly beside the horse; one hand keeps its reins, and his belt loop hangs empty while the nearby map's lower field remains blank.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia, Maren (gloves, brick vest), Doyun (green hooded coat) and Bori match s3."
},
"setting": {
"passed": true,
"evidence": "The yard table under the eaves with the horses and stone wall, as in s3; no mound or boardwalk appears this time."
},
"actionTransition": {
"passed": true,
"evidence": "s3 ended with Lia refusing to call the rise crossable; s4 opens with her explaining the marks on the map (p32)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "길목 바위에 이 표식이 있어요. 긴 홈 쪽으로 마수 흔적이 이어져요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon shared with text-2; words exact, but a stray comma-like mark precedes 길목."
},
{
"id": "text-2",
"observedText": "짧은 선은 그 흐름에서 비껴난 둔덕을 가리키고요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail to Lia, in the same balloon as text-1; exact text without quotation marks."
},
{
"id": "text-3",
"observedText": "표식을 어떻게 알아봤어?",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-4",
"observedText": "새긴 사람이 내 어머니야. 옆에서 이 모양을 만드는 걸 봤어.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-5",
"observedText": "어머니가 남긴 표식을 찾고 있었어요.",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 4 upper balloon text is exact, but its tail points down-left to Maren, so Lia's admission reads as Maren speaking."
},
{
"id": "text-6",
"observedText": "둔덕 쪽으로 이어지면 다음 흔적도 있을 거라고 생각했어요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-7",
"observedText": "그래서 처음 봤던 마수 자국을 제대로 적지 않았어요. 길을 서두른 건 나예요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-8",
"observedText": "그래서 이 칸은?",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with its tail to Doyun; exact text without quotation marks."
},
{
"id": "text-9",
"observedText": "지도에는 ‘사람 통행 가능’이라고 적는 자리가 있었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 caption box; exact text."
},
{
"id": "text-10",
"observedText": "비워 둬. 발판도, 건너편에 길이 이어지는지도 확인하지 않았어.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 7 balloon with its tail to the speaker off the right edge beside the writing hand; exact text without quotation marks."
}
],
"evidence": "Eight panels. Row 1: a bare hand with a pen over a hand-drawn map with a Y-shaped mark; Doyun asking Lia. Row 2: Lia at the map answering; Maren with gloved hands at her chin, Bori on the bag, Lia speaking. Row 3: Lia admitting her haste to Maren; Doyun beside a horse pointing at the map's lower field. Row 4: close-up of the map with a dashed empty box and the pen held aside; Doyun beside the horse holding coiled reins.",
"observedPanelCount": 8
}
},
{
"id": "s5",
"n": 5,
"title": "지우지 않은 정정",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-7-p-45",
"n": 45,
"text": "리아는 오래된 기록 옆에 새 줄을 그었다. ‘마수 흔적 축소 기재. 굽이 운행 중단.’ 처음 쓴 글씨는 지우지 않았다. 그 아래 정정한 까닭과 골짜기에서 확인한 흔적을 적고 자기 이름을 남겼다. 펜을 누를 때마다 손목 안쪽이 저려 왔다. 마지막 획이 흐려져 리아는 펜을 고쳐 쥐고 덧그었다."
},
{
"id": "ch-7-p-46",
"n": 46,
"text": "마렌이 장부를 읽었다."
},
{
"id": "ch-7-p-47",
"n": 47,
"text": "“이렇게 적으면 먼저 보낸 수레도 리아 기록을 따라 들어간 걸로 남아요.”"
},
{
"id": "ch-7-p-48",
"n": 48,
"text": "“그래야 해요.”"
},
{
"id": "ch-7-p-49",
"n": 49,
"text": "리아는 펼쳐 둔 두 기록을 나란히 밀어 주었다. 먼저 쓴 것과 나중에 본 것을 누구든 비교할 수 있도록."
},
{
"id": "ch-7-p-50",
"n": 50,
"text": "도윤이 고삐를 마렌에게 넘기고 장부대에 왔다. 그는 운행 중단 줄을 확인한 뒤, 마당을 향해 펼쳐 놓는 통행판에서 굽이의 ‘출발’ 패를 뺐다. 빈 자리에 붉은 ‘중단’ 패를 걸었다. 수레를 끌던 말은 마렌이 고삐를 느슨하게 해 주자 고개를 숙였다. 잠시 뒤 수레에 묶어 두었던 출발용 끈도 풀렸다."
}
],
"pFrom": 45,
"pTo": 50,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep07-s5.webp",
"blocking": 0,
"advisory": 4,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·3·4·5칸: 장부 면과 두 패에 Y자 갈래 표식을 그림. 원문은 새긴 표식을 장부나 판에 두지 않음.",
"en": "Panels 1, 3, 4 and 5: Y-shaped forked marks are drawn on the ledger pages and on both tokens; the source does not put the carved mark on the ledger or the board."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "4칸: '굽이'가 출발 패 옆 판의 표지가 아니라 캡션 상자로 들어감.",
"en": "Panel 4: 굽이 appears as a caption box instead of a label on the board beside the departure token."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·3칸: 쓰는 손이 맨손에 어두운 소매, 3칸은 양손으로 장부를 듦. 왼손만 쓰는 설정이 드러나지 않음.",
"en": "Panels 1 and 3: the writing hand is bare with a dark sleeve, and in panel 3 Lia holds the books with both hands, so the left-hand-only use is not shown."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2·3칸: 선반과 창문 때문에 장부대가 실내처럼 보임. 앞 장면은 마당 처마 밑.",
"en": "Panels 2-3: shelves and a window make the ledger stand look indoors, while earlier scenes placed it under the eaves in the yard."
}
],
"textsTotal": 7,
"textsOk": 7,
"timings": {
"planS": [
43
],
"preflightS": [
109
],
"imageS": 47,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1183,
"plan": {
"intent": "Lia makes her earlier understatement traceable instead of erasing it. Maren recognizes what the correction means for a cart already sent, and Doyun turns the written halt into a visible stop to departures.",
"staging": "Keep the ledger stand, the passage board facing the yard, and Maren's cart horse in one continuous post-rain daytime setting. The old entry remains present beside Lia's correction; the two records must remain distinguishable when she presents them. Show her writing with her left hand while her injured right wrist stays inside its sleeve. Maren wears worn gloves. Doyun has an empty belt loop and carries no rope; depict the reins he passes to Maren as reins connected to the horse, distinct from the cart's departure cord. Make Maren's dialogue unmistakably hers and Lia's reply unmistakably Lia's. Use only the specified Korean lettering on visible surfaces; the correction's fuller explanation can be present without legible invented wording.",
"uncertainties": [
"The source does not provide the exact wording of Lia's explanation or her notes about the valley traces; do not invent legible entries for them.",
"The earlier cart is mentioned as already sent, but its location and fate are not shown here.",
"The source does not identify who unties the cart's departure cord or specify how it is fastened."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-7-p-45",
"kind": "physical",
"speaker": "narrator",
"text": "마수 흔적 축소 기재. 굽이 운행 중단."
},
{
"id": "text-2",
"sourceId": "ch-7-p-45",
"kind": "physical",
"speaker": "c1",
"text": "리아"
},
{
"id": "text-3",
"sourceId": "ch-7-p-47",
"kind": "dialogue",
"speaker": "c4",
"text": "“이렇게 적으면 먼저 보낸 수레도 리아 기록을 따라 들어간 걸로 남아요.”"
},
{
"id": "text-4",
"sourceId": "ch-7-p-48",
"kind": "dialogue",
"speaker": "c1",
"text": "“그래야 해요.”"
},
{
"id": "text-5",
"sourceId": "ch-7-p-50",
"kind": "physical",
"speaker": "narrator",
"text": "굽이"
},
{
"id": "text-6",
"sourceId": "ch-7-p-50",
"kind": "physical",
"speaker": "narrator",
"text": "출발"
},
{
"id": "text-7",
"sourceId": "ch-7-p-50",
"kind": "physical",
"speaker": "narrator",
"text": "중단"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-7-p-45"
],
"action": "Lia leaves the original entry intact and writes the correction and its supporting account beside and below it. Her aching wrist interrupts the last stroke; she regrips the pen and finishes it rather than leaving a faint signature.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-7-p-46",
"ch-7-p-47",
"ch-7-p-48"
],
"action": "Maren reads the amended ledger and names its consequence for the cart already sent. Lia answers without withdrawing the correction.",
"textIds": [
"text-3",
"text-4"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-7-p-49"
],
"action": "Lia slides the two open records next to each other so the earlier account and the later findings can be compared.",
"textIds": []
},
{
"id": "beat-4",
"sourceIds": [
"ch-7-p-50"
],
"action": "Doyun transfers the horse's reins to Maren, comes to the ledger stand, and checks the halt entry before touching the passage board.",
"textIds": []
},
{
"id": "beat-5",
"sourceIds": [
"ch-7-p-50"
],
"action": "Doyun removes the bend's departure token and hangs the red halt token in its place, making the recorded decision visible to the yard.",
"textIds": [
"text-5",
"text-6",
"text-7"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-7-p-50"
],
"action": "Maren gives the reins slack and the horse lowers its head. After a short interval, the cart's departure cord is untied; the scene ends with the cart no longer prepared to depart.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-7-p-45"
],
"statement": "Lia adds a line beside the old record without erasing it. Beneath the correction, she records her reason, the traces confirmed in the valley, and her name. Pain in her inner wrist makes the final stroke faint, so she adjusts her pen and retraces it."
},
{
"id": "fact-2",
"sourceIds": [
"ch-7-p-46",
"ch-7-p-47",
"ch-7-p-48",
"ch-7-p-49"
],
"statement": "Maren reads the ledger and says the correction will show that the earlier cart entered on the basis of Lia's record. Lia accepts that consequence and places the earlier and later records side by side for comparison."
},
{
"id": "fact-3",
"sourceIds": [
"ch-7-p-50"
],
"statement": "Doyun hands the reins to Maren, checks the halt entry at the ledger stand, then replaces the bend's departure token with a red halt token on the passage board facing the yard. Maren slackens the reins and the cart horse lowers its head. A little later, the cart's departure cord is untied."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic with expressive ink lines, adult cast, a cute small marten, consistent prior-scene identities, and post-rain daylight.",
"moments": [
{
"sourceIds": [
"ch-7-p-45"
],
"action": "Lia retraces her faint final signature stroke with her left hand; the correction stands beside an indistinct original entry, with indistinct supporting notes below and her right wrist inside its sleeve.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-7-p-46",
"ch-7-p-47"
],
"action": "Maren, wearing worn gloves, reads the amended ledger and tells Lia what the correction means for the cart already sent. Lia listens.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-7-p-48",
"ch-7-p-49"
],
"action": "Lia answers as her left hand brings two open records side by side for comparison; the earlier and later accounts remain distinct, with the small marten nearby.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-7-p-50"
],
"action": "Doyun studies the halt entry at the ledger stand, his belt loop empty. Maren holds reins connected to the horse; the yard-facing board still displays the bend's departure token.",
"textIds": [
"text-5",
"text-6"
]
},
{
"sourceIds": [
"ch-7-p-50"
],
"action": "The red halt token occupies the departure token's place on the yard-facing board; Doyun stands beside it. Maren holds slack reins; the horse's head is lowered and the cart's departure cord hangs untied.",
"textIds": [
"text-7"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia, Maren (gloves, brick vest), Doyun (green coat, no rope) and Bori match s4."
},
"setting": {
"passed": true,
"evidence": "The ledger area, the stone wall with the passage board, the horse and the wagon in the yard continue from s4, though panels 2-3 read as an interior with shelves and a window."
},
"actionTransition": {
"passed": true,
"evidence": "s4 ended with the passage field left blank and Doyun holding the reins; s5 opens with Lia writing the correction (p45)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "마수 흔적 축소 기재. 굽이 운행 중단.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 caption box above the ledger; exact text."
},
{
"id": "text-2",
"observedText": "리아",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 handwritten on the ledger where the pen rests (and again in panel 3); exact text."
},
{
"id": "text-3",
"observedText": "이렇게 적으면 먼저 보낸 수레도 리아 기록을 따라 들어간 걸로 남아요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Maren; exact text, with quotation marks kept."
},
{
"id": "text-4",
"observedText": "그래야 해요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Lia; exact text, with quotation marks kept."
},
{
"id": "text-5",
"observedText": "굽이",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 caption box at the upper left rather than a label on the board; exact text."
},
{
"id": "text-6",
"observedText": "출발",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 wooden tag on the passage board under a round token; exact text."
},
{
"id": "text-7",
"observedText": "중단",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 wooden tag under the red token that replaced the departure token; exact text."
}
],
"evidence": "Five full-width panels. 1: a hand with a pen finishing the name 리아 on a ledger page with illegible notes and Y-shaped marks, caption above. 2: Maren pointing at the ledger as she speaks, Lia listening. 3: Lia spreading two open books side by side, Bori on the bag. 4: Doyun at the ledger, Maren holding the horse, the board with a round token and a 출발 tag. 5: the board now shows a red token with a 중단 tag, Doyun beside it, Maren with slack reins and the horse's head lowered, a coiled cord hanging loose on the wagon.",
"observedPanelCount": 5
}
},
{
"id": "s6",
"n": 6,
"title": "돌아올 자리까지",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-7-p-51",
"n": 51,
"text": "움직이지 않는 수레를 보자 리아의 속이 무거워졌다. 자루 안의 물자는 기다리는 곳까지 닿지 못한다. 그렇다고 굽이 대신 지도 속 짧은 선을 가리킬 수도 없었다."
},
{
"id": "ch-7-p-52",
"n": 52,
"text": "“내가 둔덕을 보러 갈게.”"
},
{
"id": "ch-7-p-53",
"n": 53,
"text": "리아가 말했다."
},
{
"id": "ch-7-p-54",
"n": 54,
"text": "“입구부터—”"
},
{
"id": "ch-7-p-55",
"n": 55,
"text": "“어디까지 볼 건데?”"
},
{
"id": "ch-7-p-56",
"n": 56,
"text": "도윤이 물었다."
},
{
"id": "ch-7-p-57",
"n": 57,
"text": "“건너편이 안 보이면 돌아올 거야?”"
},
{
"id": "ch-7-p-58",
"n": 58,
"text": "리아는 입을 다물었다. 지금 당장 길을 찾았다고 말하고 싶은 마음이 또 먼저 튀어나왔다는 걸 알았다."
},
{
"id": "ch-7-p-59",
"n": 59,
"text": "“입구만 보고 돌아올게. 건널 수 있는지는 같이 확인하자.”"
},
{
"id": "ch-7-p-60",
"n": 60,
"text": "“나도 현장에서 보겠어. 발 디딜 자리하고 되돌아올 자리까지.”"
},
{
"id": "ch-7-p-61",
"n": 61,
"text": "도윤은 뺀 ‘출발’ 패를 장부 위에 올려놓았다. 패가 다시 걸리려면 자신이 직접 확인한 통행로가 있어야 한다는 뜻이었다."
}
],
"pFrom": 51,
"pTo": 61,
"panelCount": 6,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep07-s6.webp",
"blocking": 3,
"advisory": 1,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸 캡션: '리아의'를 '리야의'로 씀. s1과 같은 이름 오기 반복.",
"en": "Panel 1 caption (text-1) renders 리아의 as 리야의, misspelling the protagonist's name again (same error as s1)."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "2칸: '내가 둔덕을 보러 갈게.' 말풍선 꼬리가 도윤을 가리킴. 리아의 제안이 도윤 대사로 읽힘.",
"en": "Panel 2: the tail of 내가 둔덕을 보러 갈게. points to Doyun, so Lia's offer to inspect the mound reads as his."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 통행판에 '출발' 패가 그대로 걸려 있음. 원문과 s5에서는 출발 패를 떼고 붉은 정지 패를 걸었음.",
"en": "Panel 6: the passage board still hangs the departure token with the 출발 tag while Doyun lays a token on the ledger; the source and s5 have the departure token removed and the red halt token hung."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·2칸: 리아가 양손으로 지도를 펼침. 오른 손목을 소매 안에 두지 않음.",
"en": "Panels 1-2: Lia holds and spreads the map with both hands; the right wrist is not kept in the sleeve."
}
],
"textsTotal": 11,
"textsOk": 10,
"timings": {
"planS": [
40
],
"preflightS": [
47
],
"imageS": 144,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1188,
"plan": {
"intent": "A stopped delivery makes Lia want to find an answer quickly. Doyun’s questions turn her offer to scout into a limited plan with a return condition and a shared decision about passage.",
"staging": "Keep the conversation beside the stopped, sack-laden cart and the ledger stand in the same post-rain daytime yard as the preceding scene. The departure token was already removed; Doyun now places it on the ledger. Keep his belt loop empty and give him no rope. Lia keeps her injured right wrist inside her sleeve and uses her left hand for the map if she handles it. Maren may remain by the cart in worn gloves, without being given dialogue or a new decision. Maintain clear speaker attribution and readable Korean lettering. Do not add legible writing to the map, ledger, board, or other surfaces beyond the specified text. Neither character reaches the rise or verifies a crossing in this scene.",
"uncertainties": [
"The excerpt does not establish what lies beyond the rise, whether the far side is visible from its entrance, or whether the route is passable.",
"It does not specify the cart's exact position relative to the rise or a method for inspecting it.",
"Doyun states what he intends to verify on site; no footing, return point, or approved passage has yet been confirmed."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-7-p-51",
"kind": "caption",
"speaker": "narrator",
"text": "움직이지 않는 수레를 보자 리아의 속이 무거워졌다."
},
{
"id": "text-2",
"sourceId": "ch-7-p-51",
"kind": "caption",
"speaker": "narrator",
"text": "자루 안의 물자는 기다리는 곳까지 닿지 못한다. 그렇다고 굽이 대신 지도 속 짧은 선을 가리킬 수도 없었다."
},
{
"id": "text-3",
"sourceId": "ch-7-p-52",
"kind": "dialogue",
"speaker": "c1",
"text": "“내가 둔덕을 보러 갈게.”"
},
{
"id": "text-4",
"sourceId": "ch-7-p-54",
"kind": "dialogue",
"speaker": "c1",
"text": "“입구부터—”"
},
{
"id": "text-5",
"sourceId": "ch-7-p-55",
"kind": "dialogue",
"speaker": "c2",
"text": "“어디까지 볼 건데?”"
},
{
"id": "text-6",
"sourceId": "ch-7-p-57",
"kind": "dialogue",
"speaker": "c2",
"text": "“건너편이 안 보이면 돌아올 거야?”"
},
{
"id": "text-7",
"sourceId": "ch-7-p-58",
"kind": "caption",
"speaker": "narrator",
"text": "지금 당장 길을 찾았다고 말하고 싶은 마음이 또 먼저 튀어나왔다는 걸 알았다."
},
{
"id": "text-8",
"sourceId": "ch-7-p-59",
"kind": "dialogue",
"speaker": "c1",
"text": "“입구만 보고 돌아올게. 건널 수 있는지는 같이 확인하자.”"
},
{
"id": "text-9",
"sourceId": "ch-7-p-60",
"kind": "dialogue",
"speaker": "c2",
"text": "“나도 현장에서 보겠어. 발 디딜 자리하고 되돌아올 자리까지.”"
},
{
"id": "text-10",
"sourceId": "ch-7-p-61",
"kind": "physical",
"speaker": "narrator",
"text": "출발"
},
{
"id": "text-11",
"sourceId": "ch-7-p-61",
"kind": "caption",
"speaker": "narrator",
"text": "패가 다시 걸리려면 자신이 직접 확인한 통행로가 있어야 한다는 뜻이었다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-7-p-51"
],
"action": "Lia looks from the motionless, laden cart to the map. The delivery matters, but the map's short line cannot answer what the ground will allow.",
"textIds": [
"text-1",
"text-2"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-7-p-52",
"ch-7-p-53",
"ch-7-p-54",
"ch-7-p-55",
"ch-7-p-56"
],
"action": "Lia volunteers to inspect the rise and begins to describe her approach. Doyun cuts in with a question about the limit of that inspection.",
"textIds": [
"text-3",
"text-4",
"text-5"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-7-p-57",
"ch-7-p-58"
],
"action": "Doyun asks what Lia will do if the far side is not visible. She falls silent instead of offering the quick assurance she wanted to give.",
"textIds": [
"text-6",
"text-7"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-7-p-59",
"ch-7-p-60"
],
"action": "Lia sets a narrower task: see only the entrance, return, and assess any crossing together. Doyun accepts a part in the field inspection, including footing and a place to turn back.",
"textIds": [
"text-8",
"text-9"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-7-p-61"
],
"action": "Doyun lays the previously removed departure token on the ledger. Departure remains withheld until he has personally verified a passage.",
"textIds": [
"text-10",
"text-11"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-7-p-51"
],
"statement": "The cart remains stopped, so the supplies in its sacks cannot reach the people waiting for them. Lia cannot treat a short line on the map as proof of a usable route through the bend."
},
{
"id": "fact-2",
"sourceIds": [
"ch-7-p-52",
"ch-7-p-54",
"ch-7-p-55",
"ch-7-p-57"
],
"statement": "Lia offers to inspect the rise, but Doyun interrupts her unfinished description to ask how far she will go and whether she will return if she cannot see the far side."
},
{
"id": "fact-3",
"sourceIds": [
"ch-7-p-58",
"ch-7-p-59",
"ch-7-p-60",
"ch-7-p-61"
],
"statement": "Lia catches her impulse to claim a route too soon and limits her inspection to the entrance. Whether it can be crossed remains a joint decision. Doyun will inspect the footing and a place to return to himself; he puts the removed departure token on the ledger rather than restoring it."
}
]
},
"brief": {
"style": "Full-color fantasy comic with expressive ink lines, adult characters, consistent prior designs, post-rain daylight, and readable Korean lettering.",
"moments": [
{
"sourceIds": [
"ch-7-p-51"
],
"action": "Lia studies an unlettered map beside the stopped, sack-laden cart. Her right wrist stays inside her sleeve; a small marten rests near the wheel.",
"textIds": [
"text-1",
"text-2"
]
},
{
"sourceIds": [
"ch-7-p-52",
"ch-7-p-53",
"ch-7-p-54",
"ch-7-p-55",
"ch-7-p-56"
],
"action": "Beside the cart, Lia faces Doyun with the map in her left hand. He interrupts her unfinished description with a question.",
"textIds": [
"text-3",
"text-4",
"text-5"
]
},
{
"sourceIds": [
"ch-7-p-57",
"ch-7-p-58"
],
"action": "Doyun presses his question. Lia closes her mouth, her quick confidence giving way to hesitation.",
"textIds": [
"text-6",
"text-7"
]
},
{
"sourceIds": [
"ch-7-p-59"
],
"action": "Lia answers Doyun with a restrained expression, keeping her injured right wrist inside her sleeve.",
"textIds": [
"text-8"
]
},
{
"sourceIds": [
"ch-7-p-60"
],
"action": "Doyun answers beside the ledger stand, his belt loop empty.",
"textIds": [
"text-9"
]
},
{
"sourceIds": [
"ch-7-p-61"
],
"action": "Doyun sets the removed departure token on the ledger, leaving it off the passage board.",
"textIds": [
"text-10",
"text-11"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Lia, Doyun (no rope) and Bori match s5."
},
"setting": {
"passed": true,
"evidence": "The yard with the laden wagon, fence, stone building and the ledger table, as in s5."
},
"actionTransition": {
"passed": false,
"evidence": "s5 ended with the red 중단 token hung in the departure token's place. Panel 6 shows the passage board again with the round token and the 출발 tag hanging, as if the departure token were still up, while Doyun also sets a token on the ledger."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "움직이지 않는 수레를 보자 리야의 속이 무거워졌다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 caption box; 리아의 is rendered as 리야의."
},
{
"id": "text-2",
"observedText": "자루 안의 물자는 기다리는 곳까지 닿지 못한다. 그렇다고 굽이 대신 지도 속 짧은 선을 가리킬 수도 없었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 caption box; exact text."
},
{
"id": "text-3",
"observedText": "내가 둔덕을 보러 갈게.",
"readable": true,
"speakerCorrect": false,
"evidence": "Panel 2 balloon text is exact, but its tail points right to Doyun instead of Lia."
},
{
"id": "text-4",
"observedText": "입구부터—",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Lia; exact text, quotation marks kept."
},
{
"id": "text-5",
"observedText": "어디까지 볼 건데?",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Doyun; exact text, quotation marks kept."
},
{
"id": "text-6",
"observedText": "건너편이 안 보이면 돌아올 거야?",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Doyun; exact text, quotation marks kept."
},
{
"id": "text-7",
"observedText": "지금 당장 길을 찾았다고 말하고 싶은 마음이 또 먼저 튀어나왔다는 걸 알았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 caption box; exact text."
},
{
"id": "text-8",
"observedText": "입구만 보고 돌아올게. 건널 수 있는지는 같이 확인하자.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Lia; exact text, quotation marks kept."
},
{
"id": "text-9",
"observedText": "나도 현장에서 보겠어. 발 디딜 자리하고 되돌아올 자리까지.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail to Doyun; exact text, quotation marks kept."
},
{
"id": "text-10",
"observedText": "출발",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 wooden tag 출발 still hanging on the passage board, next to the round token Doyun sets on the ledger."
},
{
"id": "text-11",
"observedText": "패가 다시 걸리려면 자신이 직접 확인한 통행로가 있어야 한다는 뜻이었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 caption box; exact text."
}
],
"evidence": "Six panels. Row 1 wide: Lia studying a map on a crate beside the laden wagon, Bori by the wheel, two captions. Row 2 wide: Lia with the map starting to speak, Doyun beside her asking. Row 3: Doyun pressing the question; Lia hesitating with the caption. Row 4 wide: Lia answering. Row 5: Doyun at the ledger answering; his gloved hand setting a round Y-marked token on the ledger, the passage board behind still showing a Y token and the 출발 tag.",
"observedPanelCount": 6
}
},
{
"id": "s7",
"n": 7,
"title": "완료되지 않은 짐",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-7-p-62",
"n": 62,
"text": "마렌은 마당에 멈춘 수레보다 골짜기 쪽을 한 번 더 보았다."
},
{
"id": "ch-7-p-63",
"n": 63,
"text": "“검 상자와 다른 배송품도 그 아래 남아 있어요. 약 상자는 먼저 인도했지만, 나머지를 인도한 셈으로 적을 수는 없습니다.”"
},
{
"id": "ch-7-p-64",
"n": 64,
"text": "그녀는 차양 밑으로 짐 목록을 가져가 펼쳤다. 리아가 따라가려 하자 마렌은 빈자리를 손바닥으로 짚었다."
},
{
"id": "ch-7-p-65",
"n": 65,
"text": "“여기서 확인할게요. 남은 짐이 뭔지, 어디까지 보냈는지. 수레를 새로 꾸릴 순서를 정하려면 그게 먼저예요. 골짜기 수레는 보수해서 들어갈 수 있을 때까지 건드리지 않고요.”"
},
{
"id": "ch-7-p-66",
"n": 66,
"text": "리아는 고개를 끄덕였다. 마렌의 낡은 장갑이 목록에서 이미 인도한 약 상자를 지나, 회수하지 못한 짐들 앞에 멈췄다. 마렌은 검 상자 옆에도 완료 표시를 하지 않았다."
},
{
"id": "ch-7-p-67",
"n": 67,
"text": "“마렌 씨, 저도 돌아와서 목록 볼게요.”"
},
{
"id": "ch-7-p-68",
"n": 68,
"text": "“리아는 우선 발밑을 보고 와요. 목록은 안 도망갑니다.”"
},
{
"id": "ch-7-p-69",
"n": 69,
"text": "그 말에 바구니 뒤에서 크림색 꼬리 끝이 움직였다. 마당에 들어올 때 사람들의 발치에서 빠져나간 보리가 거기 앉아 있었다. 리아가 손을 내밀자 보리는 선뜻 오지 않고, 마렌의 목록 위를 기웃거렸다."
},
{
"id": "ch-7-p-70",
"n": 70,
"text": "“보리, 그건 먹는 거 아니야.”"
},
{
"id": "ch-7-p-71",
"n": 71,
"text": "보리는 짧게 울고서야 리아의 가방으로 뛰어들었다. 마렌이 목록 가장자리에 찍힌 작은 흙자국을 손가락으로 털었다."
}
],
"pFrom": 62,
"pTo": 71,
"panelCount": 7,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep07-s7.webp",
"blocking": 0,
"advisory": 2,
"findings": [
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "3칸: 짐 목록에 두 표지 외에 읽을 수 없는 작은 낙서와 네모 그림. 읽히는 창작 글자는 없음.",
"en": "Panel 3: the cargo list carries small illegible scribbles and box drawings beyond the two labels; nothing extra is readable."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "6칸: 뻗는 손이 리아의 왼손인지 불분명하고 오른 손목이 소매 안에 있는지 보이지 않음.",
"en": "Panel 6: the reaching hand is not clearly Lia's left, and her right wrist is not shown inside the sleeve."
}
],
"textsTotal": 9,
"textsOk": 9,
"timings": {
"planS": [
60
],
"preflightS": [
108
],
"imageS": 45,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.119,
"plan": {
"intent": "Maren refuses to count stranded cargo as delivered and turns the loss into a practical inventory task. Bori’s interruption gives the scene a brief, character-driven release without resolving the delivery problem.",
"staging": "Keep the action in the same post-rain daytime yard: the stopped cart is in the yard, while the open cargo list is under a canopy and Bori first appears behind a basket. Maren looks toward the valley, but the scene does not travel there or establish a view of the goods below. Keep Maren’s worn gloves. Lia keeps her injured right wrist inside her sleeve and offers Bori her left hand. Bori is the established small, cream-furred marten with a dark brown tail tip; give Bori no spoken words or invented lettered call. On the list, show only the specified legible entry labels and the source-supported distinction between delivered and unmarked goods; add no other readable writing. If the passage board appears in the background, do not restore the previously removed departure token. Do not show Lia leaving the yard.",
"uncertainties": [
"The source does not establish the exact position or visible condition of the valley cart, the goods below, or what must be repaired before entry is possible.",
"The source describes the glimpsed tail tip as cream-colored, while Bori’s registered appearance gives it a dark brown tip. Preserve Bori’s established identity and coloring rather than inventing another animal or a new marking.",
"The source does not say that Maren knows Bori is behind the basket when she tells Lia to look underfoot, or that Bori caused the dirt mark on the list."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-7-p-63",
"kind": "dialogue",
"speaker": "c4",
"text": "“검 상자와 다른 배송품도 그 아래 남아 있어요. 약 상자는 먼저 인도했지만, 나머지를 인도한 셈으로 적을 수는 없습니다.”"
},
{
"id": "text-2",
"sourceId": "ch-7-p-65",
"kind": "dialogue",
"speaker": "c4",
"text": "“여기서 확인할게요. 남은 짐이 뭔지, 어디까지 보냈는지."
},
{
"id": "text-3",
"sourceId": "ch-7-p-65",
"kind": "dialogue",
"speaker": "c4",
"text": "수레를 새로 꾸릴 순서를 정하려면 그게 먼저예요."
},
{
"id": "text-4",
"sourceId": "ch-7-p-65",
"kind": "dialogue",
"speaker": "c4",
"text": "골짜기 수레는 보수해서 들어갈 수 있을 때까지 건드리지 않고요.”"
},
{
"id": "text-5",
"sourceId": "ch-7-p-66",
"kind": "physical",
"speaker": "narrator",
"text": "약 상자"
},
{
"id": "text-6",
"sourceId": "ch-7-p-66",
"kind": "physical",
"speaker": "narrator",
"text": "검 상자"
},
{
"id": "text-7",
"sourceId": "ch-7-p-67",
"kind": "dialogue",
"speaker": "c1",
"text": "“마렌 씨, 저도 돌아와서 목록 볼게요.”"
},
{
"id": "text-8",
"sourceId": "ch-7-p-68",
"kind": "dialogue",
"speaker": "c4",
"text": "“리아는 우선 발밑을 보고 와요. 목록은 안 도망갑니다.”"
},
{
"id": "text-9",
"sourceId": "ch-7-p-70",
"kind": "dialogue",
"speaker": "c1",
"text": "“보리, 그건 먹는 거 아니야.”"
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-7-p-62",
"ch-7-p-63"
],
"action": "Maren looks past the stopped yard cart toward the valley. She distinguishes the delivered medicine from the goods still below and refuses to record the remainder as delivered.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-7-p-64",
"ch-7-p-65"
],
"action": "Maren carries the cargo list under the canopy and opens it. As Lia moves to follow, Maren places her palm on an empty spot for them to check it there. She sets the inventory and cart-preparation order, while deferring any action on the valley cart.",
"textIds": [
"text-2",
"text-3",
"text-4"
]
},
{
"id": "beat-3",
"sourceIds": [
"ch-7-p-66"
],
"action": "Lia nods. Maren’s worn glove passes the already delivered medicine entry and stops at the unrecovered goods; she leaves the sword-box entry without a completion mark.",
"textIds": [
"text-5",
"text-6"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-7-p-67",
"ch-7-p-68"
],
"action": "Lia offers to return to the list later. Maren tells her to attend to what is underfoot first, without abandoning the inventory work.",
"textIds": [
"text-7",
"text-8"
]
},
{
"id": "beat-5",
"sourceIds": [
"ch-7-p-69",
"ch-7-p-70"
],
"action": "A tail moves behind a basket, revealing Bori, who slipped away from people’s feet on entering the yard. Lia extends her left hand; Bori does not come immediately and instead peers over Maren’s list. Lia addresses Bori.",
"textIds": [
"text-9"
]
},
{
"id": "beat-6",
"sourceIds": [
"ch-7-p-71"
],
"action": "After a short call, Bori jumps into Lia’s bag. Maren brushes a small dirt mark from the edge of the list with a finger; the undelivered entries remain unresolved.",
"textIds": []
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-7-p-62",
"ch-7-p-63"
],
"statement": "A cart is stopped in the yard. Maren looks toward the valley and says the sword box and other delivery goods remain below; only the medicine box has been delivered."
},
{
"id": "fact-2",
"sourceIds": [
"ch-7-p-64",
"ch-7-p-65",
"ch-7-p-66"
],
"statement": "Maren opens the cargo list under the canopy so she and Lia can establish what remains and what has been sent before ordering a newly prepared cart. She leaves the valley cart untouched for now and does not mark the sword box complete."
},
{
"id": "fact-3",
"sourceIds": [
"ch-7-p-67",
"ch-7-p-68",
"ch-7-p-69",
"ch-7-p-70",
"ch-7-p-71"
],
"statement": "Lia offers to check the list when she returns. Maren directs her attention to the ground first; Bori emerges from behind a basket, investigates the list rather than immediately approaching Lia, then jumps into Lia’s bag."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic, expressive ink lines, adult cast, cute small marten, post-rain daylight, consistent character designs, only selected Korean lettering.",
"moments": [
{
"sourceIds": [
"ch-7-p-62",
"ch-7-p-63"
],
"action": "Maren, wearing worn gloves, looks past the stopped cart in the damp yard toward the valley as she speaks.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-7-p-64",
"ch-7-p-65"
],
"action": "Maren's worn gloved palm rests on an empty place beside the open cargo list beneath the canopy; Lia stands nearby, her injured right wrist inside her sleeve.",
"textIds": [
"text-2",
"text-3"
]
},
{
"sourceIds": [
"ch-7-p-65"
],
"action": "Maren faces Lia across the open cargo list beneath the canopy; Lia listens with her injured right wrist still inside her sleeve.",
"textIds": [
"text-4"
]
},
{
"sourceIds": [
"ch-7-p-66"
],
"action": "Lia nods as Maren's worn glove rests beside the unmarked sword-box entry; the medicine-box entry is marked complete.",
"textIds": [
"text-5",
"text-6"
]
},
{
"sourceIds": [
"ch-7-p-67",
"ch-7-p-68"
],
"action": "Lia and Maren face each other beside the open list; Lia's injured right wrist stays inside her sleeve.",
"textIds": [
"text-7",
"text-8"
]
},
{
"sourceIds": [
"ch-7-p-69",
"ch-7-p-70"
],
"action": "Small cream marten Bori sits partly behind a basket near the canopy, peering toward Maren's list rather than Lia's outstretched left hand; Lia's injured right wrist stays sleeved.",
"textIds": [
"text-9"
]
},
{
"sourceIds": [
"ch-7-p-71"
],
"action": "Bori sits inside Lia's bag while Maren's finger brushes a small dirt mark from the edge of the open list.",
"textIds": []
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": true,
"evidence": "Maren (worn gloves, brick vest), Lia (sand jacket) and Bori match s6."
},
"setting": {
"passed": true,
"evidence": "The yard with the laden wagon, fence and stone building, then the covered area with crates and a lantern, as in the earlier yard scenes."
},
"actionTransition": {
"passed": true,
"evidence": "s6 ended with Doyun setting the departure token aside; s7 turns to Maren looking past the stopped wagon (p62)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "검 상자와 다른 배송품도 그 아래 남아 있어요. 약 상자는 먼저 인도했지만, 나머지를 인도한 셈으로 적을 수는 없습니다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-2",
"observedText": "여기서 확인할게요. 남은 짐이 뭔지, 어디까지 보냈는지.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-3",
"observedText": "수레를 새로 꾸릴 순서를 정하려면 그게 먼저예요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 2 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-4",
"observedText": "골짜기 수레는 보수해서 들어갈 수 있을 때까지 건드리지 않고요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-5",
"observedText": "약 상자",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 row label on the cargo list with a check mark in the status column; exact text."
},
{
"id": "text-6",
"observedText": "검 상자",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 row label on the cargo list with only a dash in the status column; exact text."
},
{
"id": "text-7",
"observedText": "마렌 씨, 저도 돌아와서 목록 볼게요.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail to Lia; exact text without quotation marks."
},
{
"id": "text-8",
"observedText": "리아는 우선 발밑을 보고 와요. 목록은 안 도망갑니다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 balloon with its tail to Maren; exact text without quotation marks."
},
{
"id": "text-9",
"observedText": "보리, 그건 먹는 거 아니야.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 6 balloon with its tail to Lia's outstretched hand at the right edge; exact text without quotation marks."
}
],
"evidence": "Seven panels. Row 1 wide: Maren at the wagon looking toward the valley. Row 2: Maren with a gloved palm on the open list beside Lia; Maren facing Lia. Row 3 wide: Maren's glove on the cargo list with the medicine box checked and the sword box left with a dash, Lia watching. Row 4 wide: Lia and Maren exchanging lines. Row 5: Bori peeking from behind a basket as Lia's gloved hand reaches in; Bori in Lia's bag while Maren brushes dirt from the list.",
"observedPanelCount": 7
}
},
{
"id": "s8",
"n": 8,
"title": "끊긴 발판 앞에서",
"status": "scene_needs_revision",
"verdict": "revise",
"units": [
{
"id": "ch-7-p-72",
"n": 72,
"text": "둔덕 입구까지는 멀지 않았다. 리아는 앞서 걷다가도 지도에 그려 둔 짧은 선의 끝을 떠올렸다. 그 끝에 길이 있을 거라고 덧그렸다면, 마당의 수레는 지금쯤 이쪽으로 향하고 있었을 것이다."
},
{
"id": "ch-7-p-73",
"n": 73,
"text": "도윤이 조금 뒤에서 걸었다. 리아가 가방끈을 왼손으로 고쳐 메자 그의 시선이 잠깐 내려왔다가 둔덕으로 돌아갔다. 리아는 오른손을 재킷 소매 속에 넣었다."
},
{
"id": "ch-7-p-74",
"n": 74,
"text": "풀숲이 갈라지는 곳에서 땅이 갑자기 꺼졌다. 옛 발판으로 보이는 널빤지 끝이 흙 밖으로 나와 있었지만, 그다음 판은 없었다. 아래로 떨어진 나무 조각 몇 개가 덤불에 걸려 있었다. 맞은편 둔덕은 보였으나, 그 뒤로 발길이 이어지는지는 여기서 알 수 없었다."
},
{
"id": "ch-7-p-75",
"n": 75,
"text": "리아는 널빤지에 발을 올리지 않고 멈췄다. 가방에서 고개를 내민 보리도 코를 내밀었다가 다시 들어갔다."
},
{
"id": "ch-7-p-76",
"n": 76,
"text": "도윤이 그녀 옆에 서서 끊긴 자리와 맞은편을 번갈아 보았다."
},
{
"id": "ch-7-p-77",
"n": 77,
"text": "“수레는커녕 사람도 바로 못 건너겠네.”"
},
{
"id": "ch-7-p-78",
"n": 78,
"text": "“응. 여기서부터 확인해야 해.”"
},
{
"id": "ch-7-p-79",
"n": 79,
"text": "거점 쪽에서는 멈춰 선 수레의 말이 울었다. 리아는 지도 속 빈칸을 떠올리며, 건너편 땅을 눈으로 더듬었다. 빠진 발판 너머에 무엇이 이어지는지는 아직 보이지 않았다."
}
],
"pFrom": 72,
"pTo": 79,
"panelCount": 5,
"image": "https://fbwndrud.github.io/vibelore-showcase-media/thundertrail/img/ep07-s8.webp",
"blocking": 2,
"advisory": 1,
"findings": [
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸 캡션: '리아는'을 '리야는'으로 씀. 이 화에서 세 번째 이름 오기(s1·s6·s8).",
"en": "Panel 1 caption (text-1) renders 리아는 as 리야는, the third misspelling of the protagonist's name in this chapter (s1, s6, s8)."
},
{
"severity": "blocking",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1칸: 도윤 허리에 둘둘 말린 밧줄. 잃은 줄이 되살아남.",
"en": "Panel 1: a coiled rope hangs at Doyun's hip; his rope is lost and only an empty loop remains."
},
{
"severity": "advisory",
"layer": "render",
"layerLabel": "이미지 모델",
"ko": "1·4칸: 끈을 잡은 손이 리아의 오른손으로 보임. 계획은 오른 손목을 소매 안에 둠.",
"en": "Panels 1 and 4: Lia's hand on the strap looks like her right hand; the plan keeps the right wrist in the sleeve."
}
],
"textsTotal": 5,
"textsOk": 5,
"timings": {
"planS": [
38
],
"preflightS": [
49
],
"imageS": 49,
"imageCalls": 1,
"preflightRevisions": 0
},
"imageUsd": 0.1312,
"plan": {
"intent": "Turn Lia’s unverified line on the map into a visible reason for caution: the cart might have been sent toward a crossing that is broken. End with the route still unconfirmed, not with an attempted crossing.",
"staging": "Keep the scene on the post-rain daytime approach to the mound entrance. The broken foothold is at Lia and Doyun’s side of the drop; fallen fragments are in brush below, and the opposite mound is visible. Neither person crosses or steps on the protruding board. Lia’s injured right wrist remains inside her sleeve; her left hand handles the bag strap. Bori stays in her bag. Doyun has an empty belt loop and no rope. Keep the cart and horse offsite, indicated only by the sourced call. Letter only the specified Korean text; add no readable writing to a map or other prop.",
"uncertainties": [
"The width and depth of the drop, and the condition of any support beneath the protruding board, are not established. Do not show the terrain actively collapsing.",
"The opposite mound is visible, but whether a route continues behind it cannot be determined from here.",
"Lia imagines what might have happened had she marked the line as a road; the cart has not been sent toward this crossing in the scene."
],
"texts": [
{
"id": "text-1",
"sourceId": "ch-7-p-72",
"kind": "caption",
"speaker": "narrator",
"text": "리아는 앞서 걷다가도 지도에 그려 둔 짧은 선의 끝을 떠올렸다. 그 끝에 길이 있을 거라고 덧그렸다면, 마당의 수레는 지금쯤 이쪽으로 향하고 있었을 것이다."
},
{
"id": "text-2",
"sourceId": "ch-7-p-77",
"kind": "dialogue",
"speaker": "c2",
"text": "“수레는커녕 사람도 바로 못 건너겠네.”"
},
{
"id": "text-3",
"sourceId": "ch-7-p-78",
"kind": "dialogue",
"speaker": "c1",
"text": "“응. 여기서부터 확인해야 해.”"
},
{
"id": "text-4",
"sourceId": "ch-7-p-79",
"kind": "caption",
"speaker": "narrator",
"text": "거점 쪽에서는 멈춰 선 수레의 말이 울었다."
},
{
"id": "text-5",
"sourceId": "ch-7-p-79",
"kind": "caption",
"speaker": "narrator",
"text": "빠진 발판 너머에 무엇이 이어지는지는 아직 보이지 않았다."
}
],
"beats": [
{
"id": "beat-1",
"sourceIds": [
"ch-7-p-72",
"ch-7-p-73"
],
"action": "As Lia leads the short approach, she recalls the map line and the consequence of having drawn an unverified road beyond it. She adjusts her bag with her left hand. Doyun briefly notices the movement before looking back toward the mound.",
"textIds": [
"text-1"
]
},
{
"id": "beat-2",
"sourceIds": [
"ch-7-p-74",
"ch-7-p-75"
],
"action": "The parted grass reveals the abrupt drop and incomplete former foothold. Lia halts before the protruding board. Bori tests the air from her bag and retreats.",
"textIds": []
},
{
"id": "beat-3",
"sourceIds": [
"ch-7-p-76",
"ch-7-p-77",
"ch-7-p-78"
],
"action": "Doyun comes alongside Lia and checks the broken crossing against the opposite mound. He states the immediate obstruction; Lia answers by committing to examine the route from this point, without stepping onto the board.",
"textIds": [
"text-2",
"text-3"
]
},
{
"id": "beat-4",
"sourceIds": [
"ch-7-p-79"
],
"action": "A horse calls from back toward the base. Lia searches the ground beyond the missing foothold with her eyes, but the view yields no confirmation of a continuing path.",
"textIds": [
"text-4",
"text-5"
]
}
],
"facts": [
{
"id": "fact-1",
"sourceIds": [
"ch-7-p-72",
"ch-7-p-73"
],
"statement": "Lia walks ahead toward the nearby mound entrance, thinking of the short line she drew on her map. Doyun follows. She adjusts her bag strap with her left hand and keeps her right hand inside her jacket sleeve."
},
{
"id": "fact-2",
"sourceIds": [
"ch-7-p-74",
"ch-7-p-75"
],
"statement": "Where the grass parts, the ground drops away. One apparent former foothold protrudes from the soil, the next board is missing, and fallen wood fragments are caught in brush below. Lia stops without stepping onto the board; Bori briefly extends its nose from her bag, then withdraws."
},
{
"id": "fact-3",
"sourceIds": [
"ch-7-p-76",
"ch-7-p-77",
"ch-7-p-78",
"ch-7-p-79"
],
"statement": "Doyun joins Lia and compares the broken crossing with the visible opposite mound. He says neither a cart nor a person can cross directly; Lia says they must begin checking here. A horse calls from the direction of the stopped cart at the base while Lia studies the far side."
}
]
},
"brief": {
"style": "Finished full-color fantasy comic; expressive ink lines, adult characters, cute cream-furred marten, coherent daylight on wet post-rain terrain.",
"moments": [
{
"sourceIds": [
"ch-7-p-72",
"ch-7-p-73"
],
"action": "Lia leads through wet grass, adjusting her bag strap with her left hand; her right wrist remains inside her jacket sleeve. Doyun follows just behind, watching her hand.",
"textIds": [
"text-1"
]
},
{
"sourceIds": [
"ch-7-p-74",
"ch-7-p-75"
],
"action": "Lia stands on grass before a plank jutting from the near bank; the next foothold is missing, with fragments caught in brush below. Bori's nose peeks from her bag; the opposite mound is visible.",
"textIds": []
},
{
"sourceIds": [
"ch-7-p-76",
"ch-7-p-77"
],
"action": "Doyun speaks beside Lia on the grassy near bank, his belt loop empty, facing the broken foothold and the visible opposite mound.",
"textIds": [
"text-2"
]
},
{
"sourceIds": [
"ch-7-p-78"
],
"action": "Lia answers Doyun beside the gap, her left hand on her bag strap and her right wrist tucked inside its sleeve. Her feet remain on the grass.",
"textIds": [
"text-3"
]
},
{
"sourceIds": [
"ch-7-p-79"
],
"action": "Lia gazes across the gap toward the opposite mound; no continuing route is visible beyond the missing foothold. Bori rests inside her bag.",
"textIds": [
"text-4",
"text-5"
]
}
]
},
"review": {
"continuity": {
"inspectedPreviousImage": true,
"identity": {
"passed": false,
"evidence": "Lia, Bori and Doyun's face and coat match s7, but panel 1 hangs a coiled rope at Doyun's hip, which the lost-rope fact rules out."
},
"setting": {
"passed": true,
"evidence": "The grassy mound path and the broken boardwalk over the ravine match the boardwalk reference; this is the scene that reaches it."
},
"actionTransition": {
"passed": true,
"evidence": "s7 ended with Bori in Lia's bag at the yard; s8 follows Lia and Doyun on the short walk to the mound entrance (p72)."
}
},
"textObservations": [
{
"id": "text-1",
"observedText": "리야는 앞서 걷다가도 지도에 그려 둔 짧은 선의 끝을 떠올렸다. 그 끝에 길이 있을 거라고 덧그렸다면, 마당의 수레는 지금쯤 이쪽으로 향하고 있었을 것이다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 1 caption box; 리아는 is rendered as 리야는, the rest exact."
},
{
"id": "text-2",
"observedText": "수레는커녕 사람도 바로 못 건너겠네.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 3 balloon with its tail to Doyun; exact text, quotation marks kept."
},
{
"id": "text-3",
"observedText": "응. 여기서부터 확인해야 해.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 4 balloon with its tail to Lia; exact text, quotation marks kept."
},
{
"id": "text-4",
"observedText": "거점 쪽에서는 멈춰 선 수레의 말이 울었다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption box; exact text."
},
{
"id": "text-5",
"observedText": "빠진 발판 너머에 무엇이 이어지는지는 아직 보이지 않았다.",
"readable": true,
"speakerCorrect": true,
"evidence": "Panel 5 caption box; exact text."
}
],
"evidence": "Five full-width panels. 1: Lia adjusting her bag strap as Doyun follows with a coiled rope at his hip, caption at left. 2: Lia from behind with Bori in the bag, stopped before a broken boardwalk jutting over the ravine. 3: Doyun speaking beside Lia. 4: Lia answering, Bori in the bag. 5: Lia from behind looking across the gap at the opposite mound, two captions.",
"observedPanelCount": 5
}
}
]
}
],
"runs": [
"scene-20260921",
"scene-20260922",
"scene-20260923-gpt6",
"scene-20260923-opus"
]
}